L’analyse musicale, une discipline autonome ?

Rethinking Milton Babbitt's "Serious Music" as Play

Babbitt’s Beguiling Surfaces, Improvised Inside

Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich

The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject

Modernism, Nature and Music Analysis

Semiotics of light in music

Fauré’s Nocturne No. 10 and the Twilight of Tonality

Allusion analysis in Fauré’s Fantaisie pour piano et orchestre

Proto-Impressionism in Piano Works of Camille Saint-Saëns

Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature

19th-century song cycle as an object of interdisciplinary analysis. A case of Franz Liszt’s song cycles

Multi-movement work as complete gesture in Liszt and other 19th century composers: towards the concept of two-dimensional cycle

Analysing Intertextually: The Case of the Exposition of the Second Movement of Bartók’s Sonata for Solo Violin Sz. 117

Melancholy subjects, melancholy objects: Nikos Skalkottas’s 16 Songs

Compositional praxis and historical time in the late works of Jani Christou

Formal Algorithms of Tintinnabuli in Arvo Pärt's Music

Transformation serieller Techniken im Tintinnabuli Stil Arvo Pärts

Aesthetics and style of Arvo Pärt’s work: revolution or evolution?

Melodic Fluency in Keyboard Menuet Improvisation

Style-oriented improvisation and music theory

Analysing Erwin Schulhoff’s improvised performances of the 1930s

“Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism

Caractérisation Formelle et Stylistique des Sonates Portugaises pour Clavier Publiées au XVIIIème Siècle

Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach

Louis Andriessen's "De Stijl" and Rendering Mondrian Musical

Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée

Jonathan Harvey’s music as a path to transcendence

Form and Teleology Beyond the Tonal System Around 1910.

Making sense of pitch in the ‘free atonal’ Second Viennese School repertoire: a teleological approach based on salience conditions

Musical Reference in Alban Berg’s String Quartet, op. 3

Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis

Berg's Piano Sonata and Reverse Organicism

Henri Dutilleux’s dodecaphonism in Métaboles and Tout un monde lointain

The Characters beyond Fusion. Practical approaches to models in Henri Dutilleux’ works

Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit

Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise

The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study

The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm

Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35)

Density 21.5 : Segmentations comparées et interprétations

Stravinsky's Serial Games

Stravinsky and Boulez: Compositional Process, Form and Development

Love and History in Berlioz's 'Chasse Royale et Orage', a semiotic-Schenkerian perspective

Form and structural narrative in Debussy’s _Prélude à l’après-midi d’un faune_

Analysing Debussy Today

Qu'est-ce qu'une technique de composition ?

Features of form building in Debussy’s music in the light of Bergson’s conception of la durée

Between Overlaps and Elisions

The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective

Das Medium ist das Metrum: Ein Aspekt der Analysegeschichte von Beethovens 5. Sinfonie

Redirecting the Temporal Flow: Brief Meter Changes in German Lieder

Shostakovich’s Passacaglias: Crossroads of Meter and Form

The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern

An investigation of the cadence in early nineteenth-century syntax

Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees

The "Reopened" Half Cadence: A Striking Cadential Anomaly

On Metrically Weak Cadential 6/4s

A Study of Tonality in Electronic Dance Music

Transcendence in Pop-Rock Music

Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)

Multimodality and Tonal Ambiguity in Rock’s Aeolian Progression

Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes

Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch

Completing the incomplete: the first eight bars of W.A. Mozart’s Lacrimosa in the 19th-20th centuries

Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic

Concerto form, analysis, and conversation: From performance practice to cultural knowledge

"Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation

Collection Vectors and the Octatonic Scale

Microtonality and Transformation: Analyzing Easley Blackwood’s "19 Notes" with a Modified Tonal GIS

Skryabin’s Late Acceleration through Hexatonic and Octatonic Space

Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis

On physico-acoustical bases of sonance and tension

What Text Painting Can Tell Us about Musical Structure

Hearing Voices in Their Hands: Performing and Perceiving Polyphony

The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening

Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology

La musique parmi d'autres

Józef Michał Chomiński’s Concept of Sonoristic Harmony

Frédéric Chopins Prélude a-Moll op. 28, 2 – eine metapherntheoretische Perspektive