WICED2022: 10th Workshop on Intelligent Cinematography and Editing Reims, France, April 28, 2022 |
Conference website | https://project.inria.fr/wiced2022/ |
Submission link | https://easychair.org/conferences/?conf=wiced2022 |
Abstract registration deadline | February 18, 2022 |
Submission deadline | February 25, 2022 |
10th Workshop on Intelligent Cinematography and Editing (WICED 2022)
https://project.inria.fr/wiced2022/
The intelligent analysis and computation of cinematic elements including placement of virtual cameras, transitions between shots and lighting, shows great promise to extend the communicative power of the film arts into the artificial environments of games and virtual worlds. When paired with emerging depth-sensing cameras and computer vision algorithms, intelligent cinematography algorithms increasingly find applications in real-world cinematography as well.
This workshop intends to bring together leading researchers from fields including 3D graphics, artificial intelligence, computer vision, visualization, interactive narrative, cognitive and perceptual psychology, computational linguistics, computational aesthetics, visual effects, augmented reality, virtual reality and other domains related to aspects of automatic camera control and film editing.
This workshop has been previously associated with AAAI, Eurographics, FDG, and AIIDE. This year’s edition will mark the 10th anniversary of the series. Co-located with Eurographics 2022, it will take place in Reims, in the heart of the Champagne region in France. WICED 2022 will be a hybrid workshop, like the Eurographics conference itself. This will allow participants from all continents to join the conference online at no cost.
We invite submissions in the form of regular papers (4-8 pages) and invited papers (1 page abstract).
Submission
Researchers should submit one of:
- Regular paper (max 8 pages) reporting original research or proposing perspectives for future directions.
- Invited paper (1 page abstract) reporting relevant work already published in other venues.
Please use the Eurographics template to prepare your submission. Reviews will be single-blind.
Proceedings of the workshop will be published by the Eurographics Digital Library.
Topics of Interest
- Camera path planning and visibility
- Interactive and automatic camera control
- Automatic video editing
- Movie pre-vizualization
- Game cinematics, cinematic replays, and machinima
- Virtual reality and augmented reality movie making
- Immersive and interactive cinema
- Natural user interfaces for cinematography and video editing
- Expressive performance of virtual characters
- Cognitive models of film perception
- Automatic video analysis of movies
- Re-cinematography, re-lighting and re-framing of live-action video
- Computer-assisted multi-camera production
- Evaluation methodologies and user experience
- Analysis of film style