Session 1

Welcome Address and Introduction

Session 2

Plenary Lecture I

Session 3A

Opposing Opposites in America: Babbitt and Reich

Session 3B

Musical Semiotics and Narrativity

Session 3C

French Music (I): Fauré and Saint-Saëns

Session 3D

Readings of Franz Liszt

Session 3E

Contrasting Paths to Modernism: Bartók, Skalkottas and Christou

Session 3F

Analysing Arvo Pärt's Music

Session 3G

Improvisation and Style

Session 3H

European Instrumental Music of the 18th Century

Session 3I

Contemporary Musical Horizons (I)

Session 4A

The Second Viennese School (I): Berg, Organicism, and the Teleology of Form

Session 4B

Leading Figures of Modernity (I): Messiaen, Dutilleux, and Kurtág

Session 4C

Bridging the Twentieth Century: Stravinsky, Varèse, and Boulez

Session 4D

French Music (II): Berlioz and Debussy

Session 4E

Issues of Rhythm and Metre

Session 4F

Falling Nicely Into Place: The Cadence in History and Theory

Session 4G

Sounds of Popular Music (I)

Session 4H

Performance Studies

Session 4I

Lewin's Legacy: Spaces and Transformations

Session 4J

Listening, Perceiving, and Cognising

Session 5A

Semi-Plenary Talk 1 (SBAM)

Session 5B

Semi-Plenary Talk 2 (PTAM)

Session 5C

Semi-Plenary Talk 3 (GMTH)

Session 6

Young Researchers’ Meeting