Program for Wednesday, January 15th, 2025: Talk View

PROGRAM FOR WEDNESDAY, JANUARY 15TH, 2025: TALK VIEW

Days:

previous day

all days

View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

08:30-09:00

How to Make People Dance

Gisa Jaehnichen

09:00-09:30

Tradition-Oriented Texts and Their Representation in Other Culture: The Yi Meige and Its Mandarin and English

Lijuan Qian

09:30-10:00

Traditional Music "Disturbed" by Academics: Contemporary Interpretation and Morphological Evolution of the Chinese Erhu Piece "The Moon Reflected in the Second

Siqi Tong

10:00-10:30

Shakuhachi or Chiba? Its Modern Adaptation and Evolution in China

Koji Matsunobu, Tao Guan, Kwok Wai Ng

08:30-09:00

Music as a Nostalgia in People’s Migration and Relocation -- A Study on Chihuocaoyan Music Inherited by Nisu

Yixin Bi

09:00-09:30

Singing from a “Callus Heart”: Sound Archive, Historical Memory, and Peace Vision on the Festival Stage of Okinawan “Sanshin's

Huang Wan

09:30-10:00

Collecting Dust: Sensory Memory in the Performance Practice of the“Yunkong Di”

Yi Xuan Jiang

10:00-10:30

Sounds of memory and nostalgia: Listening to our mothers and grandmothers

Sumedha Bhattacharyya

08:30-09:00

Embodiment and Affect of Biomediated bodies in Protest performances in India

Saumya Tripathi

09:00-09:30

The Other Creatives: Ragamala Dance Company and the Making of Indian Classical Dance in Diaspora

Ying Diao

09:30-10:00

From music videos to TikTok: audiovisual mediations of Krumen's bollo dance from Ivory Coast

Elina Djebbari

08:30-09:00

Verba Manent: the Tradition of the Evangelists and Pregoneros of Doña Mencia (Spain)

Tiziana Palandrani

09:00-09:30

Musical transmission in three Brazilian traditional music expressions: Samba, Maracatu and Congado

Taianara Goedert

09:30-10:00

Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa

Maria Bejarano

10:00-10:30

Yo soy el cantante: a depiction of masculinity in salsa

Ulises Garcia Figueroa

08:30-09:00

From Valletta to Pyongyang: A Maltese Festive Wind Band March and the Politics of Musical Borrowing

Philip Ciantar

09:00-09:30

Decolonizing Portugal’s Revolutionary Commemorations

Andrew Snyder

09:30-10:00

“Say Dem Go Feel It”: Afrobeats and Access to Pleasure in the lives of Refugee Youth in Greece

Jennifer Sherrill

10:00-10:30

Heritage of a displaced community: Manja of Afro-Sri Lankans

Shihan de Silva Jayasuriya

08:30-09:00

The Effect of Environmental Pollution on Kalabari Funeral Rite Music

Isaac Ibude

09:00-09:30

The Fight for Indigenous Rights in the New Indonesian Capital City of Nusantara: Cronyism, Deforestation, Indigenous Marginalization, and Ecological

Calvin Ho

09:30-10:00

Sounding The Limestone Exploration: Environmental Pollution And The Health Implications On The Residents In Ewekoro, Ogun State,

Oyinlola Oladiipo

10:00-10:30

Examining Festival Ecologies in a time of Climate Instability: Curatorial Intentions at the Serendipity Arts Festival in Goa,

Amritha Sruthi Radhakrishnan

08:30-09:00

Sonic Mapping and Earth System Hazards: Eco-ethnomusicology and Transdisciplinary Research

Jennifer Post

09:00-09:30

Melodies of resilience: Navigating environment, place and identity through fishing songs of the Duakor community in Cape Coast,

Amos Darkwa Asare

09:30-10:00

Performing Ecomusicology and Public Engagement with the Zealandia Te Māra a Tāne Ecosanctuary in Te Whanganui-a-Tara

Dave Wilson

10:00-10:30

After the earthquake: effects of natural disasters on devotional singing groups in the Kathmandu

Nutandhar Sharma, Richard Widdess

08:30-09:00

The Solidification of Bengali Nationalism: The Role of Patriotic songs through Swadhin Bangla Betar Kendra (Free Bengal Radio

Debashis Das, Sumaiya Iqbal

09:00-09:30

Preserving National Identity: Slovenian Musical Theater in Cleveland, Ohio

Peter Graff

09:30-10:00

Traditional Lullaby as a Method of Transmission of Nation'S Historical Remembrance and Knowledge

Ani Hakobyan

10:00-10:30

An Opera for All? Challenges Attracting “Foreign” Interest in Hong Kong Cantonese Opera

Matthew Haywood

08:30-09:00

From Empire’s Echo to Urban Echoes: Military Bands in Singapore’s Contested Soundscapes

Boris Wong

09:00-09:30

Empire and the Erasure of the Banjo's Legacy: A Dutch Colonial Perspective

Thomas Overdijk

09:30-10:00

Examining Burmese Traditional Music under the Military Government in Myanmar

Jittapim Yamprai

10:00-10:30

Ata as Ati in Boracay, Philippines: Ancestral Land songs, Eviction Trauma, and Claim to Home

Maria Christine Muyco

08:30-09:00

Events of practice exhibition – a concept for curation and facilitation of dance as intangible cultural heritage in

Tone Myrvold

09:00-09:30

The Role of Artificial Intelligence Technology in the Protection of Intangible Cultural Heritage

Mengye Yu

09:30-10:00

Insights from the "Guqin Clinic"(古琴诊所)——the Development of Guqin in the Digital Age

Sixian Wang

10:00-10:30

DIY Culture and Digital Technologies in the Global South: Mbira Traditional Music Instrument Entrepreneurship in

Victoria Blessing Butete

08:30-09:00

The working of memory in South African Music practices: an exploration of ukombela as a bandstand

Zintle Mbuyazwe

09:00-09:30

Exploring Speech Surrogacy in Yoruba Talking Drums: A Study of Dundun and Bata Master Musicians of the South-West

Timothy Ajiboye

09:30-10:00

Performance is Pedagogy and Pedagogy is Performance: Indigenous Philosophy of Oneness of Theory and Practice in Traditional Music of the Igbo of

Christian Onyeji, Elizabeth Onyeji

08:30-09:00

Exploring Iconicity in the 125th Anniversary Commemorative Anthem for the Alavanyo Wudidi E. P. Church: A Composer’s

George Dor

09:00-09:30

Revisiting pentatonism in Europe and Asia. The cases of the Southwestern Balkans (Western Greece and Southern Albania) and

Athena Katsanevaki, George Athanasopoulos

09:30-10:00

Harmonies of Resilience: Emotional Dimensions of Azerbaijani Music during Spanish Flu Pandemic

Aria Torkanbouri

10:00-10:30

Musical Instruments and the Construction of Memory

Felipe Barão

08:30-09:00

Transcultural Approach in China’s World Music Education: Reflections on the "Multi-musicality and Transcultural Music Practice" Course at the Central Conservatory of Music,

Zhuoran Yang

09:00-09:30

Model Design and Argumentation：Interdisciplinary Teaching Competence of Music Teachers in Chinese Primary and Secondary

Tianyue Xing

09:30-10:00

Music Teaching Methods as Cultural Technology: Moving Away from Imperialist Frames to Explore New

Jody Stark

10:00-10:30

Towards a common thesaurus for musical instruments: issues of vocabulary, transl(iter)ation, and

Anaïs Verhulst

11:00-11:30

Exchange, Symbiosis, Mutual Integration and Development of Chinese Korean Folk Songs

Yong Wei, Wei Xue, Shun'Ai Jin

11:30-12:00

Urhobo Folksongs as tools for Social Re-engineering in Contemporary Nigerian Society

Alexander Walsh Erhiegueke, Iruoma Amaka Ugoo-Okonkwo

12:00-12:30

Back to Locality: The Folk Pipa Traditions Beyond the Standard Pipa System in China

Xin Xu

12:30-13:00

Empowerment Through Hengchun Folk Song Musicals from Countryside to the Global Stage: Women’s Cross-boundary Narratives for “Everydayness” and

Starry Yuhan Wang

11:00-11:30

Soundscapes of Biocultural Diversity: Polyphonic Singing Practices in Angami Naga Traditional Music

Christian Poske

11:30-12:00

Igbo Indigenous Music (Minstrelsy) as a Tool for Interrogating Political Issues in Nigerian: Perspectives from Umuobieze Singing

Chinedu Nathan Osinigwe

12:00-12:30

Ontological resistance in education: singing into self-determination from Aotearoa New Zealand.

Alejandra Jaramillo Aristizabal

12:30-13:00

Reclaiming “Red Wing:” One Wampanoag Singer-Songwriter’s Response to Stereotypes of Native

Jennifer Cutting, Stephen Winick

11:00-11:30

The intermedial influence of popular music on the formation of murals as a medium of memory

Diana Grguric, Vjeran Pavlakovic

11:30-12:00

Rethinking the “Other:” Shifting representations of race and ethnicity in Irish popular music, 1930 –

Rebecca Miller

12:00-12:30

Mapping the ‘Soundprints’ of Women in Nigerian Pentecostal Popular Culture: A Contemporary

Toyin Ajose

12:30-13:00

Dancing in Public: A Study on the Influence of K-pop Dance Culture on Taiwanese Students

Devin Potts

11:00-11:30

Sattriya Dance: From Ritual space to Stage. Continuity and change, Tradition and Transition

Mridupankhi Rajkumari

11:30-12:00

Movement and Tradition: Decoding the Chau

Shriekanth Nandkumar

12:00-12:30

New routes of learning traditional dance. The cases of “contraddanza” and “tarantella” in

Simona D'Agostino

11:00-11:30

Colombia in Monterrey, Mexico. Approach to Cumbia and the Colombian Vallenato in Monterrey Through Two Sociocultural

Felipe Meza Amado

11:30-12:00

Methodological perspectives of the sociology of translation for music research

Henrique Souza

12:00-12:30

Territorial Boundaries of “Historical Ethnomusicology” in English Academic Discourses

Juyuan Feng

12:30-13:00

The Appropriation and Re-Signification of “Maya” and “Mestizo” Elements to Create a Regional Identity in Yucatán (1868-1931): A Theoretical Alternative from Music

Claudio Ramírez-Uribe

11:00-11:30

Protest and Identity in Maskandi: Towards an analysis of Phuzukhemisi's Selected Maskandi Songs

Ndumiso Mtshali

11:30-12:00

The Resistant Power of a Song of Resistance: A Case Study of the Mwene Nyaga Song Sung by the Mau Mau, Recorded and Performed by Kwame

Nderitu Kiragu

12:00-12:30

“This is How We Remember That War”: Musical Memories of Chinese Anti-American Songs

Meng Ren

12:30-13:00

Back in the New 1970s? How a Song Counters Authoritarian Nostalgia and Historical Revisionism of the Philippine

Monika Schoop

11:00-11:30

Empowering Youth Through 'Music Generation Workshops': Container Music Schools in Post Earthquake Hatay,

Olcay Muslu

11:30-12:00

Engaging Music and Activism: Advocacy, Inclusive Practices, and Placemaking with Intention

Elizabeth Macy

12:00-12:30

Channels of influence and paths to change: Communicating participatory and action research outcomes outside the

Fay Hield, Esbjorn Wettermark, Rebecca Draisey-Collishaw

12:30-13:00

Sounding Good: Advancing Cultural Sustainability And Social Justice through Music and Dance

Catherine Grant

11:00-11:30

Intercultural Attitudes and Choreographic Collaboration within Tertiary Dance Education

Tingyu Yang

11:30-12:00

Democratising Musical Knowledge: Intercultural Collaboration in Music Creation and Conservatory

Alex Chilvers

12:00-12:30

Exploring Intercultural Exchange and Practical Learning in Multicultural Music Education: A Case Study of World Music Performance Courses at the Central Conservatory of

Xiaoyu-Alma Zhang

12:30-13:00

Integrating Chinese Music into Academic Spaces: Pedagogical Insights and Challenges

Vicki Lu

11:00-11:30

Enculturating future required skills through musical heritage workshops for the Mah Meri children of

Clare Suet Ching Chan

11:30-12:00

Transmission of knowledge: filming living heritage

Debora Plouy

12:00-12:30

Music in Two Facets: Balancing Historical Research and Contemporary Impact

Xiaotong Yang

12:30-13:00

“Health to You, Yovan Tsaous, with your Tambouri!”: Musico-Cultural Trajectories and a Stylistic Heterotopia within Interwar Rebetiko

Spiros Delegos

11:00-11:30

The sound of the Viennese zither: Artistic research and reflection on an identity process of zither music

Gertrud Maria Huber

11:30-12:00

African Pianism as An Alternative Conceptual Approach to The Performance of Àgídìgbo Music

Olupemi Oludare

12:00-12:30

Personal/intimate instruments/music, public display: The case for the lamellaphone.

Jean Ngoya Kidula

12:30-13:00

A Video History of Angklung Performance Recollection

Jun Kai Pow

11:00-11:30

A Musico-Poetic Analysis of Tyāgarāja’s Pancaratna kṛti jagadānandakāraka using Generative Theory of Tonal Music

Deepak Paramashivan

11:30-12:00

Thick musicking. Multisensorial experiencing as a methodological tool

Maria Małanicz-Przybylska

12:00-12:30

Rethinking creative and art-based methods in participatory research: a rights-based approach

Cecilia Durojaye-Pruefer

12:30-13:00

A Gastroethnomusicological Approach: Is it possible to make Vegan Music?

Özlem Doğuş Varlı

11:00-12:00

Lecture Workshop of Ainu Songs/Dances: My Sense of Self through Grandmother’s Teachings

Akemi Oshino

12:00-13:00

Ikusasa Lethu - UKZN African Music and Dance Ensemble (Performance and Workshop)

Patricia Opondo

11:00-11:30

Desdisfrazando our dances: A decolonial methodology to interculturally dialogue with Ecuadorian

Maria Gabriela Lopez-Yanez

11:30-12:00

Dirty Nights: Sensorial Filmmaking in Reggaetón Parties, Santiago de Chile

Ana Maria Diaz Pinto

13:00-14:30 Study Group Welcome Meeting — Music, Gender, and Sexuality

13:00-14:30 Study Group Welcome Meeting — Sources and Archives for Music and Sound Studies

13:00-14:30 Study Group Welcome Meeting — Sacred and Spiritual Sounds and Practices

13:00-14:30 Study Group Welcome Meeting — Music Archaeology

14:30-15:00

The Bi-Musical Ear: African Indigeneity Implications in African American Jazz from the South African Jazz

Maya Cunningham

15:00-15:30

Different Routes lead to Dagomba: A Discussion on the Diverse Methods that Influence the Dagomba Guitar Style Play in the Learning Process of Ghanaian Local Guitar

Papa Kow Agyefi, Philemon Pierson-Prah

15:30-16:00

Jama Music's Influence on Sports in Ghana: A Melting Pot of Identity, Motivation, and Entertainment

Divine Kwasi Gbagbo

16:00-16:30

“Kool Style” Connections: Diverse Indigenous and Black American Aesthetic in Aotearoa Hip Hop

Susan Jacob

14:30-15:00

Rediscovering the Sikh Indigenous Pedagogy through the Analysis of Heterometric Heritage Songs.

Francesca Cassio

15:00-15:30

From Playground to Tournament: The Generational Evolution of Structured Musical Play in India

Natalie Sarrazin

15:30-16:00

Can we study dance in a regular school?: An Exploration Across Three Curricula

Deepshikha Ghosh

16:00-16:30

Incorporating Indian Classical Music in the Teaching of Traditional Sri Lankan Folk Melodies: Challenges and Opportunities in the Institutional Education

Ruwin Rangeeth Dias, Chiltas Dayawansha, Nishoka Sandaruwan

14:30-15:00

What role does the anthropogeographical method play in ethnomusicology?

Maike Lechler

15:00-15:30

Entering Cultural Communities through Musical Practice: Perceiving “Collective Consciousness” in the Fieldwork of Gamelan Gong

Xinjie Chen

15:30-16:00

Towards an ethnomusicology of the unsounding?

Eckehard Pistrick

16:00-16:30

Reflexivity, self-reflection and the roles of research and other participants in collaborative and conventional anthropology of

Georgiana Gore

14:30-15:00

Facing Shores: Baloch Music on the Arabian Peninsula

George Murer

15:00-15:30

Vernacular Sound in International Mission: An Ethnomusicological Film on the Music Ministry of Two American Missionaries across Hakka Villages in

Hsin-Wen Hsu

15:30-16:00

Funeral Marches and the Public Expression of Emotions in Malta

Simon Farrugia

16:00-16:30

The past that sounds and re-sounds

Enríquez Rubio, López Menacho, López Fernández, Osset Enríquez

14:30-15:00

Towards Intersectional Feminist Praxis through Music in Aotearoa

Bonnie-Estelle Trotter-Simons

15:00-15:30

Theorizing Decolonial Feminist Ethics for Family Ethnography through the Tarijan Adoration

Hermán Luis Chávez Rivera

15:30-16:00

Gender-Power Relations in Kurdish Dance

Parang Farazmand

14:30-15:00

Playlist for Parkinson's: Music as a central aspect in the dynamic dissemination of music research in applied

Rose, Phillips, Stuart, Ungerer, Paolantonio, Halter, Koechli, Young, Poliakoff

15:00-15:30

Fourfold Synergy for the Betterment of Children and Youngsters with Special Needs: An Applicable Approach from

Lasanthi Manaranjanie Kalinga Dona

15:30-16:00

Moving bodies in unprecedented times: Relational becomings with non/human kin

Allison Jeffrey

16:00-16:30

The Impact of Music on Well-being of Cancer Patients: A Case Study in a Hospice

Janali Thathsarani Piyadigama

14:30-15:00

Balinese gamelan in an age of crisis and change: preservation or innovation?

James Instone, Dr I Wayan Sudirana Ph D, I Wayan Gede Purnama Gita S. Sn

15:00-15:30

'As rabequeiras': women's role, emancipation, visibility and voice in the rabeca revival by decolonial practices a musical

Leonardo Medina

15:30-16:00

Material Life of an Ancient Instrument in the Twenty-first Century: Making and Marketing of the Qin in Contemporary

Ilsa Xiaoshan Yin

16:00-16:30

“Not a Suling Player”: Pedagogies of an Odd Instrument Out

Elizabeth Clendinning

14:30-15:00

Ethnic Performing Arts in Cosmopolitanism?: Migrant Māori Performing Kapa Haka in Japan with

Huyuki Doi

15:00-15:30

Utilizing Music and Dance as Innovative Pedagogy in the Teaching of Social Studies: A Proposal to Foster Human Dignity and Peaceful Coexistence in

Philip Onyekachukwu Egbule

15:30-16:00

Andean amazonian Icaros: a singing and music performance

Auria Paz Aguilar

16:00-16:30

Performing Sameness and Proving Equality: "Baba Yetu" and Counterfeit Representations of the "Other"

Eric Whitmer

14:30-15:00

Legislating Tradition: The Gugak Promotion Act and the Cultural Industry Promotion Act of 2023

Jocelyn Clark

15:00-15:30

The Concerto of Military and Music: The Organization and Utilization of the Republic of China Military

Wen Fang Hsieh

15:30-16:00

Music as Everyday Resistance: Political Everydayness of People in Revolutionary China

Siyue Liu

16:00-16:30

Chronotopic Formulations, Negotiating Imperialisms and the Making of the Music and Musicians in Modern

Courtney-Savali Andrews

14:30-15:00

Xi 'an South Gate music culture and soundscape -- Take Red rock Band Dingxi as an example

Inga Gao

15:00-15:30

Phonology and Intonation in Traditional Chinese Music and the Construction of Gongchepu Dataset for Music Artificial

Rongfeng Li, Fan Bu, Zijin Li

15:30-16:00

The Role of Music and Dance Reconstructions in the Ritual Soundscape of Contemporary Japan

Andrea Giolai

16:00-16:30

Sonic Imprints of an Environmental Past: Intimate Vocalities of Iceland’s Turf Houses

Kimberly Cannady

14:30-15:00

Voice-Instrument Interactions in Ekonting Music of Southern Senegal

Scott Linford

15:00-15:30

Vocality as Radical Collaboration

Virginie Magnat

15:30-16:00

Dis(possessed) Rhythms: Cry of a River in the Songs of Displacement

Brahma Prakash, Sharmistha Mallick

16:00-16:30

Resuscitating the Contribution of Abdul Alim to the Modern Singing Approach in Bengali Folk Song

Jahir Alim

14:30-15:30

Embodied Echoes: Unraveling the Essence of Ghanaian Contemporary Dance

Iddrisu Saaka

15:30-16:30

Hungarian Folk Singing Workshop

Zina Bozzay

14:30-16:30 Session VIID13

17:00-18:30 Closing Ceremony

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break