CFP
ARTeFACTo 2018: ARTeFACTo 2018 - 1st International Conference on Transdisciplinary Studies in Arts, Technology and Society Ceia Palace, Aberta University Lisbon, Portugal, November 16-17, 2018 |
Conference website | http://artefacto.artech-international.org/artefacto-conference-2018/ |
Submission link | https://easychair.org/conferences/?conf=artefacto2018 |
Poster | download |
Abstract registration deadline | September 10, 2018 |
Submission deadline | September 10, 2018 |
Final version submission | October 8, 2018 |
ARTeFACTo 2018 is the 1st International Conference on Transdisciplinary Studies in Arts, Technology and Society, hosted by Aberta University, in Lisbon, Portugal.
The goal of the conference is to promote the interest in the current digital/media culture and its intersection with art and technology as an important research field while focusing on the study of the digital media / computer artefacts embracing topics covering their conceptualization, design, creative/art practice/research processes, computational implementation, exhibition and fruition as well their role on today’s information and knowledge society. Also welcomed are articles fostering the establishment of the conceptual foundations of an artefact theory in the digital media world.
ARTeFACTo 2018 aims at giving greater visibility to artefact creators or interveners, being these theorists or practitioners, establishing a common space for discussion and exchange of new experiences from transdisciplinary humanistic and holistic perspectives while fostering better understanding about digital arts and culture across a wide spectrum of cultural, disciplinary, and professional practices. To this end, we cordially invite scholars, teachers, researchers, artists, computer professionals, and others who are working within the broadly defined areas of digital arts, culture and education with specific focus on artefacts / installations to join us.
Keynote speaker
Prof. FLORENT PASQUIER, Paris-Sorbonne University, France
Keynote artist
Prof. JÔNATHAS MANZOLLI, Campinas University, São Paulo, Brazil
Important Dates
- Full and Short paper submissions:
September 3September 10, 2018 - Art artefacts / installations / digital media artwork proposals:
September 3September 10, 2018 - Full and short papers notice of acceptance: September 30, 2018
- Installations proposal notice of acceptance: September 30, 2018
- Submission Full and Short paper final versions: October 8, 2017
- Early registration deadline: October 8, 2018
- ARTeFACTo 2018 Conference: November 16-17, 2018
Submission Guidelines
All papers must be original and not simultaneously submitted to another journal or conference.
The following paper categories are welcome:
- Full paper of six to ten pages for oral presentation. Artefact descriptions are welcome, embracing part or the overall creation process, from seminal concept, implementation until the final exhibition preparation or the fruition experience analysis;
- Short paper up to four pages for posters or the conceptual and technical information concerning artefact / art installations, computer artwork proposals.
Submissions are accepted in the conference official languages: English and Portuguese. If your paper or artefact / installation proposal is in Portuguese, please prepare an English version of the title and abstract.
ARTeFACTo 2018 uses a double blind reviewing process. As such, submitted papers / artefacts/installation proposals should not have author and institutional identification in the title and header areas, nor in the body of the paper.
Explicit self-references should be avoided, instead authors citing their own prior work should discuss it in the third person (“Previous work by <Author> [X1]…” instead of “In our previous work [X1]…”). Authors should also avoid mentioning the names of institutions where the work was done (“participants were recruited from the university campus”, instead of “participants were recruited from the "<Institution name>”). Authors should also avoid clear identification marks of their affiliation in figures and supplementary material and remove metadata from submission files.
In addition to the text, made anonymous, for each paper, separate identification info must be provided at Easy Chair, containing:
- Name, organization, mailing and e-mail addresses of each author
- Name of the contact author
- A list of keywords
The Submission of a paper or art installation implies the intention of at least one of the authors to register and attend to the conference in order to perform a spoken presentation. Papers that are accepted and presented at the conference by one of the authors will appear in the conference proceedings. The final version of accepted papers should be submitted with the name of the authors and institutions (there’s no need for a further blind review).
CLICK HERE TO SUBMIT: https://easychair.org/conferences/?conf=artefacto2018
Template
Submissions must follow the ACM guidelines and template available at http://www.acm.org/publications/proceedings-template. The template is available in LaTeX and Word formats (LaTeX is highly encouraged). In addition to author keywords, authors must provide a classification for their papers using ACM Computing Classification System (CCS). The classification system is available at http://dl.acm.org/ccs/ccs.cfm. You should examine the CCS thoroughly, but we recommend looking particularly inside the following categories:
- Information systems -> Information systems applications
- Information systems -> Multimedia information systems
- Human-centered computing
- Applied computing -> Arts and humanities
Technical questions regarding the template can be directed atacmtexsupport@aptaracorp.com
Photos, color pictures or graphics must be inserted only in two pages (full paper) or one page (short paper, artefact/installation proposals).
Photos, color pictures or graphics must be inserted only in two pages (full paper) or one page (short paper, artefact/installation proposals).
List of Topics
- Digital (Transmedia) Storytelling
- WebArt and Digital Culture
- Digital Sound and Music
- (Mobile) Augmented and Immersive Art
- Digital Dance and Body Poetics
- Digital Serious Games
- e-Learning in Art and Media Studies
- Information and Data Visualization
- VideoArt and VideoMapping
- BioArt, NanoArt and xArt
- Cultures (Tangible) Interfaces
- Gesture Interfaces
- Spiritual and Sacred Artefacts
- Transdisciplinary Pragmatic Performance
- Generative and Algorithmic Art & Design
- Digital Media, Apps and eBooks
- Art and Technology
- Art and Science Theory
- Creativity Theory
- Media Art History
- Technology in Art Education
Committees
Conference chairs
- Adérito Fernandes Marcos, Chair, Aberta University, Portugal (PT)
- Gavin Perin, Vice-chair, University of Technology Sydney, Australia (AU)
- Marcos Luiz Mucheroni, Vice-chair, São Paulo University, Brasil (BR)
- Ângela Saldanha, Vice-chair, European Regional Council – International Society for Education Through Art (ERC – InSEA), Netherlands (NL)
International Scientific and Artistic Committee
- Pedro Alves da Veiga, President, Aberta University, Portugal (PT)
- Carlos Sena Caires, Vice-president, University of Saint Joseph, Macau (MO)
Publication
A selection of the best papers will be proposed for publication in appropriate scientific journals.
Venue
The conference will be held in the Ceia Palace, headquarters of Aberta University, in the heart of Lisbon, Portugal.
Contact
All questions about submissions should be emailed to Teresa Oliveira at artefacto2018lisbon@gmail.com
Sponsors
ARTECH-International Association
Universidade Aberta
DGArtes - Direção Geral das Artes
CIAC - Centro de Investigação em Artes e Comunicação
INESC TEC - Technology and Science
LE@D - Laboratório de Educação à Distância e Elearning
CEMRI - Centro de Estudos das Migrações e das Relações Intercult
CIDH - Cátedra Infante Dom Henrique
AISTI - Associação Ibérica Sistemas e Tecnologias de Informação
CETRANS - Centro de Educação Transdisciplinar
CIRET - International Center for Transdisciplinary Research