Program for Tuesday, January 14th, 2025: Talk View

PROGRAM FOR TUESDAY, JANUARY 14TH, 2025: TALK VIEW

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View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

08:30-10:30

From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations

J. Perez Gonzalez, M. Bonfim Pacheco, C. Benigno, M. Leite Do Nascimento

08:30-09:00

Tibetan women ritual leaders in exile - ritual music, training and identity as Bon nuns in India.

Christiane Strothmann

09:00-09:30

Negotiating Between Ritual Traditionality and Legitimacy: Soundscape at an Ancestral Ceremony in Contemporary Rural

Jun Feng

09:30-10:00

Mapping musical descriptions of Chinese Buddhist rituals in late-Qing China

Jean Wong

10:00-10:30

Research on He Liutang’s Adaptation and Creation Techniques in Guangdong Music, 1920s-1930s

Chen Xiang Fang Chen Xiao Fang

08:30-09:00

How Does the Experience of “Humourliation” Influence the Identity and Relationships of Tertiary Dance Learners in

Tianzhi Nan

09:00-09:30

Decolonization Practices Through Mutual Understanding of Local Music Theories and Idioms: Compilation of the "Dictionary of China Musical Idioms" as a Case

Mei Xiao

09:30-10:00

"Der Berggeist vom Schöckl": Ethnographic Approaches to an Oper Graz project in Styria, Austria (New Research from the “Why Isn’t Classical Music Dead”

Sarah Weiss

10:00-10:30

Navigating Disparities between Oral & Literary Traditions: Exploring Collaborations of Irish Traditional Music intertwined with Western Art Musical

Paul Clesham

08:30-09:00

The griots of Kéla: from words to music in the face of modernity.

Tiécoura N'Daou

09:00-09:30

Three Films Engaging with Diverse Southern African Music and Dance Traditions

Sylvia Bruinders

09:30-10:00

Gone to the Village: Performing Asante History at the Funerary Rites of the Asantehemaa (Queen)

Kwasi Ampene

10:00-10:30

Reflections on an international and collaborative research-creation project: “Los diferentes porros en

Ons Barnat

08:30-09:00

Khele in Transition: Memory, Transformation, Cultural Resonance in Talesh Rural Life

Mitra Jahandideh

09:00-09:30

Inu Tī Inu Kota: Constructions of Place and Identity in Tongan Brass Band Diaspora in Aotearoa

David Paligora

09:30-10:00

Liturgical Music as a vital part of Cultural identity in a small Christian community

Essica Marks

10:00-10:30

“Talk about the role and impacts of music in your life”: An ethnographic study

Débora Grácio Santos

08:30-09:30

Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in

Tsung-Te Tsai, Xiaoding Liu, Yan Shao

09:30-10:30

Practicum in the Digital Humanities: Scholarly and Pedagogical Applications

Jennifer Fraser

08:30-10:30

Rhythms of Belonging in the Lusophone World

Stefanie Alisch, Martin Ringsmut, Susan Hurley-Glowa, Alcides Lopes

08:30-09:00

Agpangan ng Kawayan: Combining Indigenous Cultural Framework and Ecomusicological Approaches to Analyse the Bamboo Music Culture of Talaandig

Regina Starr Abelardo

09:00-09:30

Cognition and Behavior: A Study of Rebab Music and Performance Thinking in the Context of Central Javanese

Xinyang Li

09:30-10:00

A Musico-Poetic Analysis of Tyāgarāja’s Pancaratna kṛti jagadānandakāraka using Generative Theory of Tonal Music

Deepak Paramashivan

10:00-10:30

A Case Study of Wuhua Marionette Puppetry

Xueqing Liu

08:30-09:00

Getting Your Own Back: Cross-Cultural Movement of Intangible Values in Aboriginal Australia

Richard Moyle

09:00-09:30

Sustainability and Community Identity: Hakka Music as Cultural Recreation for the Elderly

Ai Mei Luo

09:30-10:00

Krung Curatorial Practice and Creative Sustainability for Indigenous Music of Mountainous Villagers in Nan

Pornprapit Phoasavadi

10:00-10:30

Harmonizing Heritage in Turkmenistan: How Institutions Sustain Indigenous Modes of Transmission Within Pedagogical Approaches to Turkmen Bardic Tradition and Dutar

Mohammad Geldi Geldi Nejad

08:30-09:00

Using Regression-Based Analysis in Digital Musicology

Grace Shaw, Vun Yun Thau

09:00-09:30

Towards the Dissemination of Practice-based Research Findings through an Interactive Digital Storytelling

Eduards Grieznis

09:30-10:00

E3thnography: Towards a Digital Ethnomusicology

Juan Bermudez

10:00-10:30

Lip-Sync: mediatized socialities, creation and sound in the application of TikTok

Ricardo Gonzalez Luis

08:30-09:00

Ethnic Minorities, Indigeneity, and the Construction of the Domestic Others in Chinese Music

Kai Tang

09:00-09:30

Maginalised minority culture as Memory of the World

Dan Lundberg, Krister Stoor

09:30-10:00

Navigating a New Phase: The Professionalization of Ainu Performing Arts Post-2020

Mio Yachita

10:00-10:30

Sámi storying as pathway to other-than-human musicking. Multispecies ethnomusicology from the Indigenous

Nicola Renzi

11:00-11:30

Dance and Music in the Ancestral Celebration: A Critical Study on Two Mah Meri Indigenous Groups in Malaysia’s Carey

Premalatha Thiagarajan

11:30-12:00

Sarawak Cultural Village as the “Living Museum”: Performing Indigenous Cultural Dance

Andrew Igai Jamu

12:00-12:30

It’s Too Fast: Contentious Sentiments towards the High-Speed Performance of String Ensemble by Queer Male Musicians amid Thailand’s Changing

Nattapol Wisuttipat

11:00-12:00

Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and

Zhiyi Qiaoqiao Cheng, Lea Hagmann

12:00-12:30

Dirges and Dilemmas of Resistance, Cultural Colonialisms and Cosmopolitanisms: The Indigeneity Poetics and Politics in the Song, 'Mala, Mawie Ga' (I Will Sing, I Will Speak

Sheilla A. Nelson

12:30-13:00

The Viola da Terra as Metaphor: Post-colonial Sonorities of Azorean Saudade

Abigail Lindo

11:00-11:30

Enhancing Cultural Heritage: Online Encyclopedias of Balinese Gamelan

Vaughan Hatch

11:30-12:00

Preservation and Dissemination of Burgenland Roma Music through Artistic Research

Albin Krieger

12:00-12:30

Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical

Marko Brkljačić, Ana Mihaljević

12:30-13:00

From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North

Selina Sharma, Shashank Goswami

11:00-11:30

Goong: Sound Through Fire

Maria Mendonca

11:30-12:00

Documentary: Kantar Goa

Nalini Elvino de Sousa

12:00-12:30

The Shifting Dreams of Tazumuddin: A Fisherman's Fight Against the Rising Tide

Ripan Das

12:30-13:00

Aesthetics and hybridities in songs Yada Yada and I am virus insidiously claiming inclusivity in Indigenous Peoples’

Dr. Shib Shankar Chowdhury

11:00-11:30

Echoes of Memories: Collaborative Storytelling through Person-Centered Music and Virtual Reality with Older Adults Living with

Gabby Wen

11:30-12:00

Challenges of Collaborative Community Archiving in the Context of Expanding Amateur Data Collection and Sharing in Digital Spaces: Lessons from Ewe Communities of

Daniel Avorgbedor

12:00-12:30

Sharing Soundscapes: The Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Maureen Russell

12:30-13:00

Staging Musical Politics in China’s Nation-Building Decade: Understanding the PRC’s Large-Scale Music Festivals of the 1950s through Archives and

Qinyu Yu

11:00-11:30

Indigenous Peoples’ Music and Dance: The Determinants of the Cultural diversity of Bangladesh

Hossain Mohammad Jahangir

11:30-12:00

Revisiting the Indigenous Performance of Kandoni Bishahari: A Reading of Poisoner and Poison-releiver Manasa in the Context of Life-Death Significance and Timeless Memory of

Shahman Moishan

12:00-12:30

Embodied Joy in Abstract Dance – Exploring Traditional Indian Movement Systems

Divya Hoskere

12:30-13:00

Rediscovering the Sikh Indigenous Pedagogy through the Analysis of Heterometric Heritage Songs.

Francesca Cassio

11:00-11:30

The bitter fate of women in Dungan songs: an Insight into Central Asian Dungan Music

Kanykei Mukhtarova

11:30-12:00

Forbidden Voices: Women’s Singing of Iranian Traditional Music under the Islamic Regime in Iran

Roozbeh Nafisi

12:00-12:30

"Slaying for Christ": Gospel Music, Identity, and Fashion in Contemporary Ghana

Grace Takyi Donkor

12:30-13:00

Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa

Maria Bejarano

11:00-11:30

The importance of dance, music and song in a traumatized society. New Research in

Edda Brandes

11:30-12:00

An Exploration of Sri Lankan Indigenous Vedda Peoples’ Music

Kamani Samarasinghe

12:00-12:30

Songs and Women’s Names in Contemporary Nigeria: A Mother’s Prayer or Men’s Muse?

Ruth Opara

12:30-13:00

Tracing locality in Iranian Jewish repertoires, the case of the "shira" of Esfahan

Edoardo Marcarini

11:00-11:30

Lion Dancing in Cuba: Embodying Alternative Knowledges and Identities

Edwin Porras

11:30-12:00

Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar.

Mohamed Haseeb N, Shibinu S Shahul Hameed

12:00-12:30

Timing and coordination in nagauta-bayashi music

Sayumi Kamata, Kazutoshi Kudo

12:30-13:00

Self-balancing of women's roles： dance practices in Chinese Tajik weddings.

Zhang Yaqin

11:00-11:30

Between ‘folk’ and ‘imperial’: changes of chigo-bugaku (bugaku dance of ‘children of festivity’) at Shizuoka-sengen-jinja shrine in

Naoko Terauchi

11:30-12:00

Shifting Stages: Cyber Networks and Mediation of amakwaya/iikwayala Competitions in South Africa

Thembela Vokwana

12:00-12:30

An ethnography of “Interactive” performance in Tangshan shadow play

Jingyi Rong

12:30-13:00

Post-COVID Denver’s Thai, Lao, and Cambodian Performing Arts Ensembles: Crises and Collaborations

Benjamin Cefkin

11:00-11:30

Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at

Líliam Cohen, Sonia Chada, Jucélia Estumano, Adriana Couceiro

11:30-12:00

Comparative Motion Analysis for Performance Technique Development

Connor Chin

12:00-12:30

FanZoning: Exploring Creative Performance Practices and Pedagogical Implications in Fan Culture

Kate Littlejohn

13:00-14:30 Study Group Welcome Meeting — Music and Minorities

13:00-14:30 Study Group Welcome Meeting — Applied Ethnomusicology

13:00-14:30 Study Group Welcome Meeting — Music and Dance of Oceania

13:00-14:30 Study Group Welcome Meeting — Music and Dance of the Slavic World

13:00-14:30 Study Group Welcome Meeting — Global History of Music and Dance

14:30-16:30 Plenary - Healing, Health & Wellbeing: Indigenous Perspectives on Music & Dance

17:00-18:00

New Era, New Traditions: Case Analysis of Sustainable Development of Traditional Chinese Music Culture in Current Social

Liu Li, Zidong Zhou

18:00-18:30

Untranslated Theory: Deconstructing Rameau’s ‘Perverse’ Chinese Whole-Tone Scale

Sheryl Chow

17:00-18:30

Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation

Elisabete Monteiro, Paula Lebre, Silvia Wolff

17:00-18:30

Sound Practices: Considering Music Rehearsals for Their Own Sake

Christi-Anne Castro, Mayna Tyrell, Clay Conley

17:00-18:30

Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and

Sally Jane Norman, David Hebert, David Johnson, Ioannis Christidis, Gene Lai

17:00-18:30

Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and

Susana Sardo, Timoteo Cuche, Ana Flávia Miguel

17:00-17:30

Belo Horizonte through the eyes of sambitas

Carlos Magno Caetano

17:30-18:00

Grafting onto Tradition: Roots and Imagination in Chilean Música de Raíz

Hannah Snavely

18:00-18:30

Dirty Nights: Sensorial Filmmaking in Reggaetón Parties, Santiago de Chile

Ana Maria Diaz Pinto

17:00-17:30

Beyond Exoduses：The Body-Sound System in the Cosmology of Lahu Xi

Zile Zhang

17:30-18:00

Redefining Heritage: The Foliada as a Space of Biopolitical Dissent in Galicia (NW Iberian

Xulia Feixoo

18:00-18:30

Pedagogy and Practice: Theorizing Intimacy in Balinese Vocal Music

Bethany Collier

17:00-17:30

Bi-Musicality Revisited: The Famous Ethnomusicological Method in the 21st Century

Sebastian Hachmeyer

17:30-18:00

Theory in flesh: Sesa Mathlo methodology, the African tradition of storytelling and embodied

Makanaka Tuwe

18:00-18:30

Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe

Babak Nikzat, Rafael Caro Repetto

17:00-18:30

Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young

A. Emberly, N. Abu Shaban, E. Abofakher, R. Alakbani, A. de Quadros

17:00-17:30

Talempong Music - a pusako inheritance of Indigenous Minangkabau Culture, in Indonesia.

Mahdi Bahar

17:30-18:00

Sumatran Sounds part two: Minangkabau composers of West Sumatra, Indonesia, 2010-2025.

Megan Collins

18:00-18:30

“098RADIO,” Hip-Hop Music and Okinawan Identities

Qifang Hu

17:00-18:30

Dancing in the Cut: Space, Power, Culture and Design in Disability Dance

Anthea Skinner, Melinda Smith, Carol Brown, Anna Cordingley, Suzanne Cowan

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break