PROGRAM
Days: Wednesday, June 14th Thursday, June 15th Friday, June 16th Saturday, June 17th
Wednesday, June 14th
View this program: with abstractssession overviewtalk overview
09:10-10:30 Session SMAC Papers: Strings 1
KEYNOTE
Chair:
Location: 1E207
| 09:10 | MAPPING PLAYABILITY: THE SCHELLENG DIAGRAM AND ITS RELATIVES FOR BOWED STRINGS AND WIND INSTRUMENTS (abstract) |
| 10:00 | A COMPARISON OF FRICTION MODELS FOR BOW-STRING INTERACTION BASED ON EXPERIMENTAL MEASUREMENTS (abstract) |
| 10:15 | Sound Analysis of Violin via Neural Network and Numerical Simulation (abstract) |
11:00-12:15 Session SMAC Papers: Strings 2
Chair:
Location: 1E207
| 11:00 | Numerical investigation of a plucking position estimation method in the time domain (abstract) |
| 11:15 | Effect of soundpost position adjustments on the perceptual and vibrational qualities of the violin (abstract) |
| 11:30 | BOWED STRING TRANSIENTS: ENHANCED MODELING OF FRICTION AND FINITE-WIDTH BOWS (abstract) |
| 11:45 | Helical Spring Mode Grouping (abstract) |
| 12:00 | Estimation of the elastic properties of a violin top plate using finite element models (abstract) |
13:00-14:30 Session SMAC Papers: Wind Instruments
Location: 1E207
| 13:00 | Characterization of Single-Reed Instrument Sound Generation Based on Ffowcs Williams-Hawkings Analogy (abstract) |
| 13:15 | Assessment of Performance Characteristics of the Sheng (Chinese Mouth-Organ) (abstract) |
| 13:30 | Acoustic Impedance Spectrometry of the Dízi (Chinese Transverse Flute): Fabrication and Fingerings (abstract) |
| 13:45 | Detecting efficiency in trumpet sound production: proposed methodology and pedagogical implications (abstract) |
| 14:00 | Transversal bending is an essential aspect of saxophone reed dynamics (abstract) |
| 14:15 | Trombone Range Profile and Voice Range Profile (abstract) |
15:00-16:00 Session SMAC Papers: Percussion
Location: 1E207
| 15:00 | THE REFLECTION WAVE AND LOUDNESS VARIATIONS IN HARPSICHORDS (abstract) |
| 15:15 | A Fast Algorithm for the Inversion of the Biharmonic in Plate Dynamics Applications (abstract) |
| 15:30 | On the acoustics of the concert kantele (abstract) |
| 15:45 | Is a Woodblock an Aerophone? A discussion among acoustics and organology (abstract) |
16:00-17:00 Session SMAC Papers: Performance
Chair:
Location: 1E207
| 16:00 | MIPCAT - A Music Instrument Performance Capture and Analysis Toolbox (abstract) |
| 16:15 | How clarinettists convey emotion in music playing: measuring players’ gestures as well as signal parameters aspects using an innovative toolbox (abstract) |
| 16:30 | Development of Vocal Vibrato Measures During Conservatory Training - A Longitudinal Retrospective Study (abstract) |
| 16:45 | IMPACT OF SINGING TOGETHERNESS AND TASK COMPLEXITY ON CHORISTERS’ BODY MOTION (abstract) |
Thursday, June 15th
View this program: with abstractssession overviewtalk overview
09:10-10:30 Session SMAC Papers: Voice 1
KEYNOTE
Location: 1E207
| 09:10 | Technology-Based Real-Time Visual Feedback in the Education of Singers (abstract) |
| 10:00 | The impact of room acoustics on choristers' performance: from rehearsal space to concert hall (abstract) |
| 10:15 | Singing voice range profiling toolbox with real-time interaction and its application to make recording data reusable (abstract) |
11:00-12:00 Session SMAC Papers: Voice 2
Location: 1E207
| 11:00 | Measurement of the vocal tract impedance at the mouth - from 1995 to today (abstract) |
| 11:15 | Preliminary acoustic analysis of articulation differences in spoken and sung French language by Greek classical singers. (abstract) |
| 11:30 | A pilot study of vocal vibrato incorporating nonlinear time series analysis (abstract) |
| 11:45 | Phonation and Collision Threshold Pressures associated with Menopause (abstract) |
12:00-13:00Lunch Break Oktav
12:00-13:00 SMC registration
Location: Oktav
13:00-15:00 Session SMC Papers 1
SMC Welcome address and first plenary paper session.
Location: Kungasalen
| 13:00 | STRUCTURING MUSIC FOR ANY SOURCES (abstract) |
| 13:05 | Score-Informed MIDI Velocity Estimation for Piano Performance by FiLM Conditioning (abstract)  |
| 13:10 | Accessible Sonification of Movement: A case in Swedish folk dance (abstract) |
| 13:15 | The "Collective Rhythms Toolbox": an audio-visual interface for coupled-oscillator rhythmic generation (abstract) |
| 13:20 | A Programmable Linux-Based FPGA Platform for Audio DSP (abstract) |
| 13:25 | A Comparative Computational Approach to Piano Modeling Analysis (abstract) |
| 13:30 | A Real-Time Cochlear Implant Simulator - Design and Evaluation (abstract) |
| 13:35 | Song Popularity Prediction using Ordinal Classification (abstract) |
| 13:40 | Sonifying energy consumption using SpecSinGAN (abstract) |
15:00-16:00 Session SMC Keynote 1: Miller Puckette
KEYNOTE Miller Puckette, University of California San Diego, USA
Location: Kungasalen
16:00-17:00 Session SMC Papers 2
Location: Kungasalen
| 16:00 | Web Applications for Automatic Audio-to-Score Synchronization with Iterative Refinement (abstract) |
| 16:05 | Developing and evaluating a Musical Attention Control Training game application (abstract) |
| 16:10 | EFFICIENT SIMULATION OF ACOUSTIC PHYSICAL MODELS WITH NONLINEAR DISSIPATION (abstract) |
| 16:15 | Ding-dong: Meaningful Musical Interactions with Minimal Input (abstract) |
17:30-18:30 Session SMC Concert 1
CONCERT
Note: For the exact times of the pieces, please refer to the concert program.
Location: Lilla Salen
| 17:30 | Matters 5 (abstract) |
| 17:35 | Stoppages Vol. 1 (abstract) |
| 17:40 | Windmills of Lapua (abstract) |
| 17:45 | Status I (abstract) |
19:00-21:00 Social Dinner
Location: Taste
Friday, June 16th
View this program: with abstractssession overviewtalk overview
09:30-11:00 Session SMC Papers 3
Location: Kungasalen
| 09:30 | A Web-Based MIDI 2.0 Monitor (abstract) |
| 09:35 | A COMPARATIVE ANALYSIS OF LATENT REGRESSOR LOSSES FOR SINGING VOICE CONVERSION (abstract) |
| 09:40 | Citation is not Collaboration: Music-Genre Dependence of Graph-Related Metrics in a Music Credits Network (abstract) |
| 09:45 | A Microcontroller-Based Network Client Towards Distributed Spatial Audio (abstract) |
| 09:50 | OUR SOUND SPACE (OSS) – AN INSTALLATION FOR PARTICIPATORY AND INTERACTIVE EXPLORATION OF SOUNDSCAPES (abstract) |
| 09:55 | RESURRECTING THE VIOLINO ARPA: A MUSEUM EXHIBITION (abstract) |
| 10:00 | Salient Sights and Sounds: Comparing Visual and Auditory Stimuli Remembrance using Audio Set Ontology and Sonic Mapping (abstract) |
| 10:05 | WHAT IS THE COLOR OF CHORO? COLOR PREFERENCES FOR AN INSTRUMENTAL BRAZILIAN POPULAR MUSIC GENRE (abstract) |
11:00-12:00 Session SMC Keynote 2: Oliver Bown
KEYNOTE Oliver Bown, UNSW, Sydney, Australia
Location: Kungasalen
12:00-12:45 Session SMC Concert 3
CONCERT
Note: For the exact times of the pieces, please refer to the concert program.
Location: Nathan Milsteinsalen
| 12:00 | Community Dialogue: A participatory performance inspired by Pauline Oliveros’ Sonic Meditations and scientific experiment with live EEG data collection (abstract) |
| 12:05 | Der hohle Zahn (abstract) |
| 12:10 | "Elevator Pitch" for clarinet and electronics (2022) (abstract) |
12:45-14:00Lunch Break Oktav
14:00-15:30 Session SMC Papers 4
Location: Kungasalen
| 14:00 | Post-mix vocoding and the making of All You Need Is Lunch (abstract) |
| 14:05 | WebChucK IDE: A Web-Based Programming Sandbox for ChucK (abstract) |
| 14:10 | AN ARTISTIC AUDIOTACTILE INSTALLATION FOR AUGMENTED MUSIC. (abstract) |
| 14:15 | Embodied Tempo Tracking with a Virtual Quadruped (abstract) |
| 14:20 | Generating symbolic music using diffusion models (abstract) |
| 14:25 | musif: a Python package for symbolic music feature extraction (abstract) |
| 14:30 | Heat-sensitive sonic textiles: increasing awareness of the energy we save by wearing warm fabrics (abstract) |
| 14:35 | Playing the Design: Creating Soundscapes through Playful Interaction (abstract) |
15:30-16:00 Session SMC Concert 4
CONCERT
Note: For the exact times of the pieces, please refer to the concert program.
Location: Lilla Salen
| 15:30 | Glitch Mass (abstract) |
| 15:35 | La Mer Emeraude (abstract) |
16:00-17:30 Session SMC Papers 5: Online presentations
The papers are presented remotely, and a moderated panel session with all authors and the on-site participants follows directly in the lecture hall.
Location: Kungasalen
| 16:00 | Temporality Across Three Media: Inner Transmissions (abstract) |
| 16:05 | Design Process in Visual Programming: Methods for Visual and Temporal Analysis (abstract) |
| 16:10 | “Video Accompaniment”: Synchronous Live Playback for Score-Aligned Animation (abstract) |
| 16:15 | Sculpting Algorithmic Pattern: Informal and Visuospatial Interaction in Musical Instrument Design (abstract) |
| 16:20 | Conditional sound effects generation with regularized WGAN (abstract) |
| 16:25 | INTERACTIVE MUSIC SCORE COMPLETION (abstract) |
| 16:30 | A Qualitative Investigation of Binaural Spatial Music in Virtual Reality (abstract) |
| 16:35 | Comparing various sensors for capturing human micromotion (abstract) |
17:30-18:30 Session SMC Concert 5
CONCERT
Note: For the exact times of the pieces, please refer to the concert program.
Location: Lilla Salen
| 17:30 | Morphogenesis (abstract) |
| 17:35 | "Backlash": an idiomatic live-electronics performance to the KMH Klangkupolen (abstract) |
| 17:40 | CATÁSTROFES (2023) FOR MULTICHANNEL SYSTEM ARRAY (abstract) |
Saturday, June 17th
View this program: with abstractssession overviewtalk overview
09:00-11:00 Session SMC Papers 6
Location: Kungasalen
| 09:00 | Sound Design Strategies For Latent Audio Space Explorations Using Deep Learning Architectures (abstract) PRESENTER: Kıvanç Tatar |
| 09:05 | A real-time cent-sensitive strobe-like tuning software based on spectral estimates of the Snail-Analyser (abstract) |
| 09:10 | DJeye: Towards an Accessible Gaze-Based Musical Interface for Quadriplegic DJs (abstract) |
| 09:15 | Principal Component Analysis of binaural HRTF pairs (abstract) |
| 09:20 | Multi-Source Contrastive Learning for Musical Audio (abstract) |
| 09:25 | Music Boundary Detection Using Local Contextual Information Based on Implication-Realization Model (abstract) |
| 09:30 | Daisy Dub: a modular and updateable real-time audio effect for music production and performance (abstract) |
| 09:35 | Quantifying the Extended Acceptance of Pioneering Art Music Through the Creation of Electroacoustic Music (abstract) PRESENTER: Soma Arai |
| 09:40 | EXPLORING POLYPHONIC ACCOMPANIMENT GENERATION USING GENERATIVE ADVERSARIAL NETWORKS (abstract) |
| 09:45 | VIBROTACTILE FEEDBACK ENHANCES PERCEIVED AROUSAL AND LISTENING EXPERIENCE IN MUSIC (abstract) |
11:00-12:00 Session SMC Keynote 3: Lise-Lotte Norelius
KEYNOTE Lise-Lotte Norelius, eam composer and performer of live-electronics and percussion, Stockholm, Sweden
Location: Kungasalen
12:00-12:45 Session SMC Concert 6
CONCERT
Lise-Lotte Norelius' keynote talk continues with the piece You are the Flower.
Note: For the exact times of the pieces, please refer to the concert program.
Location: Nathan Milsteinsalen
| 12:00 | A Dialogue, In Linear A (abstract) |
| 12:05 | Impression of the Pagoda (abstract) |
| 12:10 | Post-Music #33:2.2 (abstract) |
12:45-14:00Lunch Break Oktav
14:00-15:30 Session SMC Papers 7
Location: Kungasalen
| 14:00 | A digital toolbox for musical analysis of computer music: exploring music and technology through sonic experience (abstract) |
| 14:05 | Dynamical Complexity Measurement with Random Projection: A Metric Optimised for Realtime Signal Processing (abstract) |
| 14:10 | VocalHUM: real-time whisper-to-speech enhancement for patients with vocal frailty (abstract) |
| 14:15 | TickTacking -- Drawing trajectories with two buttons and rhythm (abstract) |
| 14:20 | POLYSPRING : A PYTHON TOOLBOX TO MANIPULATE 2-D SOUND DATABASE REPRESENTATIONS (abstract) |
| 14:25 | XR etudes for augmented piano (abstract) |
| 14:30 | AUTOMATIC LEGATO TRANSCRIPTION BASED ON ONSET DETECTION (abstract) |
| 14:35 | Real-Time Implementation of the Kirchhoff Plate Equation using Finite-Difference Time-Domain Methods on CPU (abstract) |
15:30-16:00 Session SMC Concert 7
CONCERT
Note: For the exact times of the pieces, please refer to the concert program.
Location: Lilla Salen
| 15:30 | Self-Built Instrument (abstract) |
| 15:35 | The Eighth Island (abstract) |
| 15:40 | In Summer Rain (abstract) |
16:00-17:15 Session SMC Papers 8: Online presentations
The papers are presented remotely, and a moderated panel session with all authors and the on-site participants follows directly in the lecture hall.
Location: Kungasalen
| 16:00 | The effect of actuating the bass trombone second valve on the quality of note transition in legato (abstract) |
| 16:05 | Modeling Piano Fingering Decisions with Conditional Random Fields (abstract) |
| 16:10 | Using Deep Learning and Low-Frequency Fourier Analysis to Predict Parameters of Coupled Non-Linear Oscillators for the Generation of Complex Rhythms (abstract) |
| 16:15 | F0 ANALYSIS OF GHANAIAN POP SINGING REVEALS PROGRESSIVE ALIGNMENT WITH EQUAL TEMPERAMENT OVER THE PAST THREE DECADES: A CASE STUDY (abstract) |
| 16:20 | CREPE NOTES: A NEW METHOD FOR SEGMENTING PITCH CONTOURS INTO DISCRETE NOTES (abstract) |
17:15-17:30 Session SMC Closing: Closing remarks and announcements
SMC Closing remarks and announcements