Program for Monday, January 13th, 2025: Talk View

PROGRAM FOR MONDAY, JANUARY 13TH, 2025: TALK VIEW

Days:

next day

all days

View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

19:00

19:30

20:00

08:30-10:30

Performing History: Sinophone communities in Australia and New Zealand

Henry Johnson, Tsan-Huang Tsai, Nicholas Ng, Lu Liu

08:30-09:00

Pathway: Dancing with loss, grief and hope

Julie Rickwood

09:00-09:30

Music, emotion, and community: Creating safe spaces for expression in the climate crisis

Laura Lucas

09:30-10:00

Multilocalities of loss, remembrance and belonging: the cultural citizenship of ethnic Serbian refugees in Serbia negotiated within traditional music

Iva Nenić

08:30-09:00

The Challenges of Orchestral Translations: The Mansaka’s Music and Dance Rhythms

Marie Jocelyn Marfil

09:00-09:30

The Acceptance History of Nationality in Tchaikovsky's Music in the Chinese Musicology after the 20th

Jue Gong

09:30-10:00

Music sessions in Muslim shrines: Sites of inclusion, cultural mingling, and resisting hate

Shahwar Kibria Maqhfi

10:00-10:30

Music for the Eye? – Signed Songs by Berlin Sign Choir

Chae-Lin Kim

08:30-09:00

Nyejerang Swara - Exploring Solutions to a Sacred Music Generational Crisis in Bali

Putu Evie Suyadnyani, Vaughan Hatch

09:00-09:30

The Dancing Ocean

Nicholas Rowe

09:30-10:00

The Music of Our Neighbors: Cultural Diversity in Small-Town Germany

Juniper Hill, Cornelia Günauer

10:00-10:30

The Documentary Film 'Hopa lide': Making of Romani Representation

Petr Nuska

08:30-09:00

Warring Identities, Redefining Repertoire: Musical Impacts of Russia’s Invasion of Ukraine

Natalie Kirschstein

09:00-09:30

"The Mighty Dnipro Roars and Bellows": Music of Resistance, War and Displacement that Reconnects the Generations of Ukrainians (On One Song from the Collection of the Prussian Phonographic Commission and Its Modern Contexts and

Olha Kolomyyets

09:30-10:00

Sounds of Homecoming: The Resilience of Ukrainian Identity Through Music in Times of Displacement and

Olga Zaitseva-Herz

10:00-10:30

Music Propaganda in Times of Conflict, Wars, and Political Clashes

Dr Razia Sultanova

08:30-09:00

The Ear as an Eye: multimodality in an organ performance

Francesca Ajossa

09:00-09:30

The Integration of Music and Dance in the Performance of Imbalu Circumcision Rituals of the Bagisu of Eastern

George Kitaka

09:30-10:00

Body and Mind as the in-situ sacred site in Nangiarkoothu: Embodied Performances and the Heritage Economy in an ICH (Intangible Cultural Heritage) art

Rose Merin

10:00-10:30

Dancing the grief, vocalizing the mourning - The Gjama Ritual as Performance and Story

Bubulinë Syla

08:30-09:00

The Gestures of Finger Techniques in the 'Sound' Perspective of Guqin

Lin Chen

09:00-09:30

(Un)Hearing the Gitgit (Swiftlet) and Gangis (Cicada): Temporal Absence and Derivative Presence of Litgit (Bowed Bamboo Instrument) Music in the Panay Bukidnon Indigenous Community

Jose Jr Taton, Rennel Lavilla

09:30-10:00

Chasing the Masterpiece: A Luthier's Real and Authentic Dilemmas

Hsin-Ju Liu

10:00-10:30

Resounding Memories: An Exploration of Localization and Timbre of Music Box in Taiwan

Hao Chi Chiang

08:30-09:00

The Musical Ecology of the Adhunik Bangla Gaan (Modern Bengali Songs)

Pushpita Mitra

09:00-09:30

Digitally Inter-Sected Bodies in Contemporary Indian Theatre

Dharm Prakash

09:30-10:00

Pedagogy shift in synchronous distance Hindustani Dhrupad music education

Stella Paschalidou

10:00-10:30

Hindutva Pop: The Beats of Mass-Media(ted) Islamophobia

Mukesh Kulriya

08:30-09:00

Beijing Opera in London: The Diasporic Music Life

Xiyuan Zhang

09:00-09:30

Diasporic Sounds: Impression Management Among Pacific Islander Performers in Melbourne

Kennedy Kioko Mulwa

09:30-10:00

Teaching Dance in Diaspora: Pedagogical Experiences in Melbourne, Australia

Jeanette Mollenhauer

10:00-10:30

One Song, Dual Diasporas: El Cóndor Pasa in Shanghai

Mingxuan Chen

08:30-09:00

Antarctic “Sonidotorrios”: Sonic Constructions of Chilean Antarctica in Punta Arenas

Lydia Wagenknecht

09:00-09:30

Listen to ‘Mila’, Listen to Hong Kong'S Social Soundscape on the Contemporary Opera Stage

Noah Fang

09:30-10:00

Hearing musical petrocultures in Scotland’s mining communities

Rowan Hawitt

10:00-10:30

Changes in Korean Traditional Wind Instruments, Focused on the Development of the Double-reed Instrument Piri, in Relation to Spatial

Yunkyong Jin

08:30-09:00

Comparative Evolution of Traditional Performances: Case studies from Johor Bahru Parade and the Teochew Qinglong Temple

Lu Yuhui, Beh Wen Feng

09:00-09:30

Preserving and Transforming the Egwu Otu (Age Grade) Music Festival of the Omoku Community in Nigeria for

Doris Ofili

09:30-10:00

Staging Musical Politics in China’s Nation-Building Decade: Understanding the PRC’s Large-Scale Music Festivals of the 1950s through Archives and

Qinyu Yu

10:00-10:30

Exploring Musical Communication and Dance Choreography in Schools for the Blind: Insights from the 'Zinazovuma' Category at the Kenya Music

Eric Murianki

08:30-09:00

Yūjomono—The Voices of Indentured Women in Jiuta Sōkyoku Lyrics

Christopher Blasdel

09:00-09:30

Sacred Spaces, Profound Voices: Exploring Womanhood in Diha Naam of Assam

Stooti Baruah

09:30-10:00

Winifred Atwell: A Reappraisal of Britain’s Britain’s Foremost Black Female Transnational Jazz

Gayle Murchison

08:30-09:00

Socio-Religious Implications of Men’S Songs of the Anglican Churches in Anambra State, Nigeria

Ifeanyi Okafor

09:00-09:30

Continuity and Change in Zambian Cultural Music and Dance: A case Study of Vimbudza Healing Dance of The Tumbuka

Kapambwe Lumbwe

09:30-10:00

Dynamic Dance Steps of Akalama Dance Group of Upu Community in Idoma Ethnic Minority Group in Nigeria: Cultural Implications and

Rita Adaobi Sunday-Kanu

10:00-10:30

Music Therapy in Ghana: a Case Study of the Klikor Agbozume Community

Sheila Odai-Lamptey

11:00-11:30

The Flexibility of Sound: A Case Study in Hong Kong Hui Community

Jiaqi Li

11:30-12:00

Harmony and compositional techniques in African musical ensemble: the case study of ohangla drum ensemble of the luo community

Joe Otieno

12:00-12:30

The Surviving Ngoma Performance in the Traditional Rituals of the Arabai Community of Kenya

Shadrack Yongo, Dr. Aggrey Wetaba

12:30-13:00

Challengers of Dance Theater “Lost Kamuy”: Tourism and Dance Tradition in Akan Ainu Community

Yuko Yoshimoto, Yukako Yoshida

11:00-11:30

The Role of Ramogi Dance in Grieving and fostering Healing in Luo Community in Kenya.

Isaiah Oyugi, Hellen Atieno

11:30-12:00

Motivations of Military-Connected Adults to Participate in Community-Based Arts Programs Held both In-Person and

Niyati Dhokai, Ann Cavazos Chen

12:00-12:30

Community Collaborative Research in Ethnomusicology: Discoursing Challenges, Benefits, and

Subash Giri

12:30-13:00

The perception of Musicians and Community Members in Tanzania, on the Role of Music in Enhancing Diplomatic Relation between Tanzania and the Democratic Republic of Congo

Ayubu Shemndolwa

11:00-11:30

Dancing while Bent: Embodying Scordatura in Heinrich Biber’s Mystery Sonatas

Mark Seow

11:30-12:00

The Matter of Dance: the Embodied Nature of Polish Traditional Dances

Kinga Wygnaniec

12:00-12:30

Xigubo: transformations in corporeality resulting from the universalisation of its practice in

Marilio Wane

12:30-13:00

“A Happy Playground”: Precarity, Embodiment, and Politics of Aging among Older Adults at K’ollat’ek Dance Halls in South

John Hyun-Jun Jang

11:00-12:00

So you want to be an applied ethnomusicologist? Five things they forgot to teach you at university.

Huib Schippers

12:00-13:00

Frameworks of Engagement: Student-Centered Research Support

S. MacDonald, M.A. Wusa Manga, L. Joe, B. Cormier, M. Mansano

11:00-11:30

A Monumental History of Iran’s Century of Music

Mehdi Rezania

11:30-12:00

Intangible Cultural Heritage and preservation of cultural ecosystems in Indonesia

Marzanna Poplawska

12:00-12:30

Revivalism, heritagisation and (in)authenticities in the Spanish folk music scene

María del Mar Ocaña Guzmán, Rubén Corchete Martínez

12:30-13:00

Cultural transmission and preservation: Music as heritage among the Brazilian expatriate families in

Taianara Goedert

11:00-11:30

The Gbagyi Music and Dance of Kwali People of Nigeria: A symbolic Representation of Social Values

Vida Onoh

11:30-12:00

“Isitshikitsha traditional dance Costumes” as an integral component of Music and Dance among the Ndebele people of

Mercy Kayumba

12:00-12:30

Unveiling Minority Idioms and Dance Characteristics Draped in Major Nigerian Musical Traditions: Umuagbai Ndoki Ikoro

Onyee Nwankpa

11:00-11:30

To Sing in Pairs: Austronesian Chant and Dance among Taiwan’s Indigenous Peoples

Chun-bin Chen

11:30-12:00

A Reflection on Dialects in Traditional Chinese Songs: The Relationship between the Entering Tone Characters and the Singing in Jin Dialect

Yue Han

12:00-12:30

Walking the Amorous Road Together? Public Intimacies in the Antiphonal Singing of the Bai People in Southwest

Shuo Yang

12:30-13:00

Re-Sounding Gender: Listening for Femininity in Mongolian Throat-Singing and the Horsehead Fiddle

Charlotte D'Evelyn

11:00-11:30

Failte!: Early Gaelic Song Collecting in the Scottish Isles

Dorothy de Val

11:30-12:00

A “Worthless” Collection and an “Absolutely Fabulous Métis”: Richard Johnston, Collecting Métis Music, and the Founding of the Canadian Folk Music

Monique Giroux

12:00-12:30

Sean-nos: Ancient-Modern Indigenous Mythos

Matthew Noone

12:30-13:00

Indigenous Voices: Taking the hymn ‘ISATSEQALAN’ and 'ALAIYOAI' from the hymnal Let the Hills Sing as an

Chi-Yu Chen

11:00-11:30

Modern revival of the musical and dance culture of the displaced Kalmyk people (Volga region,

Elena Shishkina

11:30-12:00

Stylistic Differences of Music and Dance of Bon Odori in Oku-mino and Tono in Gifu, Japan

Takahiro Aoyagi

12:00-12:30

Art for Public Project: Nurturing Social Cohesion and Cultural Exchange through Creative Music and Dance in Central

Nantida Chandransu, Surasi Chanoksakul

12:30-13:00

Living on the Edge of Madness: Music, Dance, and Community Building in Melaka, Malaysia

Margaret Sarkissian

11:00-11:30

Exploring Noise Music Within South East Asia: A Comparative Study of Malaysian, Singaporean, and Indonesian Noise

Crystal Chan, Justin Lim

11:30-12:00

Does Nostalgia Offer a Subscription Plan? - Commercial Sound Recordings and Popular Memory

Peter Verdin

12:00-12:30

Incarcerated Musicians and the Technology Gap

Mark Katz, Alim Braxton

12:30-13:00

Dancing in pixels

Shravasti Ingle

11:00-11:30

Innovation within Tradition in Mozambique - From the Midi-Mbira to the Tunable Kankubwe: PAR Research as a source for Creative

Guillermo de Llera Blanes

11:30-12:00

San Pablo Cimarrona: Transmission of knowledge from the past to the present

Marcela Ramírez, Daniel Cedeño, Maria Bejarano

12:00-12:30

Devagan: the Newar indigenous and the Nava Durgā ritual performance

Shan Du

12:30-13:00

(a)shore

Autumn Eckman

11:00-12:00

Exploring Cultural Translation through Cantonese Narrative Singing

Jessica Kai Sze Fung, Kin Ping Yeung

12:00-13:00

Songs and Stories of the Great Meadow: Ukrainian History, Culture and Ecology in Peril

Julian Kytasty

11:00-11:30

Tap Dancing Cultural Gesture

Rafaeli Mattos de Oliveira Bastos

11:30-12:00

"Spectacularizing Romance. Sundanese Ketuk Tilu Dance during the 1889 Paris’ Exposition

Ángela López-Lara

12:00-12:30

Gender Dialogues: The Indian Male Dancer of the 1930s–50s

Priya Raman

12:30-13:00

Keali’inohomoku’s Theory of Dance Culture as a Model for Applied Dance Anthropology

Pegge Vissicaro

13:00-14:30 Study Group Welcome Meeting — Ethnochoreology

13:00-14:30 Study Group Welcome Meeting — Music and Dance in Latin America and the Caribbean

13:00-14:30 Study Group Welcome Meeting — Music and Allied Arts of Greater South Asia

13:00-14:30 Study Group Welcome Meeting — Music in the Arab World

13:00-14:30 Study Group Welcome Meeting — Musical Instruments

14:30-15:00

The Fayao: Rice pounding dance of the Chamorro Matua

Michael Clement

15:00-15:30

The “elder brother” is watching you: indigenous people of Russia through the prism of dance

Alexandra Glazovskaya

15:30-16:00

Questioning Indigeneity in Nicaragua's "National Dance"

T.M. Scruggs

16:00-16:30

From Tradition to Innovation: Contest-Based Relationality between Fancy Dancers and the Drum in Contemporary Powwow

Maxwell Yamane

14:30-15:00

Malay Traditional Music in Singapore

Umar Zakaria

15:00-15:30

Traditional Vocal Repertoire of Central Visayas (Philippines)

Peter Fielding

15:30-16:00

Ombak: listening to Balinese gamelan beyond the metaphor of contour

Alexander Khalil, Putu Hiranmayena

16:00-16:30

Forbidden Culture: Understanding Indigeneity, Ritual, and Normativity in Kodungallur Bharani

Akhila Vimal C

14:30-15:00

The bandio Williche: essentialisms and cultural hybridity regarding an indigenous instrument in San Juan de la Costa,

Javier Silva-Zurita

15:00-15:30

Indigenous Cosmopolitans and the Tourist Encounter: Taquile's Fiesta de Santiago as Contact Zone

Jonathan Ritter

15:30-16:00

Hip hop and vectors of oral tradition in Mapuche culture

Jacob Rekedal

16:00-16:30

Jazz in Malambo: Afro-Diasporic Music, Global Racial Debates, and Racial Paternalism in Peru,

Rodrigo Chocano

14:30-15:00

A Case Study of Wuhua Marionette Puppetry

Xueqing Liu

15:00-15:30

Research on He Liutang’s Adaptation and Creation Techniques in Guangdong Music, 1920s-1930s

Chen Xiang Fang Chen Xiao Fang

15:30-16:00

Exploring the Free Elements in Guoshan Yao folk songs in northern Guangdong China: a scholarly music

Xuchao Zhao, Xi Chen

16:00-16:30

Cognition and Behavior: A Study of Rebab Music and Performance Thinking in the Context of Central Javanese

Xinyang Li

14:30-15:00

Interrogating the Visceral: Embodiment and Visceral Persuasion in Ohad Naharin’s “Echad Mi

Angelina Gibson

15:00-15:30

The Reconstruction and Development of Dunhuang Music and Dance

Huang Doudou

15:30-16:00

The embodying Karanga philosophy in mhande dance practice and movement

Phineas Magwati

14:30-15:00

"From within the ritual, from outside the ritual"： The Construction of the "Third Space" of Korean Janggu (장구)

Zheng Lijun

15:00-15:30

War Songs in the Traditional Singing of the Slovaks in Vojvodina in the Republic of Serbia

Kristina Lomen

15:30-16:00

Traveling Sounds and the Hybridization of Tanzanian and Finnish Music: Chiwalala and the Invention of

Imani Sanga

16:00-16:30

"Wavin' Whose Flag? One Song's Transformation from the Personal to the National and Global"

Anna Swaray Williams

14:30-16:30

Realizing our Potential: Audiovisual Ethnomusicology & CineEthnomusicological pedagogies and

Michael B. MacDonald, Zhiyi Qiaoqiao Cheng, Lea Hagmann, Richard Wolf

14:30-15:00

Observations in Military Training Fields: The Relationship between Drum Circle and Bodily Discipline, Liberation, and Positive

Chien-Pei Huang, Song-Zhu Xiao

15:00-15:30

Exploring Beijing's Post-Pandemic Experimental Music Scene: One Way to Listen to the Subtle from Within and

Jing Liu

15:30-16:00

The Aesthetic Significance of the Combination of Vision, Hearing, and kinesthesia in Guqin Music: Taking the Imitating Sound of Wild Geese in the Tune "Wild Geese Descending on the Sandbank" as an

Mei-Yen Lee

16:00-16:30

Performance, Context, and Interaction: A Study on the Music Performance of the "Nine Huanghui" Ceremony in Ezhou City,

Hjt Hjt

14:30-15:00

Mariachi Music in the Classroom: Inclusion and the Risks of Unintended Reinventions of a Musical Practice Through Transcriptions and

Jessie Vallejo

15:00-15:30

Scholarly Positions: Acknowledging forms of Slow Scholarship to Change Colonial University Praxis

Simone Willmann

15:30-16:00

Traditional Music and Higher Education in the US: What Can We Learn From Bluegrass?

Nate Olson

14:30-15:00

Lost in the Grand Tang Dynasty Everbright City: Urban Musikscapes, Nighttime Economy and Spatial

Jie Pang

15:00-15:30

Soundscape in the Chinese Garden：Historically Informed Jiangnan Silk and Bamboo Music Performance

Ya Li

15:30-16:00

The performance interpretation of the Chinese Ping Hu pipa from the perspective of music narrative: take a case study of Huai Yin Ping Chu and Yu Lun Pao as an

Du Jiazhen

16:00-16:30

The Innovative Communication Pathway of Contemporary Sichuan Opera's Percussion

Meng Su Du

14:30-15:00

Engaging Tradition with the Future - Knowledge Dissemination and The Short Form Video

Juliette O'Brien

15:00-15:30

Beyond Technology: Narratives of Social Constructs in Music Production in Taiwan

Ming Cheng

15:30-16:00

Remediating ethnographic sound archives through sampling and DJ sets

Basile Koechlin, Leo Palayeng

16:00-16:30

Detuning the Anthem: Using Research-Creation to Deconstruct the Sounds of Settler-Colonialism

Tyler Stewart

14:30-15:30

Chanting Gratitude

Jenny Game, Hemi Dibble

15:30-16:30

Kochari Dance Reflection

Koriun Davtyan

14:30-15:00

Sufi/Islamic devotional music of South India: A Case of Linguisitc Erasure, Resislience and the Pull of the

Mohammed Kamran Siddiqui

15:00-15:30

Untranslated Theory: Deconstructing Rameau’s ‘Perverse’ Chinese Whole-Tone Scale

Sheryl Chow

17:00-18:30

Attending to Multiple Colonial Encounters through Indigenous Performance: Settler-Colonial Strategies and Indigenous Modernity in Taiwanese

Xin-Yi Wei, Pei-Ling Huang, Chia-Wei Yang

17:00-18:30

The many languages of music. The sonic dimensions of colonial and post-colonial liberation movements in Mozambique and Goa

Cristiano Tsope, Eduardo Falcão, Kelwin Monteiro

17:00-18:30

Music and the Black Experience: The Art and Politics of Sonic Culture

Maureen Mahon, Judith Casselberry, Alisha Lola Jones

17:00-18:30

He Whiringa Rangahau: Indigenous Māori creative expressions and legacies

Meri Haami, Jade Gifford, Hana Burgess, Haylee Koroi

17:00-18:30

Liz Przybylski, Riki Gooch, Rachael Brown, Anna Edgington

17:00-18:30

Wounded, but not broken. Terror, healing, and music

Zuzana Jurková, Oldrich Poděbradský, Zuzana Gulová

17:00-17:30

Conceptualising a musical panorama of diversity and difference: Indonesian sounds and identities in contemporary

Aline Scott-Maxwell

17:30-18:00

Alternative Modernities: Three approaches to bamboo music in twenty-first-century Bandung, Indonesia

Henry Spiller

18:00-18:30

Maluku non-sounds; Maluku improvised music as substitute for forgotten traditional languages

Reïnda Hullij

17:00-17:30

Mediaeval Chinese Dance Decoded

Marnix Wells

17:30-18:00

Attachment: The Acquisition and Production of Notations Among Taiwanese Taxi DanceHall Jazz Musicians During

Meng-Tze Chu

18:00-18:30

O. Sheets! A True-Crime Dance Saga

Erica Nielsen Okamura

17:00-17:30

Awareness and Utilization of Artificial Intelligence in Teaching of Music Education in Tertiary Institutions in

Eyiuche Rita Modeme

17:30-18:00

African Music and Dance Performance in the American Liberal Arts College Curriculum

Damascus Kafumbe

18:00-18:30

We Should All Be Ethnomusicologists! Rethinking the Positionality of Ethnomusicology within Music Departments in South

Joseph Kunnuji

17:00-17:30

Shanghai to Hollywood and Golden Mountain: Silk and Bamboo Music on Film and Recordings in the Mid-twentieth

Larry Witzleben

17:30-18:00

Humanistic renaissance and restructuring of musical order in China’s post-pandemic era.

Shuzhou Cai

18:00-18:30

Exploring the changing characteristics of changgeuk fandom

Anna Yates-Lu

17:00-18:30

Safeguarding the Intangible Cultural Heritage in Music and Dance Studies: Opportunities, Goals, and

Tina Frühauf

17:00-18:00

Moving intercultural knowledge: from the personal genealogies of music and dance knowing-learning processes to a collective performative

Silvia Citro, Soledad Torres Agüero, Beatriz Herrera Corado

17:00-18:30

Caring for data now and in the future: Perspectives on and approaches to data sovereignty in community, institutional, and disciplinary

Sally Treloyn, Tiriki Onus, Mary Ingraham, Sandra Crowfoot

18:45-20:15 Assembly of National and Regional Representatives

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break