Program for Tuesday, January 14th, 2025: Talk View

PROGRAM FOR TUESDAY, JANUARY 14TH, 2025: TALK VIEW

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View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

08:30-10:30

From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations

J. Perez Gonzalez, M. Bonfim Pacheco, C. Benigno, M. Leite Do Nascimento

08:30-09:00

Tibetan women ritual leaders in exile - ritual music, training and identity as Bon nuns in India.

Christiane Strothmann

09:00-09:30

Negotiating Between Ritual Traditionality and Legitimacy: Soundscape at an Ancestral Ceremony in Contemporary Rural

Jun Feng

09:30-10:00

Mapping musical descriptions of Chinese Buddhist rituals in late-Qing China

Jean Wong

10:00-10:30

Music, Place, and Sacred: Qasida-khonī in Understanding of Sacred Place

Chorshanbe Goibnazarov

08:30-09:00

How Does the Experience of “Humourliation” Influence the Identity and Relationships of Tertiary Dance Learners in

Tianzhi Nan

09:00-09:30

Decolonization Practices Through Mutual Understanding of Local Music Theories and Idioms: Compilation of the "Dictionary of China Musical Idioms" as a Case

Mei Xiao

09:30-10:00

"Der Berggeist vom Schöckl": Ethnographic Approaches to an Oper Graz project in Styria, Austria (New Research from the “Why Isn’t Classical Music Dead”

Sarah Weiss

10:00-10:30

Navigating Disparities between Oral & Literary Traditions: Exploring Collaborations of Irish Traditional Music intertwined with Western Art Musical

Paul Clesham

08:30-09:00

The griots of Kéla: from words to music in the face of modernity.

Tiécoura N'Daou

09:00-09:30

Azmari -The Fest of Voices-

Itsushi Kawase

09:30-10:00

Three Films Engaging with Diverse Southern African Music and Dance Traditions

Sylvia Bruinders

10:00-10:30

Gone to the Village: Performing Asante History at the Funerary Rites of the Asantehemaa (Queen)

Kwasi Ampene

08:30-09:00

Khele in Transition: Memory, Transformation, Cultural Resonance in Talesh Rural Life

Mitra Jahandideh

09:00-09:30

Inu Tī Inu Kota: Constructions of Place and Identity in Tongan Brass Band Diaspora in Aotearoa

David Paligora

09:30-10:00

Liturgical Music as a vital part of Cultural identity in a small Christian community

Essica Marks

08:30-09:00

The Influence of South African Amapiano Music on Tanzanian Muziki Wa Injili in Dar es Salaam

Sira Masebo

09:00-09:30

Georges Ouédraogo Museum of music and use of new technology.

Mafarma Ouattara

09:30-10:00

Platformisation and the Growth of Kenyan Creative Economies: an Exploration of Challenges and Opportunities Presented by Mdundo

Tabitha Osoro

10:00-10:30

Bamboo Vocal Surrogacy: The Akata Masquerade Reality

Charles Asenye

08:30-09:00

Bye-Bye Middle-Earth … a Personal Reflection on Cultural Dislocation

Astrid Nielsch

09:00-09:30

The Institutionalization of Dance policy in Tunisia: a birth under post-revolution political climate

Ala El Kahla, Iyadh El Kahla

09:30-10:00

Tunisia's music policy from the roots of cultural patronage to the implementation of a national

Ala El Kahla

10:00-10:30

Tunisia’s Ministry of culture: A governmental instrument for transitional democracy? Musical policy as study

Iyadh El Kahla

08:30-09:00

Unveiling Igbo Environmental Perspectives through the Sociocultural Tapestry of Indigenous Music

Ijeoma Forchu

09:00-09:30

Seeking to Walk Beautifully on the Earth: Applied Ecomusicology as Community Building in Rural

Kevin McNally

09:30-10:00

Resilient Resonances: The Bamboo Music Eco-Trope in the Talaandig Community

Regina Starr Abelardo

08:30-09:00

Getting Your Own Back: Cross-Cultural Movement of Intangible Values in Aboriginal Australia

Richard Moyle

09:00-09:30

Sustainability and Community Identity: Hakka Music as Cultural Recreation for the Elderly

Ai Mei Luo

09:30-10:00

Krung Curatorial Practice and Creative Sustainability for Indigenous Music of Mountainous Villagers in Nan

Pornprapit Phoasavadi

10:00-10:30

Harmonizing Heritage in Turkmenistan: How Institutions Sustain Indigenous Modes of Transmission Within Pedagogical Approaches to Turkmen Bardic Tradition and Dutar

Mohammad Geldi Geldi Nejad

08:30-09:00

Accompanying, growing, and exploring: the practice and inspiration of Chinese musical culture knowledge in digital

Xuan Zhang

09:00-09:30

Using Regression-Based Analysis in Digital Musicology

Grace Shaw, Vun Yun Thau

09:30-10:00

Towards the Dissemination of Practice-based Research Findings through an Interactive Digital Storytelling

Eduards Grieznis

10:00-10:30

E3thnography: Towards a Digital Ethnomusicology

Juan Bermudez

08:30-09:00

Ethnic Minorities, Indigeneity, and the Construction of the Domestic Others in Chinese Music

Kai Tang

09:00-09:30

Maginalised minority culture as Memory of the World

Dan Lundberg, Krister Stoor

09:30-10:00

Navigating a New Phase: The Professionalization of Ainu Performing Arts Post-2020

Mio Yachita

10:00-10:30

Sámi storying as pathway to other-than-human musicking. Multispecies ethnomusicology from the Indigenous

Nicola Renzi

08:30-09:00

The Meaning of the Representation of the Deer Head on the Dambus Musical Instrument in Bangka Island Society

Onny Nur Pratama

09:00-09:30

The Viola da Terra as Metaphor: Post-colonial Sonorities of Azorean Saudade

Abigail Lindo

09:30-10:00

The Dark Side of the Shakuhachi II: The Image of the Shakuhachi during the Russo Japanese War

Kiku Day

10:00-10:30

Kazakh National Sound Ideal Applied to Zhetygen

Korlan Kartenbayeva

08:30-09:00

Beyond the Sacred-Secular Divide: Mourning Rituals, Spiritual Happiness, and Shi‘a Agency in

Hamidreza Salehyar

09:00-09:30

Sound Mind, Sound Body: An Ethnographic Account of Mindfulness as Sonic Practice

Jose Vicente Neglia

09:30-10:00

“Talk about the role and impacts of music in your life”: An ethnographic study

Débora Grácio Santos

10:00-10:30

Asserting Sovereignty and Nurturing Health and Well-being in Inuit Hip Hop

Raj Singh

11:00-11:30

Dance and Music in the Ancestral Celebration: A Critical Study on Two Mah Meri Indigenous Groups in Malaysia’s Carey

Premalatha Thiagarajan

11:30-12:00

Sarawak Cultural Village as the “Living Museum”: Performing Indigenous Cultural Dance

Andrew Igai Jamu

12:00-12:30

Reconstructing Joget Gamelan Timang Inu: An Ethnographic and Practice-Led Approach

Norsafini Jafar

12:30-13:00

It’s Too Fast: Contentious Sentiments towards the High-Speed Performance of String Ensemble by Queer Male Musicians amid Thailand’s Changing

Nattapol Wisuttipat

11:00-11:30

Dirges and Dilemmas of Resistance, Cultural Colonialisms and Cosmopolitanisms: The Indigeneity Poetics and Politics in the Song, 'Mala, Mawie Ga' (I Will Sing, I Will Speak

Sheilla A. Nelson

11:30-12:00

Indigenous Songs in the Teaching and Learning of Cultural and Creative Arts in Primary Schools in South East,

Awaih Adaora, Christopher Ibenegbu

12:00-12:30

(Re)Constructing Setswana Indigenous Art Song And Choral Composition

Mohau Mogale

12:30-13:00

Song-dance creativity and performance: Malawi Chewa permeable indigenous knowledge genius

Jerry Rutsate, Owen Chirwa

11:00-11:30

Enhancing Cultural Heritage: Online Encyclopedias of Balinese Gamelan

Vaughan Hatch

11:30-12:00

Preservation and Dissemination of Burgenland Roma Music through Artistic Research

Albin Krieger

12:00-12:30

Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical

Marko Brkljačić, Ana Mihaljević

12:30-13:00

From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North

Selina Sharma, Shashank Goswami

11:00-11:30

Goong: Sound Through Fire

Maria Mendonca

11:30-12:00

Documentary: Kantar Goa

Nalini Elvino de Sousa

12:00-12:30

The Shifting Dreams of Tazumuddin: A Fisherman's Fight Against the Rising Tide

Ripan Das

12:30-13:00

Aesthetics and hybridities in songs Yada Yada and I am virus insidiously claiming inclusivity in Indigenous Peoples’

Dr. Shib Shankar Chowdhury

11:00-11:30

Pedagogy and Performance: Reimagining North Indian Classical Music in the Digital Era

Shruti Nair

11:30-12:00

Sharing Soundscapes: The Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Maureen Russell

12:00-12:30

Echoes of Memories: Collaborative Storytelling through Person-Centered Music and Virtual Reality with Older Adults Living with

Gabby Wen

11:00-11:30

Indigenous Peoples’ Music and Dance: The Determinants of the Cultural diversity of Bangladesh

Hossain Mohammad Jahangir

11:30-12:00

Revisiting the Indigenous Performance of Kandoni Bishahari: A Reading of Poisoner and Poison-releiver Manasa in the Context of Life-Death Significance and Timeless Memory of

Shahman Moishan

12:00-12:30

From Field to Auditorium: Performing 'Haolaa' and 'Pheichak' among the Tangkhul Nagas immigrants in Indian

Yaoreipam Makang

12:30-13:00

Embodied Joy in Abstract Dance – Exploring Traditional Indian Movement Systems

Divya Hoskere

11:00-11:30

An Experiment in Cultural Transformation: The Incorporation of African Popular Styles into the Traditions of the Ikorodo Dance

Chinenye Okoro

11:30-12:00

Grappling with the Authenticity of Folk Song in Japan

Kimiko Shimazoe

12:00-12:30

From Folk to Pop: The Rise of Mexican Regional Music in the United States

Lauryn Salazar

12:30-13:00

FanZoning: Exploring Creative Performance Practices and Pedagogical Implications in Fan Culture

Kate Littlejohn

11:00-11:30

The importance of dance, music and song in a traumatized society. New Research in

Edda Brandes

11:30-12:00

An Exploration of Sri Lankan Indigenous Vedda Peoples’ Music

Kamani Samarasinghe

12:00-12:30

Songs and Women’s Names in Contemporary Nigeria: A Mother’s Prayer or Men’s Muse?

Ruth Opara

12:30-13:00

Tracing locality in Iranian Jewish repertoires, the case of the "shira" of Esfahan

Edoardo Marcarini

11:00-11:30

Lion Dancing in Cuba: Embodying Alternative Knowledges and Identities

Edwin Porras

11:30-12:00

Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar.

Mohamed Haseeb N, Shibinu S Shahul Hameed

12:00-12:30

Timing and coordination in nagauta-bayashi music

Sayumi Kamata, Martin Clayton, Daichi Shimizu, Kazutoshi Kudo, Kohei Miyata

12:30-13:00

Self-balancing of women's roles： dance practices in Chinese Tajik weddings.

Zhang Yaqin

11:00-11:30

Between ‘folk’ and ‘imperial’: changes of chigo-bugaku (bugaku dance of ‘children of festivity’) at Shizuoka-sengen-jinja shrine in

Naoko Terauchi

11:30-12:00

Shifting Stages: Cyber Networks and Mediation of amakwaya/iikwayala Competitions in South Africa

Thembela Vokwana

12:00-12:30

An ethnography of “Interactive” performance in Tangshan shadow play

Jingyi Rong

12:30-13:00

Post-COVID Denver’s Thai, Lao, and Cambodian Performing Arts Ensembles: Crises and Collaborations

Benjamin Cefkin

11:00-11:30

Vocal Transform-Ability: Voice education between somatics, metaphor, and access

Francesco Venturi

11:30-12:00

Role of Rhymes in Building Social Inclusion Among Pre-Schooler in Kwale Education Zone of Delta

Chukwuemeke Buzome

12:00-12:30

Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at

Líliam Cohen, Sonia Chada, Jucélia Estumano, Adriana Couceiro

12:30-13:00

Comparative Motion Analysis for Performance Technique Development

Connor Chin

11:00-12:00

The traditional dance and music of the Kavangos in Namibia, performed in the context of the horseplay dance

Angelika Schroeder

12:00-13:00

Teaching Indigenous Music: Bridging Indigenous Music Research and Educational Practices in Brazil

Magda Pucci

11:00-11:30

The bitter fate of women in Dungan songs: an Insight into Central Asian Dungan Music

Kanykei Mukhtarova

11:30-12:00

Forbidden Voices: Women’s Singing of Iranian Traditional Music under the Islamic Regime in Iran

Roozbeh Nafisi

12:00-12:30

"Slaying for Christ": Gospel Music, Identity, and Fashion in Contemporary Ghana

Grace Takyi Donkor

12:30-13:00

Menstruation and Marginalia: the position of female praise song in the Ethiopian Orthodox Church

Cressida Marcus

13:00-14:30 Study Group Welcome Meeting — Music and Minorities

13:00-14:30 Study Group Welcome Meeting — Applied Ethnomusicology

13:00-14:30 Study Group Welcome Meeting — Music and Dance of Oceania

13:00-14:30 Study Group Welcome Meeting — Music and Dance of the Slavic World

13:00-14:30 Study Group Welcome Meeting — Global History of Music and Dance

14:30-16:30 Plenary Session

17:00-18:30

New Era, New Traditions: Case Analysis of Sustainable Development of Traditional Chinese Music Culture in Current Social

Liu Li, Zidong Zhou, Huanhuan Shao

17:00-18:30

Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation

Elisabete Monteiro, Paula Lebre, Silvia Wolff

17:00-18:30

Sound Practices: Considering Music Rehearsals for Their Own Sake

Christi-Anne Castro, Mayna Tyrell, Clay Conley

17:00-18:30

Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and

Sally Jane Norman, David Hebert, David Johnson, Ioannis Christidis, Gene Lai

17:00-18:30

Gorwel; The Horizons of Cornish Music and Dance and it’s Intersections with Electronic Dance Music

D. Woodfield, T. Black-Roff, I. Bloomfield, J. Coleman, L. Hosken

17:00-17:30

Reconstruction of Identities: Turandot as New Chinese Opera

Coco Lam

17:30-18:00

Belo Horizonte through the eyes of sambitas

Carlos Magno Caetano

18:00-18:30

Grafting onto Tradition: Roots and Imagination in Chilean Música de Raíz

Hannah Snavely

17:00-17:30

Beyond Exoduses：The Body-Sound System in the Cosmology of Lahu Xi

Zile Zhang

17:30-18:00

Redefining Heritage: The Foliada as a Space of Biopolitical Dissent in Galicia (NW Iberian

Xulia Feixoo

18:00-18:30

Pedagogy and Practice: Theorizing Intimacy in Balinese Vocal Music

Bethany Collier

17:00-17:30

Bi-Musicality Revisited: The Famous Ethnomusicological Method in the 21st Century

Sebastian Hachmeyer

17:30-18:00

Theory in flesh: Sesa Mathlo methodology, the African tradition of storytelling and embodied

Makanaka Tuwe

18:00-18:30

Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe

Babak Nikzat, Rafael Caro Repetto

17:00-17:30

Being a "sambista": identity and recognition in a samba context.

Gabriel Arruda

17:30-18:00

India in Slovenia: A Study of Non-diasporic Indian Music and Dance Scene in a Central European

Bharath Ranganathan

18:00-18:30

The influence of Xhosa traditional music and culture and modern South African jazz: Exploring the narratives of six South African jazz

Viwe Siyabonga Mkizwana, Phuti Sepuru

17:00-17:30

Talempong Music - a pusako inheritance of Indigenous Minangkabau Culture, in Indonesia.

Mahdi Bahar

17:30-18:00

Creating the talempong of Sungai Puar and the dances it accompanies in West Sumatra, Indonesia.

Susasrita Loravianti, Emri Emri

18:00-18:30

Sumatran Sounds part two: Minangkabau composers of West Sumatra, Indonesia, 2010-2025.

Megan Collins

17:00-18:30

Dancing in the Cut: Space, Power, Culture and Design in Disability Dance

Anthea Skinner, Melinda Smith, Carol Brown, Anna Cordingley, Suzanne Cowan

17:00-17:30

“Stars Gathering”: Exploring Musical Cosmopolitanism in 1960s Taiwan

Haoran Jiang

17:30-18:00

“098RADIO,” Hip-Hop Music and Okinawan Identities

Qifang Hu

18:00-18:30

Yunnan Reggae: Music, Minoritization, and Afro-Asian Imaginaries in Southwest China

Adam Kielman

17:00-18:30

Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young

Emberly, Abu Shaban, Abofakher, Alakbani, de Quadros, Khaliqyar

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break