EUROMAC 9: 9TH EUROPEAN MUSIC ANALYSIS CONFERENCE

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Abou Mrad, Nidaa	Réécriture grammaticale modale générative-transformationnelle de l’improvisation taqsīm violonistique selon la tradition du Mašriq
Abrahamyan, Knar	Shostakovich’s Passacaglias: Crossroads of Meter and Form
Abramovay, Juliano	Metric elements in free rhythm Taksim Improvisations.
Abromont, Claude	L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz
Aerts, Hans	The Svago: Methodological Reflections on a Schema in Solfeggi by Leonardo Leo (1694-1744)
Albert, Giacomo	Analysis of digital e-sketches: case study Marco Stroppa
Almada, Carlos De Lemos	Correlations between Developing Variation and Genetic Processes in the Analysis of Brahms' Violin Sonata Op.78
Amato, Alexander	Confident Chromaticism in Satie’s Nocturnes as Determined by Hindemith’s Harmonic Fluctuation
Andrea, Bareggi	Towards objectivity in automatic segmentation of music score by XML/MIDI language.
Andreatta, Moreno	Towards Structural (Popular) Music Information Research
Annarilli, Alberto	Interpolation and superfetation. The Archeological restoration of an unfinished work. Donizetti-Battistelli's Le Duc d'Albe
Antoine, Aurelien	Computer Generated Orchestration: Towards Using Musical Timbre in Composition
Antoniadis, Pavlos	Musical analysis by means of multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo
Arbo, Alessandro	Ontologie musicale et analyse de la performance
Arndt, Matthew	Berg's Piano Sonata and Reverse Organicism
Ayari, Mondher	Analyse esthésique des processus d’improvisation (et de création) des musiques de tradition orale en Méditerranée
Ayers, William	Microtonality and Transformation: Analyzing Easley Blackwood’s "19 Notes" with a Modified Tonal GIS
Aziz, Andrew	Et Tu, Debussy and Ravel: fin-de-siècle Recapitulations, 1890-1925
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Badir, Sémir	La musique parmi d'autres
Baker, Michael	A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions
Bakulina, Ellen	Exploring Linear-Analytical Elements in the Writings of Leo Mazel
Balmer, Yves	De l'emprunt à la formule : une nouvelle échelle d'analyse de l'œuvre d'Olivier Messiaen
Baragwanath, Nicholas	Bungled Schemata, Accent, and Class Prejudice in Haydn's 'Joke' Quartet
Baratè, Adriano	Persistence time series: an application to music classification
Bardez, Jean-Michel	Processus d'analyse dans le contexte d'un Cours d'Ecriture-Composition
Barna, Alyssa	Modular Form in Popular Music
Baroni, Mario	analysis, hermeneutics, communication Performance and analysis : an empirical research on the interactions between analysts and performers
Bartoli, Jean-Pierre	L’analyse musicale, une discipline autonome ?
Bartos, Katarzyna	Semiotics of light in music
Bauer, Amy	Spectral Aesthetics and ecological listening in the music of Helena Tulve
Bausch, Tim	Spectral Processes in Alvin Lucier’s Twonings
Benitez, Vincent	Birdsong as Compositional and Theological Determinants in Olivier Messiaen’s Opera, Saint François d’Assise
Bennett, Samantha	The Tech-Processual Construction of Siouxsie and the Banshees’ Panoramic Peepshow
Bennett Holmes, Julian	In Defense of Augmented Intervals
Bergomi, Mattia Giuseppe	Persistence time series: an application to music classification
Bernstein, Zachary	Is the Twelve-Tone System Inherently Organicist? A Reflection on Conflicting Perspectives, with Notes on Analysis
Besada, José L.	Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)
Bianco, Aurelio	La sonata concertata in stil moderno (1600 env. – 1640 env.) : modèles stylistiques et idiomes instrumentaux à l’aube de la sonate vénitienne
Bigo, Louis	Towards Structural (Popular) Music Information Research
Bisesi, Erica	Measuring and modelling perceived distance among collections in post-tonal music: Music theory meets music psychology
Bivens, Sam	Time–Pitch Isomorphisms in /Die Walkuere/
Black, Brian	Formal Function Anomalies in Schubert's Late Sonata Forms and the Lyrical Impulse"
Blattler, Damian	Louis Andriessen's "De Stijl" and Rendering Mondrian Musical
Bleij, Barbara	Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces
Blim, Dan	"I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical
Bordin, Anna Maria	Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo Performance and analysis : an empirical research on the interactions between analysts and performers
Bossis, Bruno	New repertoires, new corpus: reformulations of analytic practice in electroacoustic music
Bouhadiba, Fériel	ANALYSE MUSICALE ET CULTURALITE : DES DEFIS POSES PAR L’ACTE MUSICAL A LA PARTITION EN TANT QU’OUTIL D’INTERPRETATION ET D’ANALYSE DANS LES TRADITIONS MODALES ARABO-MUSULMANES
Boulan, Muriel	La fugue où on ne l'attend pas : transmission du style sévère à travers les Principes élémentaires de musique et les Solfèges du Conservatoire
Bourne, Janet	The Schema-Topic Construction
Boyle, Matthew	Rossini's Harmonic Materialities: Syntactic and Statistical
Bratus, Alessandro	Form as Timbral Mapping: Process Ontologies for Recorded Popular Music
Brickman, Scott	Collection Vectors and the Octatonic Scale
Broman, Per	Meta-Music and the Analytical Challenges of Jan W. Morthenson’s Music
Brown, Stephen	Interval Pairing in a Serial Context: Webern’s Variations, Op. 30
Brunner, Franziska	“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie" (working title)
Buccio, Daniele	Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953)
Burleson, Geoffrey	Proto-Impressionism in Piano Works of Camille Saint-Saëns
Burstein, Poundie	Striking Approaches to Recapitulations
Byros, Vasili	(Re)Creating Bach’s Weimar Organ Fugues: Model-Learning, Externalization, and Conceptual Combination in Musical Creativity
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Caplin, William	The "Reopened" Half Cadence: A Striking Cadential Anomaly
Carlisi, Lydia	Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the beginning of the 19th century.
Caron, Sylvain	Analyser l’expression musicale : le cas des « Hiboux » de Baudelaire/Vierne/Delunsch
Carr, Maureen	Contrapuntal Elements in Selected Passages from Igor Stravinsky’s Concerto for Two Pianos (1932–35)
Caskel, Julian	Das Medium ist das Metrum: Ein Aspekt der Analysegeschichte von Beethovens 5. Sinfonie
Cecchi, Alessandro	Music as Sound Process: Kurth’s Bruckner and the Timbral Insider
Ceulemans, Anne-Emmanuelle	Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
Chandler, Oliver	Elgar's 'Introduction and Allegro': brief thoughts on musical in-between-ness
Cheong, Wai-Ling	Harmony as Cultural Hybrid: Reflection on the First Nationwide Music Theory Conference in China (Wuhan, 1979)
Chernova, Elena	Aleksandr Kastal’skijs Kompositionstechnik und -theorie als Inbegriff des 'russischen Stils' und 'Erlösung' von der Funktionsharmonik
Cholevas, Michalis	Metric elements in free rhythm Taksim Improvisations.
Chung, Heewon	Chopin’s Semitonal Modulations in Formal Designs
Chung, Yi Eun	Becoming Time: Cyclicity in Schubert’s Extended Secondary Theme
Clarke, Michael	The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project
Cogan, Robert	Deep Music: The Global Art-Science Music After Six Millennia
Cottin, Maxime	Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)
Covach, John	Analyzing Form in Popular Music: History, Style, Aesthetics, and Data
Crochu, Mariette	La Ballade romantique allemande en action : interpréter un poème ou interpréter une musique ?
Cubero, Diego	Brahms, Twilight, and the Muting of Leading-Tone Energies
Curran, David	Love and History in Berlioz's 'Chasse Royale et Orage', a semiotic-Schenkerian perspective
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D'Alfonso, Duilio	Dynamic Grammar of Tonality: the real-time understanding of tonal music
Dack, John	Analysis of ‘Open Forms’: Problems and Approaches
Dalmonte, Rossana	Franz Liszt dans le miroir de Claude Debussy
Davis, Colin	Chord Superimposition in Two Late Orchestral Works by Ferruccio Busoni
Day, Rebecca	The social, philosophical, and narrative act of music analysis: Towards a theory of the immanent musical subject
de Jong, Karst	Waltz for Debby: Nested Structural Modes and Prolongation
Declercq, Trevor	Pitfalls and Windfalls in Corpus Studies of Pop/Rock Music
Delaere, Mark	The Function of Rhythm in the Pitch / Sound Continuum: The Case of I. Xenakis' Thallein
Delecluse, François	Qu'est-ce qu'une technique de composition ?
Delisle, Julie	Analyse de Jour, contre jour de Gérard Grisey: une approche perceptive
Devore, Richard	Choose your own sonata form: Adventures in analysis
Dieci, Sara	Visti dal basso. La pratica del continuo monteverdiano come esperienza di analisi
Dinardo, James	Mozart’s “Great” C-Minor Mass and the New Formenlehre: An Exercise in Comparative Analysis
Discussion, Panel	Modulation as Structure and as an Act Modal and Tonal Organization in Polyphonic Compositions Analysis at the crossroads of different traditions, methodologies and concepts of sound Itinerari d’analisi per la musica italiana d’inizio Seicento nel 450° anniversario della nascita di Claudio Monteverdi Italy, Israel and Cyprus: Identifying intrinsic elements, addressing diversity and continuity New Approaches for Analysing the Music of Olivier Messiaen Changes and heritage in musical style at the end of the 19th and at the beginning of the 20th century: between originality and remembering The analytical challenge of harmonic ambiguity: can a single model depict multiple concurrent readings?
Dodds, Michael	A New Model for Modal Analysis in Baroque Music
Dogantan-Dack, Mine	Performative knowledge as an analytical tool: Embodying Beethoven’s musical dynamic
Doll, Christopher	Tonal Distortion in Radiohead
Douw, André	Excavating John Cage's 4'33"
Doé de Maindreville, Florence	Vers une analyse informatique des textures dans le quatuor classique
Dreyer, Hubertus	A framework for the analysis of Jiuta and Sôkyoku music of the Kansai area
Dufetel, Nicolas	Liszt vers la flamme lumineuse de Skrjabin
Dufeu, Frédéric	The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project
Duinker, Ben	Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity
Délécraz, Cyril	Analyse historiographique des « nouveaux gestes musicaux » de la musique savante occidentale entre 1850 et 1950
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Eckert, Stefan	The Simpfonie according to Riepel
Emmery, Laura	Narrative and Metaphor in Elliott Carter’s String Quartet No. 1
Engebretsen, Nora	Conceptualizing the "perceptualization" of timbre: epistemic and analytic reflections
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Faraldo, Ángel	A Study of Tonality in Electronic Dance Music
Felici, Candida	Jonathan Harvey’s music as a path to transcendence
Ferraz Mello Filho, Silvio	Solfège et analyse: l'invention du geste
Fleshner, Nathan	Lewin's Figure 0.1, Freud's Analysis Interminable, and Their Implications for Music Analysis
Forrest, David	Transcendence in Pop-Rock Music
Froebe, Folker	Schemata and tonality in Froberger’s “Mediation sur ma mort future”
Fujita, Michiko	Density 21.5 : Segmentations comparées et interprétations
Fujita, Shigeru	Henri Dutilleux’s dodecaphonism in Métaboles and Tout un monde lointain
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Gamrat, Małgorzata	19th-century song cycle as an object of interdisciplinary analysis. A case of Franz Liszt’s song cycles
Garthoff, Stefan	[Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit.
Ghrab, Anas	L'analyse de la musique modale enregistrée : nouvelles approches, nouvelles méthodes
Gillespie Jr. D.M.A., Randy Zane	A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay
Gioffredo, Mylène	Timbre and Variations: Exploring Sound in Vivier’s Zipangu (1980)
Giraud, Mathieu	L'analyse musicale pour tous
Gjerdingen, Robert	Teaching Partimento Analysis and Realization in Paris
Godin, Jon-Tomas	The piano sonatas of Schumann and Brahms: Approaching analysis through aesthetics
Graf, Benjamin	"Embedded" Voice Exchanges: The Gateway to Tonal (and Metaphorical) Transformation
Grande, Antonio	Liszt and Scriabin. A case of continuity in some twentieth-century compositional techniques Performance and analysis : an empirical research on the interactions between analysts and performers
Grimes, Nicole	Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound
Groult, Richard	L'analyse musicale pour tous
Guez, Jonathan	A Theory of Tonal Alterations in Sonata Recapitulations
Guillot, Gerald	Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues
Guillotel-Nothmann, Christophe	Tonal coherence in pre-modal polyphony. The secular repertoires of the ars subtilior.
Gurkiewicz, Liran	Paul Ben-Haim: Between East and West
Gurrieri, Marco	Claudio Monteverdi e la raccolta del 1610: luci e ombre di un Vespro atipico
Guter, Inbal	Running for long distances:The resilience of the Geographic chords
Gyra, Varvara	Compositional praxis and historical time in the late works of Jani Christou
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Habryka, Julian	Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz
Hamm, Chelsey	Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies
Haselboeck, Lukas	Expectancy situations, sound and form in Debussy’s Nocturnes
Hasty, Christopher	Music Analysis and Process
Hauck-Silva, Caiti	Expressivity in choral performance: the role of text diction
Heffter, Moritz	Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius
Heimonen, Panu	Concerto form, analysis, and conversation: From performance practice to cultural knowledge
Heneghan, Áine	Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy
Herrera, Perfecto	A Study of Tonality in Electronic Dance Music
Hier, David	Tonality and Prolongation in Roger Sessions' Second Symphony
Horton, Julian	Form, Syntax and the Problem of Late Style in Mendelssohn’s String Quartet Op. 80
Huguet, Joan	The Minor-Mode Sonata Rondo as Expressive Subgenre
Hunt, Graham	Aria-Sonata Forms?: Taking Formenlehre to the Opera Once More
Hunt, Joel	From Process to Performance: Text-Based Improvisation in Henry Brant’s “Instant Music”
Hyland, Anne M.	Processual Strategies in Schubert's Earliest String Quartets: a Generative Response to Recapitulation
Höchsmann, Hyun	Prometeo, Tragedia dell’ascolto – ‘A new way of thinking music’ in Nono
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Ijzerman, Job	Harmony, Counterpoint, Partimento
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Jackson, Timothy	"Punctuation Form" and Expressive Contents in the First Main Period of Selected G minor Symphonies' First Movements of the Classical Era—A Neo-Kochian-Schenkerian Approach
Jayasuriya, David	Fonte And Monte in the Symphonies of Joseph Haydn
Jeong, Soo Hyun	Integrating Tonal Transformations and Prolongations: A Case Study of Richard Strauss’s “September,” from Vier Letzte Lieder (1948)
Jessulat, Ariane	Zweite Diatonik und musikalische Zeit: Engführungspattern und mehrfacher Kontrapunkt als Basis erweiterter Tonalität
Jimenez, Ivan	The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening
Jorda, Sergi	A Study of Tonality in Electronic Dance Music
Junker, Joachim	"Altri spazi, altri cieli": Komponieren und Denken in Luigi Nonos "Das atmende Klarsein"
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Kallis, Vasilis	The Role of Cultural Constraints in the Development of Music Theory and Analysis in Modern Cyprus
Karaseva, Marina	Mobile Way to Music Analysis: Learning Fundamentals Digitally
Karpozilos, Kostis	Compositional praxis and historical time in the late works of Jani Christou
Kassian, Suzanne-Marie	Le Kyrie du Requiem d’Ockeghem : entre la transmission et la transformation
Kavanagh Clarke, Maddie	An investigation of the cadence in early nineteenth-century syntax
Kazantseva, Liudmila	Tonality: semantic aspect
Kemme, Clemens	Analysing Debussy Today
Keym, Stefan	Discontinuous vs. linear? Olivier Messiaen and 19th-Century Formal Traditions
Khannanov, Ildar	A Long Path to Closely Related Key: Modulation in Bach’s Allemande BWV 816
Kirchberg, Irina	Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?
Kirkegaard-Larsen, Thomas Jul	Analyzing Analyses: Towards a Reconciliation of Schenkerism and Riemannism
Kiš Žuvela, Sanja	The language(s) of contemporary music analysis
Kominek, Slawomira	Compositional Strategies in non-Western music. The case of Turkmen music
Koslovsky, John	Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities
Kotta, Kerri	Multi-movement work as complete gesture in Liszt and other 19th century composers: towards the concept of two-dimensional cycle
Kramer, Reiner	The Supplementum in Motets: Evolution, Style, and Structure
Kutschke, Beate	What is the ‘sound of the revolt’ and how to make music-analytical sense out of it?
Kuusi, Tuire	The challenges of aurally connecting structurally similar but superficially dissimilar musical events: Important considerations in analytical listening
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Lacôte, Thomas	Composition formulaire et montage chez Olivier Messiaen : nouvelles réponses, nouvelles questions pour l'analyse
Lai, Hei Yeung	Goehr’s Piano Sonata through a Transformational Lens
Lalitte, Philippe	Contribution de l’analyse de scène auditive à l’analyse de la performance
Lam, Chun Fai John	Analysing Chinese sacrificial hymn: Mutated theories and layered legacies in French modernity
Lanzilotta, Pierluca	'Intertextuelle Improvisation' in Romitellis Werk am Beispiel der Querverweise zwischen "Trash Tv Trance" und der Cadenza von "An Index of Metals"
Larkin, David	Mr. Bungle thinks it through: finding coherence in California (1999)
Lassauzet, Benjamin	L’effet des mimiques de l’interprète dans la perception de l’humour debussyste
Lau, Wing	Redirecting the Temporal Flow: Brief Meter Changes in German Lieder
Lawrence, John	Hearing Voices in Their Hands: Performing and Perceiving Polyphony
Lee, Gui-Hwan	Charting the Expansions in Pitch and Pitch-Class Space in Luciano Berio’s Sincronie, Nones, and the First Movement of Sinfonia
Leguy, Emmanuel	L'analyse musicale pour tous
Levé, Florence	Vers une analyse informatique des textures dans le quatuor classique
Lewandowski, Stephan	Closing a Gap Between Theory and Praxis. Friedrich Kalkbrenner’s Treatise on Harmony for Pianists
Leßmann, Benedikt	Describing prosody in Debussy’s songs
Lim, Jin Hyung	Cultural and Political Overtones: Understanding multiple identity through performance-led analyses of Isang Yun’s Interludium A (1982)
Limongi, Jorge Ramiro	Form and Teleology Beyond the Tonal System Around 1910.
Lindstedt, Iwona	Józef Michał Chomiński’s Concept of Sonoristic Harmony
Locanto, Massimiliano	Post-tonal harmonic theories in Italy from the beginning of the twentieth century to present day. In search of a tradition
Lodewyckx, David	The fulfillment of Mattheson's 'Quart-Wunder': 18th-century performance practice and the gradual standardization of a new cadential pattern
Lombardi Vallauri, Stefano	Interaction between noisy instrumental timbre and traditional intervallic systems in composers from Sicily, 1960-1985
Losada, Catherine	Stravinsky and Boulez: Compositional Process, Form and Development
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Maestri, Eric	Unseulmotnesuffitpas : une analyse de terrain, spectromorphologique et génétique d'une œuvre de « musique mixte »
Magarotto, Matteo	Pure Theory, Impure Analysis
Maggart, Alison	Rethinking Milton Babbitt's "Serious Music" as Play
Mailman, Joshua	Babbitt’s Beguiling Surfaces, Improvised Inside
Maler, Anabel	Hearing Function in Post-Tonal Contexts
Malt, Mikhail	Théorie des jeux et structure formelle dans Duel (1959) de Xenakis
Mandolini, Ricardo	Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité
Mangani, Marco	Is modality still a compositional tool in Monteverdi's 1610 Mass?
Manning, Peter	The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project
Marconi, Luca	Performance and analysis : an empirical research on the interactions between analysts and performers
Martin, Nathan	Osmin's Rage Aria
Martins, José Oliveira	Reframing music theorizing and analytical acts on twentieth-century multi-layered harmony
Marturano, Carlotta	“Non-Viennese” sonata form: François-Adrien Boïeldieu and the French classicism
Masson, Jean-Baptiste	To weave time: the late music of Morton Feldman through the example of Violin and String Quartet
Masson, Marie-Noëlle	L’analyse musicale, une discipline autonome ?
Mayr, Desirée Johanna Mesquita	Correlations between Developing Variation and Genetic Processes in the Analysis of Brahms' Violin Sonata Op.78
Mazurenko, Anastasiia	"Pitch and rhythmical realization of traditional song music and their presentation in research interpretation"
Mazzoli, Mario	Emerging Musical Structures in Electroacoustic Music
Mazzucco, Rachel	Micro-Diatonicism and Formal Structure in 20th-Century Music
Mcnab, Grace	Organic Transcription as an Embodied Artistic-Analytic Process
Meeùs, Nicolas	Theoretical Aspects of the Modal and Tonal Organization of Renaissance Polyphony
Metz, Andreas	Melodic Fluency in Keyboard Menuet Improvisation
Mezzina, Marina	On footprints of "Galant Style" in Mendelssohn's music learning
Michel, Pierre	Les pratiques instrumentales à l’épreuve de la scène : une interface entre écriture et improvisation dans les musiques d’après 1960
Milia, Alessandro	Trouver des chemins jamais parcourus : alliage entre recherche musico-logique et compositionnelle, transmission, introspection, auto-analyse, et d'autres outils pour l'émancipation
Miranda, Eduardo	Computer Generated Orchestration: Towards Using Musical Timbre in Composition
Mirka, Danuta	Between Overlaps and Elisions
Mogensen, Rene	Transformation analysis of the relations between acoustic instruments and electronics in mixed concert music
Monchick, Alexandra	Paul Hindemith and the Spectralists
Mooiman, Bert	Style-oriented improvisation and music theory
Moreira, Daniel	Making sense of pitch in the ‘free atonal’ Second Viennese School repertoire: a teleological approach based on salience conditions
Moreno, Rodolfo	Harmonic syntax and vocabulary in tonal music
Morgan, Alexander	Suspension Theory: A Repertoire-Based Approach to Understanding and Codifying late-15th-century Dissonance Treatment
Morrison, Landon	Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik
Moshchuk, Ivan	1917 Modulating the World into a Different Key
Moss, Fabian	Integrating transformational and hierarchical models of extended tonality
Murray, Christopher	Models for Variation and Development in Messiaen's Early Sketches
Murtomäki, Veijo	"Punctuation Form" and Expressive Contents in the First Main Period of Selected G minor Symphonies' First Movements of the Classical Era—A Neo-Kochian-Schenkerian Approach
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Navia, Gabriel	The Role of the Medial Caesura in Schubert’s Over-Determined Transitions
Naxer, Meghan	Choose your own sonata form: Adventures in analysis
Nejmeddine, Mafalda	Caractérisation Formelle et Stylistique des Sonates Portugaises pour Clavier Publiées au XVIIIème Siècle
Nery Filho, Walter	Exploring the limits of neo-Riemannian theory
Neuwirth, Markus	Voice-leading schemata and formal functions: Reinvestigating schema concatenation
Ninov, Dimitar	Cognitive Aspects of Gradual Modulation
Nishida, Hiroko	Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories
Noll, Thomas	Approaching the Lexicon and the Combinatorics of Tonal Schemata
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Oravitz, Michael	Form and structural narrative in Debussy’s _Prélude à l’après-midi d’un faune_
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Padilla, Abril	Une analyse pluridisciplinaire de Guero de Helmut Lachenmann
Park, Joon	Score, Record, and Bytes: Influence of Musical Medium on Analysis
Parrino, Francesco	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
Pell, Hannah	Deconstructing Systematic Musicology: Aims, Motivations, and Music-Theoretical Implications
Perfeito, Paulo	Twentieth Century Compositional Techniques Applied to Jazz Pitch-Class Sets in Jazz Composition and Improvisation
Perry, Becky	Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos
Perry, Frankie	Seeking Schubert in Aribert Reimann's _Mignon_ (1995)
Perry, Jeffrey	Imitations, Analogs, and Filters: John Cage Erases and Recomposes Satie
Perry, Rebecca	Vanishing S Themes: Recapitulatory Truncation in Prokofiev's Early Instrumental Concertos
Petty, Judith	Examining Historical Precedents for Directional Motion in Ligeti's Mid-Century Works
Petty, Wayne	Chopin's Ternary Preludes
Picard, François	Ten years of melodic analysis in ethnomusicology : methods & results
Plotnikova, Natalia	On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov)
Poliakov, Egor	Computergestützte Analyse und ihr praktischer Einsatz in der musiktheoretischen Lehre
Pollaci, Marco	Vincenzo Bellini and the Art of Nineteenth Century Counterpoint: an analytical approach
Pomeroy, David	On Metrically Weak Cadential 6/4s
Pozzi, Egidio	Performance and analysis : an empirical research on the interactions between analysts and performers
Privitera, Massimo	Epifania della seconda prattica nel Quarto libro di Monteverdi
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Quaglia, Bruce	Micrological Listening: Molecularity and the State in Luigi Nono’s Late Electro-Acoustic Music.
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Rabin, Yuval	Die Kreation guter Veränderter Reprisen gemäss C.Ph.E. Bach
Rabinovitch, Gilad	Gjerdingen's Schemata Re-Examined
Ramos, Marco Antonio Da Silva	Expressivity in choral performance: the role of text diction
Rasch, Rudolf	A Paradigm for Studying the Transition from Modality to Tonality in the Seventeenth Century
Rebora, Carla	Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo
Reddick, Carissa	"Double Function" Sonata Forms in Franck's Late Chamber Music
Reenan, Samuel	Memory in Music Analysis: Referential Appeals to Proustian Memory in Dutilleux’s Ainsi la Nuit
Remeš, Derek	J.S. Bach’s Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source
Reybrouck, Mark	Sound as epistemic construct and music as experience: new perspectives on musical sense-making
Rice, John	The Schematic World of Mozart's Figaro
Richards, Mark	Multimodality and Tonal Ambiguity in Rock’s Aeolian Progression
Rigaudière, Marc	Vers une analyse informatique des textures dans le quatuor classique
Robb, Hamish	The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music
Robert, Alexandre	Analyse musicale et sociologie : comment se saisir de processus de socialisation de l'oreille ?
Roberts, Claire	Solfeggi: Sounding their hidden Depths
Rodrigues Penha, Gustavo	Solfège et analyse: l'invention du geste
Rogers, Lynne	Stravinsky's Serial Games
Rohringer, Stefan	Frédéric Chopins Prélude a-Moll op. 28, 2 – eine metapherntheoretische Perspektive
Rohrmeier, Martin	Integrating transformational and hierarchical models of extended tonality
Rom, Uri	Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms
Rovenko, Elena	Features of form building in Debussy’s music in the light of Bergson’s conception of la durée
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Saa, Guido	Rock Minimalism: loop and motivic transformations in the music of King Crimson (1981-84)
Sabaino, Daniele	Is modality still a compositional tool in Monteverdi's 1610 Mass?
Sanchez, Olga	Interactions between Topics and Schemata: The Case of the Sacred Romanesca
Sanguinetti, Giorgio	Verdi and the Eighteenth century Neapolitan Tradition
Sargenti, Simonetta	Anaysis of the score and performance analysi: two different approaches to' the music of Karlheinz Stockhausen
Savenko, Svetlana	Aesthetics and style of Arvo Pärt’s work: revolution or evolution?
Schab, Alon	Problems in Appropriating Seventeenth Century Repertoire into Present-Day Theory Class (Henry Purcell as a Case Study)
Schaub, Stéphan	Analyses de l’œuvre et de sa logique compositionnelle : quelques réflexions méthodologiques articulées autour de Clapping Music de S. Reich
Schenkius, Patrick	Wayne Shorter and the 12-bar Blues Form
Scherzinger, Martin	Against Timbre, Harmony: The Case of African Music
Schuijer, Michiel	'You Could Compose a Missa "Surfin' USA"': Counterpoint teaching and the History of Its Justification
Sears, David	Family Resemblance and the Classical Cadence Typology: Classification Using Phylogenetic Trees
Segall, Christopher	Alfred Schnittke's String Quartet No. 3 and the Uses of Quotation
Seress, Hugues	Thème et rhème comme éléments structurels du discours musical : quelques exemples chez Dohnányi, Weiner et Lajtha (1890-1930) en marge de la culture occidentale savante
Sherrill, Paul	On the Form Functionality of Recitative Intrusions in Le nozze di Figaro
Sholl, Robert	Jean-Louis Florentz: Hospitality and Spectralism
Siu, Joseph Chi-Sing	The Loosely-Knit Subordinate Theme in the Classical Style: A Phrase Rhythmic Perspective
Skoumal, Zdenek	Janáček’s Rhythmic Freedom
Skupin, Renata	Les rôles respectifs du sujet et de l’objet en analyse de l’orientalisme musical
Slottow, Stephen	François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology
Sluchin, Benny	Théorie des jeux et structure formelle dans Duel (1959) de Xenakis
Smith, Kenneth	Skryabin’s Late Acceleration through Hexatonic and Octatonic Space
Smith, Peter	Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music
Snarrenberg, Robert	Brahms's Non-Strophic Settings of Stanzaic Poetry
Sobaskie, James	Allusion analysis in Fauré’s Fantaisie pour piano et orchestre
Sora, Tom	Der Begriff „Klangfläche“ dargestellt an Atmosphères von Ligeti
Soumaya, Gharbi	La musique d’Anouer Brahem dans les films « Halfaouine » et « Les silences du Palais »
Spitzer, Michael	Conceptual Blending and Musical Emotion
Stanishevskiy, Yaroslav	On physico-acoustical bases of sonance and tension
Stark, Jonathan	Vom Klavier- zum Orchesterlied. Entwurf einer Methode für die Analyse klanglicher Umwandlungen.
Stoecker, Philip	Musical Reference in Alban Berg’s String Quartet, op. 3
Storino, Mariateresa	Busoni’s Elegies on the path of Liszt’s late style
Strzelecki, Marcin	Stylometric Analysis of Music in Search of Cross-cultural Similarities
Stuhlmacher, Walther	The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad Mehldau
Suurpää, Lauri	Pathos and Ethos in Mozart’s Idomeneo: “Vedrommi intorno” and “Il padre adorato”
Syrine, Melliti	Les Embryons Désséchés d'Erik Satie: perspectives d'interprétation pianistique
Syroyid, Bohdan	Analysis of the use of silence in Frédéric Devreese's Passage à 5, Mascarade, Danse de l'Auberge and Valse sacrée
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Tacaille, Alice	Ten years of melodic analysis in ethnomusicology : methods & results
Tafuri, Johannella	Expressive performance analysis of children aged 4-5 years: teaching models and vocal abilities
Tan, Emily X. X.	Reconsidering Strauss's 'Metamorphosen'
Tarallo, Antonio	Vexation di Satie: studio comparativo sul disorientamento formale ed esecutivo
Taylor, Benedict	Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87
Temes, Bianca	The exploration of contemporary music: an analytical “hovercraft”? Colinda Balada by György Kurtág – a case study
Teo, Yvonne	A Synthesis of Schenkerian and Neo-Riemannian Theories: The First Movement of Paul Hindemith’s Piano Sonata No. 1 as a Case Study.
Teodori, Paolo	Partimenti, un metodo per imparare, fare, comporre musica ieri e oggi
Terrigno, Loretta	The Art of Lamenting: Resurrection of the Past in Brahms's "Es steht ein Lind," WoO33, no. 41
Toffetti, Laura	Analyse musicale, déclamation et improvisation dans la musique entre XVII et XVIII siècle: indication méthodologiques pour lire une partition "non-finie".
Tokun, Elena	Formal Algorithms of Tintinnabuli in Arvo Pärt's Music Transformation serieller Techniken im Tintinnabuli Stil Arvo Pärts
Torres-Rivera, Noel	Analysing Intertextually: The Case of the Exposition of the Second Movement of Bartók’s Sonata for Solo Violin Sz. 117
Trezise, Simon	Desperately seeking a ‘Debussy style’ in the performance of the orchestral music
Tsaregradskaya, Tatiana	Musical gesture as a means of composition in recent music: some observations
Tschiedl, Tobias	An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003).
Tsougras, Costas	Meaning construction through conceptual blending - A hermeneutical analysis of "Samuel Goldenberg und Schmuÿle" from Modest Musorgsky's "Pictures at an exhibition"
Tymoczko, Dmitri	Rock Logic
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van den Toorn, Pieter	The Rite of Spring Briefly Revisited; Stravinsky's Stratifications, the Psychology of Meter, and African Polyrhythm
van Geest, William	Two metrical problems in Webern’s Streichquartett, Op. 28
Van Herck, Bert	The evolution of Scriabin’s language through the evolution of the mystic chord
van Tour, Peter	The Do-Re-Mi revisited: Historical Underpinnings of a Schema
Venegas, Gabriel	Anton Bruckner’s Slow Movements: Dialogic Perspectives
Venn, Edward	Watch this space: On Blended Learning and Music Analysis in the Classroom
Vervliet, Stijn	Profiling performers: Analysing tempo, rubato and expressive timing in recordings of Alexander Scriabin’s early piano preludes
Verwaerde, Clotilde	L'apport du partimento dans l'analyse harmonique en France au 18e siècle
Vogt, Florian	Zacconi, Banchieri and the counterpoint species: reconstructing the Klanglichkeit of the contrapunto in compagnia
Vorobyov, Evgeny	Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century
Vouvaris, Petros	Melancholy subjects, melancholy objects: Nikos Skalkottas’s 16 Songs
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Walker, Julie	La Barcarolle op. 60 de Chopin : esthétique du dernier style et métaphore de l’apothéose
Wang, Ying	The Characters beyond Fusion. Practical approaches to models in Henri Dutilleux’ works
Wanumen, Sebastian	Modernism, Nature and Music Analysis
Wedler, Sebastian	Tonal Pairing as a Strategy of Lyrical Time: Anton Webern's Langsamer Satz (1905)
Willis, Laurence	Fauré’s Nocturne No. 10 and the Twilight of Tonality
Wilson, Andrew	Analysing Erwin Schulhoff’s improvised performances of the 1930s
Wiskus, Jessica	Classical Phenomenology and the Epistemological Clarification of Music Analysis
Wollenberg, Susan	Reading Liszt’s ‘Sospiri!’ (1887): ‘Lateness’, memory, nostalgia and place in the nineteenth-century piano miniature
Wu, Yi-Cheng Daniel	Webern’s Op. 12, No. 2, “Die Geheimnisvolle Flöte”: Pitch Orthography, Text Setting, & Form
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Zagala, Mathilde	Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme.
Zatkalik, Milos	Psychoanalytic Reflections on Modulation
Zattra, Laura	Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.
Zbikowski, Lawrence	What Text Painting Can Tell Us about Musical Structure
Zheng, Yan	Analyzing the Semiotic Contribution of Traditional Aesthetics to Contemporary Chinese Music
Zhurova, Elena	An Approach to Analysis in the Context of Theory of Musical Content: Holistic Analysis-Interpretation
Zviane,	L'analyse musicale pour tous
Zybina, Karina	Completing the incomplete: the first eight bars of W.A. Mozart’s Lacrimosa in the 19th-20th centuries

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