PROGRAM
Days: Tuesday, September 15th Wednesday, September 16th Thursday, September 17th Friday, September 18th Saturday, September 19th
Tuesday, September 15th
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11:00-13:00 Session 1: BATWOMAN Public Tutorial Course (Soft Skills)
Location: Seminarraum M0107
15:00-16:30 Session 2: BATWOMAN Public Tutorial Course (Soft Skills)
Location: Seminarraum M0107
17:00-18:30 Session 3: BATWOMAN Public Tutorial Course (Soft Skills)
Location: Seminarraum M0107
Wednesday, September 16th
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09:00-10:30 Session 4: BATWOMAN Public Tutorial Course: Optical Measurement Techniques
Chair:
Location: Hoersaal K0101
10:45-12:15 Session 5: BATWOMAN Public Tutorial Course: Acoustical Measurement Techniques
Chair:
Location: Hoersaal K0101
12:30-14:00 Session 6: BATWOMAN Public Tutorial Course: Music Signal Processing
Chair:
Location: Hoersaal K0101
15:00-18:00 Session : Registration
Location: MDW Aula
15:30-17:30 Session 7: BATWOMAN Public Tutorial Course: Laboratory Workshops
Chairs:
Location: Laboratory
18:00-18:30 Session : Opening Ceremony
Location: Fanny Hensel Saal
18:30-19:00 Session 8: Keynote
Chair:
Location: Fanny Hensel Saal
| 18:30 | Keynote speech: Through the looking glass: from musical listening to acoustics ( abstract ) |
Thursday, September 17th
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09:00-10:45 Session 10: Brass wind instruments and their transient behaviour
Chairs:
Location: Fanny Hensel Saal
| 09:00 | Keynote speech: Bridging the gaps in the harmonic series: valves, slides and finger holes in brass instruments. ( abstract ) |
| 09:30 | Simultaneous and in vivo measurements of control parameters used in trumpet performance ( abstract ) |
| 09:45 | Transients of the trumpet tone: Basic links between perception and measurements of lips opening area and pressure in player's mouth ( abstract ) |
| 10:00 | Playing above and below the resonance: the changing relative phases of pressure, flow and trombonists’ lip motion ( abstract ) |
| 10:15 | Experimental investigation of Doppler shift during wave propagation within the bore of the Trombone during slide movement ( abstract ) |
| 10:30 | Pitch Shifts in Wind Instruments due to Changes in Air Composition ( abstract ) |
10:30-12:00 Session 11: Poster session I
Location: MDW Aula
| 10:30 | Inharmonicity of a trumpet with a variable depth mouthpiece ( abstract ) |
| 10:30 | Šedifon (Schediphon): A case study on a rare brass instrument ( abstract ) |
| 10:30 | Brasswind engineering: some practical observations ( abstract ) |
10:45-11:15 Session 12: Nonlinear wave propagation
Chair:
Location: Fanny Hensel Saal
| 10:45 | Non-linear sound propagation and spectral enrichment as a key to characterising brass instrument types ( abstract ) |
| 11:00 | A simulation tool in time domain for brassiness studies ( abstract ) |
11:15-11:30Coffee Break
11:30-12:00 Session 13: Wall vibrations and air columns
Chair:
Location: Fanny Hensel Saal
| 11:30 | Analysis of the acoustic input impedance of a vibrating trombone bell ( abstract ) |
| 11:45 | Coupling between wall vibrations and the air column in brass wind instruments: a comparison between theoretical predictions and experimental results ( abstract ) |
12:00-12:45 Session 14: Woodwinds I
Chair:
Location: Fanny Hensel Saal
| 12:00 | Does an experienced recorder player start notes differently than a novice player? ( abstract ) |
| 12:15 | An Acoustical Analysis Of Waveline Flute Tube Joints ( abstract ) |
| 12:30 | LBM Simulation of the Quasi-static Flow in a Clarinet ( abstract ) |
13:00-14:00Lunch
14:00-15:30 Session 15: Early brass music and instruments
Chairs:
Location: Fanny Hensel Saal
| 14:00 | Keynote speech: From Mersenne to Robartes: The Trumpet, the Trumpet Marine, and the Discovery of the Harmonic Series ( abstract ) |
| 14:30 | The On-going Quest for Trumpet Mute Pitch-Alteration: An Acoustical Analysis of three Historic Trumpet Mutes at the National Music Museum ( abstract ) |
| 14:45 | Transposing Mutes for Trumpets ( abstract ) |
| 15:00 | Refining the Narrative of Anton Weidinger’s Prototype Keyed Trumpet ( abstract ) |
| 15:15 | The Late Keyed Trumpet ( abstract ) |
15:30-15:45 Session 16: Preservation of historic instruments
Chair:
Location: Fanny Hensel Saal
| 15:30 | Humidity in brass instruments and the prevention of corrosion ( abstract ) |
15:45-16:15Coffee Break
16:15-18:00 Session 17: Characterisation and documentation of instruments
Chair:
Location: Fanny Hensel Saal
| 16:15 | To know, to remember, to preserve: documenting objects and sites related to sound production ( abstract ) |
| 16:30 | In search of the remaining elements of Sébastien Érard and Gabriel Joseph Grenié’s organs, first expressive organs built in France. ( abstract ) |
| 16:45 | Victor-Charles Mahillon and his anti-cornet strategy ( abstract ) |
| 17:00 | Modal analysis of violoncello tailpieces - copies derived from 3 tailpieces ascribed to Stradivari (Musée de la musique, Paris) ( abstract ) |
| 17:15 | Violin projection: perceptual and semantic analyses ( abstract ) |
| 17:30 | Measurements on historic pianos ( abstract ) |
| 17:45 | Period instruments revival with Pianoteq KIViR project ( abstract ) |
Friday, September 18th
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09:00-10:00 Session 18: Single note instruments
Chairs:
Location: Fanny Hensel Saal
| 09:00 | Keynote speech: Single note instruments – from spectra to performance ( abstract ) |
| 09:30 | Methods for exciting wine glasses by coupling to plucked strings - theory and experiment ( abstract ) |
| 09:45 | The Etiology of Chatter in the Himalayan Singing Bowl ( abstract ) |
10:00-11:00 Session 19: Woodwinds II
Chair:
Location: Fanny Hensel Saal
| 10:00 | Analytical model of the transition between cylinder and conical tubes ( abstract ) |
| 10:15 | Periodic and Quasi-Periodic regimes of an alto saxophone according to the control parameters and the bore inharmonicity ( abstract ) |
| 10:30 | Comparison between the measured and played intonation on e-flat clarinets in the altissimo register ( abstract ) |
| 10:45 | IMPROVING A G-HIGH CLARINET USING MEASUREMENT DATA AND AN ELECTRONIC CIRCUIT ANALYSIS PROGRAM ( abstract ) |
10:30-12:00 Session 20: Poster session II
Location: MDW Aula
| 10:30 | An Automatic Acquisition System for Measuring the Directional Characteristic of Musical Instruments ( abstract ) |
| 10:30 | Parameter ranges for artificial bassoon playing ( abstract ) |
| 10:30 | Discrete-time conserved quantities for damped oscillators ( abstract ) |
| 10:30 | Influence of the truncation length of the oboe cone on the reed closing time ( abstract ) |
| 10:30 | Questionnaire: Satisfaction on the E-flat clarinet ( abstract ) |
| 10:30 | SOFTWARE SIMULATION OF THE TONE-HOLE LATTICE IN CLARINET-LIKE SYSTEMS ( abstract ) |
11:00-11:30Coffee Break
11:30-12:45 Session 21A: Numerical methods
Chairs:
Location: Fanny Hensel Saal
| 11:30 | Modeling string boundary conditions and string coupling in lute instruments ( abstract ) |
| 11:45 | TIME-DOMAIN SIMULATIONS OF A TEN-STRING BRAZILIAN GUITAR. ( abstract ) |
| 12:00 | Investigation of tanpura string vibrations using a two-dimensional time-domain model incorporating coupling and bridge friction ( abstract ) |
| 12:15 | Physically-Based Dynamic Morphing of Beam Sounds ( abstract ) |
| 12:30 | ROLE OF MODAL APPROACH FOR SOUND SYNTHESIS OF NONLINEAR SYSTEMS: THE CASE OF PLATES ( abstract ) |
11:30-12:15 Session 21B: Physiology
Chair:
Location: Clara Schumann Saal
| 11:30 | Use and integration of further technologies into performance analysis and musicians’ daily routine ( abstract ) |
| 11:45 | Hearing protection for musicians ( abstract ) |
| 12:00 | The Role of Biomechanics and Neuromechanics in Dynamic Performance: a Practical Integration for Musicians ( abstract ) |
13:00-14:00Lunch
14:00-15:30 Session 22: Experimental methods
Chair:
Location: Fanny Hensel Saal
| 14:00 | Using a dual electronic speckle-pattern interferometer to study coupled vibrations in drumheads ( abstract ) |
| 14:15 | Interferometric studies of the Brazilian Cuíca ( abstract ) |
| 14:30 | Microphone Array Methods for Musical Acoustics ( abstract ) |
| 14:45 | Emergence of inharmonic components in classical guitar sounds ( abstract ) |
| 15:00 | Precise Cello Bowing Pendulum ( abstract ) |
| 15:15 | Microphone array measurements of the grand piano ( abstract ) |
15:30-15:45Coffee Break
15:45-16:45 Session 23A: Free reed instruments
Chairs:
Location: Fanny Hensel Saal
| 15:45 | Reed chamber resonances in free reed instruments: Problems and possibilities ( abstract ) |
| 16:00 | Bionic pitch benders for free reed instruments ( abstract ) |
| 16:15 | EXPERIMENTAL STUDY OF THE SOUND PRODUCED FROM A CONCERT ACCORDION ( abstract ) |
| 16:30 | Experimental study of free reed initial transients ( abstract ) |
15:45-17:45 Session 23B: Biomechanics workshop
Chair:
Location: Clara Schumann Saal
| 15:45 | Part I. Interactive session: Improving Dynamic Posture for Musical Performance ( abstract ) |
| 16:45 | Part II. Individualized Programs for Continuing Improvement ( abstract ) |
17:00-18:30 Session 24: Piano modelling
Chairs:
Location: Fanny Hensel Saal
| 17:00 | Piano hammer-string contact duration: How the bass hammer is released from the string ( abstract ) |
| 17:15 | Energy based simulation of a Timoshenko beam in non-forced rotation. Influence of the piano hammer shank flexibility on the sound. ( abstract ) |
| 17:30 | Investigating the double polarisations of vibrating piano strings ( abstract ) |
| 17:45 | Comparisons between measured and predicted vibroacoustics characteristics of an upright piano soundboard ( abstract ) |
| 18:00 | Energy analysis of structural changes in pianos ( abstract ) |
| 18:15 | DESIGNING ON SUBJECTIVE TOLERANCE TO APPROXIMATED PIANO REPRODUCTIONS ( abstract ) |
19:30-23:30 Session : Conference Banquet
Entrance starting at 19:30 from entrance Lichtenfelsgasse 2 (Left side of city hall, seen from the Ring); conference dinner starts at 20:00. Don't forget to bring your banquet ticket to pass the City Hall Guards.
Location: Vienna City Hall
Saturday, September 19th
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09:00-09:30 Session 25: Keynote
Chair:
Location: Fanny Hensel Saal
| 09:00 | Keynote Speech: Performance space: The spotlight and its implications for performance psychology ( abstract ) |
09:30-10:45 Session 26: Gesture and communication in music performance I
Chairs:
Location: Fanny Hensel Saal
| 09:30 | Rhythm perception in the context of music and dance ( abstract ) |
| 09:45 | Enabling Synchronization: Auditory and Visual Modes of Communication during Ensemble Performance ( abstract ) |
| 10:00 | Perceptual relevance of asynchrony between orchestral instrument groups in two concert halls ( abstract ) |
| 10:15 | Playing slow in reverberant rooms – Examination of a common concept based on empirical data ( abstract ) |
| 10:30 | Flexible Score Following: The Piano Music Companion and Beyond ( abstract ) |
10:30-12:00 Session 27: Poster session III
Location: MDW Aula
| 10:30 | Exploring the decay properties of guitar sounds from mobility measurements ( abstract ) |
| 10:30 | Comparison of mouthpiece pressure signal and reed bending signal on clarinet and saxophone ( abstract ) |
| 10:30 | Steady State Sound Production and Investigations on Classic Guitars ( abstract ) |
| 10:30 | Investigating chime bar vibrations using high-speed stereophotogrammetry ( abstract ) |
| 10:30 | Pre-assembly violin auralization—listening to plate-tuning trends and to fine model-adjustments ( abstract ) |
| 10:30 | Influence of mouthpiece geometry on saxophone playing ( abstract ) |
| 10:30 | The influence of nicks on the sound properties and the airflow in front of flue organ pipe ( abstract ) |
| 10:30 | TappingFriend – an interactive science exhibit for experiencing synchronicity with real and artificial partners ( abstract ) |
| 10:30 | Inton – a system for in-situ measurement of the pipe organ ( abstract ) |
10:45-11:00Coffee Break
11:00-11:45 Session 28: Gesture and communication in music performance II
Chairs:
Location: Fanny Hensel Saal
| 11:00 | Real-time estimation of instrument controls with marker based IR cameras. ( abstract ) |
| 11:15 | Piezoelectric film sensors facilitate simultaneous measurement of bowing parameters and bridge vibrations during violin playing ( abstract ) |
| 11:30 | Towards Bridging the Gap in a Musical Live Performance ( abstract ) |
11:45-13:00 Session 29: Timbre perception
Chair:
Location: Fanny Hensel Saal
| 11:45 | ROUGHNESS OF VIOLIN TONES - PERCEPTION OF IRREGULARITIES ( abstract ) |
| 12:00 | Towards the Comparability and Generality of Timbre Space Studies ( abstract ) |
| 12:15 | Modelling similarity perception of short music excerpts ( abstract ) |
| 12:30 | Comparing recorded and simulated musical instrument sounds: perspectives for a perceptual evaluation ( abstract ) |
| 12:45 | Investigating the Colloquial Description of Sound by Musicians and Non-Musicians ( abstract ) |
13:00-14:00Lunch
14:00-14:30 Session 30: Voice and auralization
Chair:
Location: Fanny Hensel Saal
| 14:00 | Physical Modeling and Numerical Simulation of Human Phonation ( abstract ) |
| 14:15 | Auralization for musicians and instrument makers as a tool for evaluating a musical instrument ( abstract ) |
14:30-15:00 Session 31: Organ acoustics
Chairs:
Location: Fanny Hensel Saal
| 14:30 | Study on the influence of acoustics on organ playing using room enhancement ( abstract ) |
| 14:45 | Coupled Organ Pipes and Synchronization - Numerical Investigations and Methods ( abstract ) |
15:00-16:00 Session 32: Physical modeling tools for musical instruments
Chair:
Location: Fanny Hensel Saal
| 15:00 | Digital Guitar Workshop – A physical modeling software for instrument builders ( abstract ) |
| 15:15 | Real-time physical modeling of large instrument geometries using coupled FPGAs ( abstract ) |
| 15:30 | Feasibility analysis of real-time physical modeling using WaveCore processor technology on FPGA ( abstract ) |
| 15:45 | Software Simulation of Clarinet Reed Vibrations ( abstract ) |
16:00-16:15Coffee Break
16:15-17:30 Session 33: Audio signal processing
Chair:
Location: Fanny Hensel Saal
| 16:15 | Spatial Manipulation of Musical Sound: Informed Source Separation and Respatialization ( abstract ) |
| 16:30 | Modeling the spectrum structure within the NMF framework. Application to inharmonic sounds. ( abstract ) |
| 16:45 | Towards Realistic and Natural Synthesis of Musical Performances: Performer, Instrument and Sound modeling ( abstract ) |
| 17:00 | A comparison of single-reed and bowed-string excitations of a hybrid wind instrument ( abstract ) |
| 17:15 | Automatic music transcription using spectrogram factorization methods ( abstract ) |
17:30-18:00 Session : Farewell
Location: Fanny Hensel Saal