In our study, the experiences and experiences of working conditions will be known in the musicians of the Ecuador Symphony Orchestra, due to their national and international cultural connotation, who are immersed in risk factors. The need to promote the design and implementation of public policies is considered imperative. Objectives is to understand the working conditions in the musicians of the symphony orchestra. Study methodology is qualitative with a phenomenological design. It is taken in a perspective that goes from the etic to the emic. Results, the analysis of qualitative data was obtained through three phases; description, reduction or thematization and interpretation. Conclusions The relationships lived in the family, a profession in inheritance and culture is described, they coexist for years, in time there are joys, emotions, competition, ego, fame, and above all sacrifice, in space lived in rehearsals and concerts, dedicated long hours to their profession, and since childhood they have sacrificed many situations at their age. Among those interpreted in the findings of working conditions, ergonomic risk was predominantly found due to the presence of repetitive neuromuscular disorders injuries, leading to licenses or absences of work, for reluctant periods.