XENAKIS22: XENAKIS 22: CENTENARY INTERNATIONAL SYMPOSIUM

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Antoniadis, Pavlos	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Antunes, Micael	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
Astaneh, Sahereh	Reconstruction and interpretation of ancient history to build a national identity. Focus on the Polytopes de Persépolis by Xenakis (1971)
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Batsis, Dimitris	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Beldean, Laurentiu	Levels of Multimedia Rhetoric in POLYTOPE DE PERSEPOLIS (1971). Defining Cyber-world Categories through Some Registers of Philosophy & Scientific Aesthetics
Bevilacqua, Frédéric	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
Bonardi, Alain	From stereophonic to spatial audio processing: Voyage absolu des Unari vers Andromède by Iannis Xenakis
Boneh, Oren	Waves and Architecture in Xenakis’s Jonchaies
Bonin, Gustavo	Musical enunciation: the modes of temporal existence in Iannis Xenakis
Bridoux-Michel, Séverine	The “enveloping spatial relationship”: some perspectives relating on Xenakian architectural work
Brown, Daniel	Stochastic Modeling of the Cicada Chorus Insect Sound ecology and stochastic models
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Carré, Pierre	Polytope de Cluny: towards a reconstitution
Chaib, Fernando	Making possible the impossible: performative ideas and solutions in some Xenaki's percussion works
Chatzopoulou, Nicoleta	Site-specificity and Sonic Grains: An approach to sound synthesis by mapping point clouds of a specific site using granular synthesis techniques.
Chintzoglou, Anastasia	Xenakis' Oresteia: a reconstructed theatre
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de Morais, Ronan Gil	Xenakis in Indonesia: influences in the composition of Jonchaies (1977) and Pléïades (1978)
Declercq, Zoé	The score of Rythmes sur Tabla, a "key document" in the work of Iannis Xenakis ?
del Buey Cañas, Ramón	Xenakis and Revolution: A Critique of Aesthetic Autonomy
Del Ghingaro, Ulysse	Pour la Paix. Analysing the piece and preparing its performance
Dimitrakopoulou, Stella	Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice
Dimitriadi, Leda	Creative mathematics: randomness, indeterminacy, unpredictability in music and architecture
Duval, Aurélien	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
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El Raheb, Katerina	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
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Ferapontova, Elena	The features of the instrumental part in vocal and instrumental compositions by Iannis Xenakis
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Gentil-Nunes, Pauxy	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Georgaki, Anastasia	Stochastic Modeling of the Cicada Chorus Insect Sound ecology and stochastic models
Georgiadis, Sokratis	Contrapuntal procedures and aspects of conflict in the work of Iannis Xenakis
Gibson, Benoît	The Use of Stochastic Distributions in the Instrumental Works of Iannis Xenakis: Between Chance and Intuition.
Gottfried, Rama	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
Goutmann, Paul	From stereophonic to spatial audio processing: Voyage absolu des Unari vers Andromède by Iannis Xenakis
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Hajdu, Georg	Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket
Harley, James	Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches
Hoffmann, Peter	16-Track GENDYN. A multichannel resynthesis of GENDY3
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Ikeshiro, Ryo	Lessons from Xenakis on audification and sample-level machine learning techniques
Iliescu, Mihu	XENAKIS' CONCEPTION OF CREATIVITY AND THE NOTION OF EMERGENCE
Ioakeim, Nikos	Atrées: Is it a name or… something else?
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Jung, Jeyong	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
Jégo, Jean-François	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
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Klippel Neimog, Charles	Organizing just intonation pitches through Xenakis’ Sieves and Wilson’s CPS
Koeppen, Dietrich	Workshop with Participants: About Iannis Xenakis´ External Conflicts
Kotsani, Natalia	Stochastic Modeling of the Cicada Chorus
Kotsani, Natalia	Insect Sound ecology and stochastic models
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Labrada, Leonardo	Making possible the impossible: performative ideas and solutions in some Xenaki's percussion works
Lykoudis, Pantelis	XAS DECODED
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Manzolli, Jonatas	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
Marini, Hari	Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice
Metcalf, Thomas	Ekphrasis in the work of Iannis Xenakis
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Nakipbekova, Alfia	Nomos alpha by Iannis Xenakis and the problem of death and destiny Workshop: ‘Approaches to performing Nomos alpha and Kottos by Iannis Xenakis’
Nelson, Peter	What's the use of music?
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Oznobikhina, Irina	Space, Rhythm, and Architecture: Atmospheres in Works of Iannis Xenakis
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Palacio, Pablo	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Parthenios, Panagiotis	Site-specificity and Sonic Grains: An approach to sound synthesis by mapping point clouds of a specific site using granular synthesis techniques.
Paschalidou, Stella	Rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance Workshop rendering embodied experience into multimodal data: concepts, tools and applications for Xenakis' piano performance
Paté, Gilles	Immersive landscape recomposing the sound of a public square
Prati, Lorenzo	The Situationist Polytope
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Regnault, Cecile	BaXen. When Xenakis invites himself to a school of architecture. Immersive landscape recomposing the sound of a public square
Rossetti, Danilo	Mikka “S”, from Micro to Macrocomposition and Perception: Symbolic and Audio-feature Psychoacoustic Analyzes
Roussou, Maria	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Russell, Nicole	Xenakis' Influence on Electronica
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Schaub, Stéphan	Xenakis’ thinking about / in musical composition : an analysis of Metastasis’s central section
Schopfer, Mathias	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
Sevilgen, Serkan	Xenakis’s Matrix to Image Matrix: A Sonification Method Inspired by Achorripsis
Simões, Luan	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Sinou, Despina	The Xenakis case under international law. Aspects of nationality, transnationality, vulnerability and international responsibility
Slavíček, Marko	The Narrative of the Mycenae Polytope
Solomos, Makis	Pour la Paix. Analysing the piece and preparing its performance
Stergiou, Marina	Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work
Stump, Emmanuel	Making Mankind resonate through Time : The Xenakis’ undulating glass panes
Supper, Martin	The other Room. The influence of Iannis Xenakis on room acoustics
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Taheri, Mehdi	Persepolis Polytope: Resolving Fictitious Attributions from a Persianate Perspective
Tzortzis, Nicolas	Expanding the rhythmic writing of Iannis Xenakis in my works of the 2010's
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van Kreij, Johan	Rethinking/revisiting the Gendy model from the perspective of noise transformation as a compositional method
Vasquez Hadjilyra, Oswaldo Emiddio	Towards a Topological and Materialist Synthesis of Sound
Viana, Petrucio	An attempt at extending Xenakis’ compositional design of Herma through computational tools
Vincze, Davor	Algorithmic Composition with Max/MSP and OpenMusic
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Warrington, Miles	Insect Sound ecology and stochastic models
Watts, Andrew	Algorithmic Composition with Max/MSP and OpenMusic
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Yu, Yin	Towards Morphogenesis: The Growth Form in Xenakis’s Light
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Zannos, Iannis	Connecting Xenakis' work to cyberphysical performance in dance education and artistic practice Mapping materialities: Digital embodied interactions with Iannis Xenakis’ work

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