PROGRAM
Days: Wednesday, June 28th Thursday, June 29th Friday, June 30th
Wednesday, June 28th
View this program: with abstractssession overviewtalk overview
09:00-12:30 Session 2A: Workshop: Training, Sharing, and Enacting: Somaesthetics of Rhythmic Interaction
Location: SIML
09:00 | Training, Sharing, and Enacting: Somaesthetics of Rhythmic Interaction ( abstract ) |
09:00-12:30 Session 2B: Workshop: Workshop on Experience Explicitation Interviews for Movement Researchers and Practitioners
Location: PSH 302
09:00 | Workshop on Experience Explicitation Interviews for Movement Researchers and Practitioners. ( abstract ) |
09:00-12:30 Session 2C: Doctoral Symposium
Chair:
Location: PSH 305
09:00 | The Effect of Control-Display Ratio in Handheld Motion Controllers on Player Immersion: A Pilot Study ( abstract ) |
09:00 | Towards Automatic Unsupervised Segmentation of Music-Induced Arm Gestures from Accelerometer Data ( abstract ) |
09:00 | Body-brain-avatar Interface: a tool to study sensory-motor integration and neuroplasticity ( abstract ) |
09:00 | Sentimental Soft Robotics as Companion Artefacts ( abstract ) |
09:00 | Truly performative within a distributed network ( abstract ) |
09:00 | VIMOs: Enabling Expressive Mediation and Generation of Embodied Musical Interactions ( abstract ) |
09:00 | Fibres, Fabrics and F-Formations. ( abstract ) |
09:00 | Embodied contemplative practices and interactive music. ( abstract ) |
09:00 | ConDiS – Conducting Digital System ( abstract ) |
09:00 | Co-adaptive Tools to Support Expert Creative Practice ( abstract ) |
09:00 | Amateur User-Centered Software for Creative, Diverse 3D Human Avatar Design ( abstract ) |
09:00 | Embodied Consciousness During Meditative Moving - neurocognitive theories ( abstract ) |
10:00-10:30Coffee Break
12:30-14:00Lunch Break
13:00-14:00 Session 3A: Installations and Demoes
Location: Weston Atrium
13:00 | Collaborative 2D center of mass serious game ( abstract ) |
13:00 | Maria Montessori meets gesture tracking technologies ( abstract ) |
13:00 | The Box: A Game About Two-Handed 3D Rotation ( abstract ) |
13:00 | Wired 2 ( abstract ) |
13:00 | Becoming Light ( abstract ) |
13:00 | Jinn-Ginnaye ( abstract ) |
13:00-14:00 Session 3B: A Space To Wonder
Location: SIML
13:00 | A Space to Wonder: Movement and Sound Interaction through Biosensor Technology ( abstract ) |
14:00-14:30 Session 4: Welcome
Location: LG02 Lecture Theatre
14:30-15:30 Session 5: Opening Keynote: Mark Coniglio
Chair:
Location: LG02 Lecture Theatre
14:30 | Troika Ranch ( abstract ) |
15:30-16:00Coffee Break
15:30-16:00 Session 6: Doctoral Symposium Posters (see Doctoral Symposium Schedule above)
Location: Weston Atrium
16:00-18:00 Session 7: Sensors
Chair:
Location: LG02 Lecture Theatre
16:00 | Initial Investigations into Characterizing DIY E-Textile Stretch Sensors ( abstract ) |
16:15 | Methods for Tracking Dynamically Coupled Brain-Body Activities during Natural Movement ( abstract ) |
16:40 | Critical Appropriations of Biosensors in Artistic Practice ( abstract ) |
17:05 | Digital oxymorons: From ordinary to expressive objects using tiny wireless IMUs ( abstract ) |
17:30 | Assessing the Accuracy of an Algorithm for the Estimation of Spatial Gait Parameters Using Inertial Measurement Units: Application to Healthy Subject and Hemiparetic Stroke Survivor ( abstract ) |
Thursday, June 29th
View this program: with abstractssession overviewtalk overview
09:00-10:00 Session 10: Keynote: Nadia Bianchi-Berthouze
Chair:
Location: LG02 Lecture Theatre
09:00 | Recognizing and altering the emotional body ( abstract ) |
10:00-10:30Coffee Break
10:00-10:30 Session 11: Doctoral Symposium Posters (see Doctoral Symposium Schedule above)
Location: Weston Atrium
10:30-12:30 Session 12: Dance and Choreography
Chair:
Location: LG02 Lecture Theatre
10:30 | Piano&Dancer - Interaction Between a Dancer and an Acoustic Instrument ( abstract ) |
10:55 | Capturing and Documenting Creative Processes in Contemporary Dance ( abstract ) |
11:20 | Movement Matters: How a Robot Becomes Body ( abstract ) |
11:45 | The Delay Mirror: a Technological Innovation Specific to the Dance Studio ( abstract ) |
12:10 | Issues and strategies of rhythmicality for MotionComposer ( abstract ) |
12:30-14:00Lunch Break
13:00-14:00 Session 13A: Installations and Demoes
Location: Weston Atrium
13:00 | Jinn-Ginnaye ( abstract ) |
13:00 | Collaborative 2D center of mass serious game ( abstract ) |
13:00 | Maria Montessori meets gesture tracking technologies ( abstract ) |
13:00 | Becoming Light ( abstract ) |
13:00 | The Box: A Game About Two-Handed 3D Rotation ( abstract ) |
13:00 | Wired 2 ( abstract ) |
13:00-14:00 Session 13C: WHOLODANCE
Location: PSH 314
13:00 | The EU ICT H2020 WHOLODANCE dance learning applications ( abstract ) |
13:00-14:00 Session 13D: Collective interactive machine learning using mobiles
Location: PSH 305
13:00 | Collective interactive machine learning using mobiles ( abstract ) |
13:00-14:00 Session 13E: Bodytraces
Location: PSH 302
13:00 | Bodytraces: Embodied Movement Exploration Via Feedforward Visualizations ( abstract ) |
14:00-15:40 Session 14: Music, movement and gesture
Chair:
Location: LG02 Lecture Theatre
14:00 | Representation Strategies in Two-handed Melodic Sound-Tracing ( abstract ) |
14:15 | Let's play together! Real and virtual body percussionists interaction ( abstract ) |
14:30 | Datasets for the Analysis of Expressive Musical Gestures ( abstract ) |
14:45 | Individuality in Piano Performance Depends on Skill Learning ( abstract ) |
15:10 | Rich gesture, reduced control: the influence of constrained mappings on performance technique ( abstract ) |
15:30-16:00Coffee Break
15:30-16:00 Session 15: Posters (see Posters schedule above)
Location: Weston Atrium
15:30 | Four-way mirror game: developing methods to study group coordination ( abstract ) |
15:30 | Kinetic predictors of spectators' segmentation of a live dance performance ( abstract ) |
15:30 | Syntax Error - Choreographic Coding ( abstract ) |
15:30 | Musical Skin: Fabric Interface for Expressive Music Control ( abstract ) |
15:30 | P.A.C. (Performative Auditory Creation) ( abstract ) |
15:30 | Measuring Impact of Social Presence Through Gesture Analysis in Musical Performances ( abstract ) |
15:30 | Pinoke: Using human movement to guide a robot’s dance ( abstract ) |
15:30 | Algorithmic Reflections on Choreography ( abstract ) |
15:30 | Symbiosis - Interspecific Associations in Collaborative Performance ( abstract ) |
15:30 | MoFeat: The Movement Features Database ( abstract ) |
15:30 | Tangible Tiles for Laban Movement Analysis ( abstract ) |
15:30 | An Educational Experience with Motor Planning and Sound Semantics ( abstract ) |
15:30 | Methods to Track Dynamically Coupled Bodies in Artistic Motion ( abstract ) |
16:00-17:40 Session 16: Expressive Movement
Chair:
Location: LG02 Lecture Theatre
16:00 | Incorporating Kinesthetic Creativity and Gestural Play into Immersive Modeling ( abstract ) |
16:25 | Data-Driven Design of Sound for Enhancing the Perception of Expressive Robotic Movement ( abstract ) |
16:50 | Dynamic Graffiti Stylisation with Stochastic Optimal Control ( abstract ) |
17:15 | Storytelling with Interactive Physical Theatre: A case study of Dot and the Kangaroo ( abstract ) |
18:00-19:30 Session : Drinks and Buffet Dinner Reception
Location: Weston Atrium
20:00-22:00 Session 17: Public Evening Performance
Location: Deptford Town Hall Council Chamber
20:00 | 0⏎ ( abstract ) |
20:30 | still, moving ( abstract ) |
21:00 | Intersubjective Soundings ( abstract ) |
21:30 | WebPage in Three Acts ( abstract ) |
Friday, June 30th
View this program: with abstractssession overviewtalk overview
09:00-10:30 Session 19: Movement Interaction Design
Chair:
Location: LG02 Lecture Theatre
09:00 | Leveraging morphological computation for expressive movement generation in a soft robotic artwork ( abstract ) |
09:15 | Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition ( abstract ) |
09:40 | Towards an Aesthetics of Touch ( abstract ) |
10:05 | Embodied Interaction through Movement in a Course Work ( abstract ) |
10:30-11:00Coffee Break
10:30-11:00 Session 20A: Posters (see Posters schedule above)
Location: Weston Atrium
10:30-12:30 Session 20B: Workshopping Observation: Mapping the Strata of Human Movement
Location: PSH 314
10:30 | Workshopping Observation: Mapping the Strata of Human Movement ( abstract ) |
11:00-12:40 Session 21: Understanding Movement
Chair:
Location: LG02 Lecture Theatre
11:00 | The social-dance: decomposing naturalistic dyadic interaction dynamics to the ‘micro-level’ ( abstract ) |
11:25 | Calligraphic Stylisation Learning with a Physiologically Plausible Model of Movement and Recurrent Neural Networks ( abstract ) |
11:50 | Morphology Independent Feature Engineering in Motion Capture Database for Gesture Evaluation ( abstract ) |
12:15 | Pattern Classification of Hand Movements using Time Domain Features of Surface Electromyography for Myoelectric Control ( abstract ) |
12:30-14:00Lunch Break
13:00-14:00 Session 22A: Posters (see Posters schedule above)
Location: Weston Atrium
13:00-14:00 Session 22B: Analogue Movement Scores
Location: SIML
13:00 | Analogue Movement Scores ( abstract ) |
13:00-14:00 Session 22E: SOMAVISION
Location: PSH 332
13:00 | SOMAVISION [Somatic Movement and Topological Architecture Informing Design for Augmenting Performance using Markerless Movement Recognition] ( abstract ) |
14:00-15:05 Session 23: Movement Qualities
Chair:
Location: LG02 Lecture Theatre
14:00 | Breakdown Harmonica: Extending Laban Notation with Video Game Development Tools ( abstract ) |
14:25 | Limbs synchronization as a measure of movement quality in karate ( abstract ) |
14:50 | Graph-restricted game approach for investigating human movement qualities ( abstract ) |
15:00-15:30Coffee Break
15:30-16:30 Session 24: Closing Keynote: Tamar Flash
Chair:
Location: LG02 Lecture Theatre
15:30 | Motion planning, perception and compositionality: from behavior to computational models. ( abstract ) |
16:30-17:00 Session 25: Closing Remarks
Location: LG02 Lecture Theatre