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Greetings from Nicholas Yatromanolakis, Deputy Minister of Culture and Sports, Greece
Greetings from National and Kapodistrian University of Athens:
Prof. Meletios-Athanassios Dimopoulos, Rector
Prof. Achilleas Chaldaiakis, Dean of the School of Philosophy
Greetings from chair of the symposium:
Prof. Anastasia Georgaki, NKUA
Prof. Makis Solomos, Université Paris 8
Mâkhi Xenakis, Les Amis de Xenakis
Concert:
Zyia (1952)
Aggeliki Kathariou, voice; Natalia Geraki, flute; Apostolos Palios, piano
Evryali (1973)
À r. (Hommage à Ravel) (1987)
Pavlos Antoniadis, piano
| 11:30 | What's the use of music? |
| 12:00 | Musical enunciation: the modes of temporal existence in Iannis Xenakis |
| 12:30 | Atrées: Is it a name or… something else? |
| 13:30 | Control or Chance? Considerations of Xenakien compositional strategies in contrast Cageian approaches |
| 14:00 | Waves and Architecture in Xenakis’s Jonchaies |
| 13:30 | Nomos alpha by Iannis Xenakis and the problem of death and destiny |
| 14:00 | Ekphrasis in the work of Iannis Xenakis |
| 16:15 | Workshop with Participants: About Iannis Xenakis´ External Conflicts |
| 18:00 | Immersive landscape recomposing the sound of a public square |
| 16:15 | Insect Sound ecology and stochastic models |
| 18:00 | Workshop: Synchronized spatial performance of graphics scores and computer assisted composition with MaxScore and Drawsocket |
Iannis XENAKIS: Orient Occident (1960, 4-channel musique concrète)
Panos ALEXIADIS
AGF
Iannis XENAKIS: Voyage Absolu des Unari vers Andomède (1989, 8-channel UPIC music)
PAN DAIJING
(spatialization of Xenakis' pieces: Paul Goutmann)