Talk Keyword Index

TALK KEYWORD INDEX

This page contains an index consisting of author-provided keywords.

Shortcuts: A B C D E F G H I J K L M N O P R S T U V W X Y  

A
Achorripsis	Xenakis’s Matrix to Image Matrix: A Sonification Method Inspired by Achorripsis The Use of Stochastic Distributions in the Instrumental Works of Iannis Xenakis: Between Chance and Intuition.
acoustic pedagogy	BaXen. When Xenakis invites himself to a school of architecture.
aesthetic
aesthetic ideology	Xenakis and Revolution: A Critique of Aesthetic Autonomy
Aesthetics	Ekphrasis in the work of Iannis Xenakis Atrées: Is it a name or… something else? Waves and Architecture in Xenakis’s Jonchaies XAS DECODED
Ahmed	What's the use of music?
Aki Takahashi
algorithm
Algorithmic Composition	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches 16-Track GENDYN. A multichannel resynthesis of GENDY3
Algorithms	Algorithmic Composition with Max/MSP and OpenMusic
Alva Noto	Xenakis' Influence on Electronica
Analysis	Pour la Paix. Analysing the piece and preparing its performance Contrapuntal procedures and aspects of conflict in the work of Iannis Xenakis XAS DECODED
Ancient Greek literature	Atrées: Is it a name or… something else?
André Malraux	Nomos alpha by Iannis Xenakis and the problem of death and destiny
animated notion
Aphex Twin	Xenakis' Influence on Electronica
arche-writing	Levels of Multimedia Rhetoric in POLYTOPE DE PERSEPOLIS (1971). Defining Cyber-world Categories through Some Registers of Philosophy & Scientific Aesthetics
architecture	The “enveloping spatial relationship”: some perspectives relating on Xenakian architectural work Creative mathematics: randomness, indeterminacy, unpredictability in music and architecture BaXen. When Xenakis invites himself to a school of architecture. Making Mankind resonate through Time : The Xenakis’ undulating glass panes
artistic research
Atmosphere	Space, Rhythm, and Architecture: Atmospheres in Works of Iannis Xenakis
audification	Lessons from Xenakis on audification and sample-level machine learning techniques
audio synthesis	Stochastic Modeling of the Cicada Chorus
B
Balanced and Unbalanced Games	Workshop with Participants: About Iannis Xenakis´ External Conflicts
Baschet	BaXen. When Xenakis invites himself to a school of architecture.
biopolitics
body rendition	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
C
Cage	Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches
chamber music	XAS DECODED
chance	Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches
cicadas	Stochastic Modeling of the Cicada Chorus
Cluny	Polytope de Cluny: towards a reconstitution
Combinations Product Set	Organizing just intonation pitches through Xenakis’ Sieves and Wilson’s CPS
Competition and Cooperation	Workshop with Participants: About Iannis Xenakis´ External Conflicts
complexity	Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
Composing External Conflicts	Workshop with Participants: About Iannis Xenakis´ External Conflicts
Composition	Algorithmic Composition with Max/MSP and OpenMusic
Compositional Thought	Contrapuntal procedures and aspects of conflict in the work of Iannis Xenakis
Computation	Creative mathematics: randomness, indeterminacy, unpredictability in music and architecture
Computational Model	Towards a Topological and Materialist Synthesis of Sound
Computational Morphogenesis	Towards Morphogenesis: The Growth Form in Xenakis’s Light
Computational Music Models	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Computer Music	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method Xenakis' Influence on Electronica Lessons from Xenakis on audification and sample-level machine learning techniques From stereophonic to spatial audio processing: Voyage absolu des Unari vers Andromède by Iannis Xenakis
Computer-aided musical analysis	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
concert	BaXen. When Xenakis invites himself to a school of architecture.
Conflict	Contrapuntal procedures and aspects of conflict in the work of Iannis Xenakis
Contrapuntal Procedures	Contrapuntal procedures and aspects of conflict in the work of Iannis Xenakis
control	Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches
counciousness
Creativity	XENAKIS' CONCEPTION OF CREATIVITY AND THE NOTION OF EMERGENCE
Cyberphysical Performance	Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice
D
Dance	Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice
Differential Duration	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ?
digital audio	Lessons from Xenakis on audification and sample-level machine learning techniques
drafting
dramaturgy	Xenakis' Oresteia: a reconstructed theatre
drawing
Dynamic Systems	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
E
ekphrasis	Ekphrasis in the work of Iannis Xenakis
Electroacoustic and Computer Music Music theory and analysis	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
Electronica	Xenakis' Influence on Electronica
electronics	Polytope de Cluny: towards a reconstitution
embodied cognition	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
embodiment	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Emergence	XENAKIS' CONCEPTION OF CREATIVITY AND THE NOTION OF EMERGENCE
experimental	BaXen. When Xenakis invites himself to a school of architecture.
eXtended Reality	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
F
Fate	Atrées: Is it a name or… something else?
Feedback	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
Form	Waves and Architecture in Xenakis’s Jonchaies
Formalized Music	An attempt at extending Xenakis’ compositional design of Herma through computational tools Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
fuzzy logic	Ekphrasis in the work of Iannis Xenakis
G
Game Theory	Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice
Gendy	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
GENDY3	Lessons from Xenakis on audification and sample-level machine learning techniques 16-Track GENDYN. A multichannel resynthesis of GENDY3
General Morphology	Towards Morphogenesis: The Growth Form in Xenakis’s Light
Generative Music	Algorithmic Composition with Max/MSP and OpenMusic
golden ratio
granulation	Site-specificity and Sonic Grains: An approach to sound synthesis by mapping point clouds of a specific site using granular synthesis techniques.
graphic notation
Graphic writing	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ?
Greek tragedians
H
Herma	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Human Computer Interaction	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
Human Rights	The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility
I
Iannis Xenakis	The Use of Stochastic Distributions in the Instrumental Works of Iannis Xenakis: Between Chance and Intuition. Musical enunciation: the modes of temporal existence in Iannis Xenakis Persepolis Polytope: Resolving Fictitious Attributions from a Persianate Perspective Xenakis and Revolution: A Critique of Aesthetic Autonomy Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)
image data	Xenakis’s Matrix to Image Matrix: A Sonification Method Inspired by Achorripsis
immersion	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
immersive sound	Immersive landscape recomposing the sound of a public square
Impossible	Making possible the impossible: performative ideas and solutions in some Xenaki's percussion works
Indonesia	Xenakis in Indonesia: influences in the composition of Jonchaies (1977) and Pléïades (1978)
insect	Insect Sound ecology and stochastic models
instrument creation	BaXen. When Xenakis invites himself to a school of architecture.
instrumental	The features of the instrumental part in vocal and instrumental compositions by Iannis Xenakis
instrumental music	XAS DECODED
interaction	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
interdisciplinarity	Xenakis' Oresteia: a reconstructed theatre
International Law	The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility
Interpretation	Nomos alpha by Iannis Xenakis and the problem of death and destiny
Interpretation and technique	Workshop: ‘Approaches to performing Nomos alpha and Kottos by Iannis Xenakis’
Iran	Persepolis Polytope: Resolving Fictitious Attributions from a Persianate Perspective Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)
irregular	Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
isolation vs mass
J
Jonchaies	Xenakis in Indonesia: influences in the composition of Jonchaies (1977) and Pléïades (1978)
just intonation	Organizing just intonation pitches through Xenakis’ Sieves and Wilson’s CPS
K
Karkowski
Karkowski/Xenakis project
L
laser	Polytope de Cluny: towards a reconstitution
light	Polytope de Cluny: towards a reconstitution
Light Composition	Towards Morphogenesis: The Growth Form in Xenakis’s Light
M
machine learning	Lessons from Xenakis on audification and sample-level machine learning techniques
mankind	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
Materialism	Towards a Topological and Materialist Synthesis of Sound
Mathematics	Creative mathematics: randomness, indeterminacy, unpredictability in music and architecture
Max/MSP	Algorithmic Composition with Max/MSP and OpenMusic
May '68	Xenakis and Revolution: A Critique of Aesthetic Autonomy
Merzbow	Xenakis' Influence on Electronica
Metastaesis	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
Metastasis	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ?
Michel Serres	Towards a Topological and Materialist Synthesis of Sound
Mists	The Use of Stochastic Distributions in the Instrumental Works of Iannis Xenakis: Between Chance and Intuition.
Mixed Music	Pour la Paix. Analysing the piece and preparing its performance
Modal Synthesis	Towards a Topological and Materialist Synthesis of Sound
Modes of existence	Musical enunciation: the modes of temporal existence in Iannis Xenakis
Modulor	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
Morisma-Amorisma	The Use of Stochastic Distributions in the Instrumental Works of Iannis Xenakis: Between Chance and Intuition.
motion capture	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
movement	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
multidisciplinarity	Xenakis' Oresteia: a reconstructed theatre
multimedia	Levels of Multimedia Rhetoric in POLYTOPE DE PERSEPOLIS (1971). Defining Cyber-world Categories through Some Registers of Philosophy & Scientific Aesthetics The Narrative of the Mycenae Polytope
Multimedia performance	The Situationist Polytope
multimodal data	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
multimodality	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
multiscale form organization	Xenakis’s Matrix to Image Matrix: A Sonification Method Inspired by Achorripsis
music	The features of the instrumental part in vocal and instrumental compositions by Iannis Xenakis Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Music & architecture	The Situationist Polytope
Music Analysis	Xenakis’ thinking about / in musical composition : an analysis of Metastasis’s central section
music history	XAS DECODED
Musical Analysis	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Musical Composition	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Musical Enunciation	Musical enunciation: the modes of temporal existence in Iannis Xenakis
Musical Expectations	Waves and Architecture in Xenakis’s Jonchaies
Mycenae	The Narrative of the Mycenae Polytope
myth
N
National identity	Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)
Nationality	The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility
neural networks	Stochastic Modeling of the Cicada Chorus
New/Multi-Media	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
Noise Transformation	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
Nomos alpha	Nomos alpha by Iannis Xenakis and the problem of death and destiny
Nomos alpha and Kottos	Workshop: ‘Approaches to performing Nomos alpha and Kottos by Iannis Xenakis’
non-standard synthesis	Lessons from Xenakis on audification and sample-level machine learning techniques
O
OpenMusic	Organizing just intonation pitches through Xenakis’ Sieves and Wilson’s CPS Algorithmic Composition with Max/MSP and OpenMusic
overlapping	Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
P
Percussion	Making possible the impossible: performative ideas and solutions in some Xenaki's percussion works
Performance	Making possible the impossible: performative ideas and solutions in some Xenaki's percussion works Pour la Paix. Analysing the piece and preparing its performance
performance practice	Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
performance studies	XAS DECODED
performing arts	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Persepolis Son et Lumiere	Persepolis Polytope: Resolving Fictitious Attributions from a Persianate Perspective
Philosophy	Towards a Topological and Materialist Synthesis of Sound Atrées: Is it a name or… something else?
Philosophy of performance	Nomos alpha by Iannis Xenakis and the problem of death and destiny
piano	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
Pléïades	Xenakis in Indonesia: influences in the composition of Jonchaies (1977) and Pléïades (1978)
Poiesis
point clouds	Site-specificity and Sonic Grains: An approach to sound synthesis by mapping point clouds of a specific site using granular synthesis techniques.
Politics	The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility
Politopos
Polytope	Polytope de Cluny: towards a reconstitution The Situationist Polytope
Polytope de Cluny	Xenakis and Revolution: A Critique of Aesthetic Autonomy
Polytope de Montréal	Xenakis and Revolution: A Critique of Aesthetic Autonomy
Polytope de Persepolis	Levels of Multimedia Rhetoric in POLYTOPE DE PERSEPOLIS (1971). Defining Cyber-world Categories through Some Registers of Philosophy & Scientific Aesthetics
Polytope Persepolis	Persepolis Polytope: Resolving Fictitious Attributions from a Persianate Perspective
polytopes	The Narrative of the Mycenae Polytope Xenakis and Revolution: A Critique of Aesthetic Autonomy
Polytopes de Persépolis	Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)
probabilities	Atrées: Is it a name or… something else?
Probability Distribution Function (PDF)	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
public place	Immersive landscape recomposing the sound of a public square
R
Randomness	XENAKIS' CONCEPTION OF CREATIVITY AND THE NOTION OF EMERGENCE
reception	Ekphrasis in the work of Iannis Xenakis
Reception of Xenakis' music in Japan
Reception of Xenakis' personality in Japan
recordings	The other Room. The influence of Iannis Xenakis on room acoustics
resonate	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
rethorics	Levels of Multimedia Rhetoric in POLYTOPE DE PERSEPOLIS (1971). Defining Cyber-world Categories through Some Registers of Philosophy & Scientific Aesthetics
reverb	The other Room. The influence of Iannis Xenakis on room acoustics
reverberation pattern	The other Room. The influence of Iannis Xenakis on room acoustics
rhythm	Space, Rhythm, and Architecture: Atmospheres in Works of Iannis Xenakis Stochastic Modeling of the Cicada Chorus Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
room informations	The other Room. The influence of Iannis Xenakis on room acoustics
Roughness	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
Rythmes sur Tabla	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ?
S
saxophone	XAS DECODED
semiotic
Shiraz art festival	Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)
sieves	Organizing just intonation pitches through Xenakis’ Sieves and Wilson’s CPS Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
simulation	Stochastic Modeling of the Cicada Chorus
site-specific	Site-specificity and Sonic Grains: An approach to sound synthesis by mapping point clouds of a specific site using granular synthesis techniques.
Sixxen	Xenakis in Indonesia: influences in the composition of Jonchaies (1977) and Pléïades (1978)
social space
Solutions	Making possible the impossible: performative ideas and solutions in some Xenaki's percussion works
sonification	Xenakis’s Matrix to Image Matrix: A Sonification Method Inspired by Achorripsis Lessons from Xenakis on audification and sample-level machine learning techniques
Sound & light	The Situationist Polytope
Sound clouds	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ?
Sound design	BaXen. When Xenakis invites himself to a school of architecture.
sound ecology	Insect Sound ecology and stochastic models
sound grains	Site-specificity and Sonic Grains: An approach to sound synthesis by mapping point clouds of a specific site using granular synthesis techniques.
soundscapes	Stochastic Modeling of the Cicada Chorus
Space	Space, Rhythm, and Architecture: Atmospheres in Works of Iannis Xenakis
Spatial Audio Processing	From stereophonic to spatial audio processing: Voyage absolu des Unari vers Andromède by Iannis Xenakis
spatial relation	The “enveloping spatial relationship”: some perspectives relating on Xenakian architectural work
stochastic
Stochastic Distributions	The Use of Stochastic Distributions in the Instrumental Works of Iannis Xenakis: Between Chance and Intuition.
stochastic modelling	Stochastic Modeling of the Cicada Chorus
Stochastic Music	Xenakis’ thinking about / in musical composition : an analysis of Metastasis’s central section Creative mathematics: randomness, indeterminacy, unpredictability in music and architecture
Stochastic Synthesis	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
stochastics	Insect Sound ecology and stochastic models
Symbolic Representation	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
System Behaviour Control by PDFs	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
T
tape	Polytope de Cluny: towards a reconstitution
Techne
technology	What's the use of music?
Temporal Algebras	Musical enunciation: the modes of temporal existence in Iannis Xenakis
The problem of death and destiny	Nomos alpha by Iannis Xenakis and the problem of death and destiny
The problem of expression	Workshop: ‘Approaches to performing Nomos alpha and Kottos by Iannis Xenakis’
theatricality	Xenakis' Oresteia: a reconstructed theatre
timbre	The features of the instrumental part in vocal and instrumental compositions by Iannis Xenakis
time	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
time series	Stochastic Modeling of the Cicada Chorus
Titles of works	Atrées: Is it a name or… something else?
Topology	Towards a Topological and Materialist Synthesis of Sound
Total Art
tradition	Xenakis' Oresteia: a reconstructed theatre
tragedy	Xenakis' Oresteia: a reconstructed theatre
transmedialisation	Ekphrasis in the work of Iannis Xenakis
Tzortzis	Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
U
undulating glass panes	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ? Making Mankind resonate through Time : The Xenakis’ undulating glass panes
universality	Xenakis' Oresteia: a reconstructed theatre
UPIC	Pour la Paix. Analysing the piece and preparing its performance What's the use of music? Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket From stereophonic to spatial audio processing: Voyage absolu des Unari vers Andromède by Iannis Xenakis
UPIC system in Japan
use	What's the use of music?
V
Violin	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
vocal	The features of the instrumental part in vocal and instrumental compositions by Iannis Xenakis
Vulnerability	The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility
W
Wave Transformation	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
Workshop	The Situationist Polytope
workshop 3 days	Immersive landscape recomposing the sound of a public square
X
Xenakis	The “enveloping spatial relationship”: some perspectives relating on Xenakian architectural work Xenakis’ thinking about / in musical composition : an analysis of Metastasis’s central section The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility XENAKIS' CONCEPTION OF CREATIVITY AND THE NOTION OF EMERGENCE Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches Xenakis' Influence on Electronica Pour la Paix. Analysing the piece and preparing its performance Waves and Architecture in Xenakis’s Jonchaies BaXen. When Xenakis invites himself to a school of architecture. What's the use of music? Xenakis in Indonesia: influences in the composition of Jonchaies (1977) and Pléïades (1978) The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ? 16-Track GENDYN. A multichannel resynthesis of GENDY3 Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's Contrapuntal procedures and aspects of conflict in the work of Iannis Xenakis From stereophonic to spatial audio processing: Voyage absolu des Unari vers Andromède by Iannis Xenakis
Xenakis scholarship in Japan
Y
Yuji Takahashi

Architectural and Spatial Performance	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket