Session 7A

The Second Viennese School (II): Pairing Schoenberg and Webern

Session 7B

New Technologies and Analysis (I)

Session 7C

The Second Twentieth Century: Between Italy and France

Session 7D

Partimento and Schemata

Session 7E

Teaching and Pedagogy (I)

Session 7F

Leaving – and Regaining – the Shores of Tonality

Session 7G

Stylistic Features of Jazz

Session 7H

Music of the Non-Western World: The Mediterranean and Beyond

Session 7I

Anthropology, Sociology, and Cultural Studies

Session 7J

Schenkerian, Riemannian, and Neo-Riemannian Theories

Session 8A

Modulation as Perceived by the Listener

Session 8B

Analyzing Models and Creativity in the Long Eighteenth Century

Session 8C

Interpreting and Listening to the Music of Debussy

Session 8D

Aspects of Music Theory & Analysis Practices in the Mediterranean Region: Italy, Cyprus, and Israel

Session 8E

Modal and Tonal Organization in Polyphonic Compositions from the Late Middle Ages to the Early Baroque

Session 8F

Quel futur pour la Formenlehre? Challenging Recapitulatory Paradigms

Session 8G

Spectralism on the Margins: Spectral Ideas and Intercultural Influence

Session 8H

Epistemologies of Music Theory and Analysis: Sound and Timbre between Structure and Epistemic Construct

Session 9A

Semi-Plenary Talk 4 (VvM)

Session 9B

Semi-Plenary Talk 5 (OTM)

Session 9C

Semi-Plenary Talk 6 (GATM)

Session 10

Careers Forum