Program for Thursday, June 29th: Talk View

PROGRAM FOR THURSDAY, JUNE 29TH: TALK VIEW

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View: with abstracts session overview

9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

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17:30

18:00

18:30

19:00

19:30

09:00-09:30

“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working

Franziska Brunner

09:30-10:00

Two metrical problems in Webern’s Streichquartett, Op. 28

William van Geest

10:00-11:00

Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)

Sebastian Wedler

11:00-11:30

Interval Pairing in a Serial Context: Webern’s Variations, Op. 30

Stephen Brown

11:30-12:00

Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form

Yi-Cheng Daniel Wu

09:00-09:30

Towards objectivity in automatic segmentation of music score by XML/MIDI language.

Bareggi Andrea

09:30-10:00

Micro-Diatonicism and Formal Structure in 20th-Century Music

Rachel Mazzucco

10:00-11:00

Computergestützte Analyse und ihr praktischer Einsatz in der musiktheoretischen Lehre

Egor Poliakov

11:00-11:30

Computer Generated Orchestration: Towards Using Musical Timbre in Composition

Aurelien Antoine, Eduardo Miranda

11:30-12:00

Stylometric Analysis of Music in Search of Cross-cultural Similarities

Marcin Strzelecki

09:00-09:30

Prometeo, Tragedia dell’ascolto – ‘A new way of thinking music’ in Nono

Hyun Höchsmann

09:30-10:00

Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music.

Bruce Quaglia

10:00-11:00

"Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein"

Joachim Junker

11:00-11:30

Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of

Gui-Hwan Lee

11:30-12:00

Analyse de Jour, contre jour de Gérard Grisey: une approche perceptive

Julie Delisle

12:00-12:30

'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of

Pierluca Lanzilotta

09:00-09:30

Interactions between Topics and Schemata: The Case of the Sacred Romanesca

Olga Sanchez

09:30-10:00

A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions

Michael Baker

10:00-11:00

Fonte And Monte in the Symphonies of Joseph Haydn

David Jayasuriya

11:00-11:30

On footprints of "Galant Style" in Mendelssohn's music learning

Marina Mezzina

11:30-12:00

Partimenti, un metodo per imparare, fare, comporre musica ieri e oggi

Paolo Teodori

12:00-12:30

Gjerdingen's Schemata Re-Examined

Gilad Rabinovitch

09:00-09:30

Expressive performance analysis of children aged 4-5 years: teaching models and vocal abilities

Johannella Tafuri

09:30-10:00

Solfeggi: Sounding their hidden Depths

Claire Roberts

10:00-11:00

Mobile Way to Music Analysis: Learning Fundamentals Digitally

Marina Karaseva

11:00-11:30

J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New

Derek Remeš

11:30-12:00

Processus d'analyse dans le contexte d'un Cours d'Ecriture-Composition

Jean-Michel Bardez

12:00-12:30

Watch this space: On Blended Learning and Music Analysis in the Classroom

Edward Venn

09:00-09:30

Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der

Elena Chernova

09:30-10:00

The evolution of Scriabin’s language through the evolution of the mystic chord

Bert Van Herck

10:00-11:00

Hearing Function in Post-Tonal Contexts

Anabel Maler

11:00-11:30

Chord Superimposition in Two Late Orchestral Works by Ferruccio Busoni

Colin Davis

11:30-12:00

Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony

José Oliveira Martins

12:00-12:30

A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay

Randy Zane Gillespie Jr. D.M.A.

09:00-09:30

Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du

Mathilde Zagala

09:30-10:00

Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and

Paulo Perfeito

10:00-11:00

Wayne Shorter and the 12-bar Blues Form

Patrick Schenkius

11:00-11:30

Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces

Barbara Bleij

11:30-12:00

The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad

Walther Stuhlmacher

09:00-09:30

Compositional Strategies in non-Western music. The case of Turkmen music

Slawomira Kominek

09:30-10:00

Metric elements in free rhythm Taksim Improvisations.

Michalis Cholevas, Juliano Abramovay

10:00-11:00

ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES

Fériel Bouhadiba

11:00-11:30

L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes

Anas Ghrab

11:30-12:00

Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du

Nidaa Abou Mrad

09:00-09:30

Les rôles respectifs du sujet et de l’objet en analyse de l’orientalisme musical

Renata Skupin

09:30-10:00

What is the ‘sound of the revolt’ and how to make music-analytical sense out of it?

Beate Kutschke

10:00-11:00

Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?

Alexandre Robert, Irina Kirchberg

11:00-11:30

Score, Record, and Bytes: Influence of Musical Medium on Analysis

Joon Park

11:30-12:00

Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale

Hugues Seress

09:00-09:30

Goehr’s Piano Sonata through a Transformational Lens

Hei Yeung Lai

09:30-10:00

Exploring Linear-Analytical Elements in the Writings of Leo Mazel

Ellen Bakulina

10:00-11:00

A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case

Yvonne Teo

11:00-11:30

Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories

Hiroko Nishida

11:30-12:00

Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism

Thomas Jul Kirkegaard-Larsen

12:00-12:30

Exploring the limits of neo-Riemannian theory

Walter Nery Filho

14:00-14:30

A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816

Ildar Khannanov

14:30-15:00

Cognitive Aspects of Gradual Modulation

Dimitar Ninov

15:00-16:00

1917 Modulating the World into a Different Key

Ivan Moshchuk

16:00-16:30

Psychoanalytic Reflections on Modulation

Milos Zatkalik

16:30-17:00

Modulation as Structure and as an Act

Panel Discussion

14:00-14:30

The Do-Re-Mi revisited: Historical Underpinnings of a Schema

Peter van Tour

14:30-15:00

Teaching Partimento Analysis and Realization in Paris

Robert Gjerdingen

15:00-16:00

Verdi and the Eighteenth century Neapolitan Tradition

Giorgio Sanguinetti

16:00-16:30

(Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical

Vasili Byros

16:30-17:00

Bungled Schemata, Accent, and Class Prejudice in Haydn's 'Joke' Quartet

Nicholas Baragwanath

14:00-14:30

Describing prosody in Debussy’s songs

Benedikt Leßmann

14:30-15:00

L’effet des mimiques de l’interprète dans la perception de l’humour debussyste

Benjamin Lassauzet

15:00-16:00

Expectancy situations, sound and form in Debussy’s Nocturnes

Lukas Haselboeck

16:00-16:30

Desperately seeking a ‘Debussy style’ in the performance of the orchestral music

Simon Trezise

14:00-14:30

Paul Ben-Haim: Between East and West

Liran Gurkiewicz

14:30-15:00

Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily,

Stefano Lombardi Vallauri

15:00-16:00

Post-tonal harmonic theories in Italy from the beginning of the twentieth century to present day. In search of a

Massimiliano Locanto

16:00-16:30

The Role of Cultural Constraints in the Development of Music Theory and Analysis in Modern Cyprus

Vasilis Kallis

16:30-17:00

Italy, Israel and Cyprus: Identifying intrinsic elements, addressing diversity and continuity

Panel Discussion

14:00-14:30

Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony

Nicolas Meeùs

14:30-15:00

Tonal coherence in pre-modal polyphony. The secular repertoires of the ars subtilior.

Christophe Guillotel-Nothmann

15:00-16:00

Lasso, Meier, Powers. The Reality of the Modes under Scrutiny

Anne-Emmanuelle Ceulemans

16:00-16:30

Is modality still a compositional tool in Monteverdi's 1610 Mass?

Daniele Sabaino, Marco Mangani

16:30-17:00

Modal and Tonal Organization in Polyphonic Compositions

Panel Discussion

14:00-14:30

Striking Approaches to Recapitulations

Poundie Burstein

14:30-15:00

Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to

Anne M. Hyland

15:00-16:00

A Theory of Tonal Alterations in Sonata Recapitulations

Jonathan Guez

16:00-16:30

Et Tu, Debussy and Ravel: fin-de-siècle Recapitulations, 1890-1925

Andrew Aziz

16:30-17:00

Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos

Rebecca Perry, Becky Perry

14:00-14:30

Paul Hindemith and the Spectralists

Alexandra Monchick

14:30-15:00

Jean-Louis Florentz: Hospitality and Spectralism

Robert Sholl

15:00-16:00

Spectral Aesthetics and ecological listening in the music of Helena Tulve

Amy Bauer

16:00-16:30

Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound

Nicole Grimes

16:30-17:00

Analysis at the crossroads of different traditions, methodologies and concepts of sound

Panel Discussion

14:00-14:30

Sound as epistemic construct and music as experience: new perspectives on musical sense-making

Mark Reybrouck

14:30-15:00

Conceptualizing the "perceptualization" of timbre: epistemic and analytic reflections

Nora Engebretsen

15:00-16:00

Form as Timbral Mapping: Process Ontologies for Recorded Popular Music

Alessandro Bratus

16:00-16:30

Music as Sound Process: Kurth’s Bruckner and the Timbral Insider

Alessandro Cecchi

16:30-17:00

Against Timbre, Harmony: The Case of African Music

Martin Scherzinger

17:00-17:45

A Paradigm for Studying the Transition from Modality to Tonality in the Seventeenth Century

Rudolf Rasch

17:00-17:45

Musical gesture as a means of composition in recent music: some observations

Tatiana Tsaregradskaya

17:00-17:45

Performance and analysis : an empirical research on the interactions between analysts and performers

Mario Baroni, Anna Maria Bordin, Antonio Grande, Luca Marconi, Egidio Pozzi

18:00-19:30 Careers Forum