TALK KEYWORD INDEX
This page contains an index consisting of author-provided keywords.
| 3 | |
| 3D sculpture | |
| A | |
| Academi Senimar Posters | |
| Access | |
| accessibility | |
| accessioning | |
| Acts of joy | |
| Acts of resilience | |
| Affect | |
| African American memory | |
| African poetry | |
| Agency | |
| AI | |
| AI | |
| AI-based systems | |
| AI-powered Search | |
| algorithms | |
| alternative ontologies | |
| american history | |
| Amiga | |
| Annotation | |
| API | |
| APIs | |
| archival education | |
| Archival Innovation | |
| archival methodology | |
| Archival record | |
| Archival Selection | |
| archivalisation | |
| archive | |
| Archives | |
| archives practitioners | |
| Archiving | |
| Archiving Australian Media Arts | |
| arrangement and description | |
| artificial intelligence | |
| asylum seekers | |
| Audio-Visual Collections | |
| Audiovisual archive | |
| augmented reality | |
| Authenticity | |
| Automated Speech Recognition | |
| Automation | |
| avatar-player assemblage | |
| B | |
| Bias | |
| Black joy | |
| Black resilience | |
| blockchain | |
| Blogging | |
| Born Digita | |
| born digital | |
| born digital archives | |
| born-digital | |
| born-digital archives | |
| born-digital archiving | |
| Born-Digital Art | |
| Born-digital audio testimonies | |
| Born-Digital Collection | |
| Born-digital collections | |
| born-digital conservation | |
| born-digital content | |
| Born-digital curation | |
| born-digital heritage | |
| Born-digital literary archives | |
| born-digital literature | |
| born-digital manuscripts | |
| born-digital preservation | |
| Born-digital web applications | |
| bottom-up | |
| British Digital Art | |
| C | |
| CARE-principles | |
| cataloging | |
| catalogue | |
| CD-ROMS | |
| Chile | |
| China | |
| Citable work | |
| Cities | |
| citizen journalism | |
| co-creation | |
| Collaboration | |
| Collaborative stewardship | |
| Collections as data | |
| Collections care | |
| Collective Memory | |
| communities | |
| community | |
| Community archives | |
| Community engagement | |
| community generated archives | |
| community knowledge | |
| Community of practice | |
| Community-driven archiving | |
| complex digital objects | |
| Complex software-based artworks | |
| computational research | |
| Computer Arts Society | |
| computer vision | |
| conceptual art | |
| Connective Memory | |
| CONTEMPORARY ART | |
| content | |
| Content Analysis | |
| correspondence studies | |
| Covid-19 | |
| Crisis | |
| critical archival studies | |
| critical archive studies | |
| critical code studies | |
| crowdsourcing | |
| Cultural Heritage | |
| Cultural History | |
| cultural memory | |
| Cultural Resilience | |
| Curating and preserving born-digital collections | |
| curation | |
| curatorial and conservation practice | |
| Curatorial studies | |
| D | |
| data access | |
| data analysis | |
| Data and Intellectual Property | |
| data archive | |
| DATA COLLECTIONS | |
| Data curation | |
| Data management | |
| data mining | |
| data modelling | |
| Data provenance | |
| Data security | |
| data stewardship | |
| Database | |
| database design | |
| datafication | |
| De-monumentalizing | |
| Decameron | |
| decision model | |
| defining audiences | |
| designated community | |
| DH projects | |
| Diaspora | |
| difficult born-digital heritage | |
| digital | |
| digital activism | |
| Digital annotation | |
| Digital Archives | |
| Digital Atlas | |
| Digital challenges | |
| digital collecting | |
| digital collection | |
| digital collections | |
| digital cultural heritage | |
| Digital Cultures | |
| digital curation | |
| digital deposit | |
| Digital diplomacy | |
| digital ecologies | |
| digital folklore | |
| digital forensics | |
| Digital geographies | |
| digital heritage | |
| digital heritage narratives | |
| Digital History | |
| digital humanities | |
| digital infrastructures | |
| Digital Legal Humanities | |
| Digital Literature | |
| Digital Maps | |
| DIGITAL MEMORY | |
| digital memory and place | |
| Digital Narrative | |
| digital oral history | |
| digital platforms | |
| digital preservation | |
| Digital preservation system | |
| digital processing | |
| digital storytelling | |
| Digital workflow | |
| Digitisation | |
| Disability | |
| discourse | |
| Discoverable work | |
| disk magazines | |
| Distant reading | |
| Documentary editing | |
| documentary photographs | |
| Documentation of born-digital complex publications | |
| donor relations | |
| Double-situatedness | |
| Dublin Core | |
| E | |
| e-mails | |
| ecological crisis | |
| Electronic Literature Organisation | |
| Electronic Publishing | |
| email archives | |
| embodied memories | |
| Emerging formats | |
| emulation | |
| Enhanced curation | |
| environmental | |
| environmental impact | |
| ethical data sharing | |
| ethics | |
| ethics and legal challenges | |
| ethnography | |
| evolution of technology | |
| Expectation | |
| Experimental | |
| Experimental methods | |
| F | |
| FAIR-principles | |
| fan labor | |
| Fanfiction | |
| feminism | |
| Fiction | |
| Film | |
| Folk Music of Bengal | |
| format identification | |
| Franco Fortini's archive | |
| Free text search | |
| G | |
| generative AI | |
| genetic criticism | |
| Geospatial technologies | |
| Global South | |
| governance | |
| gray literature | |
| H | |
| Heritage | |
| heritagisation | |
| Historic database management system | |
| historical corpora | |
| Historical methods | |
| History | |
| history of archival | |
| hybrid archiving | |
| I | |
| ideology | |
| Image-objects | |
| immersive | |
| Immersive experience | |
| Independent collections | |
| India | |
| Indigenous Media | |
| Indigenous Practices of Archiving | |
| inequalities of access | |
| Informal Archives | |
| infrastructure | |
| Inheritance | |
| Instant Messaging | |
| Institutional records | |
| institutional structures | |
| intangible cultural heritage | |
| Interactional Trajectories | |
| Internet art | |
| internships | |
| K | |
| Kenyote1 | |
| Keynote2 | |
| Keynote3 | |
| L | |
| language | |
| Large Language Model | |
| Latin America | |
| Latin American feminism | |
| law | |
| Legal trustworthy ethical and frameworks | |
| legislation | |
| Lexicon development | |
| libraries | |
| linked data | |
| Linux Command Line | |
| Lisa Reihana’s ‘Groundloop’ | |
| list-serv archives | |
| literary archives | |
| literary criticism | |
| Literary Landscape | |
| Living Archives | |
| Locative media | |
| M | |
| Machine Learning | |
| Mapping | |
| marginalised archives | |
| Material memory | |
| media arts | |
| memes | |
| memorialization | |
| Memory | |
| Meta-tagging | |
| metadata | |
| Metadata creation | |
| Methodologies and workflows | |
| Migration | |
| Mike Leggett | |
| mobile applications | |
| MPLP | |
| Museum | |
| Museum collections | |
| museums | |
| N | |
| Narratives | |
| Narratology | |
| Nation Branding | |
| Natural language processing | |
| network graphs | |
| network visualisation | |
| New Memory Ecology | |
| NFAI | |
| NFT | |
| Non-Fungible Token (NFT) | |
| Non-institutional Archiving Practices | |
| Non-Print Legal Deposit | |
| Norwegian | |
| O | |
| obsolete media | |
| Obsolete media preservation | |
| Old Delhi | |
| omeka | |
| online collections | |
| ontology | |
| Open Book Futures | |
| Open source | |
| Open-Source | |
| Oral Traditions | |
| P | |
| Palestine | |
| Palestinian Culture | |
| Palestinian Heritage | |
| participatory action research | |
| Partition Literature | |
| partnerships | |
| personal collections | |
| personal digital heritage | |
| Philadelphia archives | |
| photography | |
| Platform analysis | |
| platformisation | |
| Play through video recordings | |
| Player-generated content | |
| policies | |
| policy | |
| Political Economy of YouTube | |
| Politics of memory | |
| Popular Writing | |
| posthuman gaming | |
| Postmemory | |
| Practice-based Research | |
| PREMIS | |
| PREMIS metadata framework | |
| Preservation | |
| Preservation of Intangible Cultural Heritage | |
| privacy | |
| profession-specific tools | |
| project design | |
| Prosthetic memory | |
| Prototype archiving | |
| Public archive | |
| Public History | |
| Q | |
| qualitative research | |
| R | |
| Refugees | |
| Remote | |
| repository | |
| Research | |
| research creation | |
| retro computing | |
| Reverse engineering | |
| Royal Danish Library | |
| S | |
| Scandinavian | |
| scholarship | |
| Search & discovery for web archives | |
| self-registration | |
| Semantic Search | |
| Shahjahanbad | |
| Shell Scripting | |
| Sites of memory | |
| situated knowledge | |
| social media | |
| Social media archives | |
| Software | |
| Software dependencies | |
| software piracy | |
| SolrWayback | |
| Source criticism | |
| Spatio-temporal web portal | |
| special collections | |
| sport | |
| street art | |
| survey | |
| sustainability | |
| T | |
| tamil | |
| technology product | |
| Teletext | |
| Terms of Use | |
| Testing assumptions | |
| Text Analysis | |
| text extraction | |
| text-video embedding | |
| Theater | |
| TikTok | |
| Training | |
| Training resources | |
| translation technology | |
| transmedia | |
| Transnational web archiving | |
| U | |
| Ukrainian war memes | |
| Usenet | |
| user design | |
| User Engagement | |
| V | |
| vernacular creativity | |
| video game history | |
| Video game preservation | |
| video game studies | |
| video games | |
| Video games | |
| Video retrieval | |
| videogames | |
| Vietnam War | |
| virtual data enclave | |
| virtual exhibition | |
| virtual library | |
| virtual museum | |
| virtual reality | |
| Virtual reality (VR) | |
| Visual Thinking | |
| W | |
| WARCnet | |
| Web Archive | |
| Web Archive Research | |
| Web Archives | |
| Web archives description | |
| Web Archives in Ireland | |
| web archiving | |
| web crawling | |
| Web history | |
| WebGL | |
| workflows | |
| X | |
| Xenofeminism | |
| Y | |
| YouTube | |