Program for Tuesday, January 14th: Talk View

PROGRAM FOR TUESDAY, JANUARY 14TH: TALK VIEW

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View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

08:30-10:30

From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations (online)

J. Perez Gonzalez, M. Bonfim Pacheco, C. Benigno, M. Leite Do Nascimento

08:30-09:00

Mapping musical descriptions of Chinese Buddhist rituals in late-Qing China

Jean Wong

09:00-09:30

Research on He Liutang’s Adaptation and Creation Techniques in Guangdong Music, 1920s-1930s

Chen Xiang Fang Chen Xiao Fang

09:30-10:30

Blowing the Horn of Victory: A Study of Chinese Red Patriotic Ballads

Naiyu Hui, Chen Hong, Puyol Shih, Yun Zhou

08:30-09:00

How Does the Experience of “Humourliation” Influence the Identity and Relationships of Tertiary Dance Learners in China?

Tianzhi Nan

09:00-09:30

Navigating Disparities between Oral & Literary Traditions: Exploring Collaborations of Irish Traditional Music intertwined with Western Art Musical

Paul Clesham

09:30-10:00

"Der Berggeist vom Schöckl": Ethnographic Approaches to an Oper Graz project in Styria, Austria (New Research from the “Why Isn’t Classical Music Dead”

Sarah Weiss

10:00-10:30

Decolonization Practices Through Mutual Understanding of Local Music Theories and Idioms: Compilation of the "Dictionary of China Musical Idioms" as a Case

Mei Xiao

08:30-09:00

The griots of Kéla: from words to music in the face of modernity (online)

Tiécoura N'Daou

09:00-09:30

Three Films Engaging with Diverse Southern African Music and Dance Traditions

Sylvia Bruinders

09:30-10:00

Gone to the Village: Performing Asante History at the Funerary Rites of the Asantehemaa (Queen)

Kwasi Ampene

08:30-09:00

Khele in Transition: Memory, Transformation, Cultural Resonance in Talesh Rural Life (online)

Mitra Jahandideh

09:00-09:30

Inu Tī Inu Kota: Constructions of Place and Identity in Tongan Brass Band Diaspora in Aotearoa

David Paligora

09:30-10:00

Liturgical Music as a vital part of Cultural identity in a small Christian community (online)

Essica Marks

10:00-10:30

“Talk about the role and impacts of music in your life”: An ethnographic study (online)

Débora Grácio Santos

08:30-09:30

Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in

Tsung-Te Tsai, Xiaoding Liu, Yan Shao

09:30-10:30

Practicum in the Digital Humanities: Scholarly and Pedagogical Applications

Jennifer Fraser

08:30-10:30

Rhythms of Belonging in the Lusophone World (online)

Stefanie Alisch, Martin Ringsmut, Susan Hurley-Glowa, Alcides Lopes

08:30-09:00

Cognition and Behavior: A Study of Rebab Music and Performance Thinking in the Context of Central Javanese Gamelan

Xinyang Li

09:00-09:30

A Musico-Poetic Analysis of Tyāgarāja’s Pancaratna kṛti jagadānandakāraka using Generative Theory of Tonal Music (GTTM)

Deepak Paramashivan

09:30-10:00

A Case Study of Wuhua Marionette Puppetry (online)

Xueqing Liu

10:00-10:30

Tibetan women ritual leaders in exile - ritual music, training and identity as Bon nuns in India

Christiane Strothmann

08:30-09:00

Getting Your Own Back: Cross-Cultural Movement of Intangible Values in Aboriginal Australia

Richard Moyle

09:00-09:30

Sustainability and Community Identity: Hakka Music as Cultural Recreation for the Elderly

Ai Mei Luo

09:30-10:00

Krung Curatorial Practice and Creative Sustainability for Indigenous Music of Mountainous Villagers in Nan

Pornprapit Phoasavadi

10:00-10:30

Harmonizing Heritage in Turkmenistan: How Institutions Sustain Indigenous Modes of Transmission Within Pedagogical Approaches to Turkmen Bardic Tradition and Dutar Performance

Mohammad Geldi Geldi Nejad

08:30-09:00

Using Regression-Based Analysis in Digital Musicology

Grace Shaw, Vun Yun Thau

09:00-09:30

Towards the Dissemination of Practice-based Research Findings through an Interactive Digital Storytelling Method

Eduards Grieznis

09:30-10:00

E3thnography: Towards a Digital Ethnomusicology

Juan Bermudez

10:00-10:30

Lip-Sync: mediatized socialities, creation and sound in the application of TikTok (online)

Ricardo Gonzalez Luis

08:30-09:00

Ethnic Minorities, Indigeneity, and the Construction of the Domestic Others in Chinese Music

Kai Tang

09:00-09:30

Navigating a New Phase: The Professionalization of Ainu Performing Arts Post-2020

Mio Yachita

09:30-10:00

Sámi storying as pathway to other-than-human musicking. Multispecies ethnomusicology from the Indigenous

Nicola Renzi

10:00-10:30

Maginalised minority culture as Memory of the World

Dan Lundberg, Krister Stoor

11:00-11:30

Agpangan ng Kawayan: Combining Indigenous Cultural Framework and Ecomusicological Approaches to Analyse the Bamboo Music Culture of Talaandig

Regina Starr Abelardo

11:30-12:00

Dance and Music in the Ancestral Celebration: A Critical Study on Two Mah Meri Indigenous Groups in Malaysia’s Carey

Premalatha Thiagarajan

12:00-12:30

Sarawak Cultural Village as the “Living Museum”: Performing Indigenous Cultural Dance

Andrew Igai Jamu

12:30-13:00

It’s Too Fast: Contentious Sentiments towards the High-Speed Performance of String Ensemble by Queer Male Musicians amid Thailand’s Changing

Nattapol Wisuttipat

11:00-12:00

Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and

Zhiyi Qiaoqiao Cheng, Lea Hagmann

12:00-12:30

Dirges and Dilemmas of Resistance, Cultural Colonialisms and Cosmopolitanisms: The Indigeneity Poetics and Politics in the Song, 'Mala, Mawie Ga' (I Will Sing, I Will Speak

Sheilla A. Nelson

12:30-13:00

The Viola da Terra as Metaphor: Post-colonial Sonorities of Azorean Saudade

Abigail Lindo

11:00-11:30

Preservation and Dissemination of Burgenland Roma Music through Artistic Research

Albin Krieger

11:30-12:00

Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical heritage

Marko Brkljačić, Ana Mihaljević

12:00-12:30

From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North India

Selina Sharma, Shashank Goswami

12:30-13:00

Nyejerang Swara - Exploring Solutions to a Sacred Music Generational Crisis in Bali

Putu Evie Suyadnyani, Vaughan Hatch

11:00-11:30

Goong: Sound Through Fire

Maria Mendonca

11:30-12:00

Documentary: Kantar Goa

Nalini Elvino de Sousa

12:00-12:30

The Shifting Dreams of Tazumuddin: A Fisherman's Fight Against the Rising Tide

Ripan Das

12:30-13:00

Aesthetics and hybridities in songs Yada Yada and I am virus insidiously claiming inclusivity in Indigenous Peoples’

Shib Shankar Chowdhury

11:00-11:30

Echoes of Memories: Collaborative Life Story Work Using Personalized Music and Virtual Reality with Older Adults Living with Dementia

Gabby Wen

11:30-12:00

Sharing Soundscapes: The Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts

Maureen Russell

12:00-12:30

Untranslated Theory: Deconstructing Rameau’s ‘Perverse’ Chinese Whole-Tone Scale (online)

Sheryl Chow

12:30-13:00

Staging Musical Politics in China’s Nation-Building Decade: Understanding the PRC’s Large-Scale Music Festivals of the 1950s through Archives and

Qinyu Yu

11:00-11:30

Indigenous Peoples’ Music and Dance: The Determinants of the Cultural diversity of Bangladesh

Hossain Mohammad Jahangir

11:30-12:00

Revisiting the Indigenous Performance of Kandoni Bishahari: A Reading of Poisoner and Poison-reliever Manasa in the Context of Life-Death Significance and Timeless Memory of

Shahman Moishan

12:00-12:30

Embodied Joy in Abstract Dance – Exploring Traditional Indian Movement Systems

Divya Hoskere

12:30-13:00

Accompanying, growing, and exploring: the practice and inspiration of Chinese musical culture knowledge in digital teaching

Xuan Zhang

11:00-11:30

The bitter fate of women in Dungan songs: an Insight into Central Asian Dungan Music (online)

Kanykei Mukhtarova

11:30-12:00

Forbidden Voices: Women’s Singing of Iranian Traditional Music under the Islamic Regime in Iran

Roozbeh Nafisi

12:00-12:30

"Slaying for Christ": Gospel Music, Identity, and Fashion in Contemporary Ghana (online)

Grace Takyi Donkor

12:30-13:00

Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa Rica

Maria Bejarano

11:00-11:30

The importance of dance, music and song in a traumatized society: New research in Burundi/East-Africa

Edda Brandes

11:30-12:00

An Exploration of Sri Lankan Indigenous Vedda Peoples’ Music

Kamani Samarasinghe

12:00-12:30

Songs and Women’s Names in Contemporary Nigeria: A Mother’s Prayer or Men’s Muse?

Ruth Opara

12:30-13:00

Tracing locality in Iranian Jewish repertoires, the case of the "shira" of Esfahan

Edoardo Marcarini

11:00-11:30

Lion Dancing in Cuba: Embodying Alternative Knowledges and Identities

Edwin Porras

11:30-12:00

Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar.

Mohamed Haseeb N, Shibinu S Shahul Hameed

12:00-12:30

Timing and coordination in nagauta-bayashi music

Sayumi Kamata, Kazutoshi Kudo

12:30-13:00

Self-balancing of women's roles: dance practices in Chinese Tajik weddings

Zhang Yaqin

11:00-11:30

Between ‘folk’ and ‘imperial’: changes of chigo-bugaku (bugaku dance of ‘children of festivity’) at Shizuoka-sengen-jinja shrine in

Naoko Terauchi

11:30-12:00

Shifting Stages: Cyber Networks and Mediation of amakwaya/iikwayala Competitions in South Africa

Thembela Vokwana

12:00-12:30

An ethnography of “Interactive” performance in Tangshan shadow play

Jingyi Rong

12:30-13:00

Post-COVID Denver’s Thai, Lao, and Cambodian Performing Arts Ensembles: Crises and Collaborations

Benjamin Cefkin

11:00-11:30

Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at

Líliam Cohen, Sonia Chada, Jucélia Estumano, Adriana Couceiro

11:30-12:00

Comparative Motion Analysis for Performance Technique Development (online)

Connor Chin

12:00-12:30

Pedagogy and Performance: Reimagining North Indian Classical Music in the Digital Era (online)

Shruti Nair

12:30-13:00

FanZoning: Exploring Creative Performance Practices and Pedagogical Implications in Fan Culture

Kate Littlejohn

13:00-14:30 Study Group Welcome Meeting — Music and Minorities

13:00-14:30 Study Group Welcome Meeting — Global History of Music and Dance

13:00-14:30 Study Group Welcome Meeting — Music and Dance of the Slavic World

13:00-14:30 LAC-sponsored performance: Selonding Gamelan Performance, Bali (Mekar Bhuana)

13:00-14:30 Study Group Welcome Meeting — Applied Ethnomusicology

13:00-14:30 Study Group Welcome Meeting — Music and Dance of Oceania

14:30-16:30 Plenary - Healing, Health & Wellbeing: Indigenous Perspectives on Music & Dance

17:00-18:30 Workshop: Mi'kmaw Songs, Dances and Language

17:00-18:30

Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation (online and

Elisabete Monteiro, Silvia Wolff, Paula Lebre

17:00-18:30

Sound Practices: Considering Music Rehearsals for Their Own Sake (online & in-person)

Christi-Anne Castro, Mayna Tyrell, Clay Conley

17:00-18:30

Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania) (online &

Sally Jane Norman, David Hebert, David Johnson, Ioannis Christidis, Gene Lai

17:00-18:30

Music and Dance on the Sustainable Development Goal #18 for the post-2030 Agenda: A Network Dialogue (online &

Susana Sardo

17:00-17:30

Belo Horizonte through the eyes of sambitas (online)

Carlos Magno Caetano

17:30-18:00

Grafting onto Tradition: Roots and Imagination in Chilean Música de Raíz (online)

Hannah Snavely

18:00-18:30

Dirty Nights: Sensorial Filmmaking in Reggaetón Parties, Santiago de Chile (online)

Ana Maria Diaz Pinto

17:00-17:30

Beyond Exoduses：The Body-Sound System in the Cosmology of Lahu Xi

Zile Zhang

17:30-18:00

Redefining Heritage: The Foliada as a Space of Biopolitical Dissent in Galicia (NW Iberian

Xulia Feixoo

18:00-18:30

Pedagogy and Practice: Theorizing Intimacy in Balinese Vocal Music

Bethany Collier

17:00-17:30

Bi-Musicality Revisited: The Famous Ethnomusicological Method in the 21st Century (online)

Sebastian Hachmeyer

17:30-18:00

Theory in flesh: Sesa Mathlo methodology, the African tradition of storytelling and embodied

Makanaka Tuwe

18:00-18:30

Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe

Babak Nikzat, Rafael Caro Repetto

17:00-18:30

Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people (online &

A. Emberly, N. Abu Shaban, E. Abofakher, R. Alakbani, A. de Quadros

17:00-17:30

Talempong Music - a pusako inheritance of Indigenous Minangkabau Culture, in Indonesia.

Mahdi Bahar

17:30-18:00

Sumatran Sounds part two: Minangkabau composers of West Sumatra, Indonesia, 2010-2025

Megan Collins

18:00-18:30

“098RADIO,” Hip-Hop Music and Okinawan Identities

Qifang Hu

17:00-18:30

Dancing in the Cut: Space, Power, Culture and Design in Disability Dance (online & in-person)

Anthea Skinner, Melinda Smith, Carol Brown, Anna Cordingley, Suzanne Cowan

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break