Program for Monday, January 13th, 2025: Talk View

13:00-14:00 LAC-sponsored workshop: The Art of Music - Bridging Classical, Popular and Folk Musical Styles into a Global Music Art Form (Randy Lee and Welson Tremura)

13:00-14:30 Study Group Welcome Meeting — Music and Dance in Latin America and the Caribbean

13:00-14:30 Study Group Welcome Meeting — Music and Allied Arts of Greater South Asia

13:00-14:30 Study Group Welcome Meeting — Music in the Arab World

13:00-14:30 Study Group Welcome Meeting — Musical Instruments

13:00-14:30 Study Group Welcome Meeting — Ethnochoreology

14:30-16:30

Moving intercultural knowledge: from the personal genealogies of music and dance knowing-learning processes to a collective performative

Silvia Citro, Beatriz Herrera Corado

14:30-15:00

Malay Traditional Music in Singapore

Umar Zakaria

15:00-15:30

Traditional Vocal Repertoire of Central Visayas (Philippines)

Peter Fielding

15:30-16:00

Ombak: listening to Balinese gamelan beyond the metaphor of contour

Alexander Khalil, Putu Hiranmayena

16:00-16:30

Reconstruction of Identities: Turandot as New Chinese Opera

Coco Lam

14:30-15:30

Chanting Gratitude

Jenny Game, Hemi Dibble

14:30-16:30 Film screenings

14:30-15:00

Interrogating the Visceral: Embodiment and Visceral Persuasion in Ohad Naharin’s “Echad Mi

Angelina Gibson

15:00-15:30

The Reconstruction and Development of Dunhuang Music and Dance

Huang Doudou

15:30-16:00

Exploring the “Paratun” (house of dance) phenomenon and Urban Transformations: A Case Study of

Hayarpi Ananyan

16:00-16:30

Gender-Power Relations in Kurdish Dance

Parang Farazmand

14:30-15:00

War Songs in the Traditional Singing of the Slovaks in Vojvodina in the Republic of Serbia

Kristina Lomen

15:00-15:30

"Wavin' Whose Flag? One Song's Transformation from the Personal to the National and Global"

Anna Swaray Williams

15:30-16:00

Hindutva Pop: The Beats of Mass-Media(ted) Islamophobia

Mukesh Kulriya

16:00-16:30

Modern revival of the musical and dance culture of the displaced Kalmyk people (Volga region,

Elena Shishkina

14:30-15:00

The bandio Williche: essentialisms and cultural hybridity regarding an indigenous instrument in San Juan de la Costa,

Javier Silva-Zurita

15:00-15:30

Indigenous Cosmopolitans and the Tourist Encounter: Taquile's Fiesta de Santiago as Contact Zone

Jonathan Ritter

15:30-16:00

Hip hop and vectors of oral tradition in Mapuche culture

Jacob Rekedal

16:00-16:30

Jazz in Malambo: Afro-Diasporic Music, Global Racial Debates, and Racial Paternalism in Peru,

Rodrigo Chocano

14:30-15:00

Exploring Beijing's Post-Pandemic Experimental Music Scene: One Way to Listen to the Subtle from Within and

Jing Liu

15:00-15:30

The Aesthetic Significance of the Combination of Vision, Hearing, and kinesthesia in Guqin Music: Taking the Imitating Sound of Wild Geese in the Tune "Wild Geese Descending on the Sandbank" as an

Mei-Yen Lee

15:30-16:00

Soundscape in the Chinese Garden：Historically Informed Jiangnan Silk and Bamboo Music Performance

Ya Li

16:00-16:30

The Innovative Communication Pathway of Contemporary Sichuan Opera's Percussion

Meng Su Du

14:30-15:00

Mariachi Music in the Classroom: Inclusion and the Risks of Unintended Reinventions of a Musical Practice Through Transcriptions and

Jessie Vallejo

15:00-15:30

Scholarly Positions: Acknowledging forms of Slow Scholarship to Change Colonial University Praxis

Simone Willmann

15:30-16:00

Traditional Music and Higher Education in the US: What Can We Learn From Bluegrass?

Nate Olson

16:00-16:30

Engaging Tradition with the Future - Knowledge Dissemination and The Short Form Video

Juliette O'Brien

14:30-15:00

The Fayao: Rice pounding dance of the Chamorro Matua

Michael Clement

15:00-15:30

From Tradition to Innovation: Contest-Based Relationality between Fancy Dancers and the Drum in Contemporary Powwow

Maxwell Yamane

15:30-16:00

The “elder brother” is watching you: indigenous people of Russia through the prism of dance

Alexandra Glazovskaya

16:00-16:30

Keali’inohomoku’s Theory of Dance Culture as a Model for Applied Dance Anthropology

Pegge Vissicaro

14:30-16:00

Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese

Xin-Yi Wei, Pei-Ling Huang, Chia-Wei Yang

17:00-18:00

Teaching Indigenous Music: Bridging Indigenous Music Research and Educational Practices in Brazil

Magda Pucci

17:00-18:30

The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa

Cristiano Tsope, Eduardo Falcão, Kelwin Monteiro

17:00-18:30

Music and the Black Experience: The Art and Politics of Sonic Culture

Maureen Mahon, Judith Casselberry, Alisha Lola Jones

17:00-18:30 Session VE04

17:00-18:30

He Whiringa Rangahau: Indigenous Māori creative expressions and legacies

Meri Haami, Jade Gifford, Hana Burgess, Haylee Koroi

17:00-18:30

Wounded, but not broken. Terror, healing, and music

Zuzana Jurková, Oldrich Poděbradský, Zuzana Gulová

17:00-17:30

Conceptualising a musical panorama of diversity and difference: Indonesian sounds and identities in contemporary

Aline Scott-Maxwell

17:30-18:00

Alternative Modernities: Three approaches to bamboo music in twenty-first-century Bandung, Indonesia

Henry Spiller

18:00-18:30

Maluku non-sounds; Maluku improvised music as substitute for forgotten traditional languages

Reïnda Hullij

17:00-17:30

Mediaeval Chinese Dance Decoded

Marnix Wells

17:30-18:00

Attachment: The Acquisition and Production of Notations Among Taiwanese Taxi DanceHall Jazz Musicians During

Meng-Tze Chu

18:00-18:30

O. Sheets! A True-Crime Dance Saga

Erica Nielsen Okamura

17:00-17:30

African Music and Dance Performance in the American Liberal Arts College Curriculum

Damascus Kafumbe

17:30-18:00

We Should All Be Ethnomusicologists! Rethinking the Positionality of Ethnomusicology within Music Departments in South

Joseph Kunnuji

18:00-18:30

Toward counter-colonial perspectives on music production, education and research: Reflections on “Re-Valorisation” of musical

J. Borges Gove

17:00-17:30

Shanghai to Hollywood and Golden Mountain: Silk and Bamboo Music on Film and Recordings in the Mid-twentieth

Larry Witzleben

17:30-18:00

Humanistic renaissance and restructuring of musical order in China’s post-pandemic era.

Shuzhou Cai

18:00-18:30

Exploring the changing characteristics of changgeuk fandom

Anna Yates-Lu

17:00-18:30

Safeguarding the Intangible Cultural Heritage in Music and Dance Studies: Opportunities, Goals, and

Tina Frühauf

18:45-20:15 Assembly of National and Regional Representatives

19:30-21:00 Performances: The Art of Brazilian Music + Balinese Music and Dance Ensemble

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break