Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)

Levels of Multimedia Rhetoric in POLYTOPE DE PERSEPOLIS (1971). Defining Cyber-world Categories through Some Registers of Philosophy & Scientific Aesthetics

Persepolis Polytope: Resolving Fictitious Attributions from a Persianate Perspective

Polytope de Cluny: towards a reconstitution

The Narrative of the Mycenae Polytope

Xenakis' Oresteia: a reconstructed theatre

Xenakis and Revolution: A Critique of Aesthetic Autonomy

The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility

Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice

Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work

Algorithmic Composition with Max/MSP and OpenMusic