PROGRAM
Days: Wednesday, June 14th Thursday, June 15th Friday, June 16th Saturday, June 17th
Wednesday, June 14th
View this program: with abstractssession overviewtalk overview
09:10-10:30 Session SMAC Papers: Strings 1
KEYNOTE
Chair:
Location: Kungasalen
| 09:10 | KEYNOTE: Mapping playability - The Schelleng diagram and its relatives for bowed strings and wind instruments (abstract) |
| 10:00 | A comparison of friction models for bow-string interaction based on experimental measurements (abstract) |
| 10:15 | Sound Analysis of Violin via Neural Network and Numerical Simulation (abstract) |
10:30-11:00Coffee Break
11:00-12:15 Session SMAC Papers: Strings 2
Chair:
Location: Kungasalen
| 11:00 | Numerical investigation of a plucking position estimation method in the time domain (abstract) |
| 11:15 | Effect of soundpost position adjustments on the perceptual and vibrational qualities of the violin (abstract) |
| 11:30 | Bowed string transients: enhanced modeling of friction and finite-width bows (abstract) |
| 11:45 | Helical Spring Mode Grouping (abstract) PRESENTER: Jacob McQuillan |
| 12:00 | Estimation of the elastic properties of a violin top plate using finite element models (abstract) |
12:15-13:00 Lunch Break
Location: Oktav
13:00-14:30 Session SMAC Papers: Wind Instruments
Chair:
Location: Kungasalen
| 13:00 | Characterization of Single-Reed Instrument Sound Generation Based on Ffowcs Williams-Hawkings Analogy (abstract) |
| 13:15 | Assessment of Performance Characteristics of the Sheng (Chinese Mouth-Organ) (abstract) |
| 13:30 | Acoustic Impedance Spectrometry of the Dízi (Chinese Transverse Flute): Fabrication and Fingerings (abstract) |
| 13:45 | Detecting efficiency in trumpet sound production: proposed methodology and pedagogical implications (abstract) |
| 14:00 | Transversal bending is an essential aspect of saxophone reed dynamics (abstract) |
| 14:15 | Trombone Range Profile and Voice Range Profile (abstract) |
14:30-15:00Coffee Break
15:00-16:00 Session SMAC Papers: Percussion
Chair:
Location: Kungasalen
| 15:00 | The reflection wave and loudness variations in harpsichords (abstract) |
| 15:15 | A Fast Algorithm for the Inversion of the Biharmonic in Plate Dynamics Applications (abstract)  |
| 15:30 | On the acoustics of the concert kantele (abstract) |
| 15:45 | Is a Woodblock an Aerophone? A discussion among acoustics and organology (abstract) |
16:00-17:00 Session SMAC Papers: Performance
Chair:
Location: Kungasalen
| 16:00 | MIPCAT - A Music Instrument Performance Capture and Analysis Toolbox (abstract) |
| 16:15 | How clarinettists convey emotion in music playing: measuring players’ gestures as well as signal parameters aspects using an innovative toolbox (abstract) |
| 16:30 | Development of Vocal Vibrato Measures During Conservatory Training - A Longitudinal Retrospective Study (abstract) |
| 16:45 | Impact of Singing Togetherness and Task Complexity on Choristers’ Body Motion (abstract) |
Thursday, June 15th
View this program: with abstractssession overviewtalk overview
09:00-09:10 Session SMAC Morning Info: Good morning and general information
Chair:
Location: Kungasalen
09:10-10:30 Session SMAC Papers: Voice 1
KEYNOTE
Chair:
Location: Kungasalen
| 09:10 | KEYNOTE: Technology-Based Real-Time Visual Feedback in the Education of Singers (abstract) |
| 10:00 | The impact of room acoustics on choristers' performance: from rehearsal space to concert hall (abstract) |
| 10:15 | Singing voice range profiling toolbox with real-time interaction and its application to make recording data reusable (abstract) |
10:30-10:45Coffee Break
10:45-11:45 Session SMAC Papers: Voice 2
Chair:
Location: Kungasalen
| 10:45 | Measurement of the vocal tract impedance at the mouth - from 1995 to today (abstract) |
| 11:00 | Preliminary acoustic analysis of articulation differences in spoken and sung French language by Greek classical singers. (abstract) |
| 11:15 | A pilot study of vocal vibrato incorporating nonlinear time series analysis (abstract) |
| 11:30 | Phonation and Collision Threshold Pressures associated with Menopause (abstract) |
12:00-13:00 SMC registration
Location: Oktav
12:15-13:00Lunch Break Oktav
13:00-15:00 Session SMC Papers 1
SMC Welcome address and first plenary paper session.
Chair:
Location: Kungasalen
| 13:00 | Structuring music for any sources (abstract) |
| 13:05 | Score-Informed MIDI Velocity Estimation for Piano Performance by FiLM Conditioning (abstract) |
| 13:10 | Accessible Sonification of Movement: A case in Swedish folk dance (abstract) |
| 13:15 | The "Collective Rhythms Toolbox": an audio-visual interface for coupled-oscillator rhythmic generation (abstract) |
| 13:20 | A Programmable Linux-Based FPGA Platform for Audio DSP (abstract) PRESENTER: Tanguy Risset |
| 13:25 | A Comparative Computational Approach to Piano Modeling Analysis (abstract) |
| 13:30 | A Real-Time Cochlear Implant Simulator - Design and Evaluation (abstract) |
| 13:35 | Song Popularity Prediction using Ordinal Classification (abstract) |
| 13:40 | Sonifying energy consumption using SpecSinGAN (abstract) |
15:00-16:00 Session SMC Keynote 1: Miller Puckette
KEYNOTE Miller Puckette, University of California San Diego, USA
Chair:
Location: Kungasalen
16:00-17:00 Session SMC Papers 2
Chair:
Location: Kungasalen
| 16:00 | Web Applications for Automatic Audio-to-Score Synchronization with Iterative Refinement (abstract) |
| 16:05 | Developing and evaluating a Musical Attention Control Training game application (abstract) |
| 16:10 | Efficient simulation of acoustic physical models with nonlinear dissipation (abstract) PRESENTER: Riccardo Russo |
| 16:15 | Ding-dong: Meaningful Musical Interactions with Minimal Input (abstract) |
| 16:20 | Introducing stateful conditional branching in Ciaramella (abstract) |
17:30-18:30 Session SMC Concert 1
CONCERT
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: Lilla Salen
| 17:30 | Matters 5 (abstract) |
| 17:35 | Stoppages Vol. 1 (abstract) |
| 17:40 | Windmills of Lapua (abstract) |
| 17:45 | In Summer Rain (abstract) |
19:00-21:00 Social Dinner
Location: Taste
21:00-23:45 Session SMC Evening Concert
EVENING CONCERT
The concert ends with the piece "Chopper" by Chris Chafe.
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: R1 Reaktorhallen
| 21:00 | Orchid Music: Florida Orchid DNA Synthesizer and Sequencer Performance (abstract) |
| 21:15 | licebyc~ (abstract) |
| 21:30 | Dancing Dots - the exhibition (abstract) |
| 21:45 | "Fail More" (abstract) |
Friday, June 16th
View this program: with abstractssession overviewtalk overview
09:30-11:00 Session SMC Papers 3
Chair:
Location: Kungasalen
| 09:30 | A Web-Based MIDI 2.0 Monitor (abstract) |
| 09:35 | A comparative analysis of latent regressor losses for singing voice conversion (abstract) |
| 09:40 | Citation is not Collaboration: Music-Genre Dependence of Graph-Related Metrics in a Music Credits Network (abstract) |
| 09:45 | A Microcontroller-Based Network Client Towards Distributed Spatial Audio (abstract) |
| 09:50 | Our sound space (OSS) – an installation for participatory and interactive exploration of soundscapes (abstract) |
| 09:55 | Resurrecting the violino arpa: a museum exhibition (abstract) |
| 10:00 | Salient Sights and Sounds: Comparing Visual and Auditory Stimuli Remembrance using Audio Set Ontology and Sonic Mapping (abstract) |
| 10:05 | What is the color of choro? Color preferences for an instrumental Brazilian popular music genre (abstract) |
| 10:10 | “Video Accompaniment”: Synchronous Live Playback for Score-Aligned Animation (abstract) |
11:00-12:00 Session SMC Keynote 2: Oliver Bown
KEYNOTE Oliver Bown, UNSW, Sydney, Australia
Chair:
Location: Kungasalen
12:00-12:45 Session SMC Concert 2
CONCERT
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: Nathan Milsteinsalen
| 12:00 | Community Dialogue: A participatory performance inspired by Pauline Oliveros’ Sonic Meditations and scientific experiment with live EEG data collection (abstract) |
| 12:05 | Der hohle Zahn (abstract) |
| 12:10 | "Elevator Pitch" for clarinet and electronics (2022) (abstract) |
12:45-14:00Lunch Break Oktav
14:00-15:30 Session SMC Papers 4
Chair:
Location: Kungasalen
| 14:00 | Post-mix vocoding and the making of All You Need Is Lunch (abstract) |
| 14:05 | WebChucK IDE: A Web-Based Programming Sandbox for ChucK (abstract) |
| 14:10 | An artistic audiotactile installation for augmented music. (abstract) |
| 14:15 | Embodied Tempo Tracking with a Virtual Quadruped (abstract) |
| 14:20 | Generating symbolic music using diffusion models (abstract) |
| 14:25 | musif: a Python package for symbolic music feature extraction (abstract) |
| 14:30 | Heat-sensitive sonic textiles: increasing awareness of the energy we save by wearing warm fabrics (abstract) |
| 14:35 | Playing the Design: Creating Soundscapes through Playful Interaction (abstract) |
15:30-16:00 Session SMC Concert 3
CONCERT
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: Lilla Salen
| 15:30 | Glitch Mass (abstract) |
| 15:35 | La Mer Emeraude (abstract) |
16:00-17:30 Session SMC Papers 5: Online presentations
The papers are presented remotely, and a moderated panel session with all authors and the on-site participants follows directly in the lecture hall.
Chair:
Location: Kungasalen
| 16:00 | Temporality Across Three Media: Inner Transmissions (abstract) |
| 16:05 | Design Process in Visual Programming: Methods for Visual and Temporal Analysis (abstract) |
| 16:10 | Sculpting Algorithmic Pattern: Informal and Visuospatial Interaction in Musical Instrument Design (abstract) |
| 16:15 | Conditional sound effects generation with regularized WGAN (abstract) |
| 16:20 | Interactive music score completion (abstract) |
| 16:25 | A Qualitative Investigation of Binaural Spatial Music in Virtual Reality (abstract) |
| 16:30 | Comparing various sensors for capturing human micromotion (abstract) |
17:30-18:30 Session SMC Concert 4
CONCERT
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: Lilla Salen
| 17:30 | Morphogenesis (abstract)  |
| 17:35 | "Backlash": an idiomatic live-electronics performance to the KMH Klangkupolen (abstract) |
| 17:40 | CATÁSTROFES (2023) FOR MULTICHANNEL SYSTEM ARRAY (abstract) |
Saturday, June 17th
View this program: with abstractssession overviewtalk overview
09:00-11:00 Session SMC Papers 6
Chair:
Location: Kungasalen
| 09:00 | Sound Design Strategies For Latent Audio Space Explorations Using Deep Learning Architectures (abstract) PRESENTER: Kıvanç Tatar |
| 09:05 | A real-time cent-sensitive strobe-like tuning software based on spectral estimates of the Snail-Analyser (abstract) |
| 09:10 | DJeye: Towards an Accessible Gaze-Based Musical Interface for Quadriplegic DJs (abstract) |
| 09:15 | Principal Component Analysis of binaural HRTF pairs (abstract) |
| 09:20 | Multi-Source Contrastive Learning for Musical Audio (abstract) |
| 09:25 | Music Boundary Detection Using Local Contextual Information Based on Implication-Realization Model (abstract) |
| 09:30 | Daisy Dub: a modular and updateable real-time audio effect for music production and performance (abstract) |
| 09:35 | Quantifying the Extended Acceptance of Pioneering Art Music Through the Creation of Electroacoustic Music (abstract) PRESENTER: Soma Arai |
| 09:40 | Exploring polyphonic accompaniment generation using generative adversarial networks (abstract) |
| 09:45 | Vibrotactile feedback enhances perceived arousal and listening experience in music (abstract) |
11:00-12:00 Session SMC Keynote 3: Lise-Lotte Norelius
KEYNOTE Lise-Lotte Norelius, eam composer and performer of live-electronics and percussion, Stockholm, Sweden
Chair:
Location: Kungasalen
12:00-12:45 Session SMC Concert 5
CONCERT
Lise-Lotte Norelius' keynote talk continues with the piece You are the Flower.
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: Nathan Milsteinsalen
| 12:00 | A Dialogue, In Linear A (abstract) |
| 12:05 | Impression of the Pagoda (abstract) |
| 12:10 | Post-Music #33:2.2 (abstract) |
12:45-14:00Lunch Break Oktav
14:00-15:30 Session SMC Papers 7
Chair:
Location: Kungasalen
| 14:00 | A digital toolbox for musical analysis of computer music: exploring music and technology through sonic experience (abstract) |
| 14:05 | Dynamical Complexity Measurement with Random Projection: A Metric Optimised for Realtime Signal Processing (abstract) |
| 14:10 | VocalHUM: real-time whisper-to-speech enhancement for patients with vocal frailty (abstract) |
| 14:15 | TickTacking -- Drawing trajectories with two buttons and rhythm (abstract) |
| 14:20 | Polyspring: a Python toolbox to manipulate 2-D sound database representations (abstract) |
| 14:25 | XR etudes for augmented piano (abstract) |
| 14:30 | Automatic legato transcription based on onset detection (abstract) |
| 14:35 | Real-Time Implementation of the Kirchhoff Plate Equation using Finite-Difference Time-Domain Methods on CPU (abstract) |
15:30-16:00 Session SMC Concert 6
CONCERT
Note: For the exact times of the pieces, please refer to the concert schedule.
Location: Lilla Salen
| 15:30 | Self-Built Instrument (abstract) |
| 15:35 | The Eighth Island (abstract) |
| 15:40 | Status I (abstract) |
16:00-16:15 Session Concert
Music as Script by Johan Fröst, Henrik Frisk and Claudio Panariello.
MAS (Music As Script) is a project that aims to develop a method to augment and deepen spectators' musical experience and increase accessibility to the music message. This is achieved by leveraging on inter-modality between hearing and seeing) to illuminate musical narrative, events, architecture, and form.
Location: Kungasalen
16:15-17:15 Session SMC Papers 8: Online presentations
The papers are presented remotely, and a moderated panel session with all authors and the on-site participants follows directly in the lecture hall.
Chair:
Location: Kungasalen
| 16:15 | Modeling Piano Fingering Decisions with Conditional Random Fields (abstract) |
| 16:20 | Using Deep Learning and Low-Frequency Fourier Analysis to Predict Parameters of Coupled Non-Linear Oscillators for the Generation of Complex Rhythms (abstract) |
| 16:25 | F0 analysis of Ghanaian pop singing reveals progressive alignment with equal temperament over the past three decades: a case study (abstract) |
| 16:30 | Crepe notes: a new method for segmenting pitch contours into discrete notes (abstract) |
| 16:35 | The effect of actuating the bass trombone second valve on the quality of note transition in legato (abstract) |
17:15-17:30 Session SMC Closing: Closing remarks and announcements
SMC Closing remarks and announcements
Location: Kungasalen