Program for Friday, January 10th, 2025: Talk View

PROGRAM FOR FRIDAY, JANUARY 10TH, 2025: TALK VIEW

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View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

19:00

19:30

20:00

08:30-10:30

We're (not) Getting Younger: Intergenerational Intersectionalities in Sound and Movement Studies

Tan, Tan, Krishna, Ozah And Esinkuma James Amagebe, Garcia Mispireta

08:30-10:30

The malleable nature of indigenous music and dance forms in changing political and socio-religious

Daniel Dama, Robin Harris, James R. Krabill, Roch Ntankeh

08:30-10:30

Romani Musicians and Musical Practices in Slovenia Emerging Issues in Research of a Marginalized Minority - Organized

Alma Bejtullahu, Maša K. Marty, David Verbuč, Svanibor H. Pettan

08:30-10:30

Promoting Community Revitalization and Regional Identities through Traditional Performing Arts: Multiple Case Studies of

Colleen Christina Schmuckal, Mariko Kanemitsu, Yuriko Yamamoto, Satomi Oshio

08:30-09:00

Modernity's Collective Space: The Private and Public in the Soundscape Space Metaphor of the Muya Tibetans' Buddha-Unfolding Festival and Their

Xia Jiang

09:00-09:30

Reconsidering the Boundaries of Sonic Dialogue Between Gamelan and Computer Music in Monk (2019) by Yan Priya Kumara

Nico Mangifesta

09:30-10:00

From Ritual to (Self-) advertisement: Traditional Cambodian Wedding Music on Facebook and YouTube

Francesca Billeri

10:00-10:30

The Use of Digital Technologies in Live Performances of Muziki wa Injili in Dar es Salaam

Timoth Mayala

08:30-10:30

Music of South China: Traditions Reinvented

May Bo Ching, Mercedes Dujunco, Ho Chak Law, Hwee-San Tan, Yayi Cai

08:30-10:30

Music, Soundscapes and Cultural Resurgence on Patatalru, Indigenous Puyuma territory in Taiwan

Shura Taylor, Lamulu Pakawyan, Chih-Chiang Cheng, Chung-Wei Hung

08:30-10:30

Bodies, costumes, gender: five views from the Southern Cone

Fornaro, Jordán, Tobar, de Los Santos, Chalkho, Bronfman, Mercado

08:30-10:30

Exploring Global Traditions of Catholic Chant

J. Bain, D. Lacoste, K. Nelson, L. Hong, L. Enriquez Rubio

08:30-10:30

Fieldwork periods – cyclic impurity and the agency of female performers and researchers

Kendra Stepputat, Urmimala Sarkar Munsi, Heather MacLachlan, Anna Rezaei

08:30-09:00

The Role and Significance of “Imperial Ritual Music” Zhonghe Shaoyue in the Soundscape of

Rong Liu, Yongguang Hao

09:00-09:30

Mission and Practice: Ethnomusicologists in Revitalizing Chinese Court Music Tradition - A Case from Yayue Research Center of China Conservatory of

Charline Zhang

09:30-10:00

Archiving the Swinging Notes: Analyzing Cheng Wan-Tsung's Handwritten Notations and His Life History

Cheng-Chun Wang

10:00-10:30

The Connotation and Perspective of “On Sound Without Sorrow and Joy"

Yang Ke

08:30-09:00

Get Me off This F***Ing Planet: a Performative Approach to Climate Change

Maddy Parkins-Craig, Sofia Kalogeropoulou, Tessa Romano

09:00-09:30

Exploring the “Paratun” (house of dance) phenomenon and Urban Transformations: A Case Study of

Hayarpi Ananyan

09:30-10:30

African multipart and call-response singing styles

Perminus Matiure

08:30-10:30

Creativity and Innovation in Ghanaian Music Performance(s)

Eyram Fiagbedzi, Emmanuel Sowah, Kingsley Okyere, Ernest Owusu-Poku

08:30-09:30

Music, Careers, Gender, and Sustainability in Ghana

J.O. Brew, A.-A. Agyapong, M.E. Ashiabor, N.A. Okantey, E. Sunu Doe

11:00-13:00

Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia

Ying-Fen Wang, Fumitaka Yamauchi, Jason Gibbs, Philip Yampolsky

11:00-12:00

Cross-cultural collaboration and music-language relationships: Comparative perspectives

P. Savage, D. Pavlovich, M.L. Parselelo, G. Chiba, F. Nweke, J. Bamford

12:00-13:00

Cross-cultural collaboration and music-language relationships: Ethnographic perspectives

Yuto Ozaki, Patricia Opondo, Brenda Suyanne Barbosa, Marin Naruse, Zixuan Jia

11:00-13:00

Diversifying music heritage: issues of ethnicity, intergenerational transmission and moral ambiguity

Antti-Ville Villén, Annukka Saaristo, Elina Seye, Outi Valo

11:00-12:00

The Infusion of First Nations, Métis, & Inuit Culture through the Social, Emotional and Cognitive Effects of Elementary Dance

Thomas Ryan

12:00-13:00

Embodied Practices in Meykhana: Exploring the Integration of Poetry, Music, and Movement in Ritual

Sanubar Baghirova, Sashar Zarif

11:00-11:30

“Ḏith-dhu dhirrḻ”: Phonological Features of Didjeridu Playing Traditions in Arnhem Land and Cape

Markos Koumoulas

11:30-12:00

Indigenous music, dance and art in the marketing campaigns and corporate identity efforts of Air New Zealand and Qantas: forging a momentum of

Bart Paul Vanspauwen, Holly Randell-Moon

12:00-12:30

"Echoes of the Other: "Wild Man's Dance" and the Musical Portrayal of Colonial Otherness"

Colin Brown

12:30-13:00

Reclaiming Aotearoa: Stories of experimentation, education and reflection in Aotearoa Indigenous metal

Didier Goossens

11:00-11:30

Songs of Migration: Inspiration or Solace?

Navkiran Natt

11:30-12:00

The Sun Is up: a Song to Mirror Identity in Migration

Tatevik Shakhkulyan

12:00-12:30

La Sonora Dinamita Band and the Latin American migration to Southern California: A Borgian analysis of the only band in the US that can play in more than one place at a

Eloy Antonio Neira de la Cadena

12:30-13:00

Challenges and innovations for effects of migration on the transmission of religious music and dance: case of migrant Alevi in

Manami Suzuki

11:00-11:30

The Dramatization and Musical Evolution of Pingtan after the Foundation of New China

Yan Wenting

11:30-12:00

Christian chants, ancestral voices and bamboo panpipes: an ethnographic approach to sounds in between Catholic liturgical music and indigenous musical instruments in ’Are’are, Solomon

Hidenori Samoto

12:00-12:30

Song Ideology: Ideological Power on Folk Songs in Japan and China

Gaku Kajimaru

12:30-13:00

Verbal aspects of music and dance traditions: Songs of South Siberian Turks

Galina Sychenko

11:00-11:30

Dance in Africa

Loice Wakesho, Victor Mwebaza

11:30-12:00

The trance state of a Vodum adept dancing body in Benin, in ceremonies and as inspiration in a creative

Eva Azevedo

11:00-11:30

Intersecting Technologies, Shared “Spaces”—— Sound, Spaces and Movement in game music of Soichi Terada and his music project

Guan Bingyang, Zhao Xiaodong

11:30-12:00

The Use of Digital Media Technology in the Preservation, Retrieval and Dissemination of Traditional Folk

Jane C. Sinyei

12:00-12:30

Echoes of Historical Recordings: Investigating the Tongan Fangufangu Through Sound Analysis

Bo Yang

12:30-13:00

“Butterfly Collector” or “Expert-like Ears”: Field Recording as Cultural Perception and Sound

Jiasui Ling

11:00-11:30

Repertoire of a climate march: Some Pasifiqueeredisabled comments on tauiwi Pasifika climate activist music in Aotearoa New

Luka Leleiga Lim-Bunnin

11:30-12:00

Listening to Whales: Exploring Ecocentric Activism through Sonic Entanglements

Marie Comuzzo

12:00-12:30

Tangaroa and Tagaloa: Indigenous Pacific popular music and climate activism

Kirsten Zemke

12:30-13:00

Music, Religion, and Community-Building Among War-Displaced Syrian Melkite Christians in Germany

Guilnard Moufarrej

11:00-11:30

The Study and Critical Editing of Medieval Sino-Japanese Music Treatises: On Ryōkin’s Kangen Ongi

Patrick Huang

11:30-12:00

Ornamentation and Tahrir in classical Persian music; Creativity and historical continuity

Ali Kazemi

12:00-12:30

Two Dimensions of the Internationalization of Korean Music during the Cold War: International Exchanges in Classical-Contemporary and Traditional Music between South Korea and the

Heesun Kim

12:30-13:00

The first recording of Southern Vietnamese music: historical contexts, interpretation, and

Le-Tuyen Nguyen, Khai Huynh

11:00-12:00

Exploring the multiple heritages of a rurally dispersed area and the cultural uses of Music & Dance in

D. Woodfield, T. Black-Roff, I. Bloomfield, J. Coleman, L. Hosken

12:00-12:30

Taarab Music in Zanzibar, Tanzania

Zhaoli Chen

12:30-13:00

Manifesting Beginner-Friendly Social Dance Events: Contra, Family, and Barn Dances’ Inclusivity Practices for

Tanya Merchant

11:00-11:30

Sesimbra Carnival: A Celebration between Commercialization, Touristic Appeal and Cultural

Rita Santos

11:30-12:00

Traditional bestiary or listening to the living environment.

Julia Andrés Oliveira

12:00-12:30

A first approach to the presence of diverse environmentalisms through ambient and metal music in

Jan Koplow

11:00-12:00

Abstract writing workshop for early career scholars (Organised by ECSN)

Meri Haami

12:00-13:00

Navigating Academic and Alternative Career Pathways: Strategies for Early Career Researchers

Mayco Santaella, Kendra Stepputat

13:00-14:30 Study Group Welcome Meeting — Mediterranean Music Studies

13:00-14:30 Study Group Welcome Meeting — Music, Education and Social Inclusion

13:00-14:30 Study Group Welcome Meeting — Performing Arts of Southeast Asia

13:00-14:30 Study Group Welcome Meeting — Audiovisual Ethnomusicology

13:00-14:30 Study Group Welcome Meeting — Iconography of the Performing Arts

14:30-16:30 Plenary session

17:00-18:30

Musical Responses To Cultural Disruption: Resistance, Resilience, and Recovery In The Pacific

Keola Donaghy, Stephen Fox, Jessica Schwartz, Kevin Fellezs

17:00-18:30

Tensions and Entanglements: the textuality in between Chinese music and poetry through two millennia

David Chu, Qingyan Chen, Patrick Huang

17:00-18:30

Messy Positionalities. Queer-feminist Troubles in the Field

Jason Otoo, Isabel Frey, Marko Kölbl

17:00-18:30

Strengthening Knowledge Retention and Relational Values Through Indigenous Music and Dance Research in Australia and

Joe Williams, Jose Trindade, Jessie Lloyd, Samuel Curkpatrick, Aaron Corn

17:00-17:30

The religious dances, sama "elitist" and govand "communal": symbolizing social and hierarchical relations in the Yazidi community of northern

Liqaa Marooki

17:30-18:00

Baagadozhi: Power, Masculinity, and Spatialities in the Enyan-Etsu Royal Ensemble

Obianuju Njoku

18:00-18:30

Reinforcing Gonja Cultural Identity Through Music: an Ethnography of the Gonja Diaspora Community in Accra,

Emmanuella Djagbletey

17:00-18:30

The Meeting of Knowledges, Movements and Its Challenges: Institutional and Community-based

Javier Silvestrini, Hande Sağlam, José Jorge de Carvalho, Yuh-Fen Tseng

17:00-17:30

Language revitalization and integration of traditional music: The case of Leftraru Hualamán, a Mapuche Williche musician from southern

Ignacio Soto-Silva

17:30-18:00

Writing Songs for Preserving Indigenous Language and Culture: A Case Study of Puyuma

Yu-Shen Chao

18:00-18:30

Jingrwai Iawbei -The whisteled language of Kongthong Village, India

Divya Shrivastava

17:00-17:30

Mapping Gendered Performative Space: Deodha’s Divine Dance at Deodhani festival of Kamakhya Temple in

Prerna Pradhan

17:30-18:00

Gendering Protest: Women Singers and Songs of Resistance in Contemporary India

Sharmistha Mallick, Brahma Prakash

18:00-18:30

Time to Stop: the Performing Body

Priyakshi Agarwal

17:00-17:30

Vocality and Indigenous Epistemology in the Man-Eagle Partnerships of Post-Soviet Kyrgyz Eagle Hunting: Reclaiming Identity, Negotiating Agency, and Mediating the Human-Wildlife

Dr. Federica Nardella

17:30-18:00

Sacredness-Secularity Syncretism: A Cultural Interpretation of the Ritual PerfSacrednessormance of Rgyalrong“Darga”in the Jinchuan River Basin in the Eastern Edge of the Qinghai-Tibetan

Lu Ting

18:00-18:30

The Healing Qobyz : Merging Kazakh Cosmology with Music Therapy for the Future of an Ancient

Anna Oldfield, Tokzhan Karatai

17:00-17:30

Resonance of Culture through Music and Dance: Exploring the Zezuru Indigenous Peoples' Ritual Ceremonial

Elijah Chikomo

17:30-18:00

Angola conversing with itself. Intertemporal connections between oral history, literature, and contemporary

Luisa Roubaud

17:00-18:30

Roundtable: Sustainable Development Goals (Executive Board Committee for UNESCO)

Susana Sardo

17:00-17:30

Resonating repentance: Performing selichot in the Israeli public sphere

Naomi Cohn Zentner

17:30-18:00

Ethno musicological system and documentation in archiving

Lebogang Sejamoholo

18:00-18:30

I know more than I think! Knowledge production through artistic research

Natalie Schiller

17:00-17:30

Going Beyond the 'Composition-Improvisation' Dichotomy in Music: A study of 'Imagination' in South Indian Carnatic

Rupak Midya

17:30-18:00

The Gongche Notation and Inherent of the Traditional Chinese Music

Xiaoping Wu

17:00-18:30

Long-term participatory action-research on music and dance as praxis for social change

Araujo et.al

18:45-20:15 Meeting of the ICTMD Early Career Scholars Network (ECSN)

18:45-20:15 Assembly of Study Group Chairs

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break