Program for Saturday, January 11th, 2025: Talk View

PROGRAM FOR SATURDAY, JANUARY 11TH, 2025: TALK VIEW

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View: with abstracts session overview

8:30

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

08:30-10:30

A Sense of Island Homeplace by Reweaving Music and Dance

R. Anderson Suttton, Yuan-Yu Kuan, Ricardo D. Trimillos, Made Mantle Hood

08:30-10:30

Towards Decolonizing, Deconstructing, and Dismantling Hegemonic Music Narratives: Methods and Approaches Grounded in Ethics of

Anna Hoefnagels, Charlotte Stewart-Juby, Gale Franklin, Judith Klassen

08:30-10:30

Rhythms of Belonging in the Lusophone World

Stefanie Alisch, Martin Ringsmut, Susan Hurley-Glowa, Alcides Lopes

08:30-10:30

The Institute of Papua New Guinea Studies and Music and Dance Research

Don Niles, Bruno Tenakanai, Gedisa Jacob, Emmanuel Daniel, Naomi Faik-Simet

08:30-09:00

An Intrinsic Case Study of Music and Dance Activities of Indonesian Returnees in Huadu District, Guangzhou,

Jiaxun Xie

09:00-09:30

Emplacement, and ‘Ma’ (間): a Body Metamorphosis from Butō Embodiment Praxis

Sascia Pellegrini

09:30-10:00

From Deterritorialization to Reterritorialization: Professional Chinese Instrumentalists’ Musical Pathways in North

Jing Xia

10:00-10:30

How does Forced Migration Impact Musical Practices? – The Case of Afghan Musicians in Exile

Peter Lell

08:30-09:00

Vedic Insights into Indian Spring: Unraveling the Tapestry of Festivals

Mayna Talukdar

09:00-09:30

The Emergence of International Mariachi Women’s Festivals: Claiming Space and Place in the Male Mariachi

Leonor Xóchitl Pérez

09:30-10:00

Ethnoecologies of Wold Music Festivals: Environmental Damage, Socio-Ecological Sustainability, and Climate

Victor A. Vicente

10:00-10:30

The ASB Polyfest: Pacific Festival/Digital World

Michelle Ladwig Williams

08:30-09:00

Expanding the Reception of Pansori: The Literal and Figurative Translation of Traditional Texts for Young Korean and Foreign

Heather Willoughby

09:00-09:30

English-language Noh: Ongoing Acts of Linguistic and Artistic Translation

Mariko Anno

09:30-10:00

Leisure experience in music translations among the Luyia people: the case of Congolese rhumba music reception in western

Aggrey Wetaba

10:00-10:30

Translation, Inclusivity, and Reception of Vernacular Music in the University Community Choirs: the Case of University of Cape

Wisdom Komabu

08:30-09:00

Music and Gesture in Launeddas Music (Sardinia, Italy)

Marco Lutzu

09:00-09:30

Embodied Listening towards VOCALOID Songs: A Study of the “Kōru” Gesture System in Hatsune Miku Virtual

Wendi Xiao

09:30-10:00

Gestures and their meaning in Kalasha Dance

Nerda Khara

10:00-10:30

Exploring the Dynamics of Adzewa: the Artistic Expression of Dance, Movement, Gesture and Embodiment

Reginald Sackey

08:30-09:00

Dreaming of a DIY Career: The Self-Entrepreneurial DIY of Up-and-Coming Indie Bands in China

Mick Vierbergen

09:00-09:30

Borders of Boomplay: Music Streaming and the Reshaping of Kenya’s Music Industry in the China-Kenya

Jonathan Wu

09:30-10:00

Social Media Platforms and the Logics of Visibility in the Hong Kong Independent Music Scene

François Mouillot

08:30-09:00

In the Heights, Where is Home: The Shaping of Urban Community Onstage Cultural Space

Ziqi Lin

09:00-09:30

Space as a Social Construction: The Tradition of Song Celebrations in Latvia

Anda Beitane, Ardian Ahmedaja

09:30-10:00

Music, Space, and Change: Revolution and Music in the Central Soviet Area of China, 1929-1934

Shi Lei

08:30-09:00

Repatriation of an instrument lost to tourism: provenance and restitution of a historical Mallorcan

Cassandre Balosso Bardin

09:00-09:30

Sarangi-The Sound of Hundred Colors: Ram Narayan’s Sapaat Taan

Deepak Paramashivan

09:30-10:00

Music as a means of resistance in Phulbari Tea Estate: An ethnography of life in total institutions

Sumaiya Iqbal, Debashis Das

10:00-10:30

Al-Mehbaj's design from a coffee grinding tool to a percussion musical instrument

Ali Alshurman

08:30-10:00

Emancipated Voices: Post-Colonial Languages in Music and Their Role in Cultural Diplomacy. Stories from Goa, Cape Verde, and

Susana Sardo, Timoteo Cuche, Ana Flávia Miguel

08:30-09:00

Changes in Music Context and Performance Practices of Ng’oma ya Bhalungu among the Sukuma People of Mwanza,

Kulwa Kingi

09:00-09:30

Exploring the Intersection of Tradition and Technology: Integrating Music Technology in Sustaining Bura Gulum Music and Dance Performances of North-Eastern

Gideon Danja, Karimatu Dauda

09:30-10:00

Nigerian Traditional Plants and Popular Music Voice Production and Dance Panaches

Olufemi Olaleye

10:00-10:30

Osoode Highlife: Recontextualization, Revival, and Sustenance of a Ghanaian Indigenous Music

Michael Ohene Junior Okantah

08:30-10:30

Toward counter-colonial perspectives on music production, education and research

P. Mendonça, J. Mogale, J.B. Gove, B. Brett Pyper, C. Lima Souza de Lucena

11:00-11:30

Ground Control to Major Tom: Exploring Creativity in Extreme Environments

Anya Ezhevskaya

11:30-12:00

Rescaling Indigenous Spaces amid Urban Renewal in New Taipei City

Donald John Hatfield

12:00-12:30

Promoting Environmental Sustainability Through the Use of Music and Dance by Ogidi Women (Umuada) in

Adaora Awaih, Christopher Ibenegbu

12:30-13:00

Forging Environmental Relationalities through Local Stories: DOBBY’s Warrangu; River Story.

Charlotte Schuitenmaker

11:00-11:30

Characteristics of Musical Resilience in Culturally Diverse Societies

Catherine Ingram

11:30-12:00

Ngarigu music, dance and language renewal

Jakelin Troy, Mahesh White-Radhakrishnan

12:00-12:30

Christmastide Nwátàm in Ndokiland: Resilience of Ancestral Traditions in the Face of Internal

Ubochi Igbokwe

11:00-11:30

Echoes of Tradition: Sustaining the Teochew Ethnic Group through Teochew Opera

Lorraine Zhang

11:30-12:00

From Adults to Children in Ikon (Xylophone) Performances: Sustaining the Traditional through Popular Music in Ibibio Culture of

Ukeme Akpan Udoh

12:00-12:30

Sustainable Music Education Program for Visual Impaired Students in Thai-Lao Region

Chamni Sripraram

12:30-13:00

Limassol Carnival Serenades: Diverse Community-led Approaches to Cultural Sustainability.

Chara Charalambous

11:00-11:30

The pitfalls in bottom-up processes when safeguarding dance as ich

Siri Mæland

11:30-12:00

Preserving Heritage, Empowering Women: (Re)Thinking Ritual Songs as Possible Intangible Cultural Heritage from Garhwal Himalayas,

Pankaj Rawat

12:00-12:30

Safeguarding of Teochew Opera and Puppetry in Malaysia and the efforts by community

Shao-Peng Wang

11:00-11:30

Social Authenticity in Persian Rap Music

Soroush Torabi, Ariana Shiri

11:30-12:00

To Rap or Not to Rap: Reflections on (dis)empowering young refugees in music workshops

Helena Simonett, Andrea Kammermann, Suse Petersen, Dominic Zimmermann

12:00-12:30

Co-Writing Country: the good, the bad, and the genre

Aubrie Powell

12:30-13:00

21st-Century Flamenco Dance: Transformations and Tradition

Nancy G Heller

11:00-11:30

The Dance Steps of “Entangled”: The Body Narrative Behind the Female Dance Movements in Jiaozhou

Mengyu Li

11:30-12:00

From Body Memory to Ritual Practice: The Multiple Musical Identity Transformation of Male Artists of Buyi Ethnic Group in Guizhou Province,

Fang Wang

12:00-12:30

Lion Dances: Bodies, Gender, Empowerment

Galia Petkova

12:30-13:00

Women’s Tufo Dancing, Discourses of Talent, and the Gendered Politics of Mobility in Mozambique

Ellen Hebden

11:00-11:30

African Indigenous Music and Ecology of Practice: An Investigation of the Jukun Musical Training of the Akishe

Omotolani Ebenezer Ekpo

11:30-12:00

Symbolic Music Representations of Orin Ìgbéyàwó in Èkìtì State, Nigeria

Bolaji Omoniyi

12:00-12:30

Revivalism and the performed lives of the Khoesan, a first people, in selected parts of southern

Lee Watkins

12:30-13:00

The Socio-cultural Context of Dirge In Igbo Tradition: The Ikemefuna Excerpt

Iruoma A. Ugoo-Okonkwo, Alexander W. Erhiegueke

11:00-11:30

A Study on the "Wuda Gongdiao” in Haizhou (China) from the Perspective of Theme: Taking the "Nan Diao" as an

Ke Zhang

11:30-12:00

The practice of mutual construction between funeral ceremony Yuewu（樂舞） and Yi people 's diversity totem

Feng Guorui, Liu Zimo

12:00-12:30

Reclaiming Traditions: Indigenous Gender Interactions in Ritual Renewal after Colonisation

Chia-Yin Hung

12:30-13:00

Korean Buddhist Chant and Dance: Contemporary Meaning of Ancient Religious Tradition

Iljung Kim

11:00-11:30

Journey of Georgian Traditional Music: Exploring its Internationalisation in the UK

Teona Lomsadze

11:30-12:00

Megrelian Melody and Common-Georgian Polyphony

Tamaz Gabisonia

12:00-12:30

Circular Time and the Powwows of Oklahoma

Mark Perry

12:30-13:00

"Noisy" Cantonese Opera in Early Hawaiʻi

Frederick Lau

11:00-11:30

From Tabu to Tārava: Media culture and living arts in French Polynesia

Geoffroy Colson

11:30-12:00

Decolonizing Spaces: Indigenous Feminist Praxis of Pacific Islander Women in Southern Californian Island Reggae

Chun Chia Tai

12:00-12:30

Nā te pō i whakaatu: Creating waiata with insight from our ancestors

R. Tinirau, M. Hogg, A.R. Pehi, I. Tinirau-Williams, T. Pehi

12:30-13:00

New work for taonga puoro and live electronics

Michael Norris, Jerome Kavanagh

11:00-11:30

The Game of Rights, the Sound of Solidified: Musical Murals of Deokheung-ri Tomb in North Korea

Xidan Wang

11:30-12:00

Filth and Symbol: The Order Construction of The Taboos of The Zhuang Dongjing Musicians in Wenshan

Yan Li

12:00-12:30

Re-conceptualizing Tradition: Exploring the Night of Jeonju & Heritage Story in Hanok Maŭl

Hae In Lee Holden

12:30-13:00

Adoption, Adaptation, and Resistance: Colonizing and Decolonizing through Music Notation

Yao Cui

11:00-12:00

Workshop: the polyphonic underground--musical life/fungal life

Michelle Kisliuk

12:00-13:00

The Essence of Chord Progressions in Maskandi Guitar Music

Sizwe Xulu

11:00-11:30

Building Age-Friendly Universities through Applied Arts Research and Participatory Music Making

Jennie Gubner

11:30-12:00

Exploring the role of Novos Raios dance school in mediating arts education in suburban Maputo,

Jose Alberto Daniel Chemane

12:00-12:30

Bridging Boundaries through Adaptation: A University Teacher's Autoethnography of Presenting Shanxi Folk Songs as Clarinet Quintets to Global

Xin Lu, Jiang Wu

12:30-13:00

Breaking Barriers: Embodying Queer and Non-Binary Spaces of Practice within Music Education

Jenna Sears

11:00-13:00

The Safeguarding Turn: Contemporary Ethnomusicological Challenges in Preserving Endangered Musical Practices, Repertoires, and

Jorge Castro Ribeiro, Rui Marques, Orlando Fernão, Ana Clément, Lucas Campos

13:00-14:30 Study Group Welcome Meeting — Multipart Music

13:00-14:30 Study Group Welcome Meeting — Sound, Movement, and the Sciences

13:00-14:30 Study Group Welcome Meeting — Indigenous Music and Dance

13:00-14:30 Study Group Welcome Meeting — Maqām

14:30-16:30 General Assembly of Members

17:00-18:30

Reclaiming and sustaining song and dance – connections across land and seas

Reuben Brown, Georgia Curran, Jesse Hodgetts

17:00-18:30

Relocation in Cape Breton: An artful infusion of Afro-centric ideas into school curricula

Jody Stark, Verne Lorway, Laura Power, Logan Clark, Jennifer Mellizo

17:00-18:30

Three Takes on “Food”: A Multidisciplinary Exploration Through Performance, Scholarship, and

James Felix, Nidya Shanthini Manokara, Melissa Quek, Yen Yen Woo

17:00-18:30

Hou rongo: Moriori, music, manawa

J. Cattermole, S. Mills, N. Longnecker, K. Varaine, D. Goomes

17:00-18:30 Session IIIE05

17:00-18:30

Rhythms of Change: Advocating for Heritage and Inclusivity in Malaysian Performing Arts

Mayco Santaella, Rachel Ong, Patricia Hardwick, Hueyuen Choong, Clare Chan

17:00-17:30

Exploring Transformation Cultural Assimilation Processes: The Unique Musical Attributes of the Klong Puje Traditional Drum among the Tai Yuan Community in Chiang

Thitipol Kanteewong

17:30-18:00

Searching for ‘Portable Percussion Music’ – Possibilities of Single-drum Compositions

Taichi Imanishi

18:00-18:30

Drumming Up Theory: (Calling and) Responding to John Mowitt’s Percussive Field

Daniel Akira Stadnicki

17:00-17:30

Ajat Indu Menua Pakan: Embodying Indigenous Dayak-Iban Female Dance Tradition

Nadia Hazirah Binti Nazren

17:30-18:00

Choreographing “Quatrains of Hope”: Utilizing Indigenous Culture Through Ethnographic Research

Mohd. Hafzal Aziz

18:00-18:30

The use of colonial films in a dance and performing arts database: issues and challenges

Sérgio Bordalo E Sá

17:00-17:30

Resonance: body walking-dancing with the landscape

Daniel Tércio

17:30-18:00

Hula in Fukushima, Japan: Relocation and Resignification of the Hawaiian Dance Tradition for Regional Revitalization and Recovery from

Minako Waseda

18:00-18:30

Multiple Performative Bodies: Negotiating Identity and Tradition Through North Indian Kathak Dance in South Asia (India) and Some Chosen Diasporic

Kristina Luna Dolinina

17:00-17:30

Musical survival vs. Musical revival : Proposing a new term of musical change in ethnomusicology

Amir Rajaee

17:30-18:00

Field of Vibrations - how ancient music can remain relevant today

Arja Kastinen

18:00-18:30

Reflections on an international and collaborative research-creation project: “Los diferentes porros en

Ons Barnat

17:00-17:30

The Symbolic Meaning of the Circle in the Context of Armenian Wedding Round Dances and Ritual Songs

Nvard Vardanyan

17:30-18:00

Multipart music, dance and tourism in the Ionian Islands

Giuseppe Sanfratello

17:00-18:30

RILM ECSN Workshop

Tina Frühauf

17:00-17:30

Rediscovering Context: Unveiling a Contemporary Cultural Landscape for the Ancient Art of Guqin in

Yang Chunwei

17:30-18:00

Study on the Performance Postures of Dongtou JiaoLeiGu

Shijia Hu

18:00-18:30

The Analysis of Representations of Pan-gu Dance in the Eastern Han Dynasty in Shaanxi Region

Yiyi Chen

17:00-18:30

The role of technologies to keep communities vital and meaningful

Fulvia Caruso, Thea Tiramani, Giordano Calvi

10:30-11:00 Morning coffee break

13:00-14:30 Lunch break and Study Group welcome meetings

16:30-17:00 Afternoon coffee break