CITAR - Research Center for Science and Technology of the Arts is excited to announce the 2nd edition of the International Conference on Sound and New Media Art, taking place from November 13-15, 2024. Building on the dialogue established by the first edition, this event will delve into the intersections of sound, art, science, technology, and consciousness.

The conference, titled «New Sentient and Spectrums», will explore how new artistic expressions influence our identity, challenge conventional thinking, and reimagine the Anthropocene experience. Participants are invited to embrace the concept of the "new sentient," which offers innovative ways to examine consciousness, interaction, and the essence of new media art practices. The conference will push the boundaries of our perception in the post-digital, post-internet age.

This exploration will include discussions on the idea of Spectrums, allowing participants to engage with various dimensions of the artistic realm. From traditional and digital media to conceptual and sensory explorations, the idea of Spectrum embraces concepts such as the manifestation and appearance of instances and memories, as well as the exploration of elements within the range of the visible and audible. This inspirational perspectives invite us to discuss creation and the practice in sound and new media art.

Keynote Speakers and Artist Talks

Submission Guidelines

List of Topics

• Immersive Soundscapes and Interactive Media: Exploring the creation and impact of immersive sound environments and how interactive media can enhance auditory experiences.
• Algorithmic and Generative Art: Understanding the role of algorithms in creating new forms of art and examining generative processes in sound and visual art.
• Bio-Art and Eco-Art: Integrating biological elements into art and exploring ecological and environmental themes through biofeedback and living organisms.
• Philosophy and Ethics of New Media Art: Discussing ethical considerations and philosophical implications of digital and new media art.
• Acoustic Ecology and Environmental Sound Art: Investigating the relationship between sound art and the environment, focusing on natural sounds and eco-acoustic installations.
• Sensory and Multi-Sensory Art Experiences: Creating and analyzing artworks that engage multiple senses beyond the visual.
• Technological Innovations in Art: Highlighting the latest technological advancements in new media art and their impact on artistic practices.
• Sound in Cinematic and Theatrical Contexts: Utilizing innovative sound techniques in cinema and theater to enhance storytelling.
• Digital Heritage and Preservation: Discussing techniques and challenges in preserving digital and new media artworks.
• Human-Machine Interaction and Sentient Technologies: Exploring interactions between humans and machines in art, focusing on sentient technologies and interactive AI-driven art installations.

Committees

Scientific Commitee

• André Baltazar - UCP, School of Arts/CITAR
• Maria Coutinho - UCP, School of Arts/CITAR
• José Alberto Gomes – UCP, School of Arts/CITAR (Chair)
• João Pedro Amorim - UCP, School of Arts/CITAR
• Cristina Sá - UCP, School of Arts/CITAR
• José Vasco Carvalho - UCP, School of Arts/CITAR (Chair)
• Pedro Alves - UCP, School of Arts/CITAR
• Nuno Crespo - UCP, School of Arts/CITAR
• Miguel Carvalhais – i2ADS & Faculty of Fine Arts, UP
• Pedro Alves da Veiga - Centro de Investigação em Artes e Comunicação & Uab
• Gilberto Bernardes – UP, Faculty of Engineering& INESC TEC
• Rui Penha – ESMAE / CESEM
• Francisco Bernardo – University College London
• Lorena Alves - UCP, School of Arts/CITAR (Chair)
• Francisca Rocha Gonçalves - investigadora independente
• Cláudia Martinho - investigadora independente
• Carlos Natálio - UCP, School of Arts/CITAR

Organizing committee

• José Alberto Gomes
• José Vasco Carvalho
• Lorena Alves

Contact

All questions about submissions should be emailed to esnmaconference.porto@ucp.pt