Feeling like Home! Diasporic Koreans’ Sense of Well-being and Community Belonging by Way of Music and Dance (abstract)

Addressing Translation Challenges in Traditional Music and Dance: Insights from the Role of Liaison Officers in ICTMD (abstract)

Social Media as a Virtual Repertoire of Music and Dance: A Participatory Platform and Cultural Interaction for Artists and Amateurs (abstract)

Sustaining Local and Translocal Connections through Musical Practice (abstract)

Music Research on the Sustainability of Music in the Wu Family’s Guchui Ensemble in Harbin City, Heilongjiang Province, China (abstract)

Comparing Generational and Temporal Differences in Musicality through Audio Archival Recordings of Thau Ceremonial Songs in Taiwan (abstract)

Comparative Analysis of Two Inheritance Modes of Chinese Chaozhou Gong and Drum Music (abstract)

Confucius Ritual Music in Modern China: Negotiations between Music Authenticity, Cultural Identity, and Political Symbolism (abstract)

The Musical Patterns in `Lohong' : Manipuri Wedding Rituals in Bangladesh (abstract)

Shaman’s Dual Rituals in Trance through Rhythmical Gestures and Sounds: (In)Tangibility of Symbolic Drum Motifs on the Sacred Sami Drum Instrument (abstract)

Diaspora，Return imigration，Collective memory：Multiple identifications of ritual music of the Muen branch of the Yao ethnic group in China--Vietnam (abstract)

Macao Taoist Ritual Music Sustainability: A Case Study of the Macao Taoist Teen Orchestra (abstract)

Music as a Collective Action of We-ness (abstract)

Blowing the Horn of Victory: A Study of Chinese Red Patriotic Ballads (abstract)

Imagining Diasporic Balkan Communities through Dance (abstract)

Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in Ethnomusicology (abstract)

Re-composing and Re-arranging Indigenous Sounds: a case of eBhofolo and Ngibambeni, Ngibambeni! (abstract)

Rural Flux and Constant Musical Mobilities (abstract)

The Role of Higher Music Education in the Development of Music Industry Economies of African Countries. (abstract)

Practicum in the Digital Humanities: Scholarly and Pedagogical Applications (abstract)

Oku Kainga Te Moana Workshop – A collaborative approach to creative practice (abstract)

Ancient Kazakh Tradition of Orteke in Shankobyz Art (abstract)

The Characteristics of Regional Tanbour Repertoires Accompanied by Dances (abstract)

Negotiating the Soviet Legacy in Contemporary Practices of Tajik Shashmaqom Musicians (abstract)

Traditional Music of the Indigenous Peoples of Central Asia: Protecting, Preserving and Documenting Cultural Heritage (abstract)

Lip-Sync: mediatized socialities, creation and sound in the aplication of TikTok (abstract)

Lo-fi Coffee Shop Streams and Krill Waves Radio: Soundscaping Platforms and Musical and Material Practices of Spatiality in Digital Culture (abstract)

Why Don’t We Talk About the Salamanders? Zilker Park Reconstruction in Austin, TX (abstract)

Music in the religious rituals of some indigenous ethnic groups in Viet Nam (abstract)

Traditions of Intercultural Folk Music Research in the Carpathian Region of Central Europe (abstract)

Sacred Connections: Corporealising Intangibilities (abstract)

Panel: "Nostalgia, Liberation, and Self-consciousness: Music and Dance in Hong Kong and Shanghai" (abstract)

Colonial Reverberations and the Eradication of Indigenous Narratives (abstract)

Brass Bands: A Gift of Gaddangs in Solano, Nueva Vizcaya (abstract)

True Echoes - a collaborative model for reconnecting cultures with recordings from the beginning of sound (abstract)

Marching into Place!: Accordion Marching Bands and their Positionality within a Partitioned Ulster (abstract)

“Pong Lang is from Kalasin”: Entanglements of Place and Music in Northeastern Thai Pong Lang Ensemble Performance (abstract)

Hearing the place: gamelan and other-sounds as a part of socio-cultural spaces in Bali, Indonesia (abstract)

Water Energy and Creative Prospect: “Yoo Yen Pen Suk Na Salaya”, Lukthung song for the overall happiness of the community in the epidemic situation (abstract)

Ri Long Poye: Re-examining the Marma Water Festival and the Struggle for Sustainability. (abstract)

Music on the water and performance in imperial space: Distinction and discrimination by social class from an analysis of music scenes in ancient Japanese court diaries (abstract)

The Variations in Performance Styles of Various Genres in Quγur-un Üliger formed by Mongolian Dialect (abstract)

Rerouting:Interaction and Circulation of Pansori in the Transnational Context of Shanghai (abstract)

Not so different after all: Structural integration and interaction between musicians and dancers in dance cycles of Hungarian villages in Transylvania (abstract)

“Kuveni Yakkama”: A Contemporary Healing Ritual Performance that Reclaims the Healing Power of An Indigenous Princess Kuveni Found in Sri Lankan History. (abstract)

Examining the Performance of Bhawaiya Song: The Symbolic Significance of Idiosyncratic Tune, Lyrics and Lives (abstract)

Explore the significant embodiments of Kandyan dance in Sri Lanka. (abstract)

Sanskrit Growling: Buddhism and Death Metal in the Music of the Taiwanese Band Dharma (abstract)

Syndaskrynkel: The social life of the accordion in Nordic and global metal music. (abstract)

Mysticism, Southness, and Indigenous Imaginary: Traces in Chilean Doom Metal (abstract)

Musical Collaborations in the Music of the Thai Isan: Realizing New Works for Classical Guitar (abstract)

Reconstructing Prabandhas of Someśvara III: Processes and Challenges in Reviving Medieval Indian Musical Compositions Using Handwritten Manuscripts (abstract)

An overview of the use of optical motion capture to study the relationship between music, dance and social behaviour (abstract)

The Past, the Future, and the Music in Between: Brazilian fandango caiçara, displacement, and cultural sustainability on the coast of Brazil. (abstract)

Dance syntax: Why should we care, what approaches do we have, and what problems does it bring? (abstract)

We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies (abstract)

The malleable nature of indigenous music and dance forms in changing political and socio-religious contexts (abstract)

Romani Musicians and Musical Practices in Slovenia Emerging Issues in Research of a Marginalized Minority - Organized Panel (abstract)

Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of Japan (abstract)

Modernity's Collective Space: The Private and Public in the Soundscape Space Metaphor of the Muya Tibetans' Buddha-Unfolding Festival and Their Relationship (abstract)

Reconsidering the Boundaries of Sonic Dialogue Between Gamelan and Computer Music in Monk (2019) by Yan Priya Kumara Janardhana. (abstract)

From Ritual to (Self-) advertisement: Traditional Cambodian Wedding Music on Facebook and YouTube (abstract)

The Use of Digital Technologies in Live Performances of Muziki wa Injili in Dar es Salaam (abstract)

Music of South China: Traditions Reinvented (abstract)

Music, Soundscapes and Cultural Resurgence on Patatalru, Indigenous Puyuma territory in Taiwan (abstract)

Bodies, costumes, gender: five views from the Southern Cone (abstract)

Exploring Global Traditions of Catholic Chant (abstract)

Fieldwork periods – cyclic impurity and the agency of female performers and researchers (abstract)

The Role and Significance of “Imperial Ritual Music” Zhonghe Shaoyue in the Soundscape of Tiantan (abstract)

Mission and Practice: Ethnomusicologists in Revitalizing Chinese Court Music Tradition - A Case from Yayue Research Center of China Conservatory of Music (abstract)

Archiving the Swinging Notes: Analyzing Cheng Wan-Tsung's Handwritten Notations and His Life History (abstract)

The Connotation and Perspective of “On Sound Without Sorrow and Joy" (abstract)

Get Me off This F***Ing Planet: a Performative Approach to Climate Change (abstract)

Exploring the “Paratun” (house of dance) phenomenon and Urban Transformations: A Case Study of Armenia (abstract)

African multipart and call-response singing styles (abstract)

Creativity and Innovation in Ghanaian Music Performance(s) (abstract)

Music, Careers, Gender, and Sustainability in Ghana (abstract)

Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia (abstract)

Cross-cultural collaboration and music-language relationships: Comparative perspectives (abstract)

Cross-cultural collaboration and music-language relationships: Ethnographic perspectives (abstract)

Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity (abstract)

The Infusion of First Nations, Métis, & Inuit Culture through the Social, Emotional and Cognitive Effects of Elementary Dance Education (abstract)

Embodied Practices in Meykhana: Exploring the Integration of Poetry, Music, and Movement in Ritual Performance (abstract)

“Ḏith-dhu dhirrḻ”: Phonological Features of Didjeridu Playing Traditions in Arnhem Land and Cape York (abstract)

Indigenous music, dance and art in the marketing campaigns and corporate identity efforts of Air New Zealand and Qantas: forging a momentum of reconciliation? (abstract)

"Echoes of the Other: "Wild Man's Dance" and the Musical Portrayal of Colonial Otherness" (abstract)

Reclaiming Aotearoa: Stories of experimentation, education and reflection in Aotearoa Indigenous metal music (abstract)

Songs of Migration: Inspiration or Solace? (abstract)

The Sun Is up: a Song to Mirror Identity in Migration (abstract)

La Sonora Dinamita Band and the Latin American migration to Southern California: A Borgian analysis of the only band in the US that can play in more than one place at a time. (abstract)

Challenges and innovations for effects of migration on the transmission of religious music and dance: case of migrant Alevi in Austria (abstract)

The Dramatization and Musical Evolution of Pingtan after the Foundation of New China (abstract)

Christian chants, ancestral voices and bamboo panpipes: an ethnographic approach to sounds in between Catholic liturgical music and indigenous musical instruments in ’Are’are, Solomon Islands (abstract)

Song Ideology: Ideological Power on Folk Songs in Japan and China (abstract)

Verbal aspects of music and dance traditions: Songs of South Siberian Turks (abstract)

Dance in Africa (abstract)

The trance state of a Vodum adept dancing body in Benin, in ceremonies and as inspiration in a creative process. (abstract)

Intersecting Technologies, Shared “Spaces”—— Sound, Spaces and Movement in game music of Soichi Terada and his music project Omodaka(沢瀉) (abstract)

The Use of Digital Media Technology in the Preservation, Retrieval and Dissemination of Traditional Folk Music (abstract)

Echoes of Historical Recordings: Investigating the Tongan Fangufangu Through Sound Analysis (abstract)

“Butterfly Collector” or “Expert-like Ears”: Field Recording as Cultural Perception and Sound Technology (abstract)

Repertoire of a climate march: Some Pasifiqueeredisabled comments on tauiwi Pasifika climate activist music in Aotearoa New Zealand (abstract)

Listening to Whales: Exploring Ecocentric Activism through Sonic Entanglements (abstract)

Tangaroa and Tagaloa: Indigenous Pacific popular music and climate activism (abstract)

Music, Religion, and Community-Building Among War-Displaced Syrian Melkite Christians in Germany (abstract)

The Study and Critical Editing of Medieval Sino-Japanese Music Treatises: On Ryōkin’s Kangen Ongi (abstract)

Ornamentation and Tahrir in classical Persian music; Creativity and historical continuity (abstract)

Two Dimensions of the Internationalization of Korean Music during the Cold War: International Exchanges in Classical-Contemporary and Traditional Music between South Korea and the U.S. (abstract)

The first recording of Southern Vietnamese music: historical contexts, interpretation, and hypothesis (abstract)

Exploring the multiple heritages of a rurally dispersed area and the cultural uses of Music & Dance in Cornwall (abstract)

Taarab Music in Zanzibar, Tanzania (abstract)

Manifesting Beginner-Friendly Social Dance Events: Contra, Family, and Barn Dances’ Inclusivity Practices for First-Timers (abstract)

Sesimbra Carnival: A Celebration between Commercialization, Touristic Appeal and Cultural Authenticity (abstract)

Traditional bestiary or listening to the living environment. (abstract)

A first approach to the presence of diverse environmentalisms through ambient and metal music in Chile (abstract)

Abstract writing workshop for early career scholars (Organised by ECSN) (abstract)

Navigating Academic and Alternative Career Pathways: Strategies for Early Career Researchers (abstract)

Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific (abstract)

Tensions and Entanglements: the textuality in between Chinese music and poetry through two millennia (abstract)

Messy Positionalities. Queer-feminist Troubles in the Field (abstract)

Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste (abstract)

The religious dances, sama "elitist" and govand "communal": symbolizing social and hierarchical relations in the Yazidi community of northern Iraq (abstract)

Baagadozhi: Power, Masculinity, and Spatialities in the Enyan-Etsu Royal Ensemble (abstract)

Reinforcing Gonja Cultural Identity Through Music: an Ethnography of the Gonja Diaspora Community in Accra, Ghana (abstract)

The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based Approaches (abstract)

Language revitalization and integration of traditional music: The case of Leftraru Hualamán, a Mapuche Williche musician from southern Chile (abstract)

Writing Songs for Preserving Indigenous Language and Culture: A Case Study of Puyuma (abstract)

Jingrwai Iawbei -The whisteled language of Kongthong Village, India (abstract)

Mapping Gendered Performative Space: Deodha’s Divine Dance at Deodhani festival of Kamakhya Temple in Assam (abstract)

Gendering Protest: Women Singers and Songs of Resistance in Contemporary India (abstract)

Time to Stop: the Performing Body (abstract)

Vocality and Indigenous Epistemology in the Man-Eagle Partnerships of Post-Soviet Kyrgyz Eagle Hunting: Reclaiming Identity, Negotiating Agency, and Mediating the Human-Wildlife Conflict (abstract)

Sacredness-Secularity Syncretism: A Cultural Interpretation of the Ritual PerfSacrednessormance of Rgyalrong“Darga”in the Jinchuan River Basin in the Eastern Edge of the Qinghai-Tibetan Plateau (abstract)

The Healing Qobyz : Merging Kazakh Cosmology with Music Therapy for the Future of an Ancient Instrument (abstract)

Resonance of Culture through Music and Dance: Exploring the Zezuru Indigenous Peoples' Ritual Ceremonial life. (abstract)

Angola conversing with itself. Intertemporal connections between oral history, literature, and contemporary dance (abstract)

Roundtable: Sustainable Development Goals (Executive Board Committee for UNESCO)

Resonating repentance: Performing selichot in the Israeli public sphere (abstract)

Ethno musicological system and documentation in archiving (abstract)

I know more than I think! Knowledge production through artistic research (abstract)

Going Beyond the 'Composition-Improvisation' Dichotomy in Music: A study of 'Imagination' in South Indian Carnatic Music. (abstract)

The Gongche Notation and Inherent of the Traditional Chinese Music (abstract)

Long-term participatory action-research on music and dance as praxis for social change (abstract)

A Sense of Island Homeplace by Reweaving Music and Dance (abstract)

Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of Care (abstract)

Rhythms of Belonging in the Lusophone World (abstract)

The Institute of Papua New Guinea Studies and Music and Dance Research (abstract)

An Intrinsic Case Study of Music and Dance Activities of Indonesian Returnees in Huadu District, Guangzhou, China (abstract)

Emplacement, and ‘Ma’ (間): a Body Metamorphosis from Butō Embodiment Praxis (abstract)

From Deterritorialization to Reterritorialization: Professional Chinese Instrumentalists’ Musical Pathways in North America (abstract)

How does Forced Migration Impact Musical Practices? – The Case of Afghan Musicians in Exile (abstract)

Vedic Insights into Indian Spring: Unraveling the Tapestry of Festivals (abstract)

The Emergence of International Mariachi Women’s Festivals: Claiming Space and Place in the Male Mariachi Genre. (abstract)

Ethnoecologies of Wold Music Festivals: Environmental Damage, Socio-Ecological Sustainability, and Climate Advocacy (abstract)

The ASB Polyfest: Pacific Festival/Digital World (abstract)

Expanding the Reception of Pansori: The Literal and Figurative Translation of Traditional Texts for Young Korean and Foreign Audiences (abstract)

English-language Noh: Ongoing Acts of Linguistic and Artistic Translation (abstract)

Leisure experience in music translations among the Luyia people: the case of Congolese rhumba music reception in western Kenya (abstract)

Translation, Inclusivity, and Reception of Vernacular Music in the University Community Choirs: the Case of University of Cape Coast (abstract)

Music and Gesture in Launeddas Music (Sardinia, Italy) (abstract)

Embodied Listening towards VOCALOID Songs: A Study of the “Kōru” Gesture System in Hatsune Miku Virtual Concerts (abstract)

Gestures and their meaning in Kalasha Dance (abstract)

Exploring the Dynamics of Adzewa: the Artistic Expression of Dance, Movement, Gesture and Embodiment (abstract)

Dreaming of a DIY Career: The Self-Entrepreneurial DIY of Up-and-Coming Indie Bands in China (abstract)

Borders of Boomplay: Music Streaming and the Reshaping of Kenya’s Music Industry in the China-Kenya Nexus (abstract)

Social Media Platforms and the Logics of Visibility in the Hong Kong Independent Music Scene (abstract)

In the Heights, Where is Home: The Shaping of Urban Community Onstage Cultural Space (abstract)

Space as a Social Construction: The Tradition of Song Celebrations in Latvia (abstract)

Music, Space, and Change: Revolution and Music in the Central Soviet Area of China, 1929-1934 (abstract)

Repatriation of an instrument lost to tourism: provenance and restitution of a historical Mallorcan bagpipe (abstract)

Sarangi-The Sound of Hundred Colors: Ram Narayan’s Sapaat Taan (abstract)

Music as a means of resistance in Phulbari Tea Estate: An ethnography of life in total institutions (abstract)

Al-Mehbaj's design from a coffee grinding tool to a percussion musical instrument (abstract)

Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and Mozambique (abstract)

Changes in Music Context and Performance Practices of Ng’oma ya Bhalungu among the Sukuma People of Mwanza, Tanzania (abstract)

Exploring the Intersection of Tradition and Technology: Integrating Music Technology in Sustaining Bura Gulum Music and Dance Performances of North-Eastern Nigeria (abstract)

Nigerian Traditional Plants and Popular Music Voice Production and Dance Panaches (abstract)

Osoode Highlife: Recontextualization, Revival, and Sustenance of a Ghanaian Indigenous Music Tradition (abstract)

Toward counter-colonial perspectives on music production, education and research (abstract)

Ground Control to Major Tom: Exploring Creativity in Extreme Environments (abstract)

Rescaling Indigenous Spaces amid Urban Renewal in New Taipei City (abstract)

Promoting Environmental Sustainability Through the Use of Music and Dance by Ogidi Women (Umuada) in Nigeria (abstract)

Forging Environmental Relationalities through Local Stories: DOBBY’s Warrangu; River Story. (abstract)

Characteristics of Musical Resilience in Culturally Diverse Societies (abstract)

Ngarigu music, dance and language renewal (abstract)

Christmastide Nwátàm in Ndokiland: Resilience of Ancestral Traditions in the Face of Internal Annihilation (abstract)

Echoes of Tradition: Sustaining the Teochew Ethnic Group through Teochew Opera (abstract)

From Adults to Children in Ikon (Xylophone) Performances: Sustaining the Traditional through Popular Music in Ibibio Culture of Nigeria (abstract)

Sustainable Music Education Program for Visual Impaired Students in Thai-Lao Region (abstract)

Limassol Carnival Serenades: Diverse Community-led Approaches to Cultural Sustainability. (abstract)

The pitfalls in bottom-up processes when safeguarding dance as ich (abstract)

Preserving Heritage, Empowering Women: (Re)Thinking Ritual Songs as Possible Intangible Cultural Heritage from Garhwal Himalayas, India (abstract)

Safeguarding of Teochew Opera and Puppetry in Malaysia and the efforts by community (abstract)

Social Authenticity in Persian Rap Music (abstract)

To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops (abstract)

Co-Writing Country: the good, the bad, and the genre (abstract)

21st-Century Flamenco Dance: Transformations and Tradition (abstract)

The Dance Steps of “Entangled”: The Body Narrative Behind the Female Dance Movements in Jiaozhou Yangge (abstract)

From Body Memory to Ritual Practice: The Multiple Musical Identity Transformation of Male Artists of Buyi Ethnic Group in Guizhou Province, China (abstract)

Lion Dances: Bodies, Gender, Empowerment (abstract)

Women’s Tufo Dancing, Discourses of Talent, and the Gendered Politics of Mobility in Mozambique (abstract)

African Indigenous Music and Ecology of Practice: An Investigation of the Jukun Musical Training of the Akishe Dance (abstract)

Symbolic Music Representations of Orin Ìgbéyàwó in Èkìtì State, Nigeria (abstract)

Revivalism and the performed lives of the Khoesan, a first people, in selected parts of southern Africa (abstract)

The Socio-cultural Context of Dirge In Igbo Tradition: The Ikemefuna Excerpt (abstract)

A Study on the "Wuda Gongdiao” in Haizhou (China) from the Perspective of Theme: Taking the "Nan Diao" as an Example (abstract)

The practice of mutual construction between funeral ceremony Yuewu（樂舞） and Yi people 's diversity totem worship (abstract)

Reclaiming Traditions: Indigenous Gender Interactions in Ritual Renewal after Colonisation (abstract)

Korean Buddhist Chant and Dance: Contemporary Meaning of Ancient Religious Tradition (abstract)

Journey of Georgian Traditional Music: Exploring its Internationalisation in the UK (abstract)

Megrelian Melody and Common-Georgian Polyphony (abstract)

Circular Time and the Powwows of Oklahoma (abstract)

"Noisy" Cantonese Opera in Early Hawaiʻi (abstract)

From Tabu to Tārava: Media culture and living arts in French Polynesia (abstract)

Decolonizing Spaces: Indigenous Feminist Praxis of Pacific Islander Women in Southern Californian Island Reggae Scene (abstract)

Nā te pō i whakaatu: Creating waiata with insight from our ancestors (abstract)

New work for taonga puoro and live electronics (abstract)

The Game of Rights, the Sound of Solidified: Musical Murals of Deokheung-ri Tomb in North Korea (abstract)

Filth and Symbol: The Order Construction of The Taboos of The Zhuang Dongjing Musicians in Wenshan (abstract)

Re-conceptualizing Tradition: Exploring the Night of Jeonju & Heritage Story in Hanok Maŭl (abstract)

Adoption, Adaptation, and Resistance: Colonizing and Decolonizing through Music Notation (abstract)

Workshop: the polyphonic underground--musical life/fungal life (abstract)

The Essence of Chord Progressions in Maskandi Guitar Music (abstract)

Building Age-Friendly Universities through Applied Arts Research and Participatory Music Making (abstract)

Exploring the role of Novos Raios dance school in mediating arts education in suburban Maputo, Mozambique (abstract)

Bridging Boundaries through Adaptation: A University Teacher's Autoethnography of Presenting Shanxi Folk Songs as Clarinet Quintets to Global Audiences (abstract)

Breaking Barriers: Embodying Queer and Non-Binary Spaces of Practice within Music Education (abstract)

The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments (abstract)

Reclaiming and sustaining song and dance – connections across land and seas (abstract)

Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula (abstract)

Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and Sound (abstract)

Hou rongo: Moriori, music, manawa (abstract)

Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts (abstract)

Exploring Transformation Cultural Assimilation Processes: The Unique Musical Attributes of the Klong Puje Traditional Drum among the Tai Yuan Community in Chiang Mai (abstract)

Searching for ‘Portable Percussion Music’ – Possibilities of Single-drum Compositions (abstract)

Drumming Up Theory: (Calling and) Responding to John Mowitt’s Percussive Field (abstract)

Ajat Indu Menua Pakan: Embodying Indigenous Dayak-Iban Female Dance Tradition (abstract)

Choreographing “Quatrains of Hope”: Utilizing Indigenous Culture Through Ethnographic Research (abstract)

The use of colonial films in a dance and performing arts database: issues and challenges (abstract)

Resonance: body walking-dancing with the landscape (abstract)

Hula in Fukushima, Japan: Relocation and Resignification of the Hawaiian Dance Tradition for Regional Revitalization and Recovery from Disaster (abstract)

Multiple Performative Bodies: Negotiating Identity and Tradition Through North Indian Kathak Dance in South Asia (India) and Some Chosen Diasporic Spaces (abstract)

Musical survival vs. Musical revival : Proposing a new term of musical change in ethnomusicology (abstract)

Field of Vibrations - how ancient music can remain relevant today (abstract)

Reflections on an international and collaborative research-creation project: “Los diferentes porros en Colombia” (abstract)

The Symbolic Meaning of the Circle in the Context of Armenian Wedding Round Dances and Ritual Songs (abstract)

Multipart music, dance and tourism in the Ionian Islands (abstract)

RILM ECSN Workshop (abstract)

Rediscovering Context: Unveiling a Contemporary Cultural Landscape for the Ancient Art of Guqin in China (abstract)

Study on the Performance Postures of Dongtou JiaoLeiGu (abstract)

The Analysis of Representations of Pan-gu Dance in the Eastern Han Dynasty in Shaanxi Region (abstract)

The role of technologies to keep communities vital and meaningful (abstract)

Performing History: Sinophone communities in Australia and New Zealand (abstract)

Pathway: Dancing with loss, grief and hope (abstract)

Music, emotion, and community: Creating safe spaces for expression in the climate crisis (abstract)

Multilocalities of loss, remembrance and belonging: the cultural citizenship of ethnic Serbian refugees in Serbia negotiated within traditional music practice (abstract)

The Challenges of Orchestral Translations: The Mansaka’s Music and Dance Rhythms (abstract)

The Acceptance History of Nationality in Tchaikovsky's Music in the Chinese Musicology after the 20th Century (abstract)

Music sessions in Muslim shrines: Sites of inclusion, cultural mingling, and resisting hate (abstract)

Music for the Eye? – Signed Songs by Berlin Sign Choir (abstract)

Nyejerang Swara - Exploring Solutions to a Sacred Music Generational Crisis in Bali (abstract)

The Dancing Ocean (abstract)

The Music of Our Neighbors: Cultural Diversity in Small-Town Germany (abstract)

The Documentary Film 'Hopa lide': Making of Romani Representation (abstract)

Warring Identities, Redefining Repertoire: Musical Impacts of Russia’s Invasion of Ukraine (abstract)

"The Mighty Dnipro Roars and Bellows": Music of Resistance, War and Displacement that Reconnects the Generations of Ukrainians (On One Song from the Collection of the Prussian Phonographic Commission and Its Modern Contexts and Interpretations) (abstract)

Sounds of Homecoming: The Resilience of Ukrainian Identity Through Music in Times of Displacement and Occupation (abstract)

Music Propaganda in Times of Conflict, Wars, and Political Clashes (abstract)

The Ear as an Eye: multimodality in an organ performance (abstract)

The Integration of Music and Dance in the Performance of Imbalu Circumcision Rituals of the Bagisu of Eastern Uganda. (abstract)

Body and Mind as the in-situ sacred site in Nangiarkoothu: Embodied Performances and the Heritage Economy in an ICH (Intangible Cultural Heritage) art form (abstract)

Dancing the grief, vocalizing the mourning - The Gjama Ritual as Performance and Story (abstract)

The Gestures of Finger Techniques in the 'Sound' Perspective of Guqin (abstract)

(Un)Hearing the Gitgit (Swiftlet) and Gangis (Cicada): Temporal Absence and Derivative Presence of Litgit (Bowed Bamboo Instrument) Music in the Panay Bukidnon Indigenous Community Ecology (abstract)

Chasing the Masterpiece: A Luthier's Real and Authentic Dilemmas (abstract)

Resounding Memories: An Exploration of Localization and Timbre of Music Box in Taiwan (abstract)

The Musical Ecology of the Adhunik Bangla Gaan (Modern Bengali Songs) (abstract)

Digitally Inter-Sected Bodies in Contemporary Indian Theatre (abstract)

Pedagogy shift in synchronous distance Hindustani Dhrupad music education (abstract)

Hindutva Pop: The Beats of Mass-Media(ted) Islamophobia (abstract)

Beijing Opera in London: The Diasporic Music Life (abstract)

Diasporic Sounds: Impression Management Among Pacific Islander Performers in Melbourne (abstract)

Teaching Dance in Diaspora: Pedagogical Experiences in Melbourne, Australia (abstract)

One Song, Dual Diasporas: El Cóndor Pasa in Shanghai (abstract)

Antarctic “Sonidotorrios”: Sonic Constructions of Chilean Antarctica in Punta Arenas (abstract)

Listen to ‘Mila’, Listen to Hong Kong'S Social Soundscape on the Contemporary Opera Stage (abstract)

Hearing musical petrocultures in Scotland’s mining communities (abstract)

Changes in Korean Traditional Wind Instruments, Focused on the Development of the Double-reed Instrument Piri, in Relation to Spatial Contexts (abstract)

Comparative Evolution of Traditional Performances: Case studies from Johor Bahru Parade and the Teochew Qinglong Temple Fair (abstract)

Preserving and Transforming the Egwu Otu (Age Grade) Music Festival of the Omoku Community in Nigeria for Posterity (abstract)

Staging Musical Politics in China’s Nation-Building Decade: Understanding the PRC’s Large-Scale Music Festivals of the 1950s through Archives and Fieldwork (abstract)

Exploring Musical Communication and Dance Choreography in Schools for the Blind: Insights from the 'Zinazovuma' Category at the Kenya Music Festivals (abstract)

Yūjomono—The Voices of Indentured Women in Jiuta Sōkyoku Lyrics (abstract)

Sacred Spaces, Profound Voices: Exploring Womanhood in Diha Naam of Assam (abstract)

Winifred Atwell: A Reappraisal of Britain’s Britain’s Foremost Black Female Transnational Jazz Pianist (abstract)

Socio-Religious Implications of Men’S Songs of the Anglican Churches in Anambra State, Nigeria (abstract)

Continuity and Change in Zambian Cultural Music and Dance: A case Study of Vimbudza Healing Dance of The Tumbuka People (abstract)

Dynamic Dance Steps of Akalama Dance Group of Upu Community in Idoma Ethnic Minority Group in Nigeria: Cultural Implications and Applications (abstract)

Music Therapy in Ghana: a Case Study of the Klikor Agbozume Community (abstract)

The Flexibility of Sound: A Case Study in Hong Kong Hui Community (abstract)

Harmony and compositional techniques in African musical ensemble: the case study of ohangla drum ensemble of the luo community Kenya (abstract)

The Surviving Ngoma Performance in the Traditional Rituals of the Arabai Community of Kenya (abstract)

Challengers of Dance Theater “Lost Kamuy”: Tourism and Dance Tradition in Akan Ainu Community (abstract)

The Role of Ramogi Dance in Grieving and fostering Healing in Luo Community in Kenya. (abstract)

Motivations of Military-Connected Adults to Participate in Community-Based Arts Programs Held both In-Person and Virtually (abstract)

Community Collaborative Research in Ethnomusicology: Discoursing Challenges, Benefits, and Possibilities (abstract)

The perception of Musicians and Community Members in Tanzania, on the Role of Music in Enhancing Diplomatic Relation between Tanzania and the Democratic Republic of Congo (DRC) (abstract)

Dancing while Bent: Embodying Scordatura in Heinrich Biber’s Mystery Sonatas (abstract)

The Matter of Dance: the Embodied Nature of Polish Traditional Dances (abstract)

Xigubo: transformations in corporeality resulting from the universalisation of its practice in Mozambique (abstract)

“A Happy Playground”: Precarity, Embodiment, and Politics of Aging among Older Adults at K’ollat’ek Dance Halls in South Korea (abstract)

So you want to be an applied ethnomusicologist? Five things they forgot to teach you at university. (abstract)

Frameworks of Engagement: Student-Centered Research Support (abstract)

A Monumental History of Iran’s Century of Music (abstract)

Intangible Cultural Heritage and preservation of cultural ecosystems in Indonesia (abstract)

Revivalism, heritagisation and (in)authenticities in the Spanish folk music scene (abstract)

Cultural transmission and preservation: Music as heritage among the Brazilian expatriate families in Canada (abstract)

The Gbagyi Music and Dance of Kwali People of Nigeria: A symbolic Representation of Social Values (abstract)

“Isitshikitsha traditional dance Costumes” as an integral component of Music and Dance among the Ndebele people of Zimbabwe. (abstract)

Unveiling Minority Idioms and Dance Characteristics Draped in Major Nigerian Musical Traditions: Umuagbai Ndoki Ikoro Dance. (abstract)

To Sing in Pairs: Austronesian Chant and Dance among Taiwan’s Indigenous Peoples (abstract)

A Reflection on Dialects in Traditional Chinese Songs: The Relationship between the Entering Tone Characters and the Singing in Jin Dialect Zone (abstract)

Walking the Amorous Road Together? Public Intimacies in the Antiphonal Singing of the Bai People in Southwest China (abstract)

Re-Sounding Gender: Listening for Femininity in Mongolian Throat-Singing and the Horsehead Fiddle (abstract)

Failte!: Early Gaelic Song Collecting in the Scottish Isles (abstract)

A “Worthless” Collection and an “Absolutely Fabulous Métis”: Richard Johnston, Collecting Métis Music, and the Founding of the Canadian Folk Music Society (abstract)

Sean-nos: Ancient-Modern Indigenous Mythos (abstract)

Indigenous Voices: Taking the hymn ‘ISATSEQALAN’ and 'ALAIYOAI' from the hymnal Let the Hills Sing as an example (abstract)

Modern revival of the musical and dance culture of the displaced Kalmyk people (Volga region, Russia) (abstract)

Stylistic Differences of Music and Dance of Bon Odori in Oku-mino and Tono in Gifu, Japan (abstract)

Art for Public Project: Nurturing Social Cohesion and Cultural Exchange through Creative Music and Dance in Central Thailand. (abstract)

Living on the Edge of Madness: Music, Dance, and Community Building in Melaka, Malaysia (abstract)

Exploring Noise Music Within South East Asia: A Comparative Study of Malaysian, Singaporean, and Indonesian Noise Artists (abstract)

Does Nostalgia Offer a Subscription Plan? - Commercial Sound Recordings and Popular Memory (abstract)

Incarcerated Musicians and the Technology Gap (abstract)

Dancing in pixels (abstract)

Innovation within Tradition in Mozambique - From the Midi-Mbira to the Tunable Kankubwe: PAR Research as a source for Creative Accidents (abstract)

San Pablo Cimarrona: Transmission of knowledge from the past to the present (abstract)

Devagan: the Newar indigenous and the Nava Durgā ritual performance (abstract)

(a)shore (abstract)

Exploring Cultural Translation through Cantonese Narrative Singing (abstract)

Songs and Stories of the Great Meadow: Ukrainian History, Culture and Ecology in Peril (abstract)

Tap Dancing Cultural Gesture (abstract)

"Spectacularizing Romance. Sundanese Ketuk Tilu Dance during the 1889 Paris’ Exposition Universelle" (abstract)

Gender Dialogues: The Indian Male Dancer of the 1930s–50s (abstract)

Keali’inohomoku’s Theory of Dance Culture as a Model for Applied Dance Anthropology (abstract)

The Fayao: Rice pounding dance of the Chamorro Matua (abstract)

The “elder brother” is watching you: indigenous people of Russia through the prism of dance politics (abstract)

Questioning Indigeneity in Nicaragua's "National Dance" (abstract)

From Tradition to Innovation: Contest-Based Relationality between Fancy Dancers and the Drum in Contemporary Powwow Culture (abstract)

Malay Traditional Music in Singapore (abstract)

Traditional Vocal Repertoire of Central Visayas (Philippines) (abstract)

Ombak: listening to Balinese gamelan beyond the metaphor of contour (abstract)

Forbidden Culture: Understanding Indigeneity, Ritual, and Normativity in Kodungallur Bharani (abstract)

The bandio Williche: essentialisms and cultural hybridity regarding an indigenous instrument in San Juan de la Costa, Chile (abstract)

Indigenous Cosmopolitans and the Tourist Encounter: Taquile's Fiesta de Santiago as Contact Zone (abstract)

Hip hop and vectors of oral tradition in Mapuche culture (abstract)

Jazz in Malambo: Afro-Diasporic Music, Global Racial Debates, and Racial Paternalism in Peru, 1920-1931 (abstract)

A Case Study of Wuhua Marionette Puppetry (abstract)

Research on He Liutang’s Adaptation and Creation Techniques in Guangdong Music, 1920s-1930s (abstract)

Exploring the Free Elements in Guoshan Yao folk songs in northern Guangdong China: a scholarly music analysis (abstract)

Cognition and Behavior: A Study of Rebab Music and Performance Thinking in the Context of Central Javanese Gamelan (abstract)

Interrogating the Visceral: Embodiment and Visceral Persuasion in Ohad Naharin’s “Echad Mi Yodea” (abstract)

The Reconstruction and Development of Dunhuang Music and Dance (abstract)

The embodying Karanga philosophy in mhande dance practice and movement (abstract)

"From within the ritual, from outside the ritual"： The Construction of the "Third Space" of Korean Janggu (장구) Music (abstract)

War Songs in the Traditional Singing of the Slovaks in Vojvodina in the Republic of Serbia (abstract)

Traveling Sounds and the Hybridization of Tanzanian and Finnish Music: Chiwalala and the Invention of Chizentele (abstract)

"Wavin' Whose Flag? One Song's Transformation from the Personal to the National and Global" (abstract)

Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and approaches (abstract)

Observations in Military Training Fields: The Relationship between Drum Circle and Bodily Discipline, Liberation, and Positive Mentality (abstract)

Exploring Beijing's Post-Pandemic Experimental Music Scene: One Way to Listen to the Subtle from Within and Beyond (abstract)

The Aesthetic Significance of the Combination of Vision, Hearing, and kinesthesia in Guqin Music: Taking the Imitating Sound of Wild Geese in the Tune "Wild Geese Descending on the Sandbank" as an Example (abstract)

Performance, Context, and Interaction: A Study on the Music Performance of the "Nine Huanghui" Ceremony in Ezhou City, China (abstract)

Mariachi Music in the Classroom: Inclusion and the Risks of Unintended Reinventions of a Musical Practice Through Transcriptions and Arrangements (abstract)

Scholarly Positions: Acknowledging forms of Slow Scholarship to Change Colonial University Praxis (abstract)

Traditional Music and Higher Education in the US: What Can We Learn From Bluegrass? (abstract)

Lost in the Grand Tang Dynasty Everbright City: Urban Musikscapes, Nighttime Economy and Spatial Narratives (abstract)

Soundscape in the Chinese Garden：Historically Informed Jiangnan Silk and Bamboo Music Performance Practices (abstract)

The performance interpretation of the Chinese Ping Hu pipa from the perspective of music narrative: take a case study of Huai Yin Ping Chu and Yu Lun Pao as an example (abstract)

The Innovative Communication Pathway of Contemporary Sichuan Opera's Percussion (abstract)

Engaging Tradition with the Future - Knowledge Dissemination and The Short Form Video (abstract)

Beyond Technology: Narratives of Social Constructs in Music Production in Taiwan (abstract)

Remediating ethnographic sound archives through sampling and DJ sets (abstract)

Detuning the Anthem: Using Research-Creation to Deconstruct the Sounds of Settler-Colonialism (abstract)

Chanting Gratitude (abstract)

Kochari Dance Reflection (abstract)

Sufi/Islamic devotional music of South India: A Case of Linguisitc Erasure, Resislience and the Pull of the Popular (abstract)

Untranslated Theory: Deconstructing Rameau’s ‘Perverse’ Chinese Whole-Tone Scale (abstract)

Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese History (abstract)

The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa (India) (abstract)

Music and the Black Experience: The Art and Politics of Sonic Culture (abstract)

He Whiringa Rangahau: Indigenous Māori creative expressions and legacies (abstract)

Rethinking Popular Music Creation in Community: A Process-Oriented Approach to Musical Sovereignty and Storytelling (abstract)

Wounded, but not broken. Terror, healing, and music (abstract)

Conceptualising a musical panorama of diversity and difference: Indonesian sounds and identities in contemporary Australia (abstract)

Alternative Modernities: Three approaches to bamboo music in twenty-first-century Bandung, Indonesia (abstract)

Maluku non-sounds; Maluku improvised music as substitute for forgotten traditional languages (abstract)

Mediaeval Chinese Dance Decoded (abstract)

Attachment: The Acquisition and Production of Notations Among Taiwanese Taxi DanceHall Jazz Musicians During 1950-1970 (abstract)

O. Sheets! A True-Crime Dance Saga (abstract)

Awareness and Utilization of Artificial Intelligence in Teaching of Music Education in Tertiary Institutions in Nigeria (abstract)

African Music and Dance Performance in the American Liberal Arts College Curriculum (abstract)

We Should All Be Ethnomusicologists! Rethinking the Positionality of Ethnomusicology within Music Departments in South Africa (abstract)

Shanghai to Hollywood and Golden Mountain: Silk and Bamboo Music on Film and Recordings in the Mid-twentieth Century (abstract)

Humanistic renaissance and restructuring of musical order in China’s post-pandemic era. (abstract)

Exploring the changing characteristics of changgeuk fandom (abstract)

Safeguarding the Intangible Cultural Heritage in Music and Dance Studies: Opportunities, Goals, and Challenges (abstract)

Moving intercultural knowledge: from the personal genealogies of music and dance knowing-learning processes to a collective performative montage. (abstract)

Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary contexts (abstract)

From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations (abstract)

Tibetan women ritual leaders in exile - ritual music, training and identity as Bon nuns in India. (abstract)

Negotiating Between Ritual Traditionality and Legitimacy: Soundscape at an Ancestral Ceremony in Contemporary Rural China (abstract)

Mapping musical descriptions of Chinese Buddhist rituals in late-Qing China (abstract)

Music, Place, and Sacred: Qasida-khonī in Understanding of Sacred Place (abstract)

How Does the Experience of “Humourliation” Influence the Identity and Relationships of Tertiary Dance Learners in China? (abstract)

Decolonization Practices Through Mutual Understanding of Local Music Theories and Idioms: Compilation of the "Dictionary of China Musical Idioms" as a Case Study. (abstract)

"Der Berggeist vom Schöckl": Ethnographic Approaches to an Oper Graz project in Styria, Austria (New Research from the “Why Isn’t Classical Music Dead” Project) (abstract)

Navigating Disparities between Oral & Literary Traditions: Exploring Collaborations of Irish Traditional Music intertwined with Western Art Musical Traditions (abstract)

The griots of Kéla: from words to music in the face of modernity. (abstract)

Azmari -The Fest of Voices- (abstract)

Three Films Engaging with Diverse Southern African Music and Dance Traditions (abstract)

Gone to the Village: Performing Asante History at the Funerary Rites of the Asantehemaa (Queen) (abstract)

Khele in Transition: Memory, Transformation, Cultural Resonance in Talesh Rural Life (abstract)

Inu Tī Inu Kota: Constructions of Place and Identity in Tongan Brass Band Diaspora in Aotearoa (abstract)

Liturgical Music as a vital part of Cultural identity in a small Christian community (abstract)

The Influence of South African Amapiano Music on Tanzanian Muziki Wa Injili in Dar es Salaam (abstract)

Georges Ouédraogo Museum of music and use of new technology. (abstract)

Platformisation and the Growth of Kenyan Creative Economies: an Exploration of Challenges and Opportunities Presented by Mdundo Platform (abstract)

Bamboo Vocal Surrogacy: The Akata Masquerade Reality (abstract)

Bye-Bye Middle-Earth … a Personal Reflection on Cultural Dislocation (abstract)

The Institutionalization of Dance policy in Tunisia: a birth under post-revolution political climate (abstract)

Tunisia's music policy from the roots of cultural patronage to the implementation of a national strategy (abstract)

Tunisia’s Ministry of culture: A governmental instrument for transitional democracy? Musical policy as study case (abstract)

Unveiling Igbo Environmental Perspectives through the Sociocultural Tapestry of Indigenous Music (abstract)

Seeking to Walk Beautifully on the Earth: Applied Ecomusicology as Community Building in Rural Ireland (abstract)

Resilient Resonances: The Bamboo Music Eco-Trope in the Talaandig Community (abstract)

Getting Your Own Back: Cross-Cultural Movement of Intangible Values in Aboriginal Australia (abstract)

Sustainability and Community Identity: Hakka Music as Cultural Recreation for the Elderly (abstract)

Krung Curatorial Practice and Creative Sustainability for Indigenous Music of Mountainous Villagers in Nan Province (abstract)

Harmonizing Heritage in Turkmenistan: How Institutions Sustain Indigenous Modes of Transmission Within Pedagogical Approaches to Turkmen Bardic Tradition and Dutar Performance (abstract)

Accompanying, growing, and exploring: the practice and inspiration of Chinese musical culture knowledge in digital teaching (abstract)

Using Regression-Based Analysis in Digital Musicology (abstract)

Towards the Dissemination of Practice-based Research Findings through an Interactive Digital Storytelling Method (abstract)

E3thnography: Towards a Digital Ethnomusicology (abstract)

Ethnic Minorities, Indigeneity, and the Construction of the Domestic Others in Chinese Music (abstract)

Maginalised minority culture as Memory of the World (abstract)

Navigating a New Phase: The Professionalization of Ainu Performing Arts Post-2020 (abstract)

Sámi storying as pathway to other-than-human musicking. Multispecies ethnomusicology from the Indigenous Arctic (abstract)

The Meaning of the Representation of the Deer Head on the Dambus Musical Instrument in Bangka Island Society (Indonesia) (abstract)

The Viola da Terra as Metaphor: Post-colonial Sonorities of Azorean Saudade (abstract)

The Dark Side of the Shakuhachi II: The Image of the Shakuhachi during the Russo Japanese War (abstract)

Kazakh National Sound Ideal Applied to Zhetygen (abstract)

Beyond the Sacred-Secular Divide: Mourning Rituals, Spiritual Happiness, and Shi‘a Agency in Tehran (abstract)

Sound Mind, Sound Body: An Ethnographic Account of Mindfulness as Sonic Practice (abstract)

“Talk about the role and impacts of music in your life”: An ethnographic study (abstract)

Asserting Sovereignty and Nurturing Health and Well-being in Inuit Hip Hop (abstract)

Dance and Music in the Ancestral Celebration: A Critical Study on Two Mah Meri Indigenous Groups in Malaysia’s Carey Island (abstract)

Sarawak Cultural Village as the “Living Museum”: Performing Indigenous Cultural Dance (abstract)

Reconstructing Joget Gamelan Timang Inu: An Ethnographic and Practice-Led Approach (abstract)

It’s Too Fast: Contentious Sentiments towards the High-Speed Performance of String Ensemble by Queer Male Musicians amid Thailand’s Changing Genderscapes. (abstract)

Dirges and Dilemmas of Resistance, Cultural Colonialisms and Cosmopolitanisms: The Indigeneity Poetics and Politics in the Song, 'Mala, Mawie Ga' (I Will Sing, I Will Speak Ga).. (abstract)

Indigenous Songs in the Teaching and Learning of Cultural and Creative Arts in Primary Schools in South East, Nigeria (abstract)

(Re)Constructing Setswana Indigenous Art Song And Choral Composition (abstract)

Song-dance creativity and performance: Malawi Chewa permeable indigenous knowledge genius (abstract)

Enhancing Cultural Heritage: Online Encyclopedias of Balinese Gamelan (abstract)

Preservation and Dissemination of Burgenland Roma Music through Artistic Research (abstract)

Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical heritage (abstract)

From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North India (abstract)

Goong: Sound Through Fire (abstract)

Documentary: Kantar Goa (abstract)

The Shifting Dreams of Tazumuddin: A Fisherman's Fight Against the Rising Tide (abstract)

Aesthetics and hybridities in songs Yada Yada and I am virus insidiously claiming inclusivity in Indigenous Peoples’ Music (abstract)

Pedagogy and Performance: Reimagining North Indian Classical Music in the Digital Era (abstract)

Sharing Soundscapes: The Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts (abstract)

Echoes of Memories: Collaborative Storytelling through Person-Centered Music and Virtual Reality with Older Adults Living with Dementia (abstract)

Indigenous Peoples’ Music and Dance: The Determinants of the Cultural diversity of Bangladesh (abstract)

Revisiting the Indigenous Performance of Kandoni Bishahari: A Reading of Poisoner and Poison-releiver Manasa in the Context of Life-Death Significance and Timeless Memory of Womb (abstract)

From Field to Auditorium: Performing 'Haolaa' and 'Pheichak' among the Tangkhul Nagas immigrants in Indian Cities (abstract)

Embodied Joy in Abstract Dance – Exploring Traditional Indian Movement Systems (abstract)

An Experiment in Cultural Transformation: The Incorporation of African Popular Styles into the Traditions of the Ikorodo Dance Ensemble (abstract)

Grappling with the Authenticity of Folk Song in Japan (abstract)

From Folk to Pop: The Rise of Mexican Regional Music in the United States (abstract)

FanZoning: Exploring Creative Performance Practices and Pedagogical Implications in Fan Culture (abstract)

The importance of dance, music and song in a traumatized society. New Research in Burundi/East-Africa (abstract)

An Exploration of Sri Lankan Indigenous Vedda Peoples’ Music (abstract)

Songs and Women’s Names in Contemporary Nigeria: A Mother’s Prayer or Men’s Muse? (abstract)

Tracing locality in Iranian Jewish repertoires, the case of the "shira" of Esfahan (abstract)

Lion Dancing in Cuba: Embodying Alternative Knowledges and Identities (abstract)

Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar. (abstract)

Timing and coordination in nagauta-bayashi music (abstract)

Self-balancing of women's roles： dance practices in Chinese Tajik weddings. (abstract)

Between ‘folk’ and ‘imperial’: changes of chigo-bugaku (bugaku dance of ‘children of festivity’) at Shizuoka-sengen-jinja shrine in Japan (abstract)

Shifting Stages: Cyber Networks and Mediation of amakwaya/iikwayala Competitions in South Africa (abstract)

An ethnography of “Interactive” performance in Tangshan shadow play (abstract)

Post-COVID Denver’s Thai, Lao, and Cambodian Performing Arts Ensembles: Crises and Collaborations (abstract)

Vocal Transform-Ability: Voice education between somatics, metaphor, and access (abstract)

Role of Rhymes in Building Social Inclusion Among Pre-Schooler in Kwale Education Zone of Delta State,Nigeria (abstract)

Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at UFPA (abstract)

Comparative Motion Analysis for Performance Technique Development (abstract)

The traditional dance and music of the Kavangos in Namibia, performed in the context of the horseplay dance Ukambe (abstract)

Teaching Indigenous Music: Bridging Indigenous Music Research and Educational Practices in Brazil (abstract)

The bitter fate of women in Dungan songs: an Insight into Central Asian Dungan Music (abstract)

Forbidden Voices: Women’s Singing of Iranian Traditional Music under the Islamic Regime in Iran (abstract)

"Slaying for Christ": Gospel Music, Identity, and Fashion in Contemporary Ghana (abstract)

Menstruation and Marginalia: the position of female praise song in the Ethiopian Orthodox Church (abstract)

New Era, New Traditions: Case Analysis of Sustainable Development of Traditional Chinese Music Culture in Current Social Environment (abstract)

Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation (abstract)

Sound Practices: Considering Music Rehearsals for Their Own Sake (abstract)

Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania) (abstract)

Gorwel; The Horizons of Cornish Music and Dance and it’s Intersections with Electronic Dance Music (abstract)

Reconstruction of Identities: Turandot as New Chinese Opera (abstract)

Belo Horizonte through the eyes of sambitas (abstract)

Grafting onto Tradition: Roots and Imagination in Chilean Música de Raíz (abstract)

Beyond Exoduses：The Body-Sound System in the Cosmology of Lahu Xi (abstract)

Redefining Heritage: The Foliada as a Space of Biopolitical Dissent in Galicia (NW Iberian Peninsula) (abstract)

Pedagogy and Practice: Theorizing Intimacy in Balinese Vocal Music (abstract)

Bi-Musicality Revisited: The Famous Ethnomusicological Method in the 21st Century (abstract)

Theory in flesh: Sesa Mathlo methodology, the African tradition of storytelling and embodied theorisation (abstract)

Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe Analysis (abstract)

Being a "sambista": identity and recognition in a samba context. (abstract)

India in Slovenia: A Study of Non-diasporic Indian Music and Dance Scene in a Central European Country (abstract)

The influence of Xhosa traditional music and culture and modern South African jazz: Exploring the narratives of six South African jazz musicians (abstract)

Talempong Music - a pusako inheritance of Indigenous Minangkabau Culture, in Indonesia. (abstract)

Creating the talempong of Sungai Puar and the dances it accompanies in West Sumatra, Indonesia. (abstract)

Sumatran Sounds part two: Minangkabau composers of West Sumatra, Indonesia, 2010-2025. (abstract)

Dancing in the Cut: Space, Power, Culture and Design in Disability Dance (abstract)

“Stars Gathering”: Exploring Musical Cosmopolitanism in 1960s Taiwan (abstract)

“098RADIO,” Hip-Hop Music and Okinawan Identities (abstract)

Yunnan Reggae: Music, Minoritization, and Afro-Asian Imaginaries in Southwest China (abstract)

Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people (abstract)

How to Make People Dance (abstract)

Tradition-Oriented Texts and Their Representation in Other Culture: The Yi Meige and Its Mandarin and English Translations (abstract)

Traditional Music "Disturbed" by Academics: Contemporary Interpretation and Morphological Evolution of the Chinese Erhu Piece "The Moon Reflected in the Second Spring" (abstract)

Shakuhachi or Chiba? Its Modern Adaptation and Evolution in China (abstract)

Music as a Nostalgia in People’s Migration and Relocation -- A Study on Chihuocaoyan Music Inherited by Nisu People (abstract)

Singing from a “Callus Heart”: Sound Archive, Historical Memory, and Peace Vision on the Festival Stage of Okinawan “Sanshin's Day” (abstract)

Collecting Dust: Sensory Memory in the Performance Practice of the“Yunkong Di” (abstract)

Sounds of memory and nostalgia: Listening to our mothers and grandmothers (abstract)

Embodiment and Affect of Biomediated bodies in Protest performances in India (abstract)

The Other Creatives: Ragamala Dance Company and the Making of Indian Classical Dance in Diaspora (abstract)

From music videos to TikTok: audiovisual mediations of Krumen's bollo dance from Ivory Coast (abstract)

Verba Manent: the Tradition of the Evangelists and Pregoneros of Doña Mencia (Spain) (abstract)

Musical transmission in three Brazilian traditional music expressions: Samba, Maracatu and Congado (abstract)

Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa Rica (abstract)

Yo soy el cantante: a depiction of masculinity in salsa (abstract)

From Valletta to Pyongyang: A Maltese Festive Wind Band March and the Politics of Musical Borrowing (abstract)

Decolonizing Portugal’s Revolutionary Commemorations (abstract)

“Say Dem Go Feel It”: Afrobeats and Access to Pleasure in the lives of Refugee Youth in Greece (abstract)

Heritage of a displaced community: Manja of Afro-Sri Lankans (abstract)

The Effect of Environmental Pollution on Kalabari Funeral Rite Music (abstract)

The Fight for Indigenous Rights in the New Indonesian Capital City of Nusantara: Cronyism, Deforestation, Indigenous Marginalization, and Ecological Disasters (abstract)

Sounding The Limestone Exploration: Environmental Pollution And The Health Implications On The Residents In Ewekoro, Ogun State, Nigeria (abstract)

Examining Festival Ecologies in a time of Climate Instability: Curatorial Intentions at the Serendipity Arts Festival in Goa, India (abstract)

Sonic Mapping and Earth System Hazards: Eco-ethnomusicology and Transdisciplinary Research (abstract)

Melodies of resilience: Navigating environment, place and identity through fishing songs of the Duakor community in Cape Coast, Ghana (abstract)

Performing Ecomusicology and Public Engagement with the Zealandia Te Māra a Tāne Ecosanctuary in Te Whanganui-a-Tara Wellington (abstract)

After the earthquake: effects of natural disasters on devotional singing groups in the Kathmandu Valley (abstract)

The Solidification of Bengali Nationalism: The Role of Patriotic songs through Swadhin Bangla Betar Kendra (Free Bengal Radio Center) (abstract)

Preserving National Identity: Slovenian Musical Theater in Cleveland, Ohio (abstract)

Traditional Lullaby as a Method of Transmission of Nation'S Historical Remembrance and Knowledge (abstract)

An Opera for All? Challenges Attracting “Foreign” Interest in Hong Kong Cantonese Opera (abstract)

From Empire’s Echo to Urban Echoes: Military Bands in Singapore’s Contested Soundscapes (abstract)

Empire and the Erasure of the Banjo's Legacy: A Dutch Colonial Perspective (abstract)

Examining Burmese Traditional Music under the Military Government in Myanmar (abstract)

Ata as Ati in Boracay, Philippines: Ancestral Land songs, Eviction Trauma, and Claim to Home (abstract)

Events of practice exhibition – a concept for curation and facilitation of dance as intangible cultural heritage in museums (abstract)

The Role of Artificial Intelligence Technology in the Protection of Intangible Cultural Heritage (abstract)

Insights from the "Guqin Clinic"(古琴诊所)——the Development of Guqin in the Digital Age (abstract)

DIY Culture and Digital Technologies in the Global South: Mbira Traditional Music Instrument Entrepreneurship in Zimbabwe (abstract)

The working of memory in South African Music practices: an exploration of ukombela as a bandstand invocation. (abstract)

Exploring Speech Surrogacy in Yoruba Talking Drums: A Study of Dundun and Bata Master Musicians of the South-West Nigeria. (abstract)

Performance is Pedagogy and Pedagogy is Performance: Indigenous Philosophy of Oneness of Theory and Practice in Traditional Music of the Igbo of Nigeria (abstract)

Exploring Iconicity in the 125th Anniversary Commemorative Anthem for the Alavanyo Wudidi E. P. Church: A Composer’s Reflections (abstract)

Revisiting pentatonism in Europe and Asia. The cases of the Southwestern Balkans (Western Greece and Southern Albania) and Vietnam. (abstract)

Harmonies of Resilience: Emotional Dimensions of Azerbaijani Music during Spanish Flu Pandemic (abstract)

Musical Instruments and the Construction of Memory (abstract)

Transcultural Approach in China’s World Music Education: Reflections on the "Multi-musicality and Transcultural Music Practice" Course at the Central Conservatory of Music, Beijing (abstract)

Model Design and Argumentation：Interdisciplinary Teaching Competence of Music Teachers in Chinese Primary and Secondary Schools (abstract)

Music Teaching Methods as Cultural Technology: Moving Away from Imperialist Frames to Explore New Possibilities (abstract)

Towards a common thesaurus for musical instruments: issues of vocabulary, transl(iter)ation, and representation (abstract)

Exchange, Symbiosis, Mutual Integration and Development of Chinese Korean Folk Songs (abstract)

Urhobo Folksongs as tools for Social Re-engineering in Contemporary Nigerian Society (abstract)

Back to Locality: The Folk Pipa Traditions Beyond the Standard Pipa System in China (abstract)

Empowerment Through Hengchun Folk Song Musicals from Countryside to the Global Stage: Women’s Cross-boundary Narratives for “Everydayness” and “Artistry” (abstract)

Soundscapes of Biocultural Diversity: Polyphonic Singing Practices in Angami Naga Traditional Music (abstract)

Igbo Indigenous Music (Minstrelsy) as a Tool for Interrogating Political Issues in Nigerian: Perspectives from Umuobieze Singing Group (abstract)