EUROMAC 9: 9TH EUROPEAN MUSIC ANALYSIS CONFERENCE

This page contains an index consisting of author-provided keywords.

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(1) Music aesthetics	Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise
(2) Harmony	Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise
(3) Structure	Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise
(4) Musical time	Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise
(5) Advanced tonality and post-tonal music	Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise
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- analytical methodology	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
- Concepts of sound	What is the ‘sound of the revolt’ and how to make music-analytical sense out of it?
- contemporary music	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
- Music analysis of sound	What is the ‘sound of the revolt’ and how to make music-analytical sense out of it?
- Music and Protest around 1968	What is the ‘sound of the revolt’ and how to make music-analytical sense out of it?
- Musical discourse and its significance for music analysis	What is the ‘sound of the revolt’ and how to make music-analytical sense out of it?
- pitch and harmony	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
- rhythm	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
- sound and texture	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
- spectromorphology	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
- Xenakis	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
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1. Jazz	Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and Improvisation
12-tone (dodecaphonic)	Babbitt’s Beguiling Surfaces, Improvised Inside
17th century	Zacconi, Banchieri and the counterpoint species: reconstructing the Klanglichkeit of the contrapunto in compagnia
18th-Century music theory	The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern
19th-century	The piano sonatas of Schumann and Brahms: Approaching analysis through aesthetics
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2. Improvised music	Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and Improvisation
20th-21st century art music	Contribution de l’analyse de scène auditive à l’analyse de la performance
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3. Advanced tonality and post-tonal music	Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and Improvisation
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4. Polytonality	Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and Improvisation
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5. Musical pedagogy	Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and Improvisation
A
Acoustics	"Pitch and rhythmical realization of traditional song music and their presentation in research interpretation"
acoustique musicale	Une analyse pluridisciplinaire de Guero de Helmut Lachenmann
acte	Ontologie musicale et analyse de la performance
Adaptation	Seeking Schubert in Aribert Reimann's _Mignon_ (1995)
Adorno	Berg's Piano Sonata and Reverse Organicism
Advanced tonality	The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad Mehldau Liszt and Scriabin. A case of continuity in some twentieth-century compositional techniques "Double Function" Sonata Forms in Franck's Late Chamber Music Chord Superimposition in Two Late Orchestral Works by Ferruccio Busoni
advanced tonality and post-tonal music	“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working title) Modernism, Nature and Music Analysis Confident Chromaticism in Satie’s Nocturnes as Determined by Hindemith’s Harmonic Fluctuation Analysing Debussy Today Melancholy subjects, melancholy objects: Nikos Skalkottas’s 16 Songs The evolution of Scriabin’s language through the evolution of the mystic chord Running for long distances:The resilience of the Geographic chords Integrating transformational and hierarchical models of extended tonality Analysing Erwin Schulhoff’s improvised performances of the 1930s Analysing Intertextually: The Case of the Exposition of the Second Movement of Bartók’s Sonata for Solo Violin Sz. 117 Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms Tonality and Prolongation in Roger Sessions' Second Symphony Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works Micro-Diatonicism and Formal Structure in 20th-Century Music Vom Klavier- zum Orchesterlied. Entwurf einer Methode für die Analyse klanglicher Umwandlungen.
aesthetics and analysis	The piano sonatas of Schumann and Brahms: Approaching analysis through aesthetics
African	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
African Music	Against Timbre, Harmony: The Case of African Music
Afro-American music	Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity
Afro-Brazilian music	Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues
Alban Berg	Musical Reference in Alban Berg’s String Quartet, op. 3
Alberto Posadas	Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)
Aligned Cycles	Musical Reference in Alban Berg’s String Quartet, op. 3
allusion	Allusion analysis in Fauré’s Fantaisie pour piano et orchestre
ambiti secondari	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
American Experimental Music	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
Analisi dei parametri secondari	Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo
Analisi morfologica	Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo
analisi musicale e teoria	Partimenti, un metodo per imparare, fare, comporre musica ieri e oggi
Analitical theory	On footprints of "Galant Style" in Mendelssohn's music learning
Analyse assistée par ordinateur	Ten years of melodic analysis in ethnomusicology : methods & results
Analyse comparée	Density 21.5 : Segmentations comparées et interprétations
Analyse computationnelle	L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes
Analyse modale	L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes
Analyse musicale	Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?
Analyse mélodique	L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes
Analysetheorie (Vergleich historischer und systematischer Paradigmen wie die Voraussetzungen romantischer Harmonielehre und der Neo Riemannian Theories)	Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter Tonalität
analysis	Hearing Function in Post-Tonal Contexts Metric elements in free rhythm Taksim Improvisations. Interval Pairing in a Serial Context: Webern’s Variations, Op. 30 Anaysis of the score and performance analysi: two different approaches to' the music of Karlheinz Stockhausen The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study Computergestützte Analyse und ihr praktischer Einsatz in der musiktheoretischen Lehre
analysis of performance	Compositional Strategies in non-Western music. The case of Turkmen music
Analysis of rhythm	Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme.
Analytic issues	Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues
analytical theor	Emerging Musical Structures in Electroacoustic Music
analytical theory	Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato” Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis Discontinuous vs. linear? Olivier Messiaen and 19th-Century Formal Traditions Exploring the limits of neo-Riemannian theory The language(s) of contemporary music analysis Et Tu, Debussy and Ravel: fin-de-siècle Recapitulations, 1890-1925 Mozart’s “Great” C-Minor Mass and the New Formenlehre: An Exercise in Comparative Analysis The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject A framework for the analysis of Jiuta and Sôkyoku music of the Kansai area Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism Confident Chromaticism in Satie’s Nocturnes as Determined by Hindemith’s Harmonic Fluctuation Analysing Debussy Today Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy Shostakovich’s Passacaglias: Crossroads of Meter and Form Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit Running for long distances:The resilience of the Geographic chords Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to Recapitulation An Approach to Analysis in the Context of Theory of Musical Content: Holistic Analysis-Interpretation Analysing Erwin Schulhoff’s improvised performances of the 1930s Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744) A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study. Pure Theory, Impure Analysis Correlations between Developing Variation and Genetic Processes in the Analysis of Brahms' Violin Sonata Op.78 The Supplementum in Motets: Evolution, Style, and Structure Models for Variation and Development in Messiaen's Early Sketches Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories A New Model for Modal Analysis in Baroque Music On physico-acoustical bases of sonance and tension Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35) Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works Analyzing Form in Popular Music: History, Style, Aesthetics, and Data Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis Concerto form, analysis, and conversation: From performance practice to cultural knowledge Schemata and tonality in Froberger’s “Mediation sur ma mort future” François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology
Anouer Brahem	La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »
anthropologie musicale	Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale savante Une analyse pluridisciplinaire de Guero de Helmut Lachenmann Les rôles respectifs du sujet et de l’objet en analyse de l’orientalisme musical
Anton Webern	Two metrical problems in Webern’s Streichquartett, Op. 28 Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)
armonia	Partimenti, un metodo per imparare, fare, comporre musica ieri e oggi
Ars subtilior	Tonal coherence in pre-modal polyphony. The secular repertoires of the ars subtilior.
Art music	Paul Ben-Haim: Between East and West
Arvo Pärt work	Aesthetics and style of Arvo Pärt’s work: revolution or evolution?
Atmosphères	Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti
Atonal Music	Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form
Auditory scene analysis	Contribution de l’analyse de scène auditive à l’analyse de la performance
aural transcription	Emerging Musical Structures in Electroacoustic Music
B
Babbitt	Babbitt’s Beguiling Surfaces, Improvised Inside
Bach	(Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical Creativity
Bach's B minor mass	"Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation
Banjo	Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme.
Beethoven's Ninth Symphony	"Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation
Beethoven's Tempest Sonata	"Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation
Berg	Berg's Piano Sonata and Reverse Organicism
Berlioz	Love and History in Berlioz's 'Chasse Royale et Orage', a semiotic-Schenkerian perspective
binary opposition	Aesthetics and style of Arvo Pärt’s work: revolution or evolution?
blended learning	Watch this space: On Blended Learning and Music Analysis in the Classroom
Boulez	Stravinsky and Boulez: Compositional Process, Form and Development
Brahms	The Art of Lamenting: Resurrection of the Past in Brahms's "Es steht ein Lind," WoO33, no. 41
Brahms fog	Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)
C
C.Ph.E. Bach	Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach
cadence	The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern The "Reopened" Half Cadence: A Striking Cadential Anomaly
Cadences	An investigation of the cadence in early nineteenth-century syntax
Caractère régional	La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate vénitienne
Chopin	Exploring Linear-Analytical Elements in the Writings of Leo Mazel Chopin's Ternary Preludes Chopin’s Semitonal Modulations in Formal Designs
choral performance	Expressivity in choral performance: the role of text diction
chord progressions	Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony
Chromaticism	Fauré’s Nocturne No. 10 and the Twilight of Tonality Confident Chromaticism in Satie’s Nocturnes as Determined by Hindemith’s Harmonic Fluctuation In Defense of Augmented Intervals Running for long distances:The resilience of the Geographic chords Busoni’s Elegies on the path of Liszt’s late style Integrating Tonal Transformations and Prolongations: A Case Study of Richard Strauss’s “September,” from Vier Letzte Lieder (1948) Microtonality and Transformation: Analyzing Easley Blackwood’s "19 Notes" with a Modified Tonal GIS Integrating transformational and hierarchical models of extended tonality Chopin’s Semitonal Modulations in Formal Designs Transcendence in Pop-Rock Music Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music Tonality and Prolongation in Roger Sessions' Second Symphony François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology
Chromatik	Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz
Chromatik (aufgehoben in Zweiter Diatonik)	Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter Tonalität
Clapping Music (S. Reich)	Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich
Classical style	The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective
Classical vocal polyphony	Is modality still a compositional tool in Monteverdi's 1610 Mass?
Classicism	“Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism
Classics	'You Could Compose a Missa "Surfin' USA"': Counterpoint teaching and the History of Its Justification
Claude Debussy	Franz Liszt dans le miroir de Claude Debussy Qu'est-ce qu'une technique de composition ?
Claudio Monteverdi	Is modality still a compositional tool in Monteverdi's 1610 Mass?
cognition musicale	Analyse esthésique des processus d’improvisation (et de création) des musiques de tradition orale en Méditerranée Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique mixte »
Coherence in postmodern music	Mr. Bungle thinks it through: finding coherence in California (1999)
Collaborative Creation	Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.
Collection	Collection Vectors and the Octatonic Scale
Common period tonality	Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic
common practice tonality	The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject Fauré’s Nocturne No. 10 and the Twilight of Tonality Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism Running for long distances:The resilience of the Geographic chords Making sense of pitch in the ‘free atonal’ Second Viennese School repertoire: a teleological approach based on salience conditions Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music Approaching the Lexicon and the Combinatorics of Tonal Schemata Tonality: semantic aspect Schemata and tonality in Froberger’s “Mediation sur ma mort future”
Common-practice tonality	Waltz for Debby: Nested Structural Modes and Prolongation On Metrically Weak Cadential 6/4s Brahms, Twilight, and the Muting of Leading-Tone Energies Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to Recapitulation Striking Approaches to Recapitulations
Comparative analysis of collaboration	Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.
Completions	Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc d'Albe
composition	Trouver des chemins jamais parcourus : alliage entre recherche musico-logique et compositionnelle, transmission, introspection, auto-analyse, et d'autres outils pour l'émancipation Vincenzo Bellini and the Art of Nineteenth Century Counterpoint: an analytical approach Teaching Partimento Analysis and Realization in Paris (Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical Creativity
Compositional Process	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
compositional process analysis	Analysis of digital e-sketches: case study Marco Stroppa
computer aided composition	Analysis of digital e-sketches: case study Marco Stroppa
Computer analysis of musical performance	Desperately seeking a ‘Debussy style’ in the performance of the orchestral music
computer music	A Study of Tonality in Electronic Dance Music Analysis of digital e-sketches: case study Marco Stroppa Mobile Way to Music Analysis: Learning Fundamentals Digitally The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project Computergestützte Analyse und ihr praktischer Einsatz in der musiktheoretischen Lehre
conceptual blending	Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an exhibition"
Conservatoire	Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the beginning of the 19th century.
contemporary music	Spectral Processes in Alvin Lucier’s Twonings Discontinuous vs. linear? Olivier Messiaen and 19th-Century Formal Traditions The language(s) of contemporary music analysis Spectral Aesthetics and ecological listening in the music of Helena Tulve Alfred Schnittke's String Quartet No. 3 and the Uses of Quotation An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003). Semiotics of light in music Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985 The Tech-Processual Construction of Siouxsie and the Banshees’ Panoramic Peepshow Jonathan Harvey’s music as a path to transcendence Analysis of digital e-sketches: case study Marco Stroppa Transformation analysis of the relations between acoustic instruments and electronics in mixed concert music Conceptualizing the "perceptualization" of timbre: epistemic and analytic reflections Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music. Transformation serieller Techniken im Tintinnabuli Stil Arvo Pärts Analyzing the Semiotic Contribution of Traditional Aesthetics to Contemporary Chinese Music Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of Sinfonia The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie Formal Algorithms of Tintinnabuli in Arvo Pärt's Music Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc d'Albe The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works Analysis of ‘Open Forms’: Problems and Approaches Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée
Contemporary music analysis	Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik
content-meaning analysis	An Approach to Analysis in the Context of Theory of Musical Content: Holistic Analysis-Interpretation
contrappunto	Partimenti, un metodo per imparare, fare, comporre musica ieri e oggi
contrastive linguistics	The language(s) of contemporary music analysis
Contrepoint	La fugue où on ne l'attend pas : transmission du style sévère à travers les Principes élémentaires de musique et les Solfèges du Conservatoire Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953) Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation
Correlation of Research and Performance	Cultural and Political Overtones: Understanding multiple identity through performance-led analyses of Isang Yun’s Interludium A (1982)
counterpoint	Vincenzo Bellini and the Art of Nineteenth Century Counterpoint: an analytical approach Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius [Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit. Verdi and the Eighteenth century Neapolitan Tradition 'You Could Compose a Missa "Surfin' USA"': Counterpoint teaching and the History of Its Justification Hearing Voices in Their Hands: Performing and Perceiving Polyphony The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744) Analysing Intertextually: The Case of the Exposition of the Second Movement of Bartók’s Sonata for Solo Violin Sz. 117 Voice-leading schemata and formal functions: Reinvestigating schema concatenation The Supplementum in Motets: Evolution, Style, and Structure Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance Treatment Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35) Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der Funktionsharmonik On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov)
counterpoint (and figured bass)	Gjerdingen's Schemata Re-Examined
creativity	Teaching Partimento Analysis and Realization in Paris (Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical Creativity
cross-cultural fusion music	Analyzing the Semiotic Contribution of Traditional Aesthetics to Contemporary Chinese Music Analysing Chinese sacrificial hymn: Mutated theories and layered legacies in French modernity
D
Debussy	Analysing Debussy Today Features of form building in Debussy’s music in the light of Bergson’s conception of la durée Form and structural narrative in Debussy’s _Prélude à l’après-midi d’un faune_
Deleuze Gilles	An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003).
Developing variation	Correlations between Developing Variation and Genetic Processes in the Analysis of Brahms' Violin Sonata Op.78
diatonicism	Skryabin’s Late Acceleration through Hexatonic and Octatonic Space Micro-Diatonicism and Formal Structure in 20th-Century Music
Didactic issues	Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues
discipline	Deconstructing Systematic Musicology: Aims, Motivations, and Music-Theoretical Implications
discontinuité	Qu'est-ce qu'une technique de composition ?
disegnare una partitura	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
Disorientamento formale	Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo
displacement	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
Dissonance treatment	The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern
distance	Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology
Dodecaphony	Interval Pairing in a Serial Context: Webern’s Variations, Op. 30
dodecaphony and serialism	Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis Modernism, Nature and Music Analysis Melancholy subjects, melancholy objects: Nikos Skalkottas’s 16 Songs Prometeo, Tragedia dell’ascolto – ‘A new way of thinking music’ in Nono Goehr’s Piano Sonata through a Transformational Lens "Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein" Stravinsky's Serial Games
dodécaphonisme et sérialisme	Henri Dutilleux’s dodecaphonism in Métaboles and Tout un monde lointain
double-tonic complex	Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)
E
e-sketches	Analysis of digital e-sketches: case study Marco Stroppa
early 20thCentury music	Skryabin’s Late Acceleration through Hexatonic and Octatonic Space
Early Music	Problems in Appropriating Seventeenth Century Repertoire into Present-Day Theory Class (Henry Purcell as a Case Study) The Supplementum in Motets: Evolution, Style, and Structure Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance Treatment A New Model for Modal Analysis in Baroque Music François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology
early tonality	[Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit. Rock Logic Problems in Appropriating Seventeenth Century Repertoire into Present-Day Theory Class (Henry Purcell as a Case Study) A New Model for Modal Analysis in Baroque Music Schemata and tonality in Froberger’s “Mediation sur ma mort future”
Eco-Musicology	Narrative and Metaphor in Elliott Carter’s String Quartet No. 1
ecology	Spectral Aesthetics and ecological listening in the music of Helena Tulve
Eighteenth century	Interactions between Topics and Schemata: The Case of the Sacred Romanesca
Eighteenth-Century Germany	J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source
eighteenth-century music	Fonte And Monte in the Symphonies of Joseph Haydn
electroacoustic	Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music.
Electroacoustic music	Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound Paul Hindemith and the Spectralists Jonathan Harvey’s music as a path to transcendence Transformation analysis of the relations between acoustic instruments and electronics in mixed concert music Conceptualizing the "perceptualization" of timbre: epistemic and analytic reflections Emerging Musical Structures in Electroacoustic Music The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.
Elgar	Elgar's 'Introduction and Allegro': brief thoughts on musical in-between-ness
Elliott Carter	Narrative and Metaphor in Elliott Carter’s String Quartet No. 1
embodiment	Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo
Empirical Performance Studies	Das Medium ist das Metrum: Ein Aspekt der Analysegeschichte von Beethovens 5. Sinfonie
enharmonicism (chromaticism)	Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms
entrainment	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
epistemology	Sound as epistemic construct and music as experience: new perspectives on musical sense-making Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis
Epistémologie musicale	Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et 1950
Erik Satie	Les Embryons Désséchés d'Erik Satie: perspectives d'interprétation pianistique
Esthétique musicale	Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale savante Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et 1950 Les Embryons Désséchés d'Erik Satie: perspectives d'interprétation pianistique ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES ARABO-MUSULMANES
ethnomusicology	A framework for the analysis of Jiuta and Sôkyoku music of the Kansai area
experience	Sound as epistemic construct and music as experience: new perspectives on musical sense-making
Experimental rock music	Mr. Bungle thinks it through: finding coherence in California (1999)
Expressive timing	Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes
expressivity	Expressivity in choral performance: the role of text diction
Extended techniques	Timbre and Variations: Exploring Sound in Vivier’s Zipangu (1980)
F
Feldman	To weave time: the late music of Morton Feldman through the example of Violin and String Quartet
Ferneyhough	Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo
Figure	Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985
Figured Bass	J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source
Film Music	Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée
fin-de-siècle composers	Et Tu, Debussy and Ravel: fin-de-siècle Recapitulations, 1890-1925
Florentz	Jean-Louis Florentz: Hospitality and Spectralism
Folksong	The Art of Lamenting: Resurrection of the Past in Brahms's "Es steht ein Lind," WoO33, no. 41
fonctions harmoniques	L'analyse musicale pour tous
Form	Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato” Discontinuous vs. linear? Olivier Messiaen and 19th-Century Formal Traditions Mozart’s “Great” C-Minor Mass and the New Formenlehre: An Exercise in Comparative Analysis The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject Wayne Shorter and the 12-bar Blues Form Hearing Function in Post-Tonal Contexts Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy Shostakovich’s Passacaglias: Crossroads of Meter and Form Describing prosody in Debussy’s songs "I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical Form and Teleology Beyond the Tonal System Around 1910. Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87 Multi-movement work as complete gesture in Liszt and other 19th century composers: towards the concept of two-dimensional cycle Aria-Sonata Forms?: Taking Formenlehre to the Opera Once More Choose your own sonata form: Adventures in analysis Osmin's Rage Aria Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to Recapitulation Melodic Fluency in Keyboard Menuet Improvisation Stravinsky and Boulez: Compositional Process, Form and Development Chopin's Ternary Preludes "Double Function" Sonata Forms in Franck's Late Chamber Music Goehr’s Piano Sonata through a Transformational Lens The "Reopened" Half Cadence: A Striking Cadential Anomaly The Simpfonie according to Riepel Chopin’s Semitonal Modulations in Formal Designs Form and structural narrative in Debussy’s _Prélude à l’après-midi d’un faune_ The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744) On the Form Functionality of Recitative Intrusions in Le nozze di Figaro Expectancy situations, sound and form in Debussy’s Nocturnes Form, Syntax and the Problem of Late Style in Mendelssohn’s String Quartet Op. 80 Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees “Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism Voice-leading schemata and formal functions: Reinvestigating schema concatenation Anton Bruckner’s Slow Movements: Dialogic Perspectives The Minor-Mode Sonata Rondo as Expressive Subgenre Desperately seeking a ‘Debussy style’ in the performance of the orchestral music A Theory of Tonal Alterations in Sonata Recapitulations Models for Variation and Development in Messiaen's Early Sketches Time–Pitch Isomorphisms in /Die Walkuere/ Analyzing Form in Popular Music: History, Style, Aesthetics, and Data Micro-Diatonicism and Formal Structure in 20th-Century Music Fonte And Monte in the Symphonies of Joseph Haydn Striking Approaches to Recapitulations Organic Transcription as an Embodied Artistic-Analytic Process Brahms's Non-Strophic Settings of Stanzaic Poetry Form as Timbral Mapping: Process Ontologies for Recorded Popular Music The Schema-Topic Construction Compositional Strategies in non-Western music. The case of Turkmen music
form in jazz	Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces
forma-come-processo	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
formal coherence	The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study
Formal Functions	Formal Function Anomalies in Schubert's Late Sonata Forms and the Lyrical Impulse"
Formal Grammar	Formal Function Anomalies in Schubert's Late Sonata Forms and the Lyrical Impulse"
formal grammars	Modular Form in Popular Music Et Tu, Debussy and Ravel: fin-de-siècle Recapitulations, 1890-1925 An investigation of the cadence in early nineteenth-century syntax Dynamic Grammar of Tonality: the real-time understanding of tonal music Form, Syntax and the Problem of Late Style in Mendelssohn’s String Quartet Op. 80 Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance Treatment Approaching the Lexicon and the Combinatorics of Tonal Schemata Organic Transcription as an Embodied Artistic-Analytic Process The Schema-Topic Construction
formalism	Rethinking Milton Babbitt's "Serious Music" as Play
Formalized composition	Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)
forme	De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen Caractérisation Formelle et Stylistique des Sonates Portugaises pour Clavier Publiées au XVIIIème Siècle Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour l'analyse To weave time: the late music of Morton Feldman through the example of Violin and String Quartet Vers une analyse informatique des textures dans le quatuor classique L’effet des mimiques de l’interprète dans la perception de l’humour debussyste Théorie des jeux et structure formelle dans Duel (1959) de Xenakis Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation
Formenlehre	“Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism Becoming Time: Cyclicity in Schubert’s Extended Secondary Theme
Fractals	Against Timbre, Harmony: The Case of African Music
France	“Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism
Franz Liszt	Franz Liszt dans le miroir de Claude Debussy 19th-century song cycle as an object of interdisciplinary analysis. A case of Franz Liszt’s song cycles
Franz Schubert	The Role of the Medial Caesura in Schubert’s Over-Determined Transitions Becoming Time: Cyclicity in Schubert’s Extended Secondary Theme
fugue	A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions
Function	Hearing Function in Post-Tonal Contexts
fusical time	Discontinuous vs. linear? Olivier Messiaen and 19th-Century Formal Traditions
G
Gadamer	Rethinking Milton Babbitt's "Serious Music" as Play
Galant	The Schematic World of Mozart's Figaro
galant style	On footprints of "Galant Style" in Mendelssohn's music learning
Genetic criticism	Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)
Genre	Chopin's Ternary Preludes Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature
Geste musical (non présent dans la liste)	Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et 1950
gesture	Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo
Gjerdingen	The Schematic World of Mozart's Figaro
Globalization	Against Timbre, Harmony: The Case of African Music
Grammaires formelles	Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du Mašriq
György Kurtág	The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study
H
Halfaouin	La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »
harmonic grammar	Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms
Harmonic Syntax	Harmonic syntax and vocabulary in tonal music
Harmonic Vocabulary	Harmonic syntax and vocabulary in tonal music
harmonics	Jean-Louis Florentz: Hospitality and Spectralism
Harmonie	Liszt vers la flamme lumineuse de Skrjabin Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour l'analyse L'apport du partimento dans l'analyse harmonique en France au 18e siècle Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz
Harmonie contrepoints	Processus d'analyse dans le contexte d'un Cours d'Ecriture-Composition
harmony	The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad Mehldau Waltz for Debby: Nested Structural Modes and Prolongation Exploring the limits of neo-Riemannian theory On Metrically Weak Cadential 6/4s Formal Function Anomalies in Schubert's Late Sonata Forms and the Lyrical Impulse" Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius Persistence time series: an application to music classification Cognitive Aspects of Gradual Modulation Closing a Gap Between Theory and Praxis. Friedrich Kalkbrenner’s Treatise on Harmony for Pianists Wayne Shorter and the 12-bar Blues Form The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism Dynamic Grammar of Tonality: the real-time understanding of tonal music Against Timbre, Harmony: The Case of African Music Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the beginning of the 19th century. Towards Structural (Popular) Music Information Research Exploring Linear-Analytical Elements in the Writings of Leo Mazel The evolution of Scriabin’s language through the evolution of the mystic chord Microtonality and Transformation: Analyzing Easley Blackwood’s "19 Notes" with a Modified Tonal GIS Integrating transformational and hierarchical models of extended tonality Multimodality and Tonal Ambiguity in Rock’s Aeolian Progression Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of Sinfonia Stravinsky and Boulez: Compositional Process, Form and Development Harmony as Cultural Hybrid: Reflection on the First Nationwide Music Theory Conference in China (Wuhan, 1979) Transcendence in Pop-Rock Music Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music Rossini's Harmonic Materialities: Syntactic and Statistical Tonality and Prolongation in Roger Sessions' Second Symphony Rock Logic The Minor-Mode Sonata Rondo as Expressive Subgenre Chord Superimposition in Two Late Orchestral Works by Ferruccio Busoni Tonal Distortion in Radiohead On physico-acoustical bases of sonance and tension Interactions between Topics and Schemata: The Case of the Sacred Romanesca Approaching the Lexicon and the Combinatorics of Tonal Schemata Striking Approaches to Recapitulations Organic Transcription as an Embodied Artistic-Analytic Process Stravinsky's Serial Games Psychoanalytic Reflections on Modulation The Schema-Topic Construction François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology Proto-Impressionism in Piano Works of Camille Saint-Saëns
Harmony and voice-leading	Skryabin’s Late Acceleration through Hexatonic and Octatonic Space
Henri Dutilleux	The Characters beyond Fusion. Practical approaches to models in Henri Dutilleux’ works
Henry Brant	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
hermeneutics	Allusion analysis in Fauré’s Fantaisie pour piano et orchestre Elgar's 'Introduction and Allegro': brief thoughts on musical in-between-ness Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis Rethinking Milton Babbitt's "Serious Music" as Play
herméneutique musicale	Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti
Herméneutique musicale	ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES ARABO-MUSULMANES L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz
Heterophony	Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der Funktionsharmonik
hexachordal functions	Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony
Historical Music Pedagogy	J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source
historical pedagogies	Gjerdingen's Schemata Re-Examined
Historiography	Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities
history	Compositional praxis and historical time in the late works of Jani Christou Reconsidering Strauss's 'Metamorphosen'
history of form theory	"Punctuation Form" and Expressive Contents in the First Main Period of Selected G minor Symphonies' First Movements of the Classical Era—A Neo-Kochian-Schenkerian Approach
History of Music Analysis	Das Medium ist das Metrum: Ein Aspekt der Analysegeschichte von Beethovens 5. Sinfonie
hospitality	Jean-Louis Florentz: Hospitality and Spectralism
Hypermeter	The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective
I
ianalyse	Metric elements in free rhythm Taksim Improvisations.
improvisation	Babbitt’s Beguiling Surfaces, Improvised Inside Compositional praxis and historical time in the late works of Jani Christou From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music” J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source Zacconi, Banchieri and the counterpoint species: reconstructing the Klanglichkeit of the contrapunto in compagnia Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach Metric elements in free rhythm Taksim Improvisations.
Improvised music	Melodic Fluency in Keyboard Menuet Improvisation Solfeggi: Sounding their hidden Depths Style-oriented improvisation and music theory Analysing Erwin Schulhoff’s improvised performances of the 1930s
Indeterminacy	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
informatique musicale	Vers une analyse informatique des textures dans le quatuor classique L'analyse musicale pour tous Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch
innovations	Form and Teleology Beyond the Tonal System Around 1910.
Instrumental chamber music	Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to Recapitulation
Instrumental music	Closing a Gap Between Theory and Praxis. Friedrich Kalkbrenner’s Treatise on Harmony for Pianists An investigation of the cadence in early nineteenth-century syntax Confident Chromaticism in Satie’s Nocturnes as Determined by Hindemith’s Harmonic Fluctuation Multi-movement work as complete gesture in Liszt and other 19th century composers: towards the concept of two-dimensional cycle Choose your own sonata form: Adventures in analysis Jonathan Harvey’s music as a path to transcendence Melodic Fluency in Keyboard Menuet Improvisation Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of Sinfonia "Double Function" Sonata Forms in Franck's Late Chamber Music The Simpfonie according to Riepel The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music Pure Theory, Impure Analysis The Minor-Mode Sonata Rondo as Expressive Subgenre Music as Sound Process: Kurth’s Bruckner and the Timbral Insider Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35) Bungled Schemata, Accent, and Class Prejudice in Haydn's 'Joke' Quartet Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée Proto-Impressionism in Piano Works of Camille Saint-Saëns
Instrumentation	Analysing Chinese sacrificial hymn: Mutated theories and layered legacies in French modernity Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et 1950 Music as Sound Process: Kurth’s Bruckner and the Timbral Insider
interaction	Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo
Interactive aural analysis	The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project
Interdisciplinary analysis	19th-century song cycle as an object of interdisciplinary analysis. A case of Franz Liszt’s song cycles
Interpretation	A Theory of Tonal Alterations in Sonata Recapitulations
Interprétation	Density 21.5 : Segmentations comparées et interprétations
Intertextuality	Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities Analysing Intertextually: The Case of the Exposition of the Second Movement of Bartók’s Sonata for Solo Violin Sz. 117
Interval theory	In Defense of Augmented Intervals
Intervals	Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985
intuizione informata	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
Israel	Paul Ben-Haim: Between East and West
Italian music theory	Post-tonal harmonic theories in Italy from the beginning of the twentieth century to present day. In search of a tradition
J
Janáček	Janáček’s Rhythmic Freedom
Japanese music	A framework for the analysis of Jiuta and Sôkyoku music of the Kansai area
Jazz	The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad Mehldau Waltz for Debby: Nested Structural Modes and Prolongation Wayne Shorter and the 12-bar Blues Form The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après 1960 Analysing Erwin Schulhoff’s improvised performances of the 1930s
jazz and cultural context	Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces
jazz composition	Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces
jazz harmony	Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces
jazz theory	Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces
Jiuta-Sôkyoku	A framework for the analysis of Jiuta and Sôkyoku music of the Kansai area
K
King Crimson	Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)
Klangfläche	Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti
Kontrapunkt	Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz
Kontrapunkt (Engführungs- und Stimmführungsmodelle)	Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter Tonalität
L
L-systems	Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)
Lang Bernhard	An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003).
langage musical	De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour l'analyse To weave time: the late music of Morton Feldman through the example of Violin and String Quartet Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition "non-finie". ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES ARABO-MUSULMANES
Lasso	Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
Late Nineteenth-Century Music	Integrating Tonal Transformations and Prolongations: A Case Study of Richard Strauss’s “September,” from Vier Letzte Lieder (1948)
Late Style	Busoni’s Elegies on the path of Liszt’s late style Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature
lateness in music	Becoming Time: Cyclicity in Schubert’s Extended Secondary Theme
Le langage musical	La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »
Le langage verbal	La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »
Les silences du Palais	La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »
Ligeti	Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti
linear progressions	A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions
Listening	Hearing Function in Post-Tonal Contexts
Liszt	Liszt vers la flamme lumineuse de Skrjabin Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature
Live electronics	Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik
Louis Andriessen	Louis Andriessen's "De Stijl" and Rendering Mondrian Musical
Louis Moreau Gottschalk	Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme.
Lumière	Liszt vers la flamme lumineuse de Skrjabin
Lyricism	Formal Function Anomalies in Schubert's Late Sonata Forms and the Lyrical Impulse" Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)
M
mathematics	A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study.
mathematics and formalisation	Persistence time series: an application to music classification [Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit. Towards Structural (Popular) Music Information Research Transformation analysis of the relations between acoustic instruments and electronics in mixed concert music Formal Algorithms of Tintinnabuli in Arvo Pärt's Music Towards objectivity in automatic segmentation of music score by XML/MIDI language. Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees Rock Logic On physico-acoustical bases of sonance and tension Analysis of ‘Open Forms’: Problems and Approaches Approaching the Lexicon and the Combinatorics of Tonal Schemata Excavating John Cage's 4'33"
Mathematics and formalism	Transformation serieller Techniken im Tintinnabuli Stil Arvo Pärts
mathematics and formalization	Dynamic Grammar of Tonality: the real-time understanding of tonal music Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich
Mathematik und Formalisierung	Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz
Mazel	Exploring Linear-Analytical Elements in the Writings of Leo Mazel
Media Theory	Das Medium ist das Metrum: Ein Aspekt der Analysegeschichte von Beethovens 5. Sinfonie
Medial Caesura	The Role of the Medial Caesura in Schubert’s Over-Determined Transitions
Meier	Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
melodic	Metric elements in free rhythm Taksim Improvisations.
Melody	Brahms, Twilight, and the Muting of Leading-Tone Energies Describing prosody in Debussy’s songs Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985 Melodic Fluency in Keyboard Menuet Improvisation Multimodality and Tonal Ambiguity in Rock’s Aeolian Progression The Simpfonie according to Riepel Micro-Diatonicism and Formal Structure in 20th-Century Music Stravinsky's Serial Games
Melody and harmonic generation	Timbre and Variations: Exploring Sound in Vivier’s Zipangu (1980)
Mendelssohn	An investigation of the cadence in early nineteenth-century syntax
Messiaen	Liszt vers la flamme lumineuse de Skrjabin
Metaphor theories	Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)
meter	On Metrically Weak Cadential 6/4s Two metrical problems in Webern’s Streichquartett, Op. 28 Redirecting the Temporal Flow: Brief Meter Changes in German Lieder
methodology	Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories
metre	Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato” Shostakovich’s Passacaglias: Crossroads of Meter and Form Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance Treatment Between Overlaps and Elisions
metric	Metric elements in free rhythm Taksim Improvisations.
metrical	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
metrical analysis	Two metrical problems in Webern’s Streichquartett, Op. 28
micro-tonality	Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik Microtonality and Transformation: Analyzing Easley Blackwood’s "19 Notes" with a Modified Tonal GIS "Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein"
Mignon	Seeking Schubert in Aribert Reimann's _Mignon_ (1995)
Milton Babbitt	Rethinking Milton Babbitt's "Serious Music" as Play
Minimalism	Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)
modal	Metric elements in free rhythm Taksim Improvisations.
Modality	[Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit. Busoni’s Elegies on the path of Liszt’s late style Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie The Characters beyond Fusion. Practical approaches to models in Henri Dutilleux’ works Analysing Chinese sacrificial hymn: Mutated theories and layered legacies in French modernity Tonal coherence in pre-modal polyphony. The secular repertoires of the ars subtilior. A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions A New Model for Modal Analysis in Baroque Music Is modality still a compositional tool in Monteverdi's 1610 Mass? Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der Funktionsharmonik Proto-Impressionism in Piano Works of Camille Saint-Saëns
Modalité	Ten years of melodic analysis in ethnomusicology : methods & results Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du Mašriq ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES ARABO-MUSULMANES
model theory	Verdi and the Eighteenth century Neapolitan Tradition
Modernism	Berg's Piano Sonata and Reverse Organicism Reconsidering Strauss's 'Metamorphosen'
Modes	Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
modélisation musicale	Théorie des jeux et structure formelle dans Duel (1959) de Xenakis
Modulation	1917 Modulating the World into a Different Key "I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816 Psychoanalytic Reflections on Modulation
modèles compositionnels	De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour l'analyse
Modélisation musicale	Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953) Vers une analyse informatique des textures dans le quatuor classique Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du Mašriq
Monodie	Ten years of melodic analysis in ethnomusicology : methods & results
Motivic transformations	Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)
Mozart	Osmin's Rage Aria The Schematic World of Mozart's Figaro
Muiscal epistemology	Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis
multitasking tools	The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study
Music Acoustics	Computer Generated Orchestration: Towards Using Musical Timbre in Composition On physico-acoustical bases of sonance and tension
Music aesthetics	“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working title) Spectral Processes in Alvin Lucier’s Twonings Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject analysis, hermeneutics, communication Prometeo, Tragedia dell’ascolto – ‘A new way of thinking music’ in Nono Busoni’s Elegies on the path of Liszt’s late style Transformation serieller Techniken im Tintinnabuli Stil Arvo Pärts Formal Algorithms of Tintinnabuli in Arvo Pärt's Music Form, Syntax and the Problem of Late Style in Mendelssohn’s String Quartet Op. 80 Anton Bruckner’s Slow Movements: Dialogic Perspectives Analyzing Form in Popular Music: History, Style, Aesthetics, and Data Meta-Music and the Analytical Challenges of Jan W. Morthenson’s Music
music analysis	Sound as epistemic construct and music as experience: new perspectives on musical sense-making Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich Desperately seeking a ‘Debussy style’ in the performance of the orchestral music Rethinking Milton Babbitt's "Serious Music" as Play
Music analysis and narrative	Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic
Music and Cultures	Cultural and Political Overtones: Understanding multiple identity through performance-led analyses of Isang Yun’s Interludium A (1982)
music and poetry	Brahms's Non-Strophic Settings of Stanzaic Poetry
Music and Politics	Cultural and Political Overtones: Understanding multiple identity through performance-led analyses of Isang Yun’s Interludium A (1982)
music anthropology	analysis, hermeneutics, communication The Role of Cultural Constraints in the Development of Music Theory and Analysis in Modern Cyprus Stylometric Analysis of Music in Search of Cross-cultural Similarities
Music cognition	The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening
music hermeneutics	Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato” Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit Melancholy subjects, melancholy objects: Nikos Skalkottas’s 16 Songs Choose your own sonata form: Adventures in analysis The Tech-Processual Construction of Siouxsie and the Banshees’ Panoramic Peepshow Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies Hearing Voices in Their Hands: Performing and Perceiving Polyphony Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music. On the Form Functionality of Recitative Intrusions in Le nozze di Figaro Transcendence in Pop-Rock Music Pure Theory, Impure Analysis Anton Bruckner’s Slow Movements: Dialogic Perspectives Bungled Schemata, Accent, and Class Prejudice in Haydn's 'Joke' Quartet Brahms's Non-Strophic Settings of Stanzaic Poetry Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an exhibition"
music pedagogy	The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening Solfeggi: Sounding their hidden Depths
music perception	Spectral Processes in Alvin Lucier’s Twonings Form and Teleology Beyond the Tonal System Around 1910. Solfeggi: Sounding their hidden Depths
music spatialization	Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music.
music theory	The language(s) of contemporary music analysis Deconstructing Systematic Musicology: Aims, Motivations, and Music-Theoretical Implications Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc d'Albe
musical ambiguity	Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms
Musical and biological variation	Correlations between Developing Variation and Genetic Processes in the Analysis of Brahms' Violin Sonata Op.78
Musical Assistants	Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.
musical cognition	What Text Painting Can Tell Us about Musical Structure Cognitive Aspects of Gradual Modulation Classical Phenomenology and the Epistemological Clarification of Music Analysis 1917 Modulating the World into a Different Key Dynamic Grammar of Tonality: the real-time understanding of tonal music Mobile Way to Music Analysis: Learning Fundamentals Digitally Hearing Voices in Their Hands: Performing and Perceiving Polyphony Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century Towards objectivity in automatic segmentation of music score by XML/MIDI language. Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees Stylometric Analysis of Music in Search of Cross-cultural Similarities A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816 Fonte And Monte in the Symphonies of Joseph Haydn Gjerdingen's Schemata Re-Examined Score, Record, and Bytes: Influence of Musical Medium on Analysis Between Overlaps and Elisions The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music
Musical embodiment	The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music
musical epistemology	Classical Phenomenology and the Epistemological Clarification of Music Analysis Pitfalls and Windfalls in Corpus Studies of Pop/Rock Music Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism analysis, hermeneutics, communication Prometeo, Tragedia dell’ascolto – ‘A new way of thinking music’ in Nono Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music. Anton Bruckner’s Slow Movements: Dialogic Perspectives A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816 Music as Sound Process: Kurth’s Bruckner and the Timbral Insider Analysis of ‘Open Forms’: Problems and Approaches Score, Record, and Bytes: Influence of Musical Medium on Analysis Concerto form, analysis, and conversation: From performance practice to cultural knowledge Psychoanalytic Reflections on Modulation Meta-Music and the Analytical Challenges of Jan W. Morthenson’s Music
musical experience	Music Analysis and Process
musical form	A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816
Musical gesture	Desperately seeking a ‘Debussy style’ in the performance of the orchestral music
musical grammar	Gjerdingen's Schemata Re-Examined
musical hermeneutic	Psychoanalytic Reflections on Modulation
musical language	The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad Mehldau Modernism, Nature and Music Analysis What Text Painting Can Tell Us about Musical Structure analysis, hermeneutics, communication Prometeo, Tragedia dell’ascolto – ‘A new way of thinking music’ in Nono The evolution of Scriabin’s language through the evolution of the mystic chord Analyzing the Semiotic Contribution of Traditional Aesthetics to Contemporary Chinese Music Solfeggi: Sounding their hidden Depths Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of Sinfonia Style-oriented improvisation and music theory Stravinsky and Boulez: Compositional Process, Form and Development A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study. On the Form Functionality of Recitative Intrusions in Le nozze di Figaro Models for Variation and Development in Messiaen's Early Sketches Analysis of ‘Open Forms’: Problems and Approaches "Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein"
Musical meaning	Reconsidering Strauss's 'Metamorphosen'
musical modeling	Stylometric Analysis of Music in Search of Cross-cultural Similarities
musical modelling	Persistence time series: an application to music classification Pitfalls and Windfalls in Corpus Studies of Pop/Rock Music Towards Structural (Popular) Music Information Research Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century Towards objectivity in automatic segmentation of music score by XML/MIDI language. Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees Models for Variation and Development in Messiaen's Early Sketches Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology
musical pedagogy	Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius Closing a Gap Between Theory and Praxis. Friedrich Kalkbrenner’s Treatise on Harmony for Pianists [Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit. Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy Verdi and the Eighteenth century Neapolitan Tradition Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the beginning of the 19th century. Choose your own sonata form: Adventures in analysis 'You Could Compose a Missa "Surfin' USA"': Counterpoint teaching and the History of Its Justification An Approach to Analysis in the Context of Theory of Musical Content: Holistic Analysis-Interpretation Mobile Way to Music Analysis: Learning Fundamentals Digitally The Role of Cultural Constraints in the Development of Music Theory and Analysis in Modern Cyprus The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744) Expressive performance analysis of children aged 4-5 years: teaching models and vocal abilities Problems in Appropriating Seventeenth Century Repertoire into Present-Day Theory Class (Henry Purcell as a Case Study) Fonte And Monte in the Symphonies of Joseph Haydn Watch this space: On Blended Learning and Music Analysis in the Classroom Gjerdingen's Schemata Re-Examined
musical perceptio	Emerging Musical Structures in Electroacoustic Music
musical perception	“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working title) On Metrically Weak Cadential 6/4s Analysing Debussy Today Describing prosody in Debussy’s songs Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity Mobile Way to Music Analysis: Learning Fundamentals Digitally Hearing Voices in Their Hands: Performing and Perceiving Polyphony A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study. Towards objectivity in automatic segmentation of music score by XML/MIDI language. Expectancy situations, sound and form in Debussy’s Nocturnes Expressive performance analysis of children aged 4-5 years: teaching models and vocal abilities Computer Generated Orchestration: Towards Using Musical Timbre in Composition On physico-acoustical bases of sonance and tension Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works Tonality: semantic aspect The Schema-Topic Construction Between Overlaps and Elisions The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology
musical praxis	Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius Closing a Gap Between Theory and Praxis. Friedrich Kalkbrenner’s Treatise on Harmony for Pianists J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic Style-oriented improvisation and music theory Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes The Simpfonie according to Riepel Expectancy situations, sound and form in Debussy’s Nocturnes A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816 Fonte And Monte in the Symphonies of Joseph Haydn
musical rhetoric	Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius Multi-movement work as complete gesture in Liszt and other 19th century composers: towards the concept of two-dimensional cycle Redirecting the Temporal Flow: Brief Meter Changes in German Lieder On the Form Functionality of Recitative Intrusions in Le nozze di Figaro The Minor-Mode Sonata Rondo as Expressive Subgenre Organic Transcription as an Embodied Artistic-Analytic Process
musical schemata	A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions
musical signification	Modernism, Nature and Music Analysis Alfred Schnittke's String Quartet No. 3 and the Uses of Quotation What Text Painting Can Tell Us about Musical Structure Brahms, Twilight, and the Muting of Leading-Tone Energies Fauré’s Nocturne No. 10 and the Twilight of Tonality analysis, hermeneutics, communication Melancholy subjects, melancholy objects: Nikos Skalkottas’s 16 Songs Jonathan Harvey’s music as a path to transcendence An Approach to Analysis in the Context of Theory of Musical Content: Holistic Analysis-Interpretation Conceptualizing the "perceptualization" of timbre: epistemic and analytic reflections Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic Transcendence in Pop-Rock Music Tonal Distortion in Radiohead Interactions between Topics and Schemata: The Case of the Sacred Romanesca "Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein" Bungled Schemata, Accent, and Class Prejudice in Haydn's 'Joke' Quartet Score, Record, and Bytes: Influence of Musical Medium on Analysis Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an exhibition" Tonality: semantic aspect Concerto form, analysis, and conversation: From performance practice to cultural knowledge The Schema-Topic Construction
Musical structure	Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to Recapitulation The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music
musical temporality	Becoming Time: Cyclicity in Schubert’s Extended Secondary Theme
musical time	Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis Modular Form in Popular Music Features of form building in Debussy’s music in the light of Bergson’s conception of la durée Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes Redirecting the Temporal Flow: Brief Meter Changes in German Lieder Making sense of pitch in the ‘free atonal’ Second Viennese School repertoire: a teleological approach based on salience conditions Louis Andriessen's "De Stijl" and Rendering Mondrian Musical Time–Pitch Isomorphisms in /Die Walkuere/ "Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein" Excavating John Cage's 4'33"
musicologie	Trouver des chemins jamais parcourus : alliage entre recherche musico-logique et compositionnelle, transmission, introspection, auto-analyse, et d'autres outils pour l'émancipation
Musicologie et épistémologie	L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes
musicology	Deconstructing Systematic Musicology: Aims, Motivations, and Music-Theoretical Implications
Musikalische Zeit	Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter Tonalität
Musique ancienne	Caractérisation Formelle et Stylistique des Sonates Portugaises pour Clavier Publiées au XVIIIème Siècle L'apport du partimento dans l'analyse harmonique en France au 18e siècle Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate vénitienne Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition "non-finie". Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation Epifania della seconda prattica nel Quarto libro di Monteverdi
Musique contemporaine	Solfège et analyse: l'invention du geste Henri Dutilleux’s dodecaphonism in Métaboles and Tout un monde lointain Une analyse pluridisciplinaire de Guero de Helmut Lachenmann To weave time: the late music of Morton Feldman through the example of Violin and String Quartet Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après 1960 Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique mixte » Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti 'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of Metals" Density 21.5 : Segmentations comparées et interprétations Théorie des jeux et structure formelle dans Duel (1959) de Xenakis
musique enregistree	'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of Metals"
musique enregistrée	Ontologie musicale et analyse de la performance
musique enregistrée	Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch
Musique instrumentale	Solfège et analyse: l'invention du geste Caractérisation Formelle et Stylistique des Sonates Portugaises pour Clavier Publiées au XVIIIème Siècle L'apport du partimento dans l'analyse harmonique en France au 18e siècle La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate vénitienne Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953) Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après 1960 'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of Metals" La Barcarolle op. 60 de Chopin : esthétique du dernier style et métaphore de l’apothéose Les Embryons Désséchés d'Erik Satie: perspectives d'interprétation pianistique Analyse de Jour, contre jour de Gérard Grisey: une approche perceptive Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du Mašriq
musique mixte	Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique mixte »
musique tonale (« common practice »)	Vers une analyse informatique des textures dans le quatuor classique
Musique traditionnelle	Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du Mašriq
Musique vocale	Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico La Ballade romantique allemande en action : interpréter un poème ou interpréter une musique ? Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation Epifania della seconda prattica nel Quarto libro di Monteverdi
Musiques extra-européennes	Ten years of melodic analysis in ethnomusicology : methods & results
musiques improvisees	'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of Metals"
musiques improvisées	Ontologie musicale et analyse de la performance
musiques improvisées	Analyse esthésique des processus d’improvisation (et de création) des musiques de tradition orale en Méditerranée Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition "non-finie".
Musiques traditionnelles	Ten years of melodic analysis in ethnomusicology : methods & results
Musiques électroacoustiques	Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique mixte » Analyse de Jour, contre jour de Gérard Grisey: une approche perceptive
Musorgsky	Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an exhibition"
Mélodie	La Ballade romantique allemande en action : interpréter un poème ou interpréter une musique ? Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch
mémoire	To weave time: the late music of Morton Feldman through the example of Violin and String Quartet
N
narrative	Janáček’s Rhythmic Freedom
Narrative and Metaphor	Narrative and Metaphor in Elliott Carter’s String Quartet No. 1
Narrativity	Time–Pitch Isomorphisms in /Die Walkuere/
Narratology	The Art of Lamenting: Resurrection of the Past in Brahms's "Es steht ein Lind," WoO33, no. 41
national or regional character	Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound Shostakovich’s Passacaglias: Crossroads of Meter and Form The Role of Cultural Constraints in the Development of Music Theory and Analysis in Modern Cyprus Harmony as Cultural Hybrid: Reflection on the First Nationwide Music Theory Conference in China (Wuhan, 1979) Analysing Chinese sacrificial hymn: Mutated theories and layered legacies in French modernity Stylometric Analysis of Music in Search of Cross-cultural Similarities Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der Funktionsharmonik On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov)
national or regional character (of musical terminology)	The language(s) of contemporary music analysis
National/regional character	Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies
natural and transposed systems	Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony
Naturalism	Paul Hindemith and the Spectralists
Neo-Kochian theory	"Punctuation Form" and Expressive Contents in the First Main Period of Selected G minor Symphonies' First Movements of the Classical Era—A Neo-Kochian-Schenkerian Approach
Neo-Riemannian theory	Exploring the limits of neo-Riemannian theory Skryabin’s Late Acceleration through Hexatonic and Octatonic Space
Neo-tonal music	Transformation serieller Techniken im Tintinnabuli Stil Arvo Pärts Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie Formal Algorithms of Tintinnabuli in Arvo Pärt's Music
Neoclassicism	Allusion analysis in Fauré’s Fantaisie pour piano et orchestre
new media	Computergestützte Analyse und ihr praktischer Einsatz in der musiktheoretischen Lehre
new musicology	Rethinking Milton Babbitt's "Serious Music" as Play
Nicolas Gombert	Is modality still a compositional tool in Monteverdi's 1610 Mass?
Noise	Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985
Non-European music	Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies Analyzing the Semiotic Contribution of Traditional Aesthetics to Contemporary Chinese Music Harmony as Cultural Hybrid: Reflection on the First Nationwide Music Theory Conference in China (Wuhan, 1979)
Non-isochronous meter	Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues
non-Western music	Compositional Strategies in non-Western music. The case of Turkmen music
notation	Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo
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Octatonic	Collection Vectors and the Octatonic Scale
ontologie	Ontologie musicale et analyse de la performance
Opera	Aria-Sonata Forms?: Taking Formenlehre to the Opera Once More Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc d'Albe
Opera analysis	Vincenzo Bellini and the Art of Nineteenth Century Counterpoint: an analytical approach Verdi and the Eighteenth century Neapolitan Tradition Osmin's Rage Aria
oral music	Compositional Strategies in non-Western music. The case of Turkmen music
oralité	Ontologie musicale et analyse de la performance
Oralité	La Ballade romantique allemande en action : interpréter un poème ou interpréter une musique ?
orchestral works	The Characters beyond Fusion. Practical approaches to models in Henri Dutilleux’ works
orchestration	Completing the incomplete: the first eight bars of W.A. Mozart’s Lacrimosa in the 19th-20th centuries Rossini's Harmonic Materialities: Syntactic and Statistical Computer Generated Orchestration: Towards Using Musical Timbre in Composition Vom Klavier- zum Orchesterlied. Entwurf einer Methode für die Analyse klanglicher Umwandlungen.
Oreille	Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?
Organicism	Berg's Piano Sonata and Reverse Organicism
orientalism	Osmin's Rage Aria
orientalisme musical	Les rôles respectifs du sujet et de l’objet en analyse de l’orientalisme musical
Origination process	The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern
Ottoman	Metric elements in free rhythm Taksim Improvisations.
outils pédagogiques	L'analyse musicale pour tous
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partimenti	On footprints of "Galant Style" in Mendelssohn's music learning
partimento	The Do-Re-Mi revisited: Historical Underpinnings of a Schema Waltz for Debby: Nested Structural Modes and Prolongation Teaching Partimento Analysis and Realization in Paris Verdi and the Eighteenth century Neapolitan Tradition Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the beginning of the 19th century. Harmony, Counterpoint, Partimento (Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical Creativity
Paul Sacher Foundation	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
Pedagogia musicale	Partimenti, un metodo per imparare, fare, comporre musica ieri e oggi
pedagogy	Teaching Partimento Analysis and Realization in Paris Harmony, Counterpoint, Partimento
Pentatonisme	Ten years of melodic analysis in ethnomusicology : methods & results
perception	"Pitch and rhythmical realization of traditional song music and their presentation in research interpretation"
perception musicale	Analyse esthésique des processus d’improvisation (et de création) des musiques de tradition orale en Méditerranée Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953) L’effet des mimiques de l’interprète dans la perception de l’humour debussyste 'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of Metals"
Performance	Compositional praxis and historical time in the late works of Jani Christou Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo Anaysis of the score and performance analysi: two different approaches to' the music of Karlheinz Stockhausen Ontologie musicale et analyse de la performance
Performance analysis	Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes Contribution de l’analyse de scène auditive à l’analyse de la performance
performance choices	Expressivity in choral performance: the role of text diction
Performance practice	The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern
Performance studies	Desperately seeking a ‘Debussy style’ in the performance of the orchestral music La Barcarolle op. 60 de Chopin : esthétique du dernier style et métaphore de l’apothéose
phenomenology	Classical Phenomenology and the Epistemological Clarification of Music Analysis
Phrase rhythm	The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective
piano miniature	Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature
Piano music	“Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music
Piano sonata	The piano sonatas of Schumann and Brahms: Approaching analysis through aesthetics
Pitch Orthography	Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form
play	Rethinking Milton Babbitt's "Serious Music" as Play
Polish music	Semiotics of light in music
Polymeter	Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues
Polyphonie Pratiques musicales	Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi
Polyphony	The Supplementum in Motets: Evolution, Style, and Structure On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov)
polyrhythm	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme.
Polytonality	Busoni’s Elegies on the path of Liszt’s late style Rock Logic
popular music	A Study of Tonality in Electronic Dance Music Modular Form in Popular Music Persistence time series: an application to music classification Pitfalls and Windfalls in Corpus Studies of Pop/Rock Music "I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical Towards Structural (Popular) Music Information Research The Tech-Processual Construction of Siouxsie and the Banshees’ Panoramic Peepshow Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity Multimodality and Tonal Ambiguity in Rock’s Aeolian Progression Transcendence in Pop-Rock Music Rock Logic Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84) Tonal Distortion in Radiohead Analyzing Form in Popular Music: History, Style, Aesthetics, and Data Score, Record, and Bytes: Influence of Musical Medium on Analysis Form as Timbral Mapping: Process Ontologies for Recorded Popular Music
Post-Tonal	Hearing Function in Post-Tonal Contexts
post-tonal music	Exploring the limits of neo-Riemannian theory Liszt and Scriabin. A case of continuity in some twentieth-century compositional techniques Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit Making sense of pitch in the ‘free atonal’ Second Viennese School repertoire: a teleological approach based on salience conditions Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology
Post-tonal music theory	Post-tonal harmonic theories in Italy from the beginning of the twentieth century to present day. In search of a tradition
Powers	Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
Pratiques musicales	L'apport du partimento dans l'analyse harmonique en France au 18e siècle Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate vénitienne Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après 1960 L’effet des mimiques de l’interprète dans la perception de l’humour debussyste
praxis	Compositional praxis and historical time in the late works of Jani Christou
Preludes	Chopin's Ternary Preludes
process	An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003).
Progressive Rock	Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)
Prokofiev	Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos
Prolongation	Tonality and Prolongation in Roger Sessions' Second Symphony
psychoacoustics	Paul Hindemith and the Spectralists
psychoanalysis	Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis Psychoanalytic Reflections on Modulation
psychologie de la musique	L’effet des mimiques de l’interprète dans la perception de l’humour debussyste Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch
psychology of music	Classical Phenomenology and the Epistemological Clarification of Music Analysis Features of form building in Debussy’s music in the light of Bergson’s conception of la durée Expectancy situations, sound and form in Debussy’s Nocturnes Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees
Pédagogie musicale	La fugue où on ne l'attend pas : transmission du style sévère à travers les Principes élémentaires de musique et les Solfèges du Conservatoire L'apport du partimento dans l'analyse harmonique en France au 18e siècle Processus d'analyse dans le contexte d'un Cours d'Ecriture-Composition
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Ragtime	Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme.
Recapitulation	Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos
Recapitulations	A Theory of Tonal Alterations in Sonata Recapitulations
Recherche-création	Trouver des chemins jamais parcourus : alliage entre recherche musico-logique et compositionnelle, transmission, introspection, auto-analyse, et d'autres outils pour l'émancipation
recorded music	Pitfalls and Windfalls in Corpus Studies of Pop/Rock Music Completing the incomplete: the first eight bars of W.A. Mozart’s Lacrimosa in the 19th-20th centuries The Tech-Processual Construction of Siouxsie and the Banshees’ Panoramic Peepshow Expressivity in choral performance: the role of text diction Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes Score, Record, and Bytes: Influence of Musical Medium on Analysis Form as Timbral Mapping: Process Ontologies for Recorded Popular Music
Reimann	Seeking Schubert in Aribert Reimann's _Mignon_ (1995)
religion	Jean-Louis Florentz: Hospitality and Spectralism
repetition	An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003).
retrospective reinterpretation	The "Reopened" Half Cadence: A Striking Cadential Anomaly
rhythm	On Metrically Weak Cadential 6/4s Shostakovich’s Passacaglias: Crossroads of Meter and Form Metric elements in free rhythm Taksim Improvisations. Two metrical problems in Webern’s Streichquartett, Op. 28 Janáček’s Rhythmic Freedom Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance Treatment Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée Between Overlaps and Elisions
Rhythm and Metre in Music	Das Medium ist das Metrum: Ein Aspekt der Analysegeschichte von Beethovens 5. Sinfonie
rhythmless	Metric elements in free rhythm Taksim Improvisations.
Rhétorique musicale	Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition "non-finie". Epifania della seconda prattica nel Quarto libro di Monteverdi
Richard Strauss	Integrating Tonal Transformations and Prolongations: A Case Study of Richard Strauss’s “September,” from Vier Letzte Lieder (1948)
rotations	Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87
Rythme	Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après 1960 Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition "non-finie".
S
Salience and stability conditions	Making sense of pitch in the ‘free atonal’ Second Viennese School repertoire: a teleological approach based on salience conditions
schema	The Do-Re-Mi revisited: Historical Underpinnings of a Schema Teaching Partimento Analysis and Realization in Paris The Schematic World of Mozart's Figaro (Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical Creativity
schema theory	Harmony, Counterpoint, Partimento Interactions between Topics and Schemata: The Case of the Sacred Romanesca Schemata and tonality in Froberger’s “Mediation sur ma mort future”
schemata	On footprints of "Galant Style" in Mendelssohn's music learning
Schenker	Exploring Linear-Analytical Elements in the Writings of Leo Mazel Elgar's 'Introduction and Allegro': brief thoughts on musical in-between-ness
Schenkerian analysis	"Punctuation Form" and Expressive Contents in the First Main Period of Selected G minor Symphonies' First Movements of the Classical Era—A Neo-Kochian-Schenkerian Approach Chopin's Ternary Preludes Love and History in Berlioz's 'Chasse Royale et Orage', a semiotic-Schenkerian perspective "Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation Schemata and tonality in Froberger’s “Mediation sur ma mort future”
Schenkerian theory	Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories
Schoenberg	Berg's Piano Sonata and Reverse Organicism
Schubert	Seeking Schubert in Aribert Reimann's _Mignon_ (1995) A Theory of Tonal Alterations in Sonata Recapitulations
Scriabine	Liszt vers la flamme lumineuse de Skrjabin
Second Viennese School	Two metrical problems in Webern’s Streichquartett, Op. 28
Secular polyphonic corpora	Tonal coherence in pre-modal polyphony. The secular repertoires of the ars subtilior.
Semiotic Analysis	Love and History in Berlioz's 'Chasse Royale et Orage', a semiotic-Schenkerian perspective
Semiotics	Narrative and Metaphor in Elliott Carter’s String Quartet No. 1
semiotics of light	Semiotics of light in music
Semitonal modulation	Chopin’s Semitonal Modulations in Formal Designs
serial method	Aesthetics and style of Arvo Pärt’s work: revolution or evolution?
Serialism	Babbitt’s Beguiling Surfaces, Improvised Inside Stravinsky and Boulez: Compositional Process, Form and Development
Set	Collection Vectors and the Octatonic Scale
set theory	Liszt and Scriabin. A case of continuity in some twentieth-century compositional techniques Micro-Diatonicism and Formal Structure in 20th-Century Music
sets	Babbitt’s Beguiling Surfaces, Improvised Inside
SIcily	Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985
signification	Allusion analysis in Fauré’s Fantaisie pour piano et orchestre
Signification musicale	To weave time: the late music of Morton Feldman through the example of Violin and String Quartet Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique mixte » La Ballade romantique allemande en action : interpréter un poème ou interpréter une musique ? Les rôles respectifs du sujet et de l’objet en analyse de l’orientalisme musical Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et 1950 La Barcarolle op. 60 de Chopin : esthétique du dernier style et métaphore de l’apothéose ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES ARABO-MUSULMANES L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz
Silence	Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée
Sketch Studies	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
Sketch studies/Génétique	Qu'est-ce qu'une technique de composition ?
Skryabin	Skryabin’s Late Acceleration through Hexatonic and Octatonic Space
Socialisation	Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?
Sociologie	Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?
solfeggio	The Do-Re-Mi revisited: Historical Underpinnings of a Schema
Sonata form	The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective The Role of the Medial Caesura in Schubert’s Over-Determined Transitions
Sonata Theory	Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos Elgar's 'Introduction and Allegro': brief thoughts on musical in-between-ness A Theory of Tonal Alterations in Sonata Recapitulations The Role of the Medial Caesura in Schubert’s Over-Determined Transitions
Song cycle in 19th Century	19th-century song cycle as an object of interdisciplinary analysis. A case of Franz Liszt’s song cycles
Sound-based music	Timbre and Variations: Exploring Sound in Vivier’s Zipangu (1980)
species counterpoint	Zacconi, Banchieri and the counterpoint species: reconstructing the Klanglichkeit of the contrapunto in compagnia
Spectralism	Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik Jean-Louis Florentz: Hospitality and Spectralism
stratification	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
Strauss	Reconsidering Strauss's 'Metamorphosen'
Stravinsky	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
String Quartet op. 3	Musical Reference in Alban Berg’s String Quartet, op. 3
structural modes	Waltz for Debby: Nested Structural Modes and Prolongation Approaching the Lexicon and the Combinatorics of Tonal Schemata
Structure	Alfred Schnittke's String Quartet No. 3 and the Uses of Quotation What Text Painting Can Tell Us about Musical Structure Persistence time series: an application to music classification Cognitive Aspects of Gradual Modulation Brahms, Twilight, and the Muting of Leading-Tone Energies An investigation of the cadence in early nineteenth-century syntax Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism "I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale savante Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate vénitienne Towards Structural (Popular) Music Information Research Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953) Goehr’s Piano Sonata through a Transformational Lens Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century The Simpfonie according to Riepel Towards objectivity in automatic segmentation of music score by XML/MIDI language. Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch Tonality and Prolongation in Roger Sessions' Second Symphony Anton Bruckner’s Slow Movements: Dialogic Perspectives Chord Superimposition in Two Late Orchestral Works by Ferruccio Busoni Théorie des jeux et structure formelle dans Duel (1959) de Xenakis The Supplementum in Motets: Evolution, Style, and Structure Louis Andriessen's "De Stijl" and Rendering Mondrian Musical Time–Pitch Isomorphisms in /Die Walkuere/ Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35) Epifania della seconda prattica nel Quarto libro di Monteverdi Analyzing Form in Popular Music: History, Style, Aesthetics, and Data Organic Transcription as an Embodied Artistic-Analytic Process Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an exhibition" François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz Excavating John Cage's 4'33" Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology
Structures Formes	Processus d'analyse dans le contexte d'un Cours d'Ecriture-Composition
strutcture	Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories
Style	De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen Caractérisation Formelle et Stylistique des Sonates Portugaises pour Clavier Publiées au XVIIIème Siècle Brahms, Twilight, and the Muting of Leading-Tone Energies Fauré’s Nocturne No. 10 and the Twilight of Tonality Melodic Fluency in Keyboard Menuet Improvisation Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of Sinfonia Style-oriented improvisation and music theory Formal Algorithms of Tintinnabuli in Arvo Pärt's Music The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744) Voice-leading schemata and formal functions: Reinvestigating schema concatenation Paul Ben-Haim: Between East and West Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi Stylometric Analysis of Music in Search of Cross-cultural Similarities Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35) Epifania della seconda prattica nel Quarto libro di Monteverdi Bungled Schemata, Accent, and Class Prejudice in Haydn's 'Joke' Quartet Stravinsky's Serial Games Proto-Impressionism in Piano Works of Camille Saint-Saëns L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz
Style musicale	Franz Liszt dans le miroir de Claude Debussy
Stylistic heterogeneity and eclecticism	Mr. Bungle thinks it through: finding coherence in California (1999)
Succession non fonctionnelle	Liszt vers la flamme lumineuse de Skrjabin
Symbolism	Allusion analysis in Fauré’s Fantaisie pour piano et orchestre
syntax	Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87
systematic	Deconstructing Systematic Musicology: Aims, Motivations, and Music-Theoretical Implications
T
taksim	Metric elements in free rhythm Taksim Improvisations.
technique de composition	Qu'est-ce qu'une technique de composition ?
technology	Anaysis of the score and performance analysi: two different approaches to' the music of Karlheinz Stockhausen Watch this space: On Blended Learning and Music Analysis in the Classroom
teleology	Form and Teleology Beyond the Tonal System Around 1910.
temporality	The Art of Lamenting: Resurrection of the Past in Brahms's "Es steht ein Lind," WoO33, no. 41 Music Analysis and Process
Temps musical	Solfège et analyse: l'invention du geste To weave time: the late music of Morton Feldman through the example of Violin and String Quartet Analyse de Jour, contre jour de Gérard Grisey: une approche perceptive
text diction	Expressivity in choral performance: the role of text diction
Text Setting	Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form
text-music relationships	Janáček’s Rhythmic Freedom
textual criticism	Anton Bruckner’s Slow Movements: Dialogic Perspectives
texture	Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87 Hearing Voices in Their Hands: Performing and Perceiving Polyphony Vers une analyse informatique des textures dans le quatuor classique Rossini's Harmonic Materialities: Syntactic and Statistical Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms Models for Variation and Development in Messiaen's Early Sketches Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation Music as Sound Process: Kurth’s Bruckner and the Timbral Insider Interactions between Topics and Schemata: The Case of the Sacred Romanesca Form as Timbral Mapping: Process Ontologies for Recorded Popular Music Vom Klavier- zum Orchesterlied. Entwurf einer Methode für die Analyse klanglicher Umwandlungen. On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov) Proto-Impressionism in Piano Works of Camille Saint-Saëns
texture accordale e polifonica	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
The limits of musical analysis	Meta-Music and the Analytical Challenges of Jan W. Morthenson’s Music
Thematic design	Chopin's Ternary Preludes
theory of musical content	An Approach to Analysis in the Context of Theory of Musical Content: Holistic Analysis-Interpretation
Three Case Studies	Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.
théorie de l'analyse	De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour l'analyse
Théorie de l’analyse	La fugue où on ne l'attend pas : transmission du style sévère à travers les Principes élémentaires de musique et les Solfèges du Conservatoire Solfège et analyse: l'invention du geste Henri Dutilleux’s dodecaphonism in Métaboles and Tout un monde lointain Les rôles respectifs du sujet et de l’objet en analyse de l’orientalisme musical L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz
Timbre	“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working title) Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound Spectral Aesthetics and ecological listening in the music of Helena Tulve Seeking Schubert in Aribert Reimann's _Mignon_ (1995) Describing prosody in Debussy’s songs Against Timbre, Harmony: The Case of African Music Paul Hindemith and the Spectralists Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985 Une analyse pluridisciplinaire de Guero de Helmut Lachenmann Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87 Conceptualizing the "perceptualization" of timbre: epistemic and analytic reflections Emerging Musical Structures in Electroacoustic Music L’effet des mimiques de l’interprète dans la perception de l’humour debussyste Expectancy situations, sound and form in Debussy’s Nocturnes Rossini's Harmonic Materialities: Syntactic and Statistical Computer Generated Orchestration: Towards Using Musical Timbre in Composition Music as Sound Process: Kurth’s Bruckner and the Timbral Insider Analyse de Jour, contre jour de Gérard Grisey: une approche perceptive Form as Timbral Mapping: Process Ontologies for Recorded Popular Music
tintinnabuli style	Aesthetics and style of Arvo Pärt’s work: revolution or evolution?
Tonal Over-Determination	The Role of the Medial Caesura in Schubert’s Over-Determined Transitions
tonal pairing	Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)
Tonal Theory	Harmonic syntax and vocabulary in tonal music
tonal traditions	Form and Teleology Beyond the Tonal System Around 1910.
Tonal type(s)	Is modality still a compositional tool in Monteverdi's 1610 Mass?
tonal types	Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
Tonality	A Study of Tonality in Electronic Dance Music Harmonic syntax and vocabulary in tonal music Fauré’s Nocturne No. 10 and the Twilight of Tonality 1917 Modulating the World into a Different Key Dynamic Grammar of Tonality: the real-time understanding of tonal music "I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical In Defense of Augmented Intervals Aria-Sonata Forms?: Taking Formenlehre to the Opera Once More Exploring Linear-Analytical Elements in the Writings of Leo Mazel Integrating transformational and hierarchical models of extended tonality Multimodality and Tonal Ambiguity in Rock’s Aeolian Progression Style-oriented improvisation and music theory Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century Voice-leading schemata and formal functions: Reinvestigating schema concatenation Tonal coherence in pre-modal polyphony. The secular repertoires of the ars subtilior. A New Model for Modal Analysis in Baroque Music Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony Tonality: semantic aspect
Tonalität	Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter Tonalität Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz
Tonalité	Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale savante
Tonnetz	Interval Pairing in a Serial Context: Webern’s Variations, Op. 30
Topic Theory	Interactions between Topics and Schemata: The Case of the Sacred Romanesca
topics	Form and structural narrative in Debussy’s _Prélude à l’après-midi d’un faune_
Tradition	Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985
traditional music	"Pitch and rhythmical realization of traditional song music and their presentation in research interpretation" Between Overlaps and Elisions
Traditions musicales de l'Afrique du Nord	L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes
transformational theory	Liszt and Scriabin. A case of continuity in some twentieth-century compositional techniques Interval Pairing in a Serial Context: Webern’s Variations, Op. 30 Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis
trautonium	Paul Hindemith and the Spectralists
Tristan und Isolde	Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities
Truncation	Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos
Turkish" music	Osmin's Rage Aria
Turkmen music	Compositional Strategies in non-Western music. The case of Turkmen music
Twelve-Tone	Interval Pairing in a Serial Context: Webern’s Variations, Op. 30
Twelve-tone and serial music	Alfred Schnittke's String Quartet No. 3 and the Uses of Quotation Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy
Twentieth century Italian music	Post-tonal harmonic theories in Italy from the beginning of the twentieth century to present day. In search of a tradition
Twentieth-Century String Quartet	Narrative and Metaphor in Elliott Carter’s String Quartet No. 1
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Unfinished Music	Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc d'Albe
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values of subjectivity	Music Analysis and Process
Venice	Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature
Veränderte Reprisen	Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach
Veränderungen	Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach
Vivier	Timbre and Variations: Exploring Sound in Vivier’s Zipangu (1980)
vocal music	“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working title) Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato” Mozart’s “Great” C-Minor Mass and the New Formenlehre: An Exercise in Comparative Analysis Completing the incomplete: the first eight bars of W.A. Mozart’s Lacrimosa in the 19th-20th centuries Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form Describing prosody in Debussy’s songs Aria-Sonata Forms?: Taking Formenlehre to the Opera Once More Solfeggi: Sounding their hidden Depths Redirecting the Temporal Flow: Brief Meter Changes in German Lieder On the Form Functionality of Recitative Intrusions in Le nozze di Figaro Rossini's Harmonic Materialities: Syntactic and Statistical Expressive performance analysis of children aged 4-5 years: teaching models and vocal abilities Brahms's Non-Strophic Settings of Stanzaic Poetry Vom Klavier- zum Orchesterlied. Entwurf einer Methode für die Analyse klanglicher Umwandlungen. Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der Funktionsharmonik On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov)
Voice exchanges	"Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation
voice leading	Chopin's Ternary Preludes Approaching the Lexicon and the Combinatorics of Tonal Schemata
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Wagner	Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities Time–Pitch Isomorphisms in /Die Walkuere/
web et vidéos	L'analyse musicale pour tous
Webern	Interval Pairing in a Serial Context: Webern’s Variations, Op. 30
Wiederholung	Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach
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Épistémologie musicale	Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale savante
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• advanced tonality and post-tonal music	Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony
• Advanced tonality/post-tonal music	A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay
• analytical theory	A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony
• chromaticism	Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony
• Contemporary music	A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay
• Mathematics/formalisation	A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay
• musical modelling	Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony
• polytonality	Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony
• Tonality	A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay
•Cognition musicale	Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité
•Esthétique musicale	Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité
•Épistémologie musicale	Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité
•Herméneutique musicale	Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité
•Heuristique musicale	Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité

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