Space to Create: Expanding Possibilities, Meaning-Making and Collaboration
Le Groupe Ouest has been focusing for years on generating new creative and collaborative processes for screenwriters (cinema & series) in order to boost their elaborations as much as deepen their ability to generate meaning. Hundreds of writers, coming from all over the world, came to us in order to test our collaborative tools, with consistent results, dozens of films awarded in Cannes, Berlin, Sundance, Venice...
And year after year, we looked at our job with a perspective reaching beyond the world of cinema or series. It started 20 years ago, with an obvious observation. The act of writing in itself, most of the time blocks the creative process more than liberating it, as well as it blocks the possibility of introducing any real collaboration. We started to inject orality into the process, from as many angles as possible, bringing a much liberated substance, bringing also all the qualities the phenomenon of flow generates when we tell. In order to densify the layers with which we were playing, we brought huge paper boards allowing the writers to draw, to sketch, to generate collages of any kind...
And one day, we felt the need to use spatial means instead of flat boards to populate and deepen imaginary worlds. We ended up generating a GREENHOUSE aimed at idea generation, which not only opened a whole range of creative possibilities, but also allowed a renewed use of collaborative set ups. Because space allows presence, and not only the presence of one, but the excited presence of 3, 4, 5 collaborators in the process. And the GREENHOUSE started to open possibilities for education, ecology, politics...
Bio
Screenwriter, Founder & Artistic Director of Le Groupe Ouest Following a first life as a sailor fascinated by mathematics and an interrupted Phd in philosophy at the Sorbonne, he graduated from the CEEA in Paris (the French conservatory for film writing) in 1996. After writing and directing a few awarded short films, a Chamber Opera in Paris as well on-stage experiments with a Philharmonic Orchestra in Prague, he co-wrote the 3D animation series Ratz, wrote for independent cinema with directors like Atiq Rahimi or Lucile Hadzihalilovic, and won the Gan Foundation Prize as a writer in 2005. In 2005, he founded LE GROUPE OUEST in western Brittany/France, a place created by writers for writers in a seaside village. Le Groupe Ouest has become a leading place in Europe for the coaching of the script development phase in residency (more than two thousand writers and filmmakers from all over the world coached in the last 20 years). Since 2015, he launched a focus on the ideation phase (called Pre-writing), which path of research led him to launch the StoryTANK a European think tank putting together screenwriters and researchers coming from various fields (cognitive science, physiology, anthropology, phenomenology…), in order to open new understandings and perspectives.
Shane Beasle (The Institute of Contemporary Music Performance, UK)
Songwriting Workshop
ABSTRACT. You are invited to join in a collaborative songwriting workshop. During this highly practical session participants will be guided by songwriting practitioner Shane Beales to work together to create a brand new original song. This will be a great way to to cap off the week and to explore new possibilities! All levels of experience welcome whether you are seasoned writer, or this is your first time!
Beyond the Horizon: AI-Driven World-Building to Develop Adaptive Creativity
ABSTRACT. In times of relentless change and rapidly accelerating technologies, we must invent learning experiences that help students anticipate needs & opportunities and learn to adapt to an era of constant surprise.
To this end, we have developed a platform that immerses students in custom-generated futuristic worlds that they can explore by engaging with fictional characters, aiming to understand the potential needs of diverse stakeholders (from people to wildlife). As participants develop and propose design solutions to address those needs, the storyline evolves, challenging their assumptions and pushing them to adapt. It is a safe space to practice inquiry, anticipation, & flexibility, and where they can, in Jerome Bruner’s words, develop their own “heuristics of discovery” and knack for adapting—critical mindsets needed to face today’s ever-evolving challenges. Our design leans into LLM quirks like hallucinations, turning them into strengths that can support learning.
Note: Please bring your laptop if you can. We will work in pairs or trios, and each group will need one laptop to engage with the scenarios.
Christina Hnatov (University of Maryland, College Park, United States)
Noticing as a practice of possibility
ABSTRACT. Noticing is often cited as a critical skill for spotting opportunities for change. However, when we are only able to notice big, threatening, problems, our view of the world narrows and our ability to sit with ambiguity and be curious diminishes. This impacts our understanding of ourselves as actors with agency and impedes our ability to imagine new possibilities.
A robust practice of noticing is one that counteracts this tendency by inviting us to look beyond ourselves, connect with the present moment, and seek multiple perspectives; aiding the development of a more nuanced understanding of the world around us and our roles within it. Such a practice is unique to an individual, but can be built on a foundation of skills that can be learned and strengthened.
In this workshop, participants will engage in noticing as an intentional practice, through a series of exercises and reflections. Each exercise will invite participants to flex a different noticing “muscle,” engaging them in an embodied approach to noticing and helping them build - or strengthen - their personal noticing practices. Participants will leave with new techniques, a deeper understanding of their own practice of noticing, and resources with more to continue exploring.
ABSTRACT. This interactive session invites participants to explore the principles and practices behind designing interventions in Possibility Studies. Drawing on diverse disciplinary approaches, we will reflect together on how to construct meaningful toolkits that support individuals and communities in engaging with possibility, whether through imagination, futures thinking, creativity, or transformative action. Participants will be encouraged to share and examine their own experiences with interventions: What worked? What didn’t? Why? Through guided discussion, we will identify common strategies, pitfalls, and values underpinning effective possibility-enhancing practices. The session aims to foster a shared vocabulary and critical awareness around intervention design, with space to consider ethical, contextual, and methodological challenges. Whether you are developing educational tools, policy frameworks, or community-based projects, this session offers an opportunity to co-create insights into how Possibility Studies can inform practical, impactful change in the world.
ABSTRACT. This session examines what the range of empirical research in Possibility Studies looks like in practice and explores how the Possibility Studies Network (PSN) can support rigorous investigation in this emerging field. We will begin by introducing participants to the range of publishing opportunities associated with the network and also launch the PSN microgrants scheme designed to provide for seed funding for your own projects.
Alongside this, we invite you to be part of the conversation about the unique methodological challenges and opportunities that arise when researching possibility: How do we measure imagination, serendipity, curiosity or other key possibility variables? What constitutes evidence of expanded possibility horizons? How do we balance subjective experience with objective assessment? We will invite participants to share their own empirical research experiences, examining both successful approaches and methodological limitations they've encountered.
This discussion will act as the foundation of collaborative work to build actionable recommendations for a new research board to take forward to foster empirical possibility research so we sincerely invite all researchers with an interest in possibility research to attend.
To close the 5th International Conference of Possibility Studies, we warmly invite you to the launch of the DCU Centre for Possibility Studies, a new interdisciplinary research hub dedicated to creativity, imagination, futures thinking, and human flourishing. Held at the historic 1838 Club on DCU’s Glasnevin campus, the event features talks, music, and opportunities for informal exchange. A coach transfer from Maynooth University will be available for registered participants.
Programme Overview
Welcome Remarks
Professor Vlad Glăveanu, Director of the DCU Centre for Possibility Studies
Book Introduction The Creative Imperative, presented by editor Michael O’Reilly
A cross-disciplinary volume highlighting the central role of creativity in times of uncertainty
Keynote Talk FRICTION: Forged through Resistance, Impasse & Challenge
Dr. Wendy Ross (London Metropolitan University)
On how obstacles can become catalysts for creativity
Live Music Performance
Diogo Monzo, Brazilian pianist and composer
Drinks Reception
Light refreshments and informal discussion
Location
The event will take place at the 1838 Club, located on DCU’s Glasnevin Campus in Dublin. The venue is easily accessible and offers a unique blend of historic charm and modern facilities. A coach will depart from Maynooth University for registered participants.
For participants wishing to return to Maynooth, there are direct trains from Drumcondra station (a short bus ride from DCU) multiple times an hour.