PROGRAM
Days: Thursday, January 9th Friday, January 10th Saturday, January 11th Monday, January 13th Tuesday, January 14th Wednesday, January 15th
Thursday, January 9th, 2025
View this program: with abstractssession overviewtalk overview
09:00-10:30 Session IA: Opening Ceremony
9:00 Whakatau (Ceremonial Welcome) by Te Āti Awa
9:15 Opening Remarks
Kapa Haka (Māori performing arts) and Pasifika Dance
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Location: T1
10:30-11:00Morning coffee break
13:00-14:30Lunch break and Study Group welcome meetings
14:30-16:30 Session ID01
Chair:
| 14:30 | Feeling like Home! Diasporic Koreans’ Sense of Well-being and Community Belonging by Way of Music and Dance (abstract) |
14:30-16:30 Session ID02
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| 14:30 | Addressing Translation Challenges in Traditional Music and Dance: Insights from the Role of Liaison Officers in ICTMD (abstract) |
14:30-16:30 Session ID03
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| 14:30 | Social Media as a Virtual Repertoire of Music and Dance: A Participatory Platform and Cultural Interaction for Artists and Amateurs (abstract) |
14:30-16:30 Session ID05
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| 14:30 | Comparing Generational and Temporal Differences in Musicality through Audio Archival Recordings of Thau Ceremonial Songs in Taiwan (abstract) |
| 15:00 | Comparative Analysis of Two Inheritance Modes of Chinese Chaozhou Gong and Drum Music (abstract) |
| 15:30 | Confucius Ritual Music in Modern China: Negotiations between Music Authenticity, Cultural Identity, and Political Symbolism (abstract) |
| 16:00 | Exploring Cultural Translation through Cantonese Narrative Singing (abstract) |
14:30-16:30 Session ID06
| 14:30 | The Musical Patterns in `Lohong' : Manipuri Wedding Rituals in Bangladesh (abstract) |
| 15:00 | Macao Taoist Ritual Music Sustainability: A Case Study of the Macao Taoist Teen Orchestra (abstract) |
| 15:30 | Resonating repentance: Performing selichot in the Israeli public sphere (abstract) |
14:30-16:30 Session ID07
| 14:30 | Music as a Collective Action of We-ness (abstract) |
14:30-16:30 Session ID08
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| 14:30 | Sustaining Local and Translocal Connections through Musical Practice (abstract) |
14:30-16:30 Session ID09
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| 14:30 | Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia (abstract) |
14:30-16:30 Session ID10
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| 14:30 | Hearing the place: gamelan and other-sounds as a part of socio-cultural spaces in Bali, Indonesia (abstract) |
| 15:00 | Music, Place, and Sacred: Qasida-khonī in Understanding of Sacred Place (abstract) |
| 15:30 | Reconstructing Prabandhas of Someśvara III: Processes and Challenges in Reviving Medieval Indian Musical Compositions Using Handwritten Manuscripts (abstract) |
| 16:00 | Musical Collaborations in the Music of the Thai Isan: Realizing New Works for Classical Guitar (abstract) |
14:30-16:30 Session ID11
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| 14:30 | Re-composing and Re-arranging Indigenous Sounds: a case of eBhofolo and Ngibambeni, Ngibambeni! (abstract) |
| 15:00 | Christmastide Nwátàm in Ndokiland: Resilience of Ancestral Traditions in the Face of Internal Annihilation (abstract) |
| 15:30 | The Integration of Music and Dance in the Performance of Imbalu Circumcision Rituals of the Bagisu of Eastern Uganda. (abstract) |
| 16:00 | Rural Flux and Constant Musical Mobilities (abstract) |
16:30-17:00Afternoon coffee break
17:00-18:30 Session IE01
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| 17:00 | Music in the religious rituals of some indigenous ethnic groups in Viet Nam (abstract) |
17:00-18:30 Session IE02
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| 17:00 | Traditions of Intercultural Folk Music Research in the Carpathian Region of Central Europe (abstract) |
17:00-18:30 Session IE04
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| 17:00 | Panel: "Nostalgia, Liberation, and Self-consciousness: Music and Dance in Hong Kong and Shanghai" (abstract) |
17:00-18:30 Session IE05
| 17:00 | Colonial Reverberations and the Eradication of Indigenous Narratives (abstract) |
| 17:30 | Brass Bands: A Gift of Gaddangs in Solano, Nueva Vizcaya (abstract) |
| 18:00 | Marching into Place!: Accordion Marching Bands and their Positionality within a Partitioned Ulster (abstract) |
17:00-18:30 Session IE06
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| 17:00 | True Echoes - a collaborative model for reconnecting cultures with recordings from the beginning of sound (abstract) |
17:00-18:30 Session IE07
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| 17:00 | Dance syntax: Why should we care, what approaches do we have, and what problems does it bring? (abstract) |
17:00-18:30 Session IE08
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| 17:00 | Ri Long Poye: Re-examining the Marma Water Festival and the Struggle for Sustainability. (abstract) |
| 17:30 | Music on the water and performance in imperial space: Distinction and discrimination by social class from an analysis of music scenes in ancient Japanese court diaries (abstract) |
| 18:00 | The Effect of Environmental Pollution on Kalabari Funeral Rite Music (abstract) |
17:00-18:30 Session IE09
| 17:00 | Tunisia's music policy from the roots of cultural patronage to the implementation of a national strategy (abstract) |
| 17:30 | Tunisia’s Ministry of culture: A governmental instrument for transitional democracy? Musical policy as study case (abstract) |
| 18:00 | The Institutionalization of Dance policy in Tunisia: a birth under post-revolution political climate (abstract) |
17:00-18:30 Session IE10
| 17:00 | “Kuveni Yakkama”: A Contemporary Healing Ritual Performance that Reclaims the Healing Power of An Indigenous Princess Kuveni Found in Sri Lankan History. (abstract) |
| 17:30 | Examining the Performance of Bhawaiya Song: The Symbolic Significance of Idiosyncratic Tune, Lyrics and Lives (abstract) |
| 18:00 | Explore the significant embodiments of Kandyan dance in Sri Lanka. (abstract) |
17:00-18:30 Session IE11
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| 17:00 | Sanskrit Growling: Buddhism and Death Metal in the Music of the Taiwanese Band Dharma (abstract) |
| 17:30 | Syndaskrynkel: The social life of the accordion in Nordic and global metal music. (abstract) |
| 18:00 | An overview of the use of optical motion capture to study the relationship between music, dance and social behaviour (abstract) |
19:00-21:00 Opening Welcome Celebration at The Hub, Victoria University of Wellington, Kelburn Parade
From 18:30 dinner options available for purchase
19:00 Tea Ceremony and Guqin (Central Conservatory of Music, Beijing / Confucius Institute at VUW)
Welcome by Te Kōkī New Zealand School of Music and Victoria University of Wellington
19:30 Chinese Ensemble (Central Conservatory of Music, Beijing)
20:15 Javanese Dance (Indonesian Community of Wellington)
Friday, January 10th, 2025
View this program: with abstractssession overviewtalk overview
08:30-10:30 Session IIA01
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| 08:30 | We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies (abstract) |
08:30-10:30 Session IIA02
| 08:30 | The malleable nature of indigenous music and dance forms in changing political and socio-religious contexts (abstract) |
08:30-10:30 Session IIA03
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| 08:30 | Romani Musicians and Musical Practices in Slovenia: Emerging Issues in Research of a Marginalized Minority (abstract) |
08:30-10:30 Session IIA05
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| 08:30 | Modernity's Collective Space: The Private and Public in the Soundscape Space Metaphor of the Muya Tibetans' Buddha-Unfolding Festival and Their Relationship (abstract) |
| 09:00 | Reconsidering the Boundaries of Sonic Dialogue Between Gamelan and Computer Music in Monk (2019) by Yan Priya Kumara Janardhana. (abstract) |
| 09:30 | From Ritual to (Self-) advertisement: Traditional Cambodian Wedding Music on Facebook and YouTube (abstract) |
| 10:00 | Xi 'an South Gate music culture and soundscape -- Take Red rock Band Dingxi as an example (abstract) |
08:30-10:30 Session IIA06
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| 08:30 | Archiving the Swinging Notes: Analyzing Cheng Wan-Tsung's Handwritten Notations and His Life History (abstract) |
| 09:00 | Echoes of Tradition: Sustaining the Teochew Ethnic Group through Teochew Opera (abstract) |
| 09:30 | The Connotation and Perspective of “On Sound Without Sorrow and Joy" (abstract) |
| 10:00 | The Role and Significance of “Imperial Ritual Music” Zhonghe Shaoyue in the Soundscape of Tiantan (abstract) |
08:30-10:30 Session IIA07
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| 08:30 | Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of Japan (abstract) |
08:30-10:30 Session IIA08
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| 08:30 | Bodies, costumes, gender: five views from the Southern Cone (abstract) |
08:30-10:30 Session IIA10
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| 08:30 | Fieldwork periods – cyclic impurity and the agency of female performers and researchers (abstract) |
10:30-11:00Morning coffee break / Book launch (Georgia Curran & Mahesh White-Radhakrishnan)
11:00-13:00 Session IIB01
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| 11:00 | The Infusion of First Nations, Métis, & Inuit Culture through the Social, Emotional and Cognitive Effects of Elementary Dance Education (abstract) |
| 12:00 | Embodied Practices in Meykhana: Exploring the Integration of Poetry, Music, and Movement in Ritual Performance (abstract) |
11:00-13:00 Session IIB02
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| 11:00 | Cross-cultural collaboration and music-language relationships: Comparative perspectives (abstract) |
| 12:00 | Cross-cultural collaboration and music-language relationships: Ethnographic perspectives (abstract) |
11:00-13:00 Session IIB03
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| 11:00 | Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity (abstract) |
11:00-13:00 Session IIB05
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| 11:00 | Indigenous music, dance and art in the marketing campaigns and corporate identity efforts of Air New Zealand and Qantas: forging a momentum of reconciliation? (abstract) |
| 11:30 | "Echoes of the Other: "Wild Man's Dance" and the Musical Portrayal of Colonial Otherness" (abstract) |
| 12:00 | Reclaiming Aotearoa: Stories of experimentation, education and reflection in Aotearoa Indigenous metal music (abstract) |
| 12:30 | Bye-Bye Middle-Earth … a Personal Reflection on Cultural Dislocation (abstract) |
11:00-13:00 Session IIB06
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| 11:00 | Songs of Migration: Inspiration or Solace? (abstract) |
| 11:30 | The Sun Is up: a Song to Mirror Identity in Migration (abstract) |
| 12:00 | La Sonora Dinamita Band and the Latin American migration to Southern California: A Borgian analysis of the only band in the US that can play in more than one place at a time. (abstract) |
| 12:30 | Challenges and innovations for effects of migration on the transmission of religious music and dance: case of migrant Alevi in Austria (abstract) |
11:00-13:00 Session IIB07
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| 11:00 | Christian chants, ancestral voices and bamboo panpipes: an ethnographic approach to sounds in between Catholic liturgical music and indigenous musical instruments in ’Are’are, Solomon Islands (abstract) |
| 11:30 | Song Ideology: Ideological Power on Folk Songs in Japan and China (abstract) |
| 12:00 | Verbal aspects of music and dance traditions: Songs of South Siberian Turks (abstract) |
| 12:30 | Ata as Ati in Boracay, Philippines: Ancestral Land songs, Eviction Trauma, and Claim to Home (abstract) |
11:00-13:00 Session IIB08
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| 11:00 | Music, Careers, Gender, and Sustainability in Ghana (abstract) |
| 12:00 | Taarab Music in Zanzibar, Tanzania (abstract) |
11:00-13:00 Session IIB09
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| 11:00 | Intersecting Technologies, Shared “Spaces”—— Sound, Spaces and Movement in game music of Soichi Terada and his music project Omodaka(沢瀉) (abstract) |
| 11:30 | Echoes of Historical Recordings: Investigating the Tongan Fangufangu Through Sound Analysis (abstract) |
| 12:00 | The Use of Digital Media Technology in the Preservation, Retrieval and Dissemination of Traditional Folk Music (abstract) |
| 12:30 | Limassol Carnival Serenades: Diverse Community-led Approaches to Cultural Sustainability. (abstract) |
11:00-13:00 Session IIB10
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| 11:00 | Repertoire of a climate march: Some Pasifiqueeredisabled comments on tauiwi Pasifika climate activist music in Aotearoa New Zealand (abstract) |
| 11:30 | Listening to Whales: Exploring Ecocentric Activism through Sonic Entanglements (abstract) |
| 12:00 | Tangaroa and Tagaloa: Indigenous Pacific popular music and climate activism (abstract) |
| 12:30 | Music, Religion, and Community-Building Among War-Displaced Syrian Melkite Christians in Germany (abstract) |
11:00-13:00 Session IIB11
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| 11:00 | The Study and Critical Editing of Medieval Sino-Japanese Music Treatises: On Ryōkin’s Kangen Ongi (abstract) |
| 11:30 | Two Dimensions of the Internationalization of Korean Music during the Cold War: International Exchanges in Classical-Contemporary and Traditional Music between South Korea and the U.S. (abstract) |
| 12:00 | The first recording of Southern Vietnamese music: historical contexts, interpretation, and hypothesis (abstract) |
| 12:30 | The Gongche Notation and Inherent of the Traditional Chinese Music (abstract) |
13:00-14:30Lunch break and Study Group welcome meetings
14:30-16:30 Session IID: Plenary - Learning & Sharing Indigenous Knowledge: Music, Language & Arts
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16:30-17:00Afternoon coffee break
17:00-18:30 Session IIE01
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| 17:00 | Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific (abstract) |
17:00-18:30 Session IIE02
| 17:00 | Tensions and Entanglements: the textuality in between Chinese music and poetry through two millennia (abstract) |
17:00-18:30 Session IIE03
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| 17:00 | Messy Positionalities. Queer-feminist Troubles in the Field (abstract) |
17:00-18:30 Session IIE04
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| 17:00 | Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste (abstract) |
17:00-18:30 Session IIE05
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| 17:00 | Baagadozhi: Power, Masculinity, and Spatialities in the Enyan-Etsu Royal Ensemble (abstract) |
| 17:30 | Reinforcing Gonja Cultural Identity Through Music: an Ethnography of the Gonja Diaspora Community in Accra, Ghana (abstract) |
| 18:00 | Platformisation and the Growth of Kenyan Creative Economies: an Exploration of Challenges and Opportunities Presented by Mdundo Platform (abstract) |
17:00-18:30 Session IIE06
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| 17:00 | The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based Approaches (abstract) |
17:00-18:30 Session IIE07
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| 17:00 | Language revitalization and integration of traditional music: The case of Leftraru Hualamán, a Mapuche Williche musician from southern Chile (abstract) |
| 17:30 | Writing Songs for Preserving Indigenous Language and Culture: A Case Study of Puyuma (abstract) |
| 18:00 | Jingrwai Iawbei -The whistled language of Kongthong Village, India (abstract) |
17:00-18:30 Session IIE08
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| 17:00 | Long-term participatory action-research on music and dance as praxis for social change (abstract) |
17:00-18:30 Session IIE09
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| 17:00 | Sacredness-Secularity Syncretism: A Cultural Interpretation of the Ritual PerfSacrednessormance of Rgyalrong“Darga”in the Jinchuan River Basin in the Eastern Edge of the Qinghai-Tibetan Plateau (abstract) |
| 17:30 | The Healing Qobyz : Merging Kazakh Cosmology with Music Therapy for the Future of an Ancient Instrument (abstract) |
| 18:00 | Beyond the Sacred-Secular Divide: Mourning Rituals, Spiritual Happiness, and Shi‘a Agency in Tehran (abstract) |
17:00-18:30 Session IIE10
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| 17:00 | Territorial Boundaries of “Historical Ethnomusicology” in English Academic Discourses (abstract) |
| 17:30 | I know more than I think! Knowledge production through artistic research (abstract) |
| 18:00 | Get Me off This F***Ing Planet: a Performative Approach to Climate Change (abstract) |
17:00-18:30 Session IIE11
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| 17:00 | Music and Dance on the Sustainable Development Goal #18 for the post-2030 Agenda. A Network Dialogue (abstract) |
19:30-21:00 Performances by Mi'kmaw Delegation from Cape Breton led by the Sons of Membertou Drum Group, Nova Scotia Canada
Location: T8
Saturday, January 11th, 2025
View this program: with abstractssession overviewtalk overview
08:30-10:30 Session IIIA01
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| 08:30 | A Sense of Island Homeplace by Reweaving Music and Dance (abstract) |
08:30-10:30 Session IIIA02
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| 08:30 | Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of Care (abstract) |
08:30-10:30 Session IIIA03
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| 08:30 | The Institute of Papua New Guinea Studies and Music and Dance Research (abstract) |
08:30-10:30 Session IIIA05
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| 08:30 | An Intrinsic Case Study of Music and Dance Activities of Indonesian Returnees in Huadu District, Guangzhou, China (abstract) |
| 09:00 | Emplacement, and ‘Ma’ (間): a Body Metamorphosis from Butō Embodiment Praxis (abstract) |
| 09:30 | How does Forced Migration Impact Musical Practices? – The Case of Afghan Musicians in Exile (abstract) |
| 10:00 | Desdisfrazando our dances: A decolonial methodology to interculturally dialogue with Ecuadorian identity (abstract) |
08:30-10:30 Session IIIA06
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| 08:30 | The Emergence of International Mariachi Women’s Festivals: Claiming Space and Place in the Male Mariachi Genre. (abstract) |
| 09:00 | The Past, the Future, and the Music in Between: Brazilian fandango caiçara, displacement, and cultural sustainability on the coast of Brazil. (abstract) |
| 09:30 | Manifesting Beginner-Friendly Social Dance Events: Contra, Family, and Barn Dances’ Inclusivity Practices for First-Timers (abstract) |
| 10:00 | The ASB Polyfest: Pacific Festival/Digital World (abstract) |
08:30-10:30 Session IIIA07
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| 08:30 | Expanding the Reception of Pansori: The Literal and Figurative Translation of Traditional Texts for Young Korean and Foreign Audiences (abstract) |
| 09:00 | English-language Noh: Ongoing Acts of Linguistic and Artistic Translation (abstract) |
| 09:30 | Leisure experience in music translations among the Luyia people: the case of Congolese rhumba music reception in western Kenya (abstract) |
| 10:00 | Music for the Eye? – Signed Songs by Berlin Sign Choir (abstract) |
08:30-10:30 Session IIIA08
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| 08:30 | Dance in Africa (abstract) |
| 09:00 | Gestures and their meaning in Kalasha Dance (abstract) |
| 09:30 | Embodied Listening towards VOCALOID Songs: A Study of the “Kōru” Gesture System in Hatsune Miku Virtual Concerts (abstract) |
| 10:00 | Dancing the grief, vocalizing the mourning - The Gjama Ritual as Performance and Story (abstract) |
08:30-10:30 Session IIIA10
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| 08:30 | Space as a Social Construction: The Tradition of Song Celebrations in Latvia (abstract) |
| 09:00 | Music, Space, and Change: Revolution and Music in the Central Soviet Area of China, 1929-1934 (abstract) |
| 09:30 | In the Heights, Where is Home: The Shaping of Urban Community Onstage Cultural Space (abstract) |
| 10:00 | Lo-fi Coffee Shop Streams and Krill Waves Radio: Soundscaping Platforms and Musical and Material Practices of Spatiality in Digital Culture (abstract) |
08:30-10:30 Session IIIA11
| 08:30 | Why Don’t We Talk About the Salamanders? Zilker Park Reconstruction in Austin, TX (abstract) |
| 09:00 | Music as a means of resistance in Phulbari Tea Estate: An ethnography of life in total institutions (abstract) |
| 09:30 | Seeking to Walk Beautifully on the Earth: Applied Ecomusicology as Community Building in Rural Ireland (abstract) |
10:30-11:00Morning coffee break / Book launches (Reuben Brown and Georgia Curran)
11:00-13:00 Session IIIB01
| 11:00 | Ground Control to Major Tom: Exploring Creativity in Extreme Environments (abstract) |
| 11:30 | Rescaling Indigenous Spaces amid Urban Renewal in New Taipei City (abstract) |
| 12:00 | A first approach to the presence of diverse environmentalisms through ambient and metal music in Chile (abstract) |
| 12:30 | Traditional bestiary or listening to the living environment. (abstract) |
11:00-13:00 Session IIIB02
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| 11:00 | Characteristics of Musical Resilience in Culturally Diverse Societies (abstract) |
| 11:30 | Ngarigu music, dance and language renewal (abstract) |
| 12:00 | The Variations in Performance Styles of Various Genres in Quγur-un Üliger formed by Mongolian Dialect (abstract) |
| 12:30 | Osoode Highlife: Recontextualization, Revival, and Sustenance of a Ghanaian Indigenous Music Tradition (abstract) |
11:00-13:00 Session IIIB03
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| 11:00 | The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments (abstract) |
11:00-13:00 Session IIIB05
| 11:00 | To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops (abstract) |
| 11:30 | Co-Writing Country: the good, the bad, and the genre (abstract) |
| 12:00 | 21st-Century Flamenco Dance: Transformations and Tradition (abstract) |
11:00-13:00 Session IIIB06
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| 11:00 | From Body Memory to Ritual Practice: The Multiple Musical Identity Transformation of Male Artists of Buyi Ethnic Group in Guizhou Province, China (abstract) |
| 11:30 | Lion Dances: Bodies, Gender, Empowerment (abstract) |
| 12:00 | Women’s Tufo Dancing, Discourses of Talent, and the Gendered Politics of Mobility in Mozambique (abstract) |
| 12:30 | The Characteristics of Regional Tanbour Repertoires Accompanied by Dances (abstract) |
11:00-13:00 Session IIIB07
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| 11:00 | Building Age-Friendly Universities through Applied Arts Research and Participatory Music Making (abstract) |
| 11:30 | Exploring the role of Novos Raios dance school in mediating arts education in suburban Maputo, Mozambique (abstract) |
| 12:00 | Bridging Boundaries through Adaptation: A University Teacher's Autoethnography of Presenting Shanxi Folk Songs as Clarinet Quintets to Global Audiences (abstract) |
| 12:30 | Breaking Barriers: Embodying Queer and Non-Binary Spaces of Practice within Music Education (abstract) |
11:00-13:00 Session IIIB08
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| 11:00 | The practice of mutual construction between funeral ceremony Yuewu（樂舞） and Yi people 's diversity totem worship (abstract) |
| 11:30 | Reclaiming Traditions: Indigenous Gender Interactions in Ritual Renewal after Colonisation (abstract) |
| 12:00 | Korean Buddhist Chant and Dance: Contemporary Meaning of Ancient Religious Tradition (abstract) |
| 12:30 | Reconstructing Joget Gamelan Timang Inu: An Ethnographic and Practice-Led Approach (abstract) |
11:00-13:00 Session IIIB09
| 11:00 | Journey of Georgian Traditional Music: Exploring its Internationalisation in the UK (abstract) |
| 11:30 | Circular Time and the Powwows of Oklahoma (abstract) |
| 12:00 | "Noisy" Cantonese Opera in Early Hawaiʻi (abstract) |
| 12:30 | Field of Vibrations - how ancient music can remain relevant today (abstract) |
11:00-13:00 Session IIIB10
Chair:
| 11:00 | From Tabu to Tārava: Media culture and living arts in French Polynesia (abstract) |
| 11:30 | Decolonizing Spaces: Indigenous Feminist Praxis of Pacific Islander Women in Southern Californian Island Reggae Scene (abstract) |
| 12:00 | Nā te pō i whakaatu: Creating waiata with insight from our ancestors (abstract) |
| 12:30 | New work for taonga puoro and live electronics (abstract) |
11:00-13:00 Session IIIB11
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| 11:00 | The Game of Rights, the Sound of Solidified: Musical Murals of Deokheung-ri Tomb in North Korea (abstract) |
| 11:30 | Filth and Symbol: The Order Construction of The Taboos of The Zhuang Dongjing Musicians in Wenshan (abstract) |
| 12:00 | Re-conceptualizing Tradition: Exploring the Night of Jeonju & Heritage Story in Hanok Maŭl (abstract) |
| 12:30 | Adoption, Adaptation, and Resistance: Colonizing and Decolonizing through Music Notation (abstract) |
13:00-14:30Lunch break and Study Group welcome meetings
16:30-17:00Afternoon coffee break
17:00-18:30 Session IIIE01
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| 17:00 | Reclaiming and sustaining song and dance – connections across land and seas (abstract) |
17:00-18:30 Session IIIE02
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| 17:00 | Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula (abstract) |
17:00-18:30 Session IIIE03
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| 17:00 | Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and Sound (abstract) |
17:00-18:30 Session IIIE05
| 17:00 | Rediscovering Context: Unveiling a Contemporary Cultural Landscape for the Ancient Art of Guqin in China (abstract) |
| 17:30 | Study on the Performance Postures of Dongtou JiaoLeiGu (abstract) |
| 18:00 | Safeguarding of Teochew Opera and Puppetry in Malaysia and the efforts by community (abstract) |
17:00-18:30 Session IIIE06
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| 17:00 | Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts (abstract) |
17:00-18:30 Session IIIE07
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| 17:00 | Exploring Transformation Cultural Assimilation Processes: The Unique Musical Attributes of the Klong Puje Traditional Drum among the Tai Yuan Community in Chiang Mai (abstract) |
| 17:30 | Searching for ‘Portable Percussion Music’ – Possibilities of Single-drum Compositions (abstract) |
| 18:00 | Exploring Speech Surrogacy in Yoruba Talking Drums: A Study of Dundun and Bata Master Musicians of the South-West Nigeria. (abstract) |
17:00-18:30 Session IIIE08
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| 17:00 | The role of technologies to keep communities vital and meaningful (abstract) |
17:00-18:30 Session IIIE09
Chair:
| 17:00 | Resonance: body walking-dancing with the landscape (abstract) |
| 17:30 | Hula in Fukushima, Japan: Relocation and Resignification of the Hawaiian Dance Tradition for Regional Revitalization and Recovery from Disaster (abstract) |
| 18:00 | Multiple Performative Bodies: Negotiating Identity and Tradition Through North Indian Kathak Dance in South Asia (India) and Some Chosen Diasporic Spaces (abstract) |
17:00-18:30 Session IIIE11
| 17:00 | The symbolic meaning of the circle in the context of Armenian wedding round dances and ritual songs (abstract) |
| 17:30 | Not so different after all: Structural integration and interaction between musicians and dancers in dance cycles of Hungarian villages in Transylvania (abstract) |
| 18:00 | Ajat Indu Menua Pakan: Embodying Indigenous Dayak-Iban Female Dance Tradition (abstract) |
Monday, January 13th, 2025
View this program: with abstractssession overviewtalk overview
08:30-10:30 Session VA01
Chair:
| 08:30 | Performing History: Sinophone communities in Australia and New Zealand (abstract) |
08:30-10:30 Session VA02
Chair:
| 08:30 | Pathway: Dancing with loss, grief and hope (abstract) |
| 09:00 | Music, emotion, and community: Creating safe spaces for expression in the climate crisis (abstract) |
| 09:30 | Rerouting:Interaction and Circulation of Pansori in the Transnational Context of Shanghai (abstract) |
| 10:00 | Music Therapy in Ghana: a Case Study of the Klikor Agbozume Community (abstract) |
08:30-10:30 Session VA03
Chair:
| 08:30 | The Acceptance History of Nationality in Tchaikovsky's Music in the Chinese Musicology after the 20th Century (abstract) |
| 09:00 | Music sessions in Muslim shrines: Sites of inclusion, cultural mingling, and resisting hate (abstract) |
| 09:30 | Detuning the Anthem: Using Research-Creation to Deconstruct the Sounds of Settler-Colonialism (abstract) |
08:30-10:30 Session VA04: Film talks
Chair:
| 08:30 | Nyejerang Swara - Exploring Solutions to a Sacred Music Generational Crisis in Bali (abstract) |
| 09:00 | The Dancing Ocean (abstract) |
| 09:30 | The Music of Our Neighbors: Cultural Diversity in Small-Town Germany (abstract) |
| 10:00 | The Documentary Film 'Hopa lide': Making of Romani Representation (abstract) |
08:30-10:30 Session VA05
| 08:30 | Warring Identities, Redefining Repertoire: Musical Impacts of Russia’s Invasion of Ukraine (abstract) |
| 09:00 | "The Mighty Dnipro Roars and Bellows": Music of Resistance, War and Displacement that Reconnects the Generations of Ukrainians (On One Song from the Collection of the Prussian Phonographic Commission and Its Modern Contexts and Interpretations) (abstract) |
| 09:30 | Music Propaganda in Times of Conflict, Wars, and Political Clashes (abstract) |
08:30-10:30 Session VA06
Chair:
| 08:30 | Abstract writing workshop for early career scholars (Organised by ECSN) (abstract) |
| 09:30 | Navigating Academic and Alternative Career Pathways: Strategies for Early Career Researchers (abstract) |
08:30-10:30 Session VA07
Chair:
| 08:30 | The Gestures of Finger Techniques in the 'Sound' Perspective of Guqin (abstract) |
| 09:00 | Chasing the Masterpiece: A Luthier's Real and Authentic Dilemmas (abstract) |
| 09:30 | Resounding Memories: An Exploration of Localization and Timbre of Music Box in Taiwan (abstract) |
| 10:00 | Repatriation of an instrument lost to tourism: provenance and restitution of a historical Mallorcan bagpipe (abstract) |
08:30-10:30 Session VA08
| 08:30 | Yūjomono—The Voices of Indentured Women in Jiuta Sōkyoku Lyrics (abstract) |
| 09:00 | Sacred Spaces, Profound Voices: Exploring Womanhood in Diha Naam of Assam (abstract) |
| 09:30 | Winifred Atwell: A Reappraisal of Britain’s Britain’s Foremost Black Female Transnational Jazz Pianist (abstract) |
| 10:00 | Towards Intersectional Feminist Praxis through Music in Aotearoa (abstract) |
08:30-10:30 Session VA09
Chair:
| 08:30 | Beijing Opera in London: The Diasporic Music Life (abstract) |
| 09:00 | Diasporic Sounds: Impression Management Among Pacific Islander Performers in Melbourne (abstract) |
| 09:30 | Teaching Dance in Diaspora: Pedagogical Experiences in Melbourne, Australia (abstract) |
| 10:00 | One Song, Dual Diasporas: El Cóndor Pasa in Shanghai (abstract) |
08:30-10:30 Session VA10
Chair:
| 08:30 | Antarctic “Sonidotorrios”: Sonic Constructions of Chilean Antarctica in Punta Arenas (abstract) |
| 09:00 | Listen to ‘Mila’, Listen to Hong Kong's Social Soundscape on the Contemporary Opera Stage (abstract) |
| 09:30 | Hearing musical petrocultures in Scotland’s mining communities (abstract) |
| 10:00 | Changes in Korean Traditional Wind Instruments, Focused on the Development of the Double-reed Instrument Piri, in Relation to Spatial Contexts (abstract) |
08:30-10:30 Session VA11
Chair:
| 08:30 | Creativity and Innovation in Ghanaian Music Performance(s) (abstract) |
10:30-11:00Morning coffee break
11:00-13:00 Session VB01
Chair:
| 11:00 | The Flexibility of Sound: A Case Study in Hong Kong Hui Community (abstract) |
| 11:30 | The Surviving Ngoma Performance in the Traditional Rituals of the Arabai Community of Kenya (abstract) |
| 12:00 | Challengers of Dance Theater “Lost Kamuy”: Tourism and Dance Tradition in Akan Ainu Community (abstract) |
| 12:30 | Symbolic Music Representations of Orin Ìgbéyàwó in Èkìtì State, Nigeria (abstract) |
11:00-13:00 Session VB02
| 11:00 | Community Collaborative Research in Ethnomusicology: Discoursing Challenges, Benefits, and Possibilities (abstract) |
| 11:30 | Pedagogy shift in synchronous distance Hindustani Dhrupad music education (abstract) |
| 12:00 | Motivations of Military-Connected Adults to Participate in Community-Based Arts Programs Held both In-Person and Virtually (abstract) |
| 12:30 | Observations in Military Training Fields: The Relationship between Drum Circle and Bodily Discipline, Liberation, and Positive Mentality (abstract) |
11:00-13:00 Session VB03
Chair:
| 11:00 | Dancing while Bent: Embodying Scordatura in Heinrich Biber’s Mystery Sonatas (abstract) |
| 11:30 | The Matter of Dance: the Embodied Nature of Polish Traditional Dances (abstract) |
| 12:00 | “A Happy Playground”: Precarity, Embodiment, and Politics of Aging among Older Adults at K’ollat’ek Dance Halls in South Korea (abstract) |
| 12:30 | "Spectacularizing Romance. Sundanese Ketuk Tilu Dance during the 1889 Paris’ Exposition Universelle" (abstract) |
11:00-13:00 Session VB04
Chair:
| 11:00 | Innovation within Tradition in Mozambique - From the Midi-Mbira to the Tunable Kankubwe: PAR Research as a source for Creative Accidents (abstract) |
| 11:30 | San Pablo Cimarrona: Transmission of knowledge from the past to the present (abstract) |
| 12:00 | Devagan: the Newar indigenous and the Nava Durgā ritual performance (abstract) |
| 12:30 | (a)shore (abstract) |
11:00-13:00 Session VB05
Chair:
| 11:00 | A Monumental History of Iran’s Century of Music (abstract) |
| 11:30 | Intangible Cultural Heritage and preservation of cultural ecosystems in Indonesia (abstract) |
| 12:00 | Revivalism, heritagisation and (in)authenticities in the Spanish folk music scene (abstract) |
| 12:30 | Revivalism and the performed lives of the Khoesan, a first people, in selected parts of southern Africa (abstract) |
11:00-13:00 Session VB06
Chair:
| 11:00 | Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary contexts (abstract) |
11:00-13:00 Session VB07
Chair:
| 11:00 | To Sing in Pairs: Austronesian Chant and Dance among Taiwan’s Indigenous Peoples (abstract) |
| 11:30 | A Reflection on Dialects in Traditional Chinese Songs: The Relationship between the Entering Tone Characters and the Singing in Jin Dialect Zone (abstract) |
| 12:00 | Walking the Amorous Road Together? Public Intimacies in the Antiphonal Singing of the Bai People in Southwest China (abstract) |
| 12:30 | Re-Sounding Gender: Listening for Femininity in Mongolian Throat-Singing and the Horsehead Fiddle (abstract) |
11:00-13:00 Session VB08
Chair:
| 11:00 | Failte!: Early Gaelic Song Collecting in the Scottish Isles (abstract) |
| 11:30 | A “Worthless” Collection and an “Absolutely Fabulous Métis”: Richard Johnston, Collecting Métis Music, and the Founding of the Canadian Folk Music Society (abstract) |
| 12:00 | Sean-nos: Ancient-Modern Indigenous Mythos (abstract) |
| 12:30 | Indigenous Voices: Taking the hymn ‘ISATSEQALAN’ and 'ALAIYOAI' from the hymnal Let the Hills Sing as an example (abstract) |
11:00-13:00 Session VB09
| 11:00 | Stylistic Differences of Music and Dance of Bon Odori in Oku-mino and Tono in Gifu, Japan (abstract) |
| 11:30 | Living on the Edge of Madness: Music, Dance, and Community Building in Melaka, Malaysia (abstract) |
| 12:00 | Incarcerated Musicians and the Technology Gap (abstract) |
| 12:30 | Does Nostalgia Offer a Subscription Plan? - Commercial Sound Recordings and Popular Memory (abstract) |
11:00-13:00 Session VB10
Chair:
| 11:00 | So you want to be an applied ethnomusicologist? Five things they forgot to teach you at university. (abstract) |
| 11:30 | Frameworks of Engagement: Student-Centered Research Support (abstract) |
13:00-14:30Lunch break and Study Group welcome meetings
14:30-16:30 Session VD01
Chair:
| 14:30 | Moving intercultural knowledge: from the personal genealogies of music and dance knowing-learning processes to a collective performative montage. (abstract) |
14:30-16:30 Session VD02
Chair:
| 14:30 | Malay Traditional Music in Singapore (abstract) |
| 15:00 | Traditional Vocal Repertoire of Central Visayas (Philippines) (abstract) |
| 15:30 | Ombak: listening to Balinese gamelan beyond the metaphor of contour (abstract) |
| 16:00 | Reconstruction of Identities: Turandot as New Chinese Opera (abstract) |
14:30-16:30 Session VD05
Chair:
| 14:30 | Interrogating the Visceral: Embodiment and Visceral Persuasion in Ohad Naharin’s “Echad Mi Yodea” (abstract) |
| 15:00 | The Reconstruction and Development of Dunhuang Music and Dance (abstract) |
| 15:30 | Exploring the “Paratun” (house of dance) phenomenon and Urban Transformations: A Case Study of Armenia (abstract) |
| 16:00 | Gender-Power Relations in Kurdish Dance (abstract) |
14:30-16:30 Session VD06
| 14:30 | War Songs in the Traditional Singing of the Slovaks in Vojvodina in the Republic of Serbia (abstract) |
| 15:00 | "Wavin' Whose Flag? One Song's Transformation from the Personal to the National and Global" (abstract) |
| 15:30 | Hindutva Pop: The Beats of Mass-Media(ted) Islamophobia (abstract) |
| 16:00 | Modern revival of the musical and dance culture of the displaced Kalmyk people (Volga region, Russia) (abstract) |
14:30-16:30 Session VD07
Chair:
| 14:30 | The bandio Williche: essentialisms and cultural hybridity regarding an indigenous instrument in San Juan de la Costa, Chile (abstract) |
| 15:00 | Indigenous Cosmopolitans and the Tourist Encounter: Taquile's Fiesta de Santiago as Contact Zone (abstract) |
| 15:30 | Hip hop and vectors of oral tradition in Mapuche culture (abstract) |
| 16:00 | Jazz in Malambo: Afro-Diasporic Music, Global Racial Debates, and Racial Paternalism in Peru, 1920-1931 (abstract) |
14:30-16:30 Session VD08
Chair:
| 14:30 | Exploring Beijing's Post-Pandemic Experimental Music Scene: One Way to Listen to the Subtle from Within and Beyond (abstract) |
| 15:00 | The Aesthetic Significance of the Combination of Vision, Hearing, and kinesthesia in Guqin Music: Taking the Imitating Sound of Wild Geese in the Tune "Wild Geese Descending on the Sandbank" as an Example (abstract) |
| 15:30 | Soundscape in the Chinese Garden：Historically Informed Jiangnan Silk and Bamboo Music Performance Practices (abstract) |
| 16:00 | The Innovative Communication Pathway of Contemporary Sichuan Opera's Percussion (abstract) |
14:30-16:30 Session VD09
| 14:30 | Mariachi Music in the Classroom: Inclusion and the Risks of Unintended Reinventions of a Musical Practice Through Transcriptions and Arrangements (abstract) |
| 15:00 | Scholarly Positions: Acknowledging forms of Slow Scholarship to Change Colonial University Praxis (abstract) |
| 15:30 | Traditional Music and Higher Education in the US: What Can We Learn From Bluegrass? (abstract) |
| 16:00 | Engaging Tradition with the Future - Knowledge Dissemination and The Short Form Video (abstract) |
14:30-16:30 Session VD10
Chair:
| 14:30 | The Fayao: Rice pounding dance of the Chamorro Matua (abstract) |
| 15:00 | From Tradition to Innovation: Contest-Based Relationality between Fancy Dancers and the Drum in Contemporary Powwow Culture (abstract) |
| 15:30 | The “elder brother” is watching you: indigenous people of Russia through the prism of dance politics (abstract) |
| 16:00 | Keali’inohomoku’s Theory of Dance Culture as a Model for Applied Dance Anthropology (abstract) |
14:30-16:30 Session VD11
Chair:
| 14:30 | Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese History (abstract) |
16:30-17:00Afternoon coffee break
17:00-18:30 Session VE01
Chair:
| 17:00 | Teaching Indigenous Music: Bridging Indigenous Music Research and Educational Practices in Brazil (abstract) |
17:00-18:30 Session VE02
Chair:
| 17:00 | The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa (India) (abstract) |
17:00-18:30 Session VE03
Chair:
| 17:00 | Music and the Black Experience: The Art and Politics of Sonic Culture (abstract) |
17:00-18:30 Session VE05
Chair:
| 17:00 | He Whiringa Rangahau: Indigenous Māori creative expressions and legacies (abstract) |
17:00-18:30 Session VE06
| 17:00 | Wounded, but not broken. Terror, healing, and music (abstract) |
17:00-18:30 Session VE07
Chair:
| 17:00 | Conceptualising a musical panorama of diversity and difference: Indonesian sounds and identities in contemporary Australia (abstract) |
| 17:30 | Alternative Modernities: Three approaches to bamboo music in twenty-first-century Bandung, Indonesia (abstract) |
| 18:00 | Maluku non-sounds; Maluku improvised music as substitute for forgotten traditional languages (abstract) |
17:00-18:30 Session VE08
| 17:00 | Mediaeval Chinese Dance Decoded (abstract) |
| 17:30 | Attachment: The Acquisition and Production of Notations Among Taiwanese Taxi DanceHall Jazz Musicians During 1950-1970 (abstract) |
| 18:00 | O. Sheets! A True-Crime Dance Saga (abstract) |
17:00-18:30 Session VE09
Chair:
| 17:00 | African Music and Dance Performance in the American Liberal Arts College Curriculum (abstract) |
| 17:30 | We Should All Be Ethnomusicologists! Rethinking the Positionality of Ethnomusicology within Music Departments in South Africa (abstract) |
| 18:00 | Toward counter-colonial perspectives on music production, education and research: Reflections on “Re-Valorisation” of musical arts (abstract) |
17:00-18:30 Session VE10
| 17:00 | Shanghai to Hollywood and Golden Mountain: Silk and Bamboo Music on Film and Recordings in the Mid-twentieth Century (abstract) |
| 17:30 | Humanistic renaissance and restructuring of musical order in China’s post-pandemic era. (abstract) |
| 18:00 | Exploring the changing characteristics of changgeuk fandom (abstract) |
17:00-18:30 Session VE11
Chair:
| 17:00 | Safeguarding the Intangible Cultural Heritage in Music and Dance Studies: Opportunities, Goals, and Challenges (abstract) |
19:30-21:00 Performances: The Art of Brazilian Music + Balinese Music and Dance Ensemble
The Art of Brazilian Music: Bridging Classical, Popular, and Folk musical styles into a Global Music Art Form, Randy Lee and Welson Tremura (Brazil/USA)
Balinese Music and Dance Ensemble by Mekar Bhuana (Bali, Indonesia)
Location: T8
Tuesday, January 14th, 2025
View this program: with abstractssession overviewtalk overview
08:30-10:30 Session VIA01
Chair:
| 08:30 | From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations (abstract) |
08:30-10:30 Session VIA02
Chair:
| 08:30 | Tibetan women ritual leaders in exile - ritual music, training and identity as Bon nuns in India. (abstract) |
| 09:00 | Negotiating Between Ritual Traditionality and Legitimacy: Soundscape at an Ancestral Ceremony in Contemporary Rural China (abstract) |
| 09:30 | Mapping musical descriptions of Chinese Buddhist rituals in late-Qing China (abstract) |
| 10:00 | Research on He Liutang’s Adaptation and Creation Techniques in Guangdong Music, 1920s-1930s (abstract) |
08:30-10:30 Session VIA03
| 08:30 | How Does the Experience of “Humourliation” Influence the Identity and Relationships of Tertiary Dance Learners in China? (abstract) |
| 09:00 | Decolonization Practices Through Mutual Understanding of Local Music Theories and Idioms: Compilation of the "Dictionary of China Musical Idioms" as a Case Study. (abstract) |
| 09:30 | "Der Berggeist vom Schöckl": Ethnographic Approaches to an Oper Graz project in Styria, Austria (New Research from the “Why Isn’t Classical Music Dead” Project) (abstract) |
| 10:00 | Navigating Disparities between Oral & Literary Traditions: Exploring Collaborations of Irish Traditional Music intertwined with Western Art Musical Traditions (abstract) |
08:30-10:30 Session VIA04
Chair:
| 08:30 | The griots of Kéla: from words to music in the face of modernity. (abstract) |
| 09:00 | Three Films Engaging with Diverse Southern African Music and Dance Traditions (abstract) |
| 09:30 | Gone to the Village: Performing Asante History at the Funerary Rites of the Asantehemaa (Queen) (abstract) |
| 10:00 | Reflections on an international and collaborative research-creation project: “Los diferentes porros en Colombia” (abstract) |
08:30-10:30 Session VIA05
Chair:
| 08:30 | Khele in Transition: Memory, Transformation, Cultural Resonance in Talesh Rural Life (abstract) |
| 09:00 | Inu Tī Inu Kota: Constructions of Place and Identity in Tongan Brass Band Diaspora in Aotearoa (abstract) |
| 09:30 | Liturgical Music as a vital part of Cultural identity in a small Christian community (abstract) |
| 10:00 | “Talk about the role and impacts of music in your life”: An ethnographic study (abstract) |
08:30-10:30 Session VIA06
| 08:30 | Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in Ethnomusicology (abstract) |
| 09:30 | Practicum in the Digital Humanities: Scholarly and Pedagogical Applications (abstract) |
08:30-10:30 Session VIA08
| 08:30 | Agpangan ng Kawayan: Combining Indigenous Cultural Framework and Ecomusicological Approaches to Analyse the Bamboo Music Culture of Talaandig Community (abstract) |
| 09:00 | Cognition and Behavior: A Study of Rebab Music and Performance Thinking in the Context of Central Javanese Gamelan (abstract) |
| 09:30 | A Musico-Poetic Analysis of Tyāgarāja’s Pancaratna kṛti jagadānandakāraka using Generative Theory of Tonal Music (GTTM) (abstract) |
| 10:00 | A Case Study of Wuhua Marionette Puppetry (abstract) |
08:30-10:30 Session VIA09
Chair:
| 08:30 | Getting Your Own Back: Cross-Cultural Movement of Intangible Values in Aboriginal Australia (abstract) |
| 09:00 | Sustainability and Community Identity: Hakka Music as Cultural Recreation for the Elderly (abstract) |
| 09:30 | Krung Curatorial Practice and Creative Sustainability for Indigenous Music of Mountainous Villagers in Nan Province (abstract) |
| 10:00 | Harmonizing Heritage in Turkmenistan: How Institutions Sustain Indigenous Modes of Transmission Within Pedagogical Approaches to Turkmen Bardic Tradition and Dutar Performance (abstract) |
08:30-10:30 Session VIA10
| 08:30 | Using Regression-Based Analysis in Digital Musicology (abstract) |
| 09:00 | Towards the Dissemination of Practice-based Research Findings through an Interactive Digital Storytelling Method (abstract) |
| 09:30 | E3thnography: Towards a Digital Ethnomusicology (abstract) |
| 10:00 | Lip-Sync: mediatized socialities, creation and sound in the application of TikTok (abstract) |
08:30-10:30 Session VIA11
Chair:
| 08:30 | Ethnic Minorities, Indigeneity, and the Construction of the Domestic Others in Chinese Music (abstract) |
| 09:00 | Maginalised minority culture as Memory of the World (abstract) |
| 09:30 | Navigating a New Phase: The Professionalization of Ainu Performing Arts Post-2020 (abstract) |
| 10:00 | Sámi storying as pathway to other-than-human musicking. Multispecies ethnomusicology from the Indigenous Arctic (abstract) |
10:30-11:00Morning coffee break
11:00-13:00 Session VIB01
| 11:00 | Dance and Music in the Ancestral Celebration: A Critical Study on Two Mah Meri Indigenous Groups in Malaysia’s Carey Island (abstract) |
| 11:30 | Sarawak Cultural Village as the “Living Museum”: Performing Indigenous Cultural Dance (abstract) |
| 12:00 | It’s Too Fast: Contentious Sentiments towards the High-Speed Performance of String Ensemble by Queer Male Musicians amid Thailand’s Changing Genderscapes. (abstract) |
11:00-13:00 Session VIB02
| 11:00 | Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and approaches (abstract) |
| 12:00 | Dirges and Dilemmas of Resistance, Cultural Colonialisms and Cosmopolitanisms: The Indigeneity Poetics and Politics in the Song, 'Mala, Mawie Ga' (I Will Sing, I Will Speak Ga).. (abstract) |
| 12:30 | The Viola da Terra as Metaphor: Post-colonial Sonorities of Azorean Saudade (abstract) |
11:00-13:00 Session VIB03
| 11:00 | Enhancing Cultural Heritage: Online Encyclopedias of Balinese Gamelan (abstract) |
| 11:30 | Preservation and Dissemination of Burgenland Roma Music through Artistic Research (abstract) |
| 12:00 | Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical heritage (abstract) |
| 12:30 | From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North India (abstract) |
11:00-13:00 Session VIB04
Chair:
| 11:00 | Goong: Sound Through Fire (abstract) |
| 11:30 | Documentary: Kantar Goa (abstract) |
| 12:00 | The Shifting Dreams of Tazumuddin: A Fisherman's Fight Against the Rising Tide (abstract) |
| 12:30 | Aesthetics and hybridities in songs Yada Yada and I am virus insidiously claiming inclusivity in Indigenous Peoples’ Music (abstract) |
11:00-13:00 Session VIB05
| 11:00 | Echoes of Memories: Collaborative Storytelling through Person-Centered Music and Virtual Reality with Older Adults Living with Dementia (abstract) |
| 11:30 | Challenges of Collaborative Community Archiving in the Context of Expanding Amateur Data Collection and Sharing in Digital Spaces: Lessons from Ewe Communities of Ghana (abstract) |
| 12:00 | Sharing Soundscapes: The Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts (abstract) |
| 12:30 | Staging Musical Politics in China’s Nation-Building Decade: Understanding the PRC’s Large-Scale Music Festivals of the 1950s through Archives and Fieldwork (abstract) |
11:00-13:00 Session VIB06
| 11:00 | Indigenous Peoples’ Music and Dance: The Determinants of the Cultural diversity of Bangladesh (abstract) |
| 11:30 | Revisiting the Indigenous Performance of Kandoni Bishahari: A Reading of Poisoner and Poison-releiver Manasa in the Context of Life-Death Significance and Timeless Memory of Womb (abstract) |
| 12:00 | Embodied Joy in Abstract Dance – Exploring Traditional Indian Movement Systems (abstract) |
| 12:30 | Rediscovering the Sikh Indigenous Pedagogy through the Analysis of Heterometric Heritage Songs. (abstract) |
11:00-13:00 Session VIB07
| 11:00 | The bitter fate of women in Dungan songs: an Insight into Central Asian Dungan Music (abstract) |
| 11:30 | Forbidden Voices: Women’s Singing of Iranian Traditional Music under the Islamic Regime in Iran (abstract) |
| 12:00 | "Slaying for Christ": Gospel Music, Identity, and Fashion in Contemporary Ghana (abstract) |
| 12:30 | Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa Rica (abstract) |
11:00-13:00 Session VIB08
Chair:
| 11:00 | The importance of dance, music and song in a traumatized society. New Research in Burundi/East-Africa (abstract) |
| 11:30 | An Exploration of Sri Lankan Indigenous Vedda Peoples’ Music (abstract) |
| 12:00 | Songs and Women’s Names in Contemporary Nigeria: A Mother’s Prayer or Men’s Muse? (abstract) |
| 12:30 | Tracing locality in Iranian Jewish repertoires, the case of the "shira" of Esfahan (abstract) |
11:00-13:00 Session VIB09
| 11:00 | Lion Dancing in Cuba: Embodying Alternative Knowledges and Identities (abstract) |
| 11:30 | Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar. (abstract) |
| 12:00 | Timing and coordination in nagauta-bayashi music (abstract) |
| 12:30 | Self-balancing of women's roles： dance practices in Chinese Tajik weddings. (abstract) |
11:00-13:00 Session VIB10
| 11:00 | Between ‘folk’ and ‘imperial’: changes of chigo-bugaku (bugaku dance of ‘children of festivity’) at Shizuoka-sengen-jinja shrine in Japan (abstract) |
| 11:30 | Shifting Stages: Cyber Networks and Mediation of amakwaya/iikwayala Competitions in South Africa (abstract) |
| 12:00 | An ethnography of “Interactive” performance in Tangshan shadow play (abstract) |
| 12:30 | Post-COVID Denver’s Thai, Lao, and Cambodian Performing Arts Ensembles: Crises and Collaborations (abstract) |
11:00-13:00 Session VIB11
| 11:00 | Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at UFPA (abstract) |
| 11:30 | Comparative Motion Analysis for Performance Technique Development (abstract) |
| 12:00 | FanZoning: Exploring Creative Performance Practices and Pedagogical Implications in Fan Culture (abstract) |
13:00-14:30Lunch break and Study Group welcome meetings
16:30-17:00Afternoon coffee break
17:00-18:30 Session VIE01
| 17:00 | New Era, New Traditions: Case Analysis of Sustainable Development of Traditional Chinese Music Culture in Current Social Environment (abstract) |
| 18:00 | Untranslated Theory: Deconstructing Rameau’s ‘Perverse’ Chinese Whole-Tone Scale (abstract) |
17:00-18:30 Session VIE02
| 17:00 | Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation (abstract) |
17:00-18:30 Session VIE03
| 17:00 | Sound Practices: Considering Music Rehearsals for Their Own Sake (abstract) |
17:00-18:30 Session VIE04
| 17:00 | Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania) (abstract) |
17:00-18:30 Session VIE05
Chair:
| 17:00 | Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and Mozambique (abstract) |
17:00-18:30 Session VIE06
| 17:00 | Belo Horizonte through the eyes of sambitas (abstract) |
| 17:30 | Grafting onto Tradition: Roots and Imagination in Chilean Música de Raíz (abstract) |
| 18:00 | Dirty Nights: Sensorial Filmmaking in Reggaetón Parties, Santiago de Chile (abstract) |
17:00-18:30 Session VIE07
| 17:00 | Beyond Exoduses：The Body-Sound System in the Cosmology of Lahu Xi (abstract) |
| 17:30 | Redefining Heritage: The Foliada as a Space of Biopolitical Dissent in Galicia (NW Iberian Peninsula) (abstract) |
| 18:00 | Pedagogy and Practice: Theorizing Intimacy in Balinese Vocal Music (abstract) |
17:00-18:30 Session VIE08
| 17:00 | Bi-Musicality Revisited: The Famous Ethnomusicological Method in the 21st Century (abstract) |
| 17:30 | Theory in flesh: Sesa Mathlo methodology, the African tradition of storytelling and embodied theorisation (abstract) |
| 18:00 | Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe Analysis (abstract) |
17:00-18:30 Session VIE09
| 17:00 | Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people (abstract) |
17:00-18:30 Session VIE10
Chair:
| 17:00 | Talempong Music - a pusako inheritance of Indigenous Minangkabau Culture, in Indonesia. (abstract) |
| 17:30 | Sumatran Sounds part two: Minangkabau composers of West Sumatra, Indonesia, 2010-2025. (abstract) |
| 18:00 | “098RADIO,” Hip-Hop Music and Okinawan Identities (abstract) |
17:00-18:30 Session VIE11
| 17:00 | Dancing in the Cut: Space, Power, Culture and Design in Disability Dance (abstract) |
Wednesday, January 15th, 2025
View this program: with abstractssession overviewtalk overview
08:30-10:30 Session VIIA01
| 08:30 | How to Make People Dance (abstract) |
| 09:00 | Tradition-Oriented Texts and Their Representation in Other Culture: The Yi Meige and Its Mandarin and English Translations (abstract) |
| 09:30 | Traditional Music "Disturbed" by Academics: Contemporary Interpretation and Morphological Evolution of the Chinese Erhu Piece "The Moon Reflected in the Second Spring" (abstract) |
| 10:00 | Shakuhachi or Chiba? Its Modern Adaptation and Evolution in China (abstract) |
08:30-10:30 Session VIIA02
| 08:30 | Music as a Nostalgia in People’s Migration and Relocation -- A Study on Chihuocaoyan Music Inherited by Nisu People (abstract) |
| 09:00 | Singing from a “Callus Heart”: Sound Archive, Historical Memory, and Peace Vision on the Festival Stage of Okinawan “Sanshin's Day” (abstract) |
| 09:30 | Collecting Dust: Sensory Memory in the Performance Practice of the“Yunkong Di” (abstract) |
| 10:00 | Sounds of memory and nostalgia: Listening to our mothers and grandmothers (abstract) |
08:30-10:30 Session VIIA03
| 08:30 | The traditional dance and music of the Kavangos in Namibia, performed in the context of the horseplay dance Ukambe (abstract) |
| 09:30 | Hungarian Folk Singing Workshop (abstract) |
08:30-10:30 Session VIIA05
| 08:30 | From Valletta to Pyongyang: A Maltese Festive Wind Band March and the Politics of Musical Borrowing (abstract) |
| 09:00 | Decolonizing Portugal’s Revolutionary Commemorations (abstract) |
| 09:30 | “Say Dem Go Feel It”: Afrobeats and Access to Pleasure in the lives of Refugee Youth in Greece (abstract) |
| 10:00 | Yunnan Reggae: Music, Minoritization, and Afro-Asian Imaginaries in Southwest China (abstract) |
08:30-10:30 Session VIIA06
| 08:30 | The Other Creatives: Ragamala Dance Company and the Making of Indian Classical Dance in Diaspora (abstract) |
| 09:00 | Sufi/Islamic devotional music of South India: A Case of Linguistic Erasure, Resilience and the Pull of the Popular (abstract) |
| 09:30 | Verba Manent: the Tradition of the Evangelists and Pregoneros of Doña Mencia (Spain) (abstract) |
08:30-10:30 Session VIIA07
| 08:30 | Sonic Mapping and Earth System Hazards: Eco-ethnomusicology and Transdisciplinary Research (abstract) |
| 09:00 | Melodies of resilience: Navigating environment, place and identity through fishing songs of the Duakor community in Cape Coast, Ghana (abstract) |
| 09:30 | Performing Ecomusicology and Public Engagement with the Zealandia Te Māra a Tāne Ecosanctuary in Te Whanganui-a-Tara Wellington (abstract) |
| 10:00 | After the earthquake: effects of natural disasters on devotional singing groups in the Kathmandu Valley (abstract) |
08:30-10:30 Session VIIA08
| 08:30 | The Solidification of Bengali Nationalism: The Role of Patriotic songs through Swadhin Bangla Betar Kendra (Free Bengal Radio Center) (abstract) |
| 09:00 | Preserving National Identity: Slovenian Musical Theater in Cleveland, Ohio (abstract) |
| 09:30 | Traditional Lullaby as a Method of Transmission of Nation'S Historical Remembrance and Knowledge (abstract) |
| 10:00 | An Opera for All? Challenges Attracting “Foreign” Interest in Hong Kong Cantonese Opera (abstract) |
08:30-10:30 Session VIIA09
| 08:30 | Model Design and Argumentation：Interdisciplinary Teaching Competence of Music Teachers in Chinese Primary and Secondary Schools (abstract) |
| 09:00 | Music Teaching Methods as Cultural Technology: Moving Away from Imperialist Frames to Explore New Possibilities (abstract) |
| 09:30 | Towards a common thesaurus for musical instruments: issues of vocabulary, transl(iter)ation, and representation (abstract) |
| 10:00 | Can we study dance in a regular school?: An Exploration Across Three Curricula (abstract) |
08:30-10:30 Session VIIA10
| 08:30 | Exploring Iconicity in the 125th Anniversary Commemorative Anthem for the Alavanyo Wudidi E. P. Church: A Composer’s Reflections (abstract) |
| 09:00 | Revisiting pentatonism in Europe and Asia. The cases of the Southwestern Balkans (Western Greece and Southern Albania) and Vietnam. (abstract) |
| 09:30 | Harmonies of Resilience: Emotional Dimensions of Azerbaijani Music during Spanish Flu Pandemic (abstract) |
| 10:00 | Musical Instruments and the Construction of Memory (abstract) |
10:30-11:00Morning coffee break
11:00-13:00 Session VIIB01
| 11:00 | The Essence of Chord Progressions in Maskandi Guitar Music (abstract) |
| 12:00 | Workshop: the polyphonic underground--musical life/fungal life (abstract) |
11:00-13:00 Session VIIB02
| 11:00 | Soundscapes of Biocultural Diversity: Polyphonic Singing Practices in Angami Naga Traditional Music (abstract) |
| 11:30 | Reclaiming “Red Wing:” One Wampanoag Singer-Songwriter’s Response to Stereotypes of Native Americans (abstract) |
| 12:00 | From Folk to Pop: The Rise of Mexican Regional Music in the United States (abstract) |
| 12:30 | Yo soy el cantante: a depiction of masculinity in salsa (abstract) |
11:00-13:00 Session VIIB03
| 11:00 | Lecture Workshop of Ainu Songs/Dances: My Sense of Self through Grandmother’s Teachings (abstract) |
11:00-13:00 Session VIIB05
| 11:00 | Methodological perspectives of the sociology of translation for music research (abstract) |
| 11:30 | The Appropriation and Re-Signification of “Maya” and “Mestizo” Elements to Create a Regional Identity in Yucatán (1868-1931): A Theoretical Alternative from Music Studies (abstract) |
| 12:00 | The Resistant Power of a Song of Resistance: A Case Study of the Mwene Nyaga Song Sung by the Mau Mau, Recorded and Performed by Kwame Rígíí. (abstract) |
| 12:30 | “This is How We Remember That War”: Musical Memories of Chinese Anti-American Songs (abstract) |
11:00-13:00 Session VIIB06
Chair:
| 11:00 | Exchange, Symbiosis, Mutual Integration and Development of Chinese Korean Folk Songs (abstract) |
| 11:30 | Back to Locality: The Folk Pipa Traditions Beyond the Standard Pipa System in China (abstract) |
| 12:00 | Empowerment Through Hengchun Folk Song Musicals from Countryside to the Global Stage: Women’s Cross-boundary Narratives for “Everydayness” and “Artistry” (abstract) |
| 12:30 | Insights from the "Guqin Clinic"(古琴诊所)——the Development of Guqin in the Digital Age (abstract) |
11:00-13:00 Session VIIB07
| 11:00 | Empowering Youth Through 'Music Generation Workshops': Container Music Schools in Post Earthquake Hatay, Türkiye (abstract) |
| 11:30 | Engaging Music and Activism: Advocacy, Inclusive Practices, and Placemaking with Intention (abstract) |
| 12:00 | Channels of influence and paths to change: Communicating participatory and action research outcomes outside the academy (abstract) |
| 12:30 | Sounding Good: Advancing Cultural Sustainability And Social Justice through Music and Dance (abstract) |
11:00-13:00 Session VIIB08
| 11:00 | Intercultural Attitudes and Choreographic Collaboration within Tertiary Dance Education (abstract) |
| 11:30 | Democratising Musical Knowledge: Intercultural Collaboration in Music Creation and Conservatory Education (abstract) |
| 12:00 | Exploring Intercultural Exchange and Practical Learning in Multicultural Music Education: A Case Study of World Music Performance Courses at the Central Conservatory of Music (abstract) |
| 12:30 | Integrating Chinese Music into Academic Spaces: Pedagogical Insights and Challenges (abstract) |
11:00-13:00 Session VIIB09
Chair:
| 11:00 | Enculturating future required skills through musical heritage workshops for the Mah Meri children of Malaysia (abstract) |
| 11:30 | Transmission of knowledge: filming living heritage (abstract) |
| 12:00 | Music in Two Facets: Balancing Historical Research and Contemporary Impact (abstract) |
| 12:30 | “Health to You, Yovan Tsaous, with your Tambouri!”: Musico-Cultural Trajectories and a Stylistic Heterotopia within Interwar Rebetiko Music. (abstract) |
11:00-13:00 Session VIIB10
| 11:00 | The sound of the Viennese zither: Artistic research and reflection on an identity process of zither music practice (abstract) |
| 11:30 | African Pianism as An Alternative Conceptual Approach to The Performance of Àgídìgbo Music (abstract) |
| 12:00 | Personal/intimate instruments/music, public display: The case for the lamellaphone. (abstract) |
11:00-13:00 Session VIIB11
| 11:00 | The intermedial influence of popular music on the formation of murals as a medium of memory (abstract) |
| 11:30 | Dancing in Public: A Study on the Influence of K-pop Dance Culture on Taiwanese Students (abstract) |
| 12:00 | New routes of learning traditional dance. The cases of “contraddanza” and “tarantella” in Italy. (abstract) |
13:00-14:30Lunch break and Study Group welcome meetings
14:30-16:30 Session VIID02
| 14:30 | Voice-Instrument Interactions in Ekonting Music of Southern Senegal (abstract) |
| 15:00 | Vocality as Radical Collaboration (abstract) |
| 15:30 | Resuscitating the Contribution of Abdul Alim to the Modern Singing Approach in Bengali Folk Song (abstract) |
| 16:00 | Exploring the multipart and call-and-response styles common in the Shona indigenous music performance practices (abstract) |
14:30-16:30 Session VIID03
| 14:30 | What role does the anthropogeographical method play in ethnomusicology? (abstract) |
| 15:00 | Entering Cultural Communities through Musical Practice: Perceiving “Collective Consciousness” in the Fieldwork of Gamelan Gong Kebyar (abstract) |
| 15:30 | Towards an ethnomusicology of the unsounding? (abstract) |
| 16:00 | Reflexivity, self-reflection and the roles of research and other participants in collaborative and conventional anthropology of dance (abstract) |
14:30-16:30 Session VIID04
Chair:
| 14:30 | Facing Shores: Baloch Music on the Arabian Peninsula (abstract) |
| 15:00 | Vernacular Sound in International Mission: An Ethnomusicological Film on the Music Ministry of Two American Missionaries across Hakka Villages in Taiwan (abstract) |
| 15:30 | Funeral Marches and the Public Expression of Emotions in Malta (abstract) |
| 16:00 | The past that sounds and re-sounds (abstract) |
14:30-16:30 Session VIID05
| 14:30 | Legislating Tradition: The Gugak Promotion Act and the Cultural Industry Promotion Act of 2023 (abstract) |
| 15:00 | The Concerto of Military and Music: The Organization and Utilization of the Republic of China Military Band (abstract) |
| 15:30 | Chronotopic Formulations, Negotiating Imperialisms and the Making of the Music and Musicians in Modern Samoa (abstract) |
14:30-16:30 Session VIID06
| 14:30 | Playlist for Parkinson's: Music as a central aspect in the dynamic dissemination of music research in applied sciences. (abstract) |
| 15:00 | Fourfold Synergy for the Betterment of Children and Youngsters with Special Needs: An Applicable Approach from Slovenia (abstract) |
| 15:30 | Moving bodies in unprecedented times: Relational becomings with non/human kin (abstract) |
| 16:00 | The Impact of Music on Well-being of Cancer Patients: A Case Study in a Hospice (abstract) |
14:30-16:30 Session VIID07
| 14:30 | Balinese gamelan in an age of crisis and change: preservation or innovation? (abstract) |
| 15:00 | 'As rabequeiras': women's role, emancipation, visibility and voice in the rabeca revival by decolonial practices a musical instrument. (abstract) |
| 15:30 | “Not a Suling Player”: Pedagogies of an Odd Instrument Out (abstract) |
14:30-16:30 Session VIID08
| 14:30 | Jama Music's Influence on Sports in Ghana: A Melting Pot of Identity, Motivation, and Entertainment (abstract) |
| 15:00 | “Kool Style” Connections: Diverse Indigenous and Black American Aesthetic in Aotearoa Hip Hop (abstract) |
| 15:30 | Ethnic Performing Arts in Cosmopolitanism?: Migrant Māori Performing Kapa Haka in Japan with Japanese (abstract) |
| 16:00 | Performing Sameness and Proving Equality: "Baba Yetu" and Counterfeit Representations of the "Other" (abstract) |
16:30-17:00Afternoon coffee break