ICTMD2025: 48TH ICTMD WORLD CONFERENCE

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Abelardo, Regina Starr	Agpangan ng Kawayan: Combining Indigenous Cultural Framework and Ecomusicological Approaches to Analyse the Bamboo Music Culture of Talaandig Community
Abofakher, Esmaeel	Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people
Abu Shaban, Nadeen	Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people
Agyapong, Awura-Ama	Music, Careers, Gender, and Sustainability in Ghana
Ahmedaja, Ardian	Space as a Social Construction: The Tradition of Song Celebrations in Latvia
Ajiboye, Timothy	Exploring Speech Surrogacy in Yoruba Talking Drums: A Study of Dundun and Bata Master Musicians of the South-West Nigeria.
Al Ayari, Yassine	Addressing Translation Challenges in Traditional Music and Dance: Insights from the Role of Liaison Officers in ICTMD
Al Qassim, Noor	Addressing Translation Challenges in Traditional Music and Dance: Insights from the Role of Liaison Officers in ICTMD
Alakbani, Rahaf	Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people
Albor, Isabela	Long-term participatory action-research on music and dance as praxis for social change
Alim, Jahir	Resuscitating the Contribution of Abdul Alim to the Modern Singing Approach in Bengali Folk Song
Alisch, Stefanie	Rhythms of Belonging in the Lusophone World
Allahverdi Ashtiani, Tara	The Characteristics of Regional Tanbour Repertoires Accompanied by Dances
Ampene, Kwasi	Gone to the Village: Performing Asante History at the Funerary Rites of the Asantehemaa (Queen)
Ananyan, Hayarpi	Exploring the “Paratun” (house of dance) phenomenon and Urban Transformations: A Case Study of Armenia
Andrade Silva, Sinesio	Long-term participatory action-research on music and dance as praxis for social change
Andrews, Courtney-Savali	Chronotopic Formulations, Negotiating Imperialisms and the Making of the Music and Musicians in Modern Samoa
Andrés Oliveira, Julia	Traditional bestiary or listening to the living environment.
Anno, Mariko	English-language Noh: Ongoing Acts of Linguistic and Artistic Translation
Aoyagi, Takahiro	Stylistic Differences of Music and Dance of Bon Odori in Oku-mino and Tono in Gifu, Japan
Araujo, Samuel	Long-term participatory action-research on music and dance as praxis for social change
Asare, Amos Darkwa	Melodies of resilience: Navigating environment, place and identity through fishing songs of the Duakor community in Cape Coast, Ghana
Asencio, Sister Maria Theresa	Music as a Collective Action of We-ness
Ashiabor, Maud Enam	Music, Careers, Gender, and Sustainability in Ghana
Athanasopoulos, George	Revisiting pentatonism in Europe and Asia. The cases of the Southwestern Balkans (Western Greece and Southern Albania) and Vietnam.
Avorgbedor, Daniel	Challenges of Collaborative Community Archiving in the Context of Expanding Amateur Data Collection and Sharing in Digital Spaces: Lessons from Ewe Communities of Ghana
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Bahar, Mahdi	Talempong Music - a pusako inheritance of Indigenous Minangkabau Culture, in Indonesia.
Bain, Jennifer	Exploring Global Traditions of Catholic Chant
Balosso Bardin, Cassandre	Repatriation of an instrument lost to tourism: provenance and restitution of a historical Mallorcan bagpipe
Barbosa, Brenda Suyanne	Cross-cultural collaboration and music-language relationships: Ethnographic perspectives
Barnat, Ons	Reflections on an international and collaborative research-creation project: “Los diferentes porros en Colombia”
Baruah, Stooti	Sacred Spaces, Profound Voices: Exploring Womanhood in Diha Naam of Assam
Barão, Felipe	Musical Instruments and the Construction of Memory
Batapa, Dr. Girlie	Music as a Collective Action of We-ness
Beitane, Anda	Space as a Social Construction: The Tradition of Song Celebrations in Latvia
Bejarano, Maria	San Pablo Cimarrona: Transmission of knowledge from the past to the present Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa Rica
Bejtullahu, Alma	Romani Musicians and Musical Practices in Slovenia: Emerging Issues in Research of a Marginalized Minority
Benigno, Carolina	From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations
Bermudez, Juan	E3thnography: Towards a Digital Ethnomusicology
Bhattacharyya, Sumedha	Sounds of memory and nostalgia: Listening to our mothers and grandmothers
Bi, Yixin	Music as a Nostalgia in People’s Migration and Relocation -- A Study on Chihuocaoyan Music Inherited by Nisu People
Bilkhair, Aisha	Addressing Translation Challenges in Traditional Music and Dance: Insights from the Role of Liaison Officers in ICTMD
Billeri, Francesca	From Ritual to (Self-) advertisement: Traditional Cambodian Wedding Music on Facebook and YouTube
Bin Mohamed Farid, Muhammad Noramin	Sacred Connections: Corporealising Intangibilities
Bingyang, Guan	Intersecting Technologies, Shared “Spaces”—— Sound, Spaces and Movement in game music of Soichi Terada and his music project Omodaka(沢瀉)
Blasdel, Christopher	Yūjomono—The Voices of Indentured Women in Jiuta Sōkyoku Lyrics
Bonfim Pacheco, Marina	From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations
Booth, Gregory	Social Media as a Virtual Repertoire of Music and Dance: A Participatory Platform and Cultural Interaction for Artists and Amateurs
Bozzay, Zina	Hungarian Folk Singing Workshop
Brandes, Edda	The importance of dance, music and song in a traumatized society. New Research in Burundi/East-Africa
Braxton, Alim	Incarcerated Musicians and the Technology Gap
Brew, Josh Opoku	Music, Careers, Gender, and Sustainability in Ghana
Breyley, Gay	Sustaining Local and Translocal Connections through Musical Practice
Brkljačić, Marko	Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical heritage
Bronfman, Paula	Bodies, costumes, gender: five views from the Southern Cone
Brown, Carol	Dancing in the Cut: Space, Power, Culture and Design in Disability Dance
Brown, Colin	"Echoes of the Other: "Wild Man's Dance" and the Musical Portrayal of Colonial Otherness"
Brown, Reuben	Reclaiming and sustaining song and dance – connections across land and seas
Bruinders, Sylvia	Three Films Engaging with Diverse Southern African Music and Dance Traditions
Buenconsejo, Dr. Jose Semblante	Music as a Collective Action of We-ness
Burentaogetao,	The Variations in Performance Styles of Various Genres in Quγur-un Üliger formed by Mongolian Dialect
Burgess, Hana	He Whiringa Rangahau: Indigenous Māori creative expressions and legacies
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Caetano, Carlos Magno	Belo Horizonte through the eyes of sambitas
Cai, Shuzhou	Humanistic renaissance and restructuring of musical order in China’s post-pandemic era.
Cai, Yayi	Music of South China: Traditions Reinvented
Calvi, Giordano	The role of technologies to keep communities vital and meaningful
Campos, Lucas	The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments
Caro Repetto, Rafael	Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe Analysis
Caruso, Fulvia	The role of technologies to keep communities vital and meaningful
Casselberry, Judith	Music and the Black Experience: The Art and Politics of Sonic Culture
Cassio, Francesca	Rediscovering the Sikh Indigenous Pedagogy through the Analysis of Heterometric Heritage Songs.
Castro, Christi-Anne	Sound Practices: Considering Music Rehearsals for Their Own Sake
Castro Ribeiro, Jorge	The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments
Cattermole, Jennifer	Hou rongo: Moriori, music, manawa
Cedeño, Daniel	San Pablo Cimarrona: Transmission of knowledge from the past to the present
Cefkin, Benjamin	Post-COVID Denver’s Thai, Lao, and Cambodian Performing Arts Ensembles: Crises and Collaborations
Chada, Sonia	Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at UFPA
Chalkho, Rosa	Bodies, costumes, gender: five views from the Southern Cone
Chan, Clare Suet Ching	Enculturating future required skills through musical heritage workshops for the Mah Meri children of Malaysia
Chao, Yu-Shen	Writing Songs for Preserving Indigenous Language and Culture: A Case Study of Puyuma
Charalambous, Chara	Limassol Carnival Serenades: Diverse Community-led Approaches to Cultural Sustainability.
Chemane, Jose Alberto Daniel	Exploring the role of Novos Raios dance school in mediating arts education in suburban Maputo, Mozambique
Chen, Ann Cavazos	Motivations of Military-Connected Adults to Participate in Community-Based Arts Programs Held both In-Person and Virtually
Chen, Chi-Yu	Indigenous Voices: Taking the hymn ‘ISATSEQALAN’ and 'ALAIYOAI' from the hymnal Let the Hills Sing as an example
Chen, Chun-bin	To Sing in Pairs: Austronesian Chant and Dance among Taiwan’s Indigenous Peoples
Chen, Lin	The Gestures of Finger Techniques in the 'Sound' Perspective of Guqin
Chen, Mingxuan	One Song, Dual Diasporas: El Cóndor Pasa in Shanghai
Chen, Qingyan	Tensions and Entanglements: the textuality in between Chinese music and poetry through two millennia
Chen, Xinjie	Entering Cultural Communities through Musical Practice: Perceiving “Collective Consciousness” in the Fieldwork of Gamelan Gong Kebyar
Chen Xiao Fang, Chen Xiang Fang	Research on He Liutang’s Adaptation and Creation Techniques in Guangdong Music, 1920s-1930s
Cheng, Yu Chin	Comparing Generational and Temporal Differences in Musicality through Audio Archival Recordings of Thau Ceremonial Songs in Taiwan
Cheng, Zhiyi Qiaoqiao	Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and approaches
Chiang, Hao Chi	Resounding Memories: An Exploration of Localization and Timbre of Music Box in Taiwan
Chiba, Gakuto	Cross-cultural collaboration and music-language relationships: Comparative perspectives
Chilvers, Alex	Democratising Musical Knowledge: Intercultural Collaboration in Music Creation and Conservatory Education
Chin, Connor	Comparative Motion Analysis for Performance Technique Development
Ching, May Bo	Music of South China: Traditions Reinvented
Cho, Hyunah	Feeling like Home! Diasporic Koreans’ Sense of Well-being and Community Belonging by Way of Music and Dance
Chocano, Rodrigo	Jazz in Malambo: Afro-Diasporic Music, Global Racial Debates, and Racial Paternalism in Peru, 1920-1931
Choi, Ri	Feeling like Home! Diasporic Koreans’ Sense of Well-being and Community Belonging by Way of Music and Dance
Choong, Hueyuen	Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts
Chow, Sheryl	Untranslated Theory: Deconstructing Rameau’s ‘Perverse’ Chinese Whole-Tone Scale
Chowdhury, Dr. Shib Shankar	Aesthetics and hybridities in songs Yada Yada and I am virus insidiously claiming inclusivity in Indigenous Peoples’ Music
Christidis, Ioannis	Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania)
Chu, David	Tensions and Entanglements: the textuality in between Chinese music and poetry through two millennia
Chu, Jixuan	The Variations in Performance Styles of Various Genres in Quγur-un Üliger formed by Mongolian Dialect
Chu, Meng-Tze	Attachment: The Acquisition and Production of Notations Among Taiwanese Taxi DanceHall Jazz Musicians During 1950-1970
Chunwei, Yang	Rediscovering Context: Unveiling a Contemporary Cultural Landscape for the Ancient Art of Guqin in China
Ciantar, Philip	From Valletta to Pyongyang: A Maltese Festive Wind Band March and the Politics of Musical Borrowing
Citro, Silvia	Moving intercultural knowledge: from the personal genealogies of music and dance knowing-learning processes to a collective performative montage.
Clark, Jocelyn	Legislating Tradition: The Gugak Promotion Act and the Cultural Industry Promotion Act of 2023
Clark, Logan	Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula
Clement, Michael	The Fayao: Rice pounding dance of the Chamorro Matua
Clendinning, Elizabeth	“Not a Suling Player”: Pedagogies of an Odd Instrument Out
Clesham, Paul	Navigating Disparities between Oral & Literary Traditions: Exploring Collaborations of Irish Traditional Music intertwined with Western Art Musical Traditions
Clouter, Isobel	True Echoes - a collaborative model for reconnecting cultures with recordings from the beginning of sound
Clément, Ana	The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments
Cohen, Líliam	Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at UFPA
Cohn Zentner, Naomi	Resonating repentance: Performing selichot in the Israeli public sphere
Collier, Bethany	Pedagogy and Practice: Theorizing Intimacy in Balinese Vocal Music
Collins, Megan	Sumatran Sounds part two: Minangkabau composers of West Sumatra, Indonesia, 2010-2025.
Colson, Geoffroy	From Tabu to Tārava: Media culture and living arts in French Polynesia
Comuzzo, Marie	Listening to Whales: Exploring Ecocentric Activism through Sonic Entanglements
Conley, Clay	Sound Practices: Considering Music Rehearsals for Their Own Sake
Corchete Martínez, Rubén	Revivalism, heritagisation and (in)authenticities in the Spanish folk music scene
Cordingley, Anna	Dancing in the Cut: Space, Power, Culture and Design in Disability Dance
Cormier, Bettyann	Frameworks of Engagement: Student-Centered Research Support
Corn, Aaron	Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste
Couceiro, Adriana	Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at UFPA
Cowan, Suzanne	Dancing in the Cut: Space, Power, Culture and Design in Disability Dance
Crowfoot, Sandra	Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary contexts
Cuche, Timoteo	Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and Mozambique
Cui, Yao	Adoption, Adaptation, and Resistance: Colonizing and Decolonizing through Music Notation
Culliney, Darren	Marching into Place!: Accordion Marching Bands and their Positionality within a Partitioned Ulster
Curkpatrick, Samuel	Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste
Curran, Georgia	Reclaiming and sustaining song and dance – connections across land and seas
Cutting, Jennifer	Reclaiming “Red Wing:” One Wampanoag Singer-Songwriter’s Response to Stereotypes of Native Americans
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D'Agostino, Simona	New routes of learning traditional dance. The cases of “contraddanza” and “tarantella” in Italy.
D'Evelyn, Charlotte	Re-Sounding Gender: Listening for Femininity in Mongolian Throat-Singing and the Horsehead Fiddle
Da Cunha, João Gabriel	Long-term participatory action-research on music and dance as praxis for social change
Dama, Daniel	The malleable nature of indigenous music and dance forms in changing political and socio-religious contexts
Daniel, Emmanuel	The Institute of Papua New Guinea Studies and Music and Dance Research
Das, Debashis	The Solidification of Bengali Nationalism: The Role of Patriotic songs through Swadhin Bangla Betar Kendra (Free Bengal Radio Center) Music as a means of resistance in Phulbari Tea Estate: An ethnography of life in total institutions
Das, Ripan	The Shifting Dreams of Tazumuddin: A Fisherman's Fight Against the Rising Tide
de Carvalho, José Jorge	The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based Approaches
de Llera Blanes, Guillermo	Innovation within Tradition in Mozambique - From the Midi-Mbira to the Tunable Kankubwe: PAR Research as a source for Creative Accidents
de Los Santos, Sergio Marcelo	Bodies, costumes, gender: five views from the Southern Cone
de Quadros, André	Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people
de Val, Dorothy	Failte!: Early Gaelic Song Collecting in the Scottish Isles
Delegos, Spiros	“Health to You, Yovan Tsaous, with your Tambouri!”: Musico-Cultural Trajectories and a Stylistic Heterotopia within Interwar Rebetiko Music.
Dhokai, Niyati	Motivations of Military-Connected Adults to Participate in Community-Based Arts Programs Held both In-Person and Virtually
Diao, Ying	The Other Creatives: Ragamala Dance Company and the Making of Indian Classical Dance in Diaspora
Diaz Pinto, Ana Maria	Dirty Nights: Sensorial Filmmaking in Reggaetón Parties, Santiago de Chile
Dibble, Hemi	Chanting Gratitude
Djagbletey, Emmanuella	Reinforcing Gonja Cultural Identity Through Music: an Ethnography of the Gonja Diaspora Community in Accra, Ghana
Doi, Huyuki	Ethnic Performing Arts in Cosmopolitanism?: Migrant Māori Performing Kapa Haka in Japan with Japanese
Dolinina, Kristina Luna	Multiple Performative Bodies: Negotiating Identity and Tradition Through North Indian Kathak Dance in South Asia (India) and Some Chosen Diasporic Spaces
Donaghy, Keola	Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific
Dor, George	Exploring Iconicity in the 125th Anniversary Commemorative Anthem for the Alavanyo Wudidi E. P. Church: A Composer’s Reflections
Doudou, Huang	The Reconstruction and Development of Dunhuang Music and Dance
Draisey-Collishaw, Rebecca	Channels of influence and paths to change: Communicating participatory and action research outcomes outside the academy
Du, Meng Su	The Innovative Communication Pathway of Contemporary Sichuan Opera's Percussion
Du, Shan	Devagan: the Newar indigenous and the Nava Durgā ritual performance
Dujunco, Mercedes	Music of South China: Traditions Reinvented
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Eckman, Autumn	(a)shore
El Kahla, Ala	Tunisia's music policy from the roots of cultural patronage to the implementation of a national strategy The Institutionalization of Dance policy in Tunisia: a birth under post-revolution political climate
El Kahla, Iyadh	Tunisia’s Ministry of culture: A governmental instrument for transitional democracy? Musical policy as study case The Institutionalization of Dance policy in Tunisia: a birth under post-revolution political climate
Elvino de Sousa, Nalini	Documentary: Kantar Goa
Emberly, Andrea	Singing my own story: Exploring intersections of displacement, resistance, and creative-arts in the lives of refugee children and young people
Enriquez Rubio, Lucero	Exploring Global Traditions of Catholic Chant The past that sounds and re-sounds
Escudero, Eric	The Past, the Future, and the Music in Between: Brazilian fandango caiçara, displacement, and cultural sustainability on the coast of Brazil.
Estumano, Jucélia	Exchange of Musical Knowledge: the construction of knowledge about music in the Amazon in the training of music teachers at UFPA
Ezhevskaya, Anya	Ground Control to Major Tom: Exploring Creativity in Extreme Environments
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Fadel, Pedro	Long-term participatory action-research on music and dance as praxis for social change
Faik-Simet, Naomi	The Institute of Papua New Guinea Studies and Music and Dance Research
Falcão, Eduardo	The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa (India)
Fang, Noah	Listen to ‘Mila’, Listen to Hong Kong's Social Soundscape on the Contemporary Opera Stage
Farazmand, Parang	Gender-Power Relations in Kurdish Dance
Farrugia, Simon	Funeral Marches and the Public Expression of Emotions in Malta
Feixoo, Xulia	Redefining Heritage: The Foliada as a Space of Biopolitical Dissent in Galicia (NW Iberian Peninsula)
Felix, James	Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and Sound
Fellezs, Kevin	Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific
Feng, Jun	Negotiating Between Ritual Traditionality and Legitimacy: Soundscape at an Ancestral Ceremony in Contemporary Rural China
Feng, Juyuan	Territorial Boundaries of “Historical Ethnomusicology” in English Academic Discourses
Ferdous, Jannatul	Ri Long Poye: Re-examining the Marma Water Festival and the Struggle for Sustainability.
Fernão, Orlando	The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments
Fiagbedzi, Eyram	Creativity and Innovation in Ghanaian Music Performance(s)
Fielding, Peter	Traditional Vocal Repertoire of Central Visayas (Philippines)
Fornaro, Marita	Bodies, costumes, gender: five views from the Southern Cone
Fox, Stephen	Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific
Franklin, Gale	Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of Care
Fraser, Jennifer	Practicum in the Digital Humanities: Scholarly and Pedagogical Applications
Fredriksson, Daniel	Syndaskrynkel: The social life of the accordion in Nordic and global metal music.
Frey, Isabel	Messy Positionalities. Queer-feminist Troubles in the Field
Frühauf, Tina	RILM ECSN Workshop Safeguarding the Intangible Cultural Heritage in Music and Dance Studies: Opportunities, Goals, and Challenges
Fung, Jessica Kai Sze	Exploring Cultural Translation through Cantonese Narrative Singing
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Galloway, Kate	Lo-fi Coffee Shop Streams and Krill Waves Radio: Soundscaping Platforms and Musical and Material Practices of Spatiality in Digital Culture
Game, Jenny	Chanting Gratitude
Gao, Inga	Xi 'an South Gate music culture and soundscape -- Take Red rock Band Dingxi as an example
Gao, Yanxiazi	Panel: "Nostalgia, Liberation, and Self-consciousness: Music and Dance in Hong Kong and Shanghai"
Garcia Figueroa, Ulises	Yo soy el cantante: a depiction of masculinity in salsa
Garcia Mispireta, Luis Manuel	We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies
Gbagbo, Divine Kwasi	Jama Music's Influence on Sports in Ghana: A Melting Pot of Identity, Motivation, and Entertainment
Geldi Nejad, Mohammad Geldi	Harmonizing Heritage in Turkmenistan: How Institutions Sustain Indigenous Modes of Transmission Within Pedagogical Approaches to Turkmen Bardic Tradition and Dutar Performance
Ghosh, Deepshikha	Can we study dance in a regular school?: An Exploration Across Three Curricula
Gibbs, Jason	Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia
Gibson, Angelina	Interrogating the Visceral: Embodiment and Visceral Persuasion in Ohad Naharin’s “Echad Mi Yodea”
Gifford, Jade	He Whiringa Rangahau: Indigenous Māori creative expressions and legacies
Giri, Subash	Community Collaborative Research in Ethnomusicology: Discoursing Challenges, Benefits, and Possibilities
Giroux, Monique	A “Worthless” Collection and an “Absolutely Fabulous Métis”: Richard Johnston, Collecting Métis Music, and the Founding of the Canadian Folk Music Society
Gita S. Sn, I Wayan Gede Purnama	Balinese gamelan in an age of crisis and change: preservation or innovation?
Glazovskaya, Alexandra	The “elder brother” is watching you: indigenous people of Russia through the prism of dance politics
Goibnazarov, Chorshanbe	Music, Place, and Sacred: Qasida-khonī in Understanding of Sacred Place
Gong, Jue	The Acceptance History of Nationality in Tchaikovsky's Music in the Chinese Musicology after the 20th Century
Gonzalez Luis, Ricardo	Lip-Sync: mediatized socialities, creation and sound in the application of TikTok
Goomes, Deborah	Hou rongo: Moriori, music, manawa
Goossens, Didier	Reclaiming Aotearoa: Stories of experimentation, education and reflection in Aotearoa Indigenous metal music
Gore, Georgiana	Reflexivity, self-reflection and the roles of research and other participants in collaborative and conventional anthropology of dance
Goswami, Shashank	From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North India
Gove, J. Borges	Toward counter-colonial perspectives on music production, education and research: Reflections on “Re-Valorisation” of musical arts
Graff, Peter	Preserving National Identity: Slovenian Musical Theater in Cleveland, Ohio
Grant, Catherine	Sounding Good: Advancing Cultural Sustainability And Social Justice through Music and Dance
Graper, Julianne	Why Don’t We Talk About the Salamanders? Zilker Park Reconstruction in Austin, TX
Grguric, Diana	The intermedial influence of popular music on the formation of murals as a medium of memory
Grieznis, Eduards	Towards the Dissemination of Practice-based Research Findings through an Interactive Digital Storytelling Method
Grácio Santos, Débora	“Talk about the role and impacts of music in your life”: An ethnographic study
Guan, Tao	Shakuhachi or Chiba? Its Modern Adaptation and Evolution in China
Gubner, Jennie	Building Age-Friendly Universities through Applied Arts Research and Participatory Music Making
Gulová, Zuzana	Wounded, but not broken. Terror, healing, and music
Gunarathna, Dulanga	Explore the significant embodiments of Kandyan dance in Sri Lanka.
Guorui, Feng	The practice of mutual construction between funeral ceremony Yuewu（樂舞） and Yi people 's diversity totem worship
Gupta, Kooshna	Social Media as a Virtual Repertoire of Music and Dance: A Participatory Platform and Cultural Interaction for Artists and Amateurs
Günauer, Cornelia	The Music of Our Neighbors: Cultural Diversity in Small-Town Germany
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Haami, Meri	Abstract writing workshop for early career scholars (Organised by ECSN) He Whiringa Rangahau: Indigenous Māori creative expressions and legacies
Hachmeyer, Sebastian	Bi-Musicality Revisited: The Famous Ethnomusicological Method in the 21st Century
Hagmann, Lea	Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and approaches
Hakobyan, Ani	Traditional Lullaby as a Method of Transmission of Nation'S Historical Remembrance and Knowledge
Hamami, Mohamed	Addressing Translation Challenges in Traditional Music and Dance: Insights from the Role of Liaison Officers in ICTMD
Han, Yue	A Reflection on Dialects in Traditional Chinese Songs: The Relationship between the Entering Tone Characters and the Singing in Jin Dialect Zone
Hao, Yongguang	The Role and Significance of “Imperial Ritual Music” Zhonghe Shaoyue in the Soundscape of Tiantan
Hardwick, Patricia	Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts
Harris, Robin	The malleable nature of indigenous music and dance forms in changing political and socio-religious contexts
Hatch, Vaughan	Nyejerang Swara - Exploring Solutions to a Sacred Music Generational Crisis in Bali Enhancing Cultural Heritage: Online Encyclopedias of Balinese Gamelan
Hatfield, Donald John	Rescaling Indigenous Spaces amid Urban Renewal in New Taipei City
Hawitt, Rowan	Hearing musical petrocultures in Scotland’s mining communities
Haywood, Matthew	An Opera for All? Challenges Attracting “Foreign” Interest in Hong Kong Cantonese Opera
He, Mingxiao	Rerouting:Interaction and Circulation of Pansori in the Transnational Context of Shanghai
Hebden, Ellen	Women’s Tufo Dancing, Discourses of Talent, and the Gendered Politics of Mobility in Mozambique
Hebert, David	Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania)
Heller, Nancy G	21st-Century Flamenco Dance: Transformations and Tradition
Herrera Corado, Beatriz	Moving intercultural knowledge: from the personal genealogies of music and dance knowing-learning processes to a collective performative montage.
Hield, Fay	Channels of influence and paths to change: Communicating participatory and action research outcomes outside the academy
Hill, Juniper	The Music of Our Neighbors: Cultural Diversity in Small-Town Germany
Hirama, Michiko	Music on the water and performance in imperial space: Distinction and discrimination by social class from an analysis of music scenes in ancient Japanese court diaries
Hiranmayena, Putu	Ombak: listening to Balinese gamelan beyond the metaphor of contour
Hodgetts, Jesse	Reclaiming and sustaining song and dance – connections across land and seas
Hoefnagels, Anna	Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of Care
Hogg, Manaaki	Nā te pō i whakaatu: Creating waiata with insight from our ancestors
Hong, Lionel	Exploring Global Traditions of Catholic Chant
Hood, Made Mantle	A Sense of Island Homeplace by Reweaving Music and Dance
Horsley, Matt	Sustaining Local and Translocal Connections through Musical Practice
Horta, Fanner	Long-term participatory action-research on music and dance as praxis for social change
Hoskere, Divya	Embodied Joy in Abstract Dance – Exploring Traditional Indian Movement Systems
Hsieh, Wen Fang	The Concerto of Military and Music: The Organization and Utilization of the Republic of China Military Band
Hsu, Hsin-Wen	Vernacular Sound in International Mission: An Ethnomusicological Film on the Music Ministry of Two American Missionaries across Hakka Villages in Taiwan
Hu, Qifang	“098RADIO,” Hip-Hop Music and Okinawan Identities
Hu, Shijia	Study on the Performance Postures of Dongtou JiaoLeiGu
Hu, Xiyuan	Social Media as a Virtual Repertoire of Music and Dance: A Participatory Platform and Cultural Interaction for Artists and Amateurs
Huang, Chien-Pei	Observations in Military Training Fields: The Relationship between Drum Circle and Bodily Discipline, Liberation, and Positive Mentality
Huang, Patrick	The Study and Critical Editing of Medieval Sino-Japanese Music Treatises: On Ryōkin’s Kangen Ongi Tensions and Entanglements: the textuality in between Chinese music and poetry through two millennia
Huang, Pei-Ling	Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese History
Huber, Gertrud Maria	The sound of the Viennese zither: Artistic research and reflection on an identity process of zither music practice
Hullij, Reïnda	Maluku non-sounds; Maluku improvised music as substitute for forgotten traditional languages
Hung, Chia-Yin	Reclaiming Traditions: Indigenous Gender Interactions in Ritual Renewal after Colonisation
Hurley-Glowa, Susan	Rhythms of Belonging in the Lusophone World
Huynh, Khai	The first recording of Southern Vietnamese music: historical contexts, interpretation, and hypothesis
I
Ibude, Isaac	The Effect of Environmental Pollution on Kalabari Funeral Rite Music
Igbokwe, Ubochi	Christmastide Nwátàm in Ndokiland: Resilience of Ancestral Traditions in the Face of Internal Annihilation
Imanishi, Taichi	Searching for ‘Portable Percussion Music’ – Possibilities of Single-drum Compositions
Ingraham, Mary	Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary contexts
Ingram, Catherine	Characteristics of Musical Resilience in Culturally Diverse Societies
Instone, James	Balinese gamelan in an age of crisis and change: preservation or innovation?
Iqbal, Sumaiya	The Solidification of Bengali Nationalism: The Role of Patriotic songs through Swadhin Bangla Betar Kendra (Free Bengal Radio Center) Music as a means of resistance in Phulbari Tea Estate: An ethnography of life in total institutions
Ivanova-Nyberg, Daniela	Imagining Diasporic Balkan Communities through Dance
Iyer, Rohan	Sustaining Local and Translocal Connections through Musical Practice
J
Jacob, Gedisa	The Institute of Papua New Guinea Studies and Music and Dance Research
Jacob, Susan	“Kool Style” Connections: Diverse Indigenous and Black American Aesthetic in Aotearoa Hip Hop
Jaehnichen, Gisa	How to Make People Dance
Jafar, Norsafini	Reconstructing Joget Gamelan Timang Inu: An Ethnographic and Practice-Led Approach
Jahandideh, Mitra	Khele in Transition: Memory, Transformation, Cultural Resonance in Talesh Rural Life
Jamu, Andrew Igai	Sarawak Cultural Village as the “Living Museum”: Performing Indigenous Cultural Dance
Jang, John Hyun-Jun	“A Happy Playground”: Precarity, Embodiment, and Politics of Aging among Older Adults at K’ollat’ek Dance Halls in South Korea
Jeffrey, Allison	Moving bodies in unprecedented times: Relational becomings with non/human kin
Jia, Zixuan	Cross-cultural collaboration and music-language relationships: Ethnographic perspectives
Jiang, Xia	Modernity's Collective Space: The Private and Public in the Soundscape Space Metaphor of the Muya Tibetans' Buddha-Unfolding Festival and Their Relationship
Jiang, Yi Xuan	Collecting Dust: Sensory Memory in the Performance Practice of the“Yunkong Di”
Jin, Shun'Ai	Exchange, Symbiosis, Mutual Integration and Development of Chinese Korean Folk Songs
Jin, Yunkyong	Changes in Korean Traditional Wind Instruments, Focused on the Development of the Double-reed Instrument Piri, in Relation to Spatial Contexts
Joe, Liem	Frameworks of Engagement: Student-Centered Research Support
Johnson, David	Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania)
Johnson, Henry	Performing History: Sinophone communities in Australia and New Zealand
Jones, Alisha Lola	Music and the Black Experience: The Art and Politics of Sonic Culture
Joo, Dokyung	Feeling like Home! Diasporic Koreans’ Sense of Well-being and Community Belonging by Way of Music and Dance
Jordán, Laura	Bodies, costumes, gender: five views from the Southern Cone
Jurková, Zuzana	Wounded, but not broken. Terror, healing, and music
K
Kafumbe, Damascus	African Music and Dance Performance in the American Liberal Arts College Curriculum
Kajimaru, Gaku	Song Ideology: Ideological Power on Folk Songs in Japan and China
Kalinga Dona, Lasanthi Manaranjanie	Fourfold Synergy for the Betterment of Children and Youngsters with Special Needs: An Applicable Approach from Slovenia
Kalogeropoulou, Sofia	Get Me off This F***Ing Planet: a Performative Approach to Climate Change
Kamata, Sayumi	Timing and coordination in nagauta-bayashi music
Kammermann, Andrea	To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops
Kanemitsu, Mariko	Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of Japan
Kanteewong, Thitipol	Exploring Transformation Cultural Assimilation Processes: The Unique Musical Attributes of the Klong Puje Traditional Drum among the Tai Yuan Community in Chiang Mai
Karatai, Tokzhan	The Healing Qobyz : Merging Kazakh Cosmology with Music Therapy for the Future of an Ancient Instrument
Kastinen, Arja	Field of Vibrations - how ancient music can remain relevant today
Katsanevaki, Athena	Revisiting pentatonism in Europe and Asia. The cases of the Southwestern Balkans (Western Greece and Southern Albania) and Vietnam.
Katz, Mark	Incarcerated Musicians and the Technology Gap
Kavanagh, Jerome	New work for taonga puoro and live electronics
Ke, Yang	The Connotation and Perspective of “On Sound Without Sorrow and Joy" Taarab Music in Zanzibar, Tanzania The Gongche Notation and Inherent of the Traditional Chinese Music
Khalil, Alexander	Ombak: listening to Balinese gamelan beyond the metaphor of contour
Khara, Nerda	Gestures and their meaning in Kalasha Dance
Kibria Maqhfi, Shahwar	Music sessions in Muslim shrines: Sites of inclusion, cultural mingling, and resisting hate
Kidula, Jean Ngoya	Personal/intimate instruments/music, public display: The case for the lamellaphone.
Kielman, Adam	Yunnan Reggae: Music, Minoritization, and Afro-Asian Imaginaries in Southwest China
Kiko, Lawrence	True Echoes - a collaborative model for reconnecting cultures with recordings from the beginning of sound
Kim, Chae-Lin	Music for the Eye? – Signed Songs by Berlin Sign Choir
Kim, Heesun	Two Dimensions of the Internationalization of Korean Music during the Cold War: International Exchanges in Classical-Contemporary and Traditional Music between South Korea and the U.S.
Kim, Iljung	Korean Buddhist Chant and Dance: Contemporary Meaning of Ancient Religious Tradition
Kiragu, Nderitu	The Resistant Power of a Song of Resistance: A Case Study of the Mwene Nyaga Song Sung by the Mau Mau, Recorded and Performed by Kwame Rígíí.
Kirschstein, Natalie	Warring Identities, Redefining Repertoire: Musical Impacts of Russia’s Invasion of Ukraine
Kisliuk, Michelle	Workshop: the polyphonic underground--musical life/fungal life
Kitaka, George	The Integration of Music and Dance in the Performance of Imbalu Circumcision Rituals of the Bagisu of Eastern Uganda.
Klassen, Judith	Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of Care
Koch, Grace	True Echoes - a collaborative model for reconnecting cultures with recordings from the beginning of sound
Kolomyyets, Olha	"The Mighty Dnipro Roars and Bellows": Music of Resistance, War and Displacement that Reconnects the Generations of Ukrainians (On One Song from the Collection of the Prussian Phonographic Commission and Its Modern Contexts and Interpretations)
Kondi, Aniruddha Ramamurthy	Reconstructing Prabandhas of Someśvara III: Processes and Challenges in Reviving Medieval Indian Musical Compositions Using Handwritten Manuscripts
Koo, Sunhee	Feeling like Home! Diasporic Koreans’ Sense of Well-being and Community Belonging by Way of Music and Dance
Koplow, Jan	A first approach to the presence of diverse environmentalisms through ambient and metal music in Chile
Koroi, Haylee	He Whiringa Rangahau: Indigenous Māori creative expressions and legacies
Krabill, James R.	The malleable nature of indigenous music and dance forms in changing political and socio-religious contexts
Krieger, Albin	Preservation and Dissemination of Burgenland Roma Music through Artistic Research
Krishna, Aditi	We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies
Kuan, Yuan-Yu	A Sense of Island Homeplace by Reweaving Music and Dance
Kudo, Kazutoshi	Timing and coordination in nagauta-bayashi music
Kulriya, Mukesh	Hindutva Pop: The Beats of Mass-Media(ted) Islamophobia
Kun, Qi	The Variations in Performance Styles of Various Genres in Quγur-un Üliger formed by Mongolian Dialect
Kunnuji, Joseph	We Should All Be Ethnomusicologists! Rethinking the Positionality of Ethnomusicology within Music Departments in South Africa
Kurdova, Dilyana	Imagining Diasporic Balkan Communities through Dance
Kölbl, Marko	Messy Positionalities. Queer-feminist Troubles in the Field
L
Labasan, Rachelle Ann	Brass Bands: A Gift of Gaddangs in Solano, Nueva Vizcaya
Lacoste, Debra	Exploring Global Traditions of Catholic Chant
Lai, Gene	Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania)
Lam, Coco	Reconstruction of Identities: Turandot as New Chinese Opera
Lau, Frederick	"Noisy" Cantonese Opera in Early Hawaiʻi
Law, Ho Chak	Music of South China: Traditions Reinvented
Le, Van Toan	Music in the religious rituals of some indigenous ethnic groups in Viet Nam
Lebre, Paula	Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation
Lechler, Maike	What role does the anthropogeographical method play in ethnomusicology?
Lee, Mei-Yen	The Aesthetic Significance of the Combination of Vision, Hearing, and kinesthesia in Guqin Music: Taking the Imitating Sound of Wild Geese in the Tune "Wild Geese Descending on the Sandbank" as an Example
Lee Holden, Hae In	Re-conceptualizing Tradition: Exploring the Night of Jeonju & Heritage Story in Hanok Maŭl
Lei, Shi	Music, Space, and Change: Revolution and Music in the Central Soviet Area of China, 1929-1934
Leite Do Nascimento, Marcelo	From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations
Lell, Peter	How does Forced Migration Impact Musical Practices? – The Case of Afghan Musicians in Exile
Li, Jiaqi	The Flexibility of Sound: A Case Study in Hong Kong Hui Community
Li, Liu	New Era, New Traditions: Case Analysis of Sustainable Development of Traditional Chinese Music Culture in Current Social Environment
Li, Xinyang	Cognition and Behavior: A Study of Rebab Music and Performance Thinking in the Context of Central Javanese Gamelan
Li, Ya	Soundscape in the Chinese Garden：Historically Informed Jiangnan Silk and Bamboo Music Performance Practices
Li, Yan	Filth and Symbol: The Order Construction of The Taboos of The Zhuang Dongjing Musicians in Wenshan
Lim-Bunnin, Luka Leleiga	Repertoire of a climate march: Some Pasifiqueeredisabled comments on tauiwi Pasifika climate activist music in Aotearoa New Zealand
Limón Silicéo, Marisol	Dance syntax: Why should we care, what approaches do we have, and what problems does it bring?
Lin, Hsuan Chen	Sanskrit Growling: Buddhism and Death Metal in the Music of the Taiwanese Band Dharma
Lin, Ziqi	In the Heights, Where is Home: The Shaping of Urban Community Onstage Cultural Space
Lindo, Abigail	The Viola da Terra as Metaphor: Post-colonial Sonorities of Azorean Saudade
Linford, Scott	Voice-Instrument Interactions in Ekonting Music of Southern Senegal
Littlejohn, Kate	FanZoning: Exploring Creative Performance Practices and Pedagogical Implications in Fan Culture
Liu, Hsin-Ju	Chasing the Masterpiece: A Luthier's Real and Authentic Dilemmas
Liu, Jing	Exploring Beijing's Post-Pandemic Experimental Music Scene: One Way to Listen to the Subtle from Within and Beyond
Liu, Lu	Performing History: Sinophone communities in Australia and New Zealand
Liu, Rong	The Role and Significance of “Imperial Ritual Music” Zhonghe Shaoyue in the Soundscape of Tiantan
Liu, Xiaoding	Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in Ethnomusicology
Liu, Xueqing	A Case Study of Wuhua Marionette Puppetry
Lloyd, Jessie	Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste
Lomen, Kristina	War Songs in the Traditional Singing of the Slovaks in Vojvodina in the Republic of Serbia
Lomsadze, Teona	Journey of Georgian Traditional Music: Exploring its Internationalisation in the UK
Longnecker, Nancy	Hou rongo: Moriori, music, manawa
Lopes, Alcides	Rhythms of Belonging in the Lusophone World
Lopez-Yanez, Maria Gabriela	Desdisfrazando our dances: A decolonial methodology to interculturally dialogue with Ecuadorian identity
Lorway, Verne	Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula
Lu, Vicki	Integrating Chinese Music into Academic Spaces: Pedagogical Insights and Challenges
Lu, Xin	Bridging Boundaries through Adaptation: A University Teacher's Autoethnography of Presenting Shanxi Folk Songs as Clarinet Quintets to Global Audiences
Lucas, Laura	Music, emotion, and community: Creating safe spaces for expression in the climate crisis
Lundberg, Dan	Maginalised minority culture as Memory of the World
Luo, Ai Mei	Sustainability and Community Identity: Hakka Music as Cultural Recreation for the Elderly
López Fernández, Andrea	The past that sounds and re-sounds
López Menacho, Víctor	The past that sounds and re-sounds
López-Lara, Ángela	"Spectacularizing Romance. Sundanese Ketuk Tilu Dance during the 1889 Paris’ Exposition Universelle"
M
MacDonald, Shauna	Frameworks of Engagement: Student-Centered Research Support
MacLachlan, Heather	Fieldwork periods – cyclic impurity and the agency of female performers and researchers
Macy, Elizabeth	Engaging Music and Activism: Advocacy, Inclusive Practices, and Placemaking with Intention
Magnat, Virginie	Vocality as Radical Collaboration
Mahon, Maureen	Music and the Black Experience: The Art and Politics of Sonic Culture
Maina, Kettyjackline	Rural Flux and Constant Musical Mobilities
Mangifesta, Nico	Reconsidering the Boundaries of Sonic Dialogue Between Gamelan and Computer Music in Monk (2019) by Yan Priya Kumara Janardhana.
Manokara, Nidya Shanthini	Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and Sound
Mansano, Michelle	Frameworks of Engagement: Student-Centered Research Support
Marcarini, Edoardo	Tracing locality in Iranian Jewish repertoires, the case of the "shira" of Esfahan
Marks, Essica	Liturgical Music as a vital part of Cultural identity in a small Christian community
Marques, Rui	The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and Instruments
Marty, Maša K.	Romani Musicians and Musical Practices in Slovenia: Emerging Issues in Research of a Marginalized Minority
Mashino, Ako	Hearing the place: gamelan and other-sounds as a part of socio-cultural spaces in Bali, Indonesia
Matiure, Perminus	Exploring the multipart and call-and-response styles common in the Shona indigenous music performance practices
Matsunobu, Koji	Shakuhachi or Chiba? Its Modern Adaptation and Evolution in China
McNally, Kevin	Seeking to Walk Beautifully on the Earth: Applied Ecomusicology as Community Building in Rural Ireland
Md Nor, Mohd Anis	Sacred Connections: Corporealising Intangibilities
Medina, Leonardo	'As rabequeiras': women's role, emancipation, visibility and voice in the rabeca revival by decolonial practices a musical instrument.
Mellizo, Jennifer	Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula
Mendonca, Maria	Goong: Sound Through Fire
Mercado, Kity	Bodies, costumes, gender: five views from the Southern Cone
Merchant, Tanya	Manifesting Beginner-Friendly Social Dance Events: Contra, Family, and Barn Dances’ Inclusivity Practices for First-Timers
Miguel, Ana Flávia	Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and Mozambique
Mihaljević, Ana	Online repository of the Glagolitic chant - digitisation, preservation, and dissemination of musical heritage
Mills, Steven	Hou rongo: Moriori, music, manawa
Miranda Medina, Juan Felipe	Dance syntax: Why should we care, what approaches do we have, and what problems does it bring?
Mohammad Jahangir, Hossain	Indigenous Peoples’ Music and Dance: The Determinants of the Cultural diversity of Bangladesh
Moishan, Shahman	Revisiting the Indigenous Performance of Kandoni Bishahari: A Reading of Poisoner and Poison-releiver Manasa in the Context of Life-Death Significance and Timeless Memory of Womb
Mok, Shuk Ching	Macao Taoist Ritual Music Sustainability: A Case Study of the Macao Taoist Teen Orchestra
Mollenhauer, Jeanette	Teaching Dance in Diaspora: Pedagogical Experiences in Melbourne, Australia
Monteiro, Elisabete	Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation
Monteiro, Kelwin	The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa (India)
Monção, Gustavo	Long-term participatory action-research on music and dance as praxis for social change
Moufarrej, Guilnard	Music, Religion, and Community-Building Among War-Displaced Syrian Melkite Christians in Germany
Moyle, Richard	Getting Your Own Back: Cross-Cultural Movement of Intangible Values in Aboriginal Australia
Mukhtarova, Kanykei	The bitter fate of women in Dungan songs: an Insight into Central Asian Dungan Music
Mulungo, Bernett Nkwayi	Re-composing and Re-arranging Indigenous Sounds: a case of eBhofolo and Ngibambeni, Ngibambeni!
Mulwa, Kennedy Kioko	Diasporic Sounds: Impression Management Among Pacific Islander Performers in Melbourne
Murchison, Gayle	Winifred Atwell: A Reappraisal of Britain’s Britain’s Foremost Black Female Transnational Jazz Pianist
Murer, George	Facing Shores: Baloch Music on the Arabian Peninsula
Muslu, Olcay	Empowering Youth Through 'Music Generation Workshops': Container Music Schools in Post Earthquake Hatay, Türkiye
Muyco, Maria Christine	Ata as Ati in Boracay, Philippines: Ancestral Land songs, Eviction Trauma, and Claim to Home
Mwebaza, Victor	Dance in Africa
N
N, Mohamed Haseeb	Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar.
N'Daou, Tiécoura	The griots of Kéla: from words to music in the face of modernity.
Nadia Hazirah Binti Nazren,	Ajat Indu Menua Pakan: Embodying Indigenous Dayak-Iban Female Dance Tradition
Nafisi, Roozbeh	Forbidden Voices: Women’s Singing of Iranian Traditional Music under the Islamic Regime in Iran
Naghshbandi, Serveh	Sustaining Local and Translocal Connections through Musical Practice
Nan, Tianzhi	How Does the Experience of “Humourliation” Influence the Identity and Relationships of Tertiary Dance Learners in China?
Naruse, Marin	Cross-cultural collaboration and music-language relationships: Ethnographic perspectives
Natt, Navkiran	Songs of Migration: Inspiration or Solace?
Neira de la Cadena, Eloy Antonio	La Sonora Dinamita Band and the Latin American migration to Southern California: A Borgian analysis of the only band in the US that can play in more than one place at a time.
Nelson, Kathleen	Exploring Global Traditions of Catholic Chant
Nelson, Sheilla A.	Dirges and Dilemmas of Resistance, Cultural Colonialisms and Cosmopolitanisms: The Indigeneity Poetics and Politics in the Song, 'Mala, Mawie Ga' (I Will Sing, I Will Speak Ga)..
Ng, Kwok Wai	Shakuhachi or Chiba? Its Modern Adaptation and Evolution in China
Ng, Nicholas	Performing History: Sinophone communities in Australia and New Zealand
Nguyen, Le-Tuyen	The first recording of Southern Vietnamese music: historical contexts, interpretation, and hypothesis
Nguyen, Thuy Tien	Music in the religious rituals of some indigenous ethnic groups in Viet Nam
Nielsch, Astrid	Bye-Bye Middle-Earth … a Personal Reflection on Cultural Dislocation
Nielsen Okamura, Erica	O. Sheets! A True-Crime Dance Saga
Nikzat, Babak	Bridging Theory and Practice in Iranian Dastgahi Music: Developing a Corpus-Based Approach to Gushe Analysis
Niles, Don	The Institute of Papua New Guinea Studies and Music and Dance Research
Niriella, Hasanthi	“Kuveni Yakkama”: A Contemporary Healing Ritual Performance that Reclaims the Healing Power of An Indigenous Princess Kuveni Found in Sri Lankan History.
Njoku, Obianuju	Baagadozhi: Power, Masculinity, and Spatialities in the Enyan-Etsu Royal Ensemble
Noone, Matthew	Sean-nos: Ancient-Modern Indigenous Mythos
Norman, Sally Jane	Empowering Voices: Musical Responses to Social, Political, and Environmental Challenges Faced by Displaced and Minority Groups (Case-Studies From Europe, Southeast Asia, and Oceania)
Norris, Michael	New work for taonga puoro and live electronics
Ntankeh, Roch	The malleable nature of indigenous music and dance forms in changing political and socio-religious contexts
Nuska, Petr	The Documentary Film 'Hopa lide': Making of Romani Representation
Nweke, Florence	Cross-cultural collaboration and music-language relationships: Comparative perspectives
O
O'Brien, Juliette	Engaging Tradition with the Future - Knowledge Dissemination and The Short Form Video
Ocaña Guzmán, María del Mar	Revivalism, heritagisation and (in)authenticities in the Spanish folk music scene
Odai-Lamptey, Sheila	Music Therapy in Ghana: a Case Study of the Klikor Agbozume Community
Okantah, Michael Ohene Junior	Osoode Highlife: Recontextualization, Revival, and Sustenance of a Ghanaian Indigenous Music Tradition
Okantey, Naa Akle	Music, Careers, Gender, and Sustainability in Ghana
Okyere, Kingsley	Creativity and Innovation in Ghanaian Music Performance(s)
Oldfield, Anna	The Healing Qobyz : Merging Kazakh Cosmology with Music Therapy for the Future of an Ancient Instrument
Olson, Judith E.	Not so different after all: Structural integration and interaction between musicians and dancers in dance cycles of Hungarian villages in Transylvania
Olson, Nate	Traditional Music and Higher Education in the US: What Can We Learn From Bluegrass?
Oludare, Olupemi	African Pianism as An Alternative Conceptual Approach to The Performance of Àgídìgbo Music
Omoniyi, Bolaji	Symbolic Music Representations of Orin Ìgbéyàwó in Èkìtì State, Nigeria
Ong, Rachel	Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts
Onus, Tiriki	Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary contexts
Opara, Ruth	Songs and Women’s Names in Contemporary Nigeria: A Mother’s Prayer or Men’s Muse?
Opondo, Patricia	Cross-cultural collaboration and music-language relationships: Ethnographic perspectives
Oshino, Akemi	Lecture Workshop of Ainu Songs/Dances: My Sense of Self through Grandmother’s Teachings
Oshio, Satomi	Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of Japan
Osoro, Tabitha	Platformisation and the Growth of Kenyan Creative Economies: an Exploration of Challenges and Opportunities Presented by Mdundo Platform
Osset Enríquez, Pablo Rodrigo	The past that sounds and re-sounds
Otoo, Jason	Messy Positionalities. Queer-feminist Troubles in the Field
Owusu-Poku, Ernest	Creativity and Innovation in Ghanaian Music Performance(s)
Ozah And Esinkuma James Amagebe, Marie Agatha	We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies
Ozaki, Yuto	Cross-cultural collaboration and music-language relationships: Ethnographic perspectives
P
Palandrani, Tiziana	Verba Manent: the Tradition of the Evangelists and Pregoneros of Doña Mencia (Spain)
Paligora, David	Inu Tī Inu Kota: Constructions of Place and Identity in Tongan Brass Band Diaspora in Aotearoa
Panova-Tekath, Gergana	Imagining Diasporic Balkan Communities through Dance
Paramashivan, Deepak	A Musico-Poetic Analysis of Tyāgarāja’s Pancaratna kṛti jagadānandakāraka using Generative Theory of Tonal Music (GTTM)
Parkins-Craig, Maddy	Get Me off This F***Ing Planet: a Performative Approach to Climate Change
Parselelo, Mark Lenini	Cross-cultural collaboration and music-language relationships: Comparative perspectives
Paschalidou, Stella	Pedagogy shift in synchronous distance Hindustani Dhrupad music education
Pavlakovic, Vjeran	The intermedial influence of popular music on the formation of murals as a medium of memory
Pavlovich, Danya	Cross-cultural collaboration and music-language relationships: Comparative perspectives
Pehi, Ata Rangi	Nā te pō i whakaatu: Creating waiata with insight from our ancestors
Pehi, Tumanako	Nā te pō i whakaatu: Creating waiata with insight from our ancestors
Pellegrini, Sascia	Emplacement, and ‘Ma’ (間): a Body Metamorphosis from Butō Embodiment Praxis
Perez, Dr. Jeremias	Music as a Collective Action of We-ness
Perez Gonzalez, Juliana	From Brazil to Europe: Migratory Flows, Survival Strategies, and Musical Reverberations
Perry, Mark	Circular Time and the Powwows of Oklahoma
Petersen, Suse	To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops
Petkova, Galia	Lion Dances: Bodies, Gender, Empowerment
Pettan, Svanibor H.	Romani Musicians and Musical Practices in Slovenia: Emerging Issues in Research of a Marginalized Minority
Pham, Minh Huong	Music in the religious rituals of some indigenous ethnic groups in Viet Nam
Phoasavadi, Pornprapit	Krung Curatorial Practice and Creative Sustainability for Indigenous Music of Mountainous Villagers in Nan Province
Pistrick, Eckehard	Towards an ethnomusicology of the unsounding?
Piyadigama, Janali Thathsarani	The Impact of Music on Well-being of Cancer Patients: A Case Study in a Hospice
Plouy, Debora	Transmission of knowledge: filming living heritage
Poděbradský, Oldrich	Wounded, but not broken. Terror, healing, and music
Poplawska, Marzanna	Intangible Cultural Heritage and preservation of cultural ecosystems in Indonesia
Porras, Edwin	Lion Dancing in Cuba: Embodying Alternative Knowledges and Identities
Poske, Christian	Soundscapes of Biocultural Diversity: Polyphonic Singing Practices in Angami Naga Traditional Music
Post, Jennifer	Sonic Mapping and Earth System Hazards: Eco-ethnomusicology and Transdisciplinary Research
Potts, Devin	Dancing in Public: A Study on the Influence of K-pop Dance Culture on Taiwanese Students
Powell, Aubrie	Co-Writing Country: the good, the bad, and the genre
Power, Laura	Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula
Pucci, Magda	Teaching Indigenous Music: Bridging Indigenous Music Research and Educational Practices in Brazil
Purdy, Suzanne	Cross-cultural collaboration and music-language relationships: Comparative perspectives
Pérez, Leonor Xóchitl	The Emergence of International Mariachi Women’s Festivals: Claiming Space and Place in the Male Mariachi Genre.
Q
Qian, Lijuan	Tradition-Oriented Texts and Their Representation in Other Culture: The Yi Meige and Its Mandarin and English Translations
Quek, Melissa	Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and Sound
R
R N, Nagendra Pavana	Reconstructing Prabandhas of Someśvara III: Processes and Challenges in Reviving Medieval Indian Musical Compositions Using Handwritten Manuscripts
Raja Halid, Raja Iskandar	Sacred Connections: Corporealising Intangibilities
Ramírez, Marcela	San Pablo Cimarrona: Transmission of knowledge from the past to the present
Ramírez-Uribe, Claudio	The Appropriation and Re-Signification of “Maya” and “Mestizo” Elements to Create a Regional Identity in Yucatán (1868-1931): A Theoretical Alternative from Music Studies
Rana, Sayeem	Examining the Performance of Bhawaiya Song: The Symbolic Significance of Idiosyncratic Tune, Lyrics and Lives
Randell-Moon, Holly	Indigenous music, dance and art in the marketing campaigns and corporate identity efforts of Air New Zealand and Qantas: forging a momentum of reconciliation?
Rekedal, Jacob	Hip hop and vectors of oral tradition in Mapuche culture
Ren, Meng	“This is How We Remember That War”: Musical Memories of Chinese Anti-American Songs
Renzi, Nicola	Sámi storying as pathway to other-than-human musicking. Multispecies ethnomusicology from the Indigenous Arctic
Rezaei, Anna	Fieldwork periods – cyclic impurity and the agency of female performers and researchers
Rezania, Mehdi	A Monumental History of Iran’s Century of Music
Richter, Pál	Traditions of Intercultural Folk Music Research in the Carpathian Region of Central Europe
Rickwood, Julie	Pathway: Dancing with loss, grief and hope
Ringsmut, Martin	Rhythms of Belonging in the Lusophone World
Ritter, Jonathan	Indigenous Cosmopolitans and the Tourist Encounter: Taquile's Fiesta de Santiago as Contact Zone
Roga, Kenneth	True Echoes - a collaborative model for reconnecting cultures with recordings from the beginning of sound
Romano, Tessa	Get Me off This F***Ing Planet: a Performative Approach to Climate Change
Rong, Jingyi	An ethnography of “Interactive” performance in Tangshan shadow play
Rose, Dawn	Playlist for Parkinson's: Music as a central aspect in the dynamic dissemination of music research in applied sciences.
Rowe, Nicholas	The Dancing Ocean
Roșu, Răzvan	Traditions of Intercultural Folk Music Research in the Carpathian Region of Central Europe
Russell, Maureen	Sharing Soundscapes: The Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ryan, Thomas	The Infusion of First Nations, Métis, & Inuit Culture through the Social, Emotional and Cognitive Effects of Elementary Dance Education
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Saaristo, Annukka	Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity
Salamon, Soma	Traditions of Intercultural Folk Music Research in the Carpathian Region of Central Europe
Salazar, Lauryn	From Folk to Pop: The Rise of Mexican Regional Music in the United States
Salehyar, Hamidreza	Beyond the Sacred-Secular Divide: Mourning Rituals, Spiritual Happiness, and Shi‘a Agency in Tehran
Samarasinghe, Kamani	An Exploration of Sri Lankan Indigenous Vedda Peoples’ Music
Samoto, Hidenori	Christian chants, ancestral voices and bamboo panpipes: an ethnographic approach to sounds in between Catholic liturgical music and indigenous musical instruments in ’Are’are, Solomon Islands
Sampath, Isuru	Explore the significant embodiments of Kandyan dance in Sri Lanka.
Santaella, Mayco	Navigating Academic and Alternative Career Pathways: Strategies for Early Career Researchers Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts
Sardo, Susana	Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and Mozambique Music and Dance on the Sustainable Development Goal #18 for the post-2030 Agenda. A Network Dialogue
Sarkar Munsi, Urmimala	Fieldwork periods – cyclic impurity and the agency of female performers and researchers
Sarkissian, Margaret	Living on the Edge of Madness: Music, Dance, and Community Building in Melaka, Malaysia
Savage, Patrick	Cross-cultural collaboration and music-language relationships: Comparative perspectives
Sağlam, Hande	The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based Approaches
Schiller, Natalie	I know more than I think! Knowledge production through artistic research
Schippers, Huib	So you want to be an applied ethnomusicologist? Five things they forgot to teach you at university.
Schmuckal, Colleen Christina	Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of Japan
Schroeder, Angelika	The traditional dance and music of the Kavangos in Namibia, performed in the context of the horseplay dance Ukambe
Schwartz, Jessica	Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific
Scott-Maxwell, Aline	Conceptualising a musical panorama of diversity and difference: Indonesian sounds and identities in contemporary Australia
Seabra, Maria Luiza	Long-term participatory action-research on music and dance as praxis for social change
Sears, Jenna	Breaking Barriers: Embodying Queer and Non-Binary Spaces of Practice within Music Education
Seow, Mark	Dancing while Bent: Embodying Scordatura in Heinrich Biber’s Mystery Sonatas
Seye, Elina	Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity
Shahul Hameed, Shibinu S	Many Sounds One Sea: Revisit into the Kolkkali Performance of Mappilas of Malabar.
Shakhkulyan, Tatevik	The Sun Is up: a Song to Mirror Identity in Migration
Shao, Yan	Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in Ethnomusicology
Sharma, Nutandhar	After the earthquake: effects of natural disasters on devotional singing groups in the Kathmandu Valley
Sharma, Selina	From research and analysis to documentation, preservation and dissemination: Changing conditions, approaches and methods throughout a journey of thirty years dedicated to the study of performing arts in Vraja, North India
Shaw, Grace	Using Regression-Based Analysis in Digital Musicology
Sherrill, Jennifer	“Say Dem Go Feel It”: Afrobeats and Access to Pleasure in the lives of Refugee Youth in Greece
Shishkina, Elena	Modern revival of the musical and dance culture of the displaced Kalmyk people (Volga region, Russia)
Shrivastava, Divya	Jingrwai Iawbei -The whistled language of Kongthong Village, India
Siddiqui, Mohammed Kamran	Sufi/Islamic devotional music of South India: A Case of Linguistic Erasure, Resilience and the Pull of the Popular
Silva-Zurita, Javier	The bandio Williche: essentialisms and cultural hybridity regarding an indigenous instrument in San Juan de la Costa, Chile
Silverman, Carol	Imagining Diasporic Balkan Communities through Dance
Silvestrini, Javier	The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based Approaches
Simonett, Helena	To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops
Singha, Sukanta	The Musical Patterns in `Lohong' : Manipuri Wedding Rituals in Bangladesh
Sinyei, Jane C.	The Use of Digital Media Technology in the Preservation, Retrieval and Dissemination of Traditional Folk Music
Skinner, Anthea	Dancing in the Cut: Space, Power, Culture and Design in Disability Dance
Smith, Melinda	Dancing in the Cut: Space, Power, Culture and Design in Disability Dance
Snavely, Hannah	Grafting onto Tradition: Roots and Imagination in Chilean Música de Raíz
Snyder, Andrew	Decolonizing Portugal’s Revolutionary Commemorations
Sobhanasiri, Sirisan	Musical Collaborations in the Music of the Thai Isan: Realizing New Works for Classical Guitar
Sonegheti, Mateus	Long-term participatory action-research on music and dance as praxis for social change
Soto-Silva, Ignacio	Language revitalization and integration of traditional music: The case of Leftraru Hualamán, a Mapuche Williche musician from southern Chile
Souza, Henrique	Methodological perspectives of the sociology of translation for music research
Sowah, Emmanuel	Creativity and Innovation in Ghanaian Music Performance(s)
Spiller, Henry	Alternative Modernities: Three approaches to bamboo music in twenty-first-century Bandung, Indonesia
Stark, Jody	Music Teaching Methods as Cultural Technology: Moving Away from Imperialist Frames to Explore New Possibilities Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula
Stepputat, Kendra	Fieldwork periods – cyclic impurity and the agency of female performers and researchers Navigating Academic and Alternative Career Pathways: Strategies for Early Career Researchers
Stewart, Tyler	Detuning the Anthem: Using Research-Creation to Deconstruct the Sounds of Settler-Colonialism
Stewart-Juby, Charlotte	Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of Care
Stoor, Krister	Maginalised minority culture as Memory of the World
Strothmann, Christiane	Tibetan women ritual leaders in exile - ritual music, training and identity as Bon nuns in India.
Sudirana Ph.D, Dr I Wayan	Balinese gamelan in an age of crisis and change: preservation or innovation?
Sultanova, Dr Razia	Music Propaganda in Times of Conflict, Wars, and Political Clashes
Sunu Doe, Eric	Music, Careers, Gender, and Sustainability in Ghana
Sutton, R. Anderson	A Sense of Island Homeplace by Reweaving Music and Dance
Suyadnyani, Putu Evie	Nyejerang Swara - Exploring Solutions to a Sacred Music Generational Crisis in Bali
Suzuki, Manami	Challenges and innovations for effects of migration on the transmission of religious music and dance: case of migrant Alevi in Austria
Swaray Williams, Anna	"Wavin' Whose Flag? One Song's Transformation from the Personal to the National and Global"
Sychenko, Galina	Verbal aspects of music and dance traditions: Songs of South Siberian Turks
Syla, Bubulinë	Dancing the grief, vocalizing the mourning - The Gjama Ritual as Performance and Story
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Tai, Chun Chia	Decolonizing Spaces: Indigenous Feminist Praxis of Pacific Islander Women in Southern Californian Island Reggae Scene
Takyi Donkor, Grace	"Slaying for Christ": Gospel Music, Identity, and Fashion in Contemporary Ghana
Tan, Hwee-San	Music of South China: Traditions Reinvented
Tan, Shzr Ee	We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies
Tan, Sooi Beng	We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies
Tang, Kai	Ethnic Minorities, Indigeneity, and the Construction of the Domestic Others in Chinese Music
Tenakanai, Bruno	The Institute of Papua New Guinea Studies and Music and Dance Research
Terauchi, Naoko	Between ‘folk’ and ‘imperial’: changes of chigo-bugaku (bugaku dance of ‘children of festivity’) at Shizuoka-sengen-jinja shrine in Japan
Thiagarajan, Premalatha	Dance and Music in the Ancestral Celebration: A Critical Study on Two Mah Meri Indigenous Groups in Malaysia’s Carey Island
Thompson, Marc	An overview of the use of optical motion capture to study the relationship between music, dance and social behaviour
Ting, Lu	Sacredness-Secularity Syncretism: A Cultural Interpretation of the Ritual PerfSacrednessormance of Rgyalrong“Darga”in the Jinchuan River Basin in the Eastern Edge of the Qinghai-Tibetan Plateau
Tinirau, Rāwiri	Nā te pō i whakaatu: Creating waiata with insight from our ancestors
Tinirau-Williams, Inglis	Nā te pō i whakaatu: Creating waiata with insight from our ancestors
Tiramani, Thea	The role of technologies to keep communities vital and meaningful
Tobar, Fabián	Bodies, costumes, gender: five views from the Southern Cone
Tong, Siqi	Traditional Music "Disturbed" by Academics: Contemporary Interpretation and Morphological Evolution of the Chinese Erhu Piece "The Moon Reflected in the Second Spring"
Torkanbouri, Aria	Harmonies of Resilience: Emotional Dimensions of Azerbaijani Music during Spanish Flu Pandemic
Torp, Jörgen	Dance syntax: Why should we care, what approaches do we have, and what problems does it bring?
Treloyn, Sally	Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary contexts
Trimillos, Ricardo D.	A Sense of Island Homeplace by Reweaving Music and Dance
Trindade, Jose	Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste
Trotter-Simons, Bonnie-Estelle	Towards Intersectional Feminist Praxis through Music in Aotearoa
Troy, Jakelin	Ngarigu music, dance and language renewal
Tsai, Tsan-Huang	Performing History: Sinophone communities in Australia and New Zealand
Tsai, Tsung-Te	Transmit to Whom? and How to Transmit? A Discussion of Some Issues about Alternative Educational Methods in Ethnomusicology
Tse, Priscilla	Panel: "Nostalgia, Liberation, and Self-consciousness: Music and Dance in Hong Kong and Shanghai"
Tseng, Yuh-Fen	The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based Approaches
Tsope, Cristiano	The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa (India)
Tuwe, Makanaka	Theory in flesh: Sesa Mathlo methodology, the African tradition of storytelling and embodied theorisation
Tyrell, Mayna	Sound Practices: Considering Music Rehearsals for Their Own Sake
Tércio, Daniel	Resonance: body walking-dancing with the landscape
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Valadez, Stephanie	Colonial Reverberations and the Eradication of Indigenous Narratives
Vallejo, Jessie	Mariachi Music in the Classroom: Inclusion and the Risks of Unintended Reinventions of a Musical Practice Through Transcriptions and Arrangements
Valo, Outi	Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity
Vanspauwen, Bart Paul	Indigenous music, dance and art in the marketing campaigns and corporate identity efforts of Air New Zealand and Qantas: forging a momentum of reconciliation?
Varaine, Kerian	Hou rongo: Moriori, music, manawa
Vardanyan, Nvard	The symbolic meaning of the circle in the context of Armenian wedding round dances and ritual songs
Verbuč, David	Romani Musicians and Musical Practices in Slovenia: Emerging Issues in Research of a Marginalized Minority
Verdin, Peter	Does Nostalgia Offer a Subscription Plan? - Commercial Sound Recordings and Popular Memory
Verhulst, Anaïs	Towards a common thesaurus for musical instruments: issues of vocabulary, transl(iter)ation, and representation
Villén, Antti-Ville	Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity
Vissicaro, Pegge	Keali’inohomoku’s Theory of Dance Culture as a Model for Applied Dance Anthropology
Vokwana, Thembela	Shifting Stages: Cyber Networks and Mediation of amakwaya/iikwayala Competitions in South Africa
W
Wagenknecht, Lydia	Antarctic “Sonidotorrios”: Sonic Constructions of Chilean Antarctica in Punta Arenas
Wakesho, Loice	Dance in Africa
Wan, Huang	Singing from a “Callus Heart”: Sound Archive, Historical Memory, and Peace Vision on the Festival Stage of Okinawan “Sanshin's Day”
Wang, Cheng-Chun	Archiving the Swinging Notes: Analyzing Cheng Wan-Tsung's Handwritten Notations and His Life History
Wang, Fang	From Body Memory to Ritual Practice: The Multiple Musical Identity Transformation of Male Artists of Buyi Ethnic Group in Guizhou Province, China
Wang, Shao-Peng	Safeguarding of Teochew Opera and Puppetry in Malaysia and the efforts by community
Wang, Sixian	Insights from the "Guqin Clinic"(古琴诊所)——the Development of Guqin in the Digital Age
Wang, Starry Yuhan	Empowerment Through Hengchun Folk Song Musicals from Countryside to the Global Stage: Women’s Cross-boundary Narratives for “Everydayness” and “Artistry”
Wang, Xidan	The Game of Rights, the Sound of Solidified: Musical Murals of Deokheung-ri Tomb in North Korea
Wang, Ying-Fen	Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia
Waseda, Minako	Hula in Fukushima, Japan: Relocation and Resignification of the Hawaiian Dance Tradition for Regional Revitalization and Recovery from Disaster
Watkins, Lee	Revivalism and the performed lives of the Khoesan, a first people, in selected parts of southern Africa
Wei, Xin-Yi	Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese History
Wei, Yong	Exchange, Symbiosis, Mutual Integration and Development of Chinese Korean Folk Songs
Weiss, Sarah	"Der Berggeist vom Schöckl": Ethnographic Approaches to an Oper Graz project in Styria, Austria (New Research from the “Why Isn’t Classical Music Dead” Project)
Wells, Marnix	Mediaeval Chinese Dance Decoded
Wen, Gabby	Echoes of Memories: Collaborative Storytelling through Person-Centered Music and Virtual Reality with Older Adults Living with Dementia
Wetaba, Aggrey	Leisure experience in music translations among the Luyia people: the case of Congolese rhumba music reception in western Kenya The Surviving Ngoma Performance in the Traditional Rituals of the Arabai Community of Kenya
Wettermark, Esbjorn	Channels of influence and paths to change: Communicating participatory and action research outcomes outside the academy
White-Radhakrishnan, Mahesh	Ngarigu music, dance and language renewal
Whitmer, Eric	Performing Sameness and Proving Equality: "Baba Yetu" and Counterfeit Representations of the "Other"
Widdess, Richard	After the earthquake: effects of natural disasters on devotional singing groups in the Kathmandu Valley
Williams, Joe	Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and Timor-Leste
Williams, Michelle Ladwig	The ASB Polyfest: Pacific Festival/Digital World
Willmann, Simone	Scholarly Positions: Acknowledging forms of Slow Scholarship to Change Colonial University Praxis
Willoughby, Heather	Expanding the Reception of Pansori: The Literal and Figurative Translation of Traditional Texts for Young Korean and Foreign Audiences
Wilson, Dave	Performing Ecomusicology and Public Engagement with the Zealandia Te Māra a Tāne Ecosanctuary in Te Whanganui-a-Tara Wellington
Winick, Stephen	Reclaiming “Red Wing:” One Wampanoag Singer-Songwriter’s Response to Stereotypes of Native Americans
Wisuttipat, Nattapol	It’s Too Fast: Contentious Sentiments towards the High-Speed Performance of String Ensemble by Queer Male Musicians amid Thailand’s Changing Genderscapes.
Witzleben, Larry	Shanghai to Hollywood and Golden Mountain: Silk and Bamboo Music on Film and Recordings in the Mid-twentieth Century
Wolff, Silvia	Exploring Inclusive Dance: Perspectives on Theory, Practice, and Transformation
Wong, Jean	Mapping musical descriptions of Chinese Buddhist rituals in late-Qing China
Woo, Yen Yen	Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and Sound
Wu, Jiang	Bridging Boundaries through Adaptation: A University Teacher's Autoethnography of Presenting Shanxi Folk Songs as Clarinet Quintets to Global Audiences
Wusa Manga, M. Amira	Frameworks of Engagement: Student-Centered Research Support
Wygnaniec, Kinga	The Matter of Dance: the Embodied Nature of Polish Traditional Dances
X
Xiao, Mei	Decolonization Practices Through Mutual Understanding of Local Music Theories and Idioms: Compilation of the "Dictionary of China Musical Idioms" as a Case Study.
Xiao, Song-Zhu	Observations in Military Training Fields: The Relationship between Drum Circle and Bodily Discipline, Liberation, and Positive Mentality
Xiao, Wendi	Embodied Listening towards VOCALOID Songs: A Study of the “Kōru” Gesture System in Hatsune Miku Virtual Concerts
Xiaodong, Zhao	Intersecting Technologies, Shared “Spaces”—— Sound, Spaces and Movement in game music of Soichi Terada and his music project Omodaka(沢瀉)
Xie, Jiaxun	An Intrinsic Case Study of Music and Dance Activities of Indonesian Returnees in Huadu District, Guangzhou, China
Xing, Tianyue	Model Design and Argumentation：Interdisciplinary Teaching Competence of Music Teachers in Chinese Primary and Secondary Schools
Xu, Xin	Back to Locality: The Folk Pipa Traditions Beyond the Standard Pipa System in China
Xue, Wei	Exchange, Symbiosis, Mutual Integration and Development of Chinese Korean Folk Songs
Xulu, Sizwe	The Essence of Chord Progressions in Maskandi Guitar Music
Y
Yachita, Mio	Navigating a New Phase: The Professionalization of Ainu Performing Arts Post-2020
Yamamoto, Yuriko	Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of Japan
Yamane, Maxwell	From Tradition to Innovation: Contest-Based Relationality between Fancy Dancers and the Drum in Contemporary Powwow Culture
Yamauchi, Fumitaka	Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia
Yampolsky, Philip	Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia
Yang, Bo	Echoes of Historical Recordings: Investigating the Tongan Fangufangu Through Sound Analysis
Yang, Chia-Wei	Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese History
Yang, Shuo	Walking the Amorous Road Together? Public Intimacies in the Antiphonal Singing of the Bai People in Southwest China
Yang, Tingyu	Intercultural Attitudes and Choreographic Collaboration within Tertiary Dance Education
Yang, Xiaotong	Music in Two Facets: Balancing Historical Research and Contemporary Impact
Yaqin, Zhang	Self-balancing of women's roles： dance practices in Chinese Tajik weddings.
Yates-Lu, Anna	Exploring the changing characteristics of changgeuk fandom
Yeung, Kin Ping	Exploring Cultural Translation through Cantonese Narrative Singing
Yip, Suk Man	Panel: "Nostalgia, Liberation, and Self-consciousness: Music and Dance in Hong Kong and Shanghai"
Yongo, Shadrack	The Surviving Ngoma Performance in the Traditional Rituals of the Arabai Community of Kenya
Yoshida, Yukako	Challengers of Dance Theater “Lost Kamuy”: Tourism and Dance Tradition in Akan Ainu Community
Yoshimoto, Yuko	Challengers of Dance Theater “Lost Kamuy”: Tourism and Dance Tradition in Akan Ainu Community
Yu, Hui	Confucius Ritual Music in Modern China: Negotiations between Music Authenticity, Cultural Identity, and Political Symbolism
Yu, Qinyu	Staging Musical Politics in China’s Nation-Building Decade: Understanding the PRC’s Large-Scale Music Festivals of the 1950s through Archives and Fieldwork
Yun Thau, Vun	Using Regression-Based Analysis in Digital Musicology
Yurou, Pu	Comparative Analysis of Two Inheritance Modes of Chinese Chaozhou Gong and Drum Music
Z
Zakaria, Umar	Malay Traditional Music in Singapore
Zarif, Sashar	Embodied Practices in Meykhana: Exploring the Integration of Poetry, Music, and Movement in Ritual Performance
Zemke, Kirsten	Tangaroa and Tagaloa: Indigenous Pacific popular music and climate activism
Zhang, Lorraine	Echoes of Tradition: Sustaining the Teochew Ethnic Group through Teochew Opera
Zhang, Xiaoyu-Alma	Exploring Intercultural Exchange and Practical Learning in Multicultural Music Education: A Case Study of World Music Performance Courses at the Central Conservatory of Music
Zhang, Xiyuan	Beijing Opera in London: The Diasporic Music Life
Zhang, Yaneng	Social Media as a Virtual Repertoire of Music and Dance: A Participatory Platform and Cultural Interaction for Artists and Amateurs
Zhang, Zile	Beyond Exoduses：The Body-Sound System in the Cosmology of Lahu Xi
Zhou, Zidong	New Era, New Traditions: Case Analysis of Sustainable Development of Traditional Chinese Music Culture in Current Social Environment
Zimmermann, Dominic	To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops
Zimo, Liu	The practice of mutual construction between funeral ceremony Yuewu（樂舞） and Yi people 's diversity totem worship

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