Program for Friday, June 30th: Talk View

PROGRAM FOR FRIDAY, JUNE 30TH: TALK VIEW

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9:00

9:30

10:00

10:30

11:00

11:30

12:00

12:30

13:00

13:30

14:00

14:30

15:00

15:30

16:00

16:30

17:00

17:30

18:00

18:30

19:00

19:30

09:00

Emerging Musical Structures in Electroacoustic Music

Mario Mazzoli

09:00

Janáček’s Rhythmic Freedom

Zdenek Skoumal

09:00

Harmonic syntax and vocabulary in tonal music

Rodolfo Moreno

09:00

Deconstructing Systematic Musicology: Aims, Motivations, and Music-Theoretical Implications

Hannah Pell

09:00

An Approach to Analysis in the Context of Theory of Musical Content: Holistic

Elena Zhurova

09:00

Organic Transcription as an Embodied Artistic-Analytic Process

Grace Mcnab

09:00

In Defense of Augmented Intervals

Julian Bennett Holmes

09:00

Une analyse pluridisciplinaire de Guero de Helmut Lachenmann

Abril Padilla

09:00

The language(s) of contemporary music analysis

Sanja Kiš Žuvela

09:00

L'analyse musicale pour tous

Mathieu Giraud, Richard Groult, Emmanuel Leguy, Zviane

09:00

Anaysis of the score and performance analysi: two different approaches to' the music of Karlheinz

Simonetta Sargenti

09:00

From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”

Joel Hunt

09:00

Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti

Tom Sora

09:00

Trouver des chemins jamais parcourus : alliage entre recherche musico-logique et compositionnelle, transmission, introspection, auto-analyse, et d'autres outils pour

Alessandro Milia

09:00

Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique

Eric Maestri

11:00-11:30

Excavating John Cage's 4'33"

André Douw

11:30-12:00

Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie

Jeffrey Perry

12:00-12:30

Analysis of ‘Open Forms’: Problems and Approaches

John Dack

11:00-11:30

Confident Chromaticism in Satie’s Nocturnes as Determined by Hindemith’s Harmonic Fluctuation

Alexander Amato

11:30-12:00

Les Embryons Désséchés d'Erik Satie: perspectives d'interprétation pianistique

Melliti Syrine

12:00-12:30

Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo

Anna Maria Bordin, Antonio Tarallo

11:00-11:30

Rossini's Harmonic Materialities: Syntactic and Statistical

Matthew Boyle

11:30-12:00

Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc

Alberto Annarilli

12:00-12:30

Vincenzo Bellini and the Art of Nineteenth Century Counterpoint: an analytical approach

Marco Pollaci

11:00-11:30

The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein

Mark Delaere

11:30-12:00

Théorie des jeux et structure formelle dans Duel (1959) de Xenakis

Mikhail Malt, Benny Sluchin

12:00-12:30

Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works

Judith Petty

11:00-11:30

The Supplementum in Motets: Evolution, Style, and Structure

Reiner Kramer

11:30-12:00

Vers une analyse informatique des textures dans le quatuor classique

Florence Levé, Marc Rigaudière, Florence Doé de Maindreville

11:00-11:30

Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance

Alexander Morgan

11:30-12:00

Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation

Suzanne-Marie Kassian

11:00-11:30

Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et

Cyril Délécraz

11:30-12:00

Solfège et analyse: l'invention du geste

Silvio Ferraz Mello Filho, Gustavo Rodrigues Penha

12:00-12:30

Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition

Laura Toffetti

11:00-11:30

Vom Klavier- zum Orchesterlied. Entwurf einer Methode für die Analyse klanglicher Umwandlungen.

Jonathan Stark

11:30-12:00

La Ballade romantique allemande en action : interpréter un poème ou interpréter une musique ?

Mariette Crochu

12:00-12:30

Expressivity in choral performance: the role of text diction

Caiti Hauck-Silva, Marco Antonio Da Silva Ramos

11:00-11:30

The Schema-Topic Construction

Janet Bourne

11:30-12:00

Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an

Costas Tsougras

12:00-12:30

La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »

Gharbi Soumaya

14:00-14:30

La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate

Aurelio Bianco

14:30-15:00

Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi

Sara Dieci

15:00-16:00

Epifania della seconda prattica nel Quarto libro di Monteverdi

Massimo Privitera

16:00-16:30

Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico

Marco Gurrieri

16:30-17:00

Itinerari d’analisi per la musica italiana d’inizio Seicento nel 450° anniversario della nascita di Claudio

Panel Discussion

14:00-14:30

De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen

Yves Balmer

14:30-15:00

Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour

Thomas Lacôte

15:00-16:00

Models for Variation and Development in Messiaen's Early Sketches

Christopher Murray

16:00-16:30

Discontinuous vs. linear? Olivier Messiaen and 19th-Century Formal Traditions

Stefan Keym

16:30-17:00

New Approaches for Analysing the Music of Olivier Messiaen

Panel Discussion

14:00-14:30

Ontologie musicale et analyse de la performance

Alessandro Arbo

14:30-15:00

Contribution de l’analyse de scène auditive à l’analyse de la performance

Philippe Lalitte

15:00-16:00

Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après

Pierre Michel

16:00-16:30

Analyse esthésique des processus d’improvisation (et de création) des musiques de tradition orale en

Mondher Ayari

16:30-17:00

Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano

Pavlos Antoniadis

14:00-14:30

Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato”

Lauri Suurpää

14:30-15:00

The Schematic World of Mozart's Figaro

John Rice

15:00-16:00

Aria-Sonata Forms?: Taking Formenlehre to the Opera Once More

Graham Hunt

16:00-16:30

On the Form Functionality of Recitative Intrusions in Le nozze di Figaro

Paul Sherrill

16:30-17:00

Osmin's Rage Aria

Nathan Martin

14:00-14:30

Pitfalls and Windfalls in Corpus Studies of Pop/Rock Music

Trevor Declercq

14:30-15:00

Rock Logic

Dmitri Tymoczko

15:00-16:00

Persistence time series: an application to music classification

Mattia Giuseppe Bergomi, Adriano Baratè

16:00-17:00

Towards Structural (Popular) Music Information Research

Louis Bigo, Moreno Andreatta

17:00-17:30

Analyzing Form in Popular Music: History, Style, Aesthetics, and Data

John Covach

14:00-14:30

Liszt vers la flamme lumineuse de Skrjabin

Nicolas Dufetel

14:30-15:00

Franz Liszt dans le miroir de Claude Debussy

Rossana Dalmonte

15:00-16:00

Liszt and Scriabin. A case of continuity in some twentieth-century compositional techniques

Antonio Grande

16:00-16:30

Busoni’s Elegies on the path of Liszt’s late style

Mariateresa Storino

16:30-17:00

Changes and heritage in musical style at the end of the 19th and at the beginning of the 20th century: between originality and

Panel Discussion

14:00-14:30

Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter

Ariane Jessulat

14:30-15:00

Running for long distances:The resilience of the Geographic chords

Inbal Guter

15:00-16:00

Integrating transformational and hierarchical models of extended tonality

Fabian Moss, Martin Rohrmeier

16:00-16:30

Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms

Uri Rom

16:30-17:00

The analytical challenge of harmonic ambiguity: can a single model depict multiple concurrent

Panel Discussion

14:00-14:30

The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744)

Hans Aerts

14:30-15:00

Approaching the Lexicon and the Combinatorics of Tonal Schemata

Thomas Noll

15:00-16:00

Schemata and tonality in Froberger’s “Mediation sur ma mort future”

Folker Froebe

16:00-16:30

Voice-leading schemata and formal functions: Reinvestigating schema concatenation

Markus Neuwirth

16:30-17:00

Waltz for Debby: Nested Structural Modes and Prolongation

Karst de Jong

17:00-17:45

New repertoires, new corpus: reformulations of analytic practice in electroacoustic music

Bruno Bossis

17:00-17:45

Conceptual Blending and Musical Emotion

Michael Spitzer

18:00-19:30 Meeting of the European Analysis Societies