TALK KEYWORD INDEX
This page contains an index consisting of author-provided keywords.
| 1 | |
| 17th century | |
| 18th century | |
| 19th century | |
| 3 | |
| 3D printing | |
| A | |
| accordion | |
| Acoustic Holography | |
| Acoustic modelling | |
| Acoustic transducers | |
| Acoustics influence on music performance | |
| Acoustics of musical wind instruments | |
| active listening | |
| air flow | |
| air wall coupling | |
| altered auditory feedback | |
| Altissimo Register | |
| analogy | |
| analysis | |
| Analytical modeling | |
| Anton Stadler | |
| artificial | |
| Artificial Mouth | |
| Attack transients | |
| audience participation | |
| Audio recordings | |
| audiovisual integration | |
| auditory-motor integration | |
| auralization | |
| automatic music transcription | |
| B | |
| Bass violin | |
| Basse de violon | |
| Basset Clarinet | |
| Bassoon | |
| Beams | |
| Beethoven | |
| bias | |
| biofeedback | |
| Biomechanics of performance posture | |
| Bore profile | |
| Bore size | |
| bow-string | |
| bowing | |
| bowing machine | |
| bowing parameters | |
| Brass | |
| brass instrument | |
| Brass instruments | |
| brass music and instruments | |
| brass wind instruments | |
| brasswind instruments | |
| Brazilian guitar | |
| buzzing | |
| C | |
| Carbon dioxide | |
| Carl Gottlob Schuster | |
| cataloguing | |
| causation | |
| cello | |
| Chime Bar | |
| Circuit Analysis Program | |
| Clarinet | |
| classic guitar | |
| classical guitar | |
| Communication | |
| comparism | |
| Computational models | |
| computational musicology | |
| computer modelling | |
| Concert Grand Piano | |
| Concert hall acoustics | |
| cone truncation length | |
| Conical tubes | |
| contact time | |
| cordier | |
| Cornet | |
| corrosion | |
| coupled modes | |
| Coupling | |
| cracked | |
| czech instrument makers | |
| D | |
| Damping | |
| dance | |
| data | |
| database system | |
| Deafness | |
| decay | |
| description of sound | |
| design toolkit | |
| development of the chromatic trumpet | |
| Digital Image Correlation | |
| dimensionless | |
| directional characteristics | |
| distributed contact force | |
| documentation | |
| documentation of instruments | |
| Doppler | |
| double polarisations | |
| Double Reed | |
| double reed woodwind instruments | |
| drums | |
| Dynamic posture | |
| E | |
| Earplug | |
| Effective motor control | |
| Efficient performance posture | |
| Efficient performance strategies | |
| Electrical analogies | |
| electro-acoustic | |
| embouchure | |
| empirical study | |
| End correction of pipes | |
| Energy | |
| Energy analysis | |
| energy conservation | |
| energy preservation | |
| ensemble performance | |
| ESPRIT | |
| experimental | |
| expressive organ | |
| expressivity | |
| F | |
| F.-A. Drechsel | |
| FEM | |
| finite differences | |
| flexible piano shank | |
| flow | |
| fluctuation | |
| Flue organ pipe | |
| flute | |
| Flute-like instruments | |
| FPGA | |
| Francis Robartes | |
| free reed | |
| Free reed instruments | |
| friction drum | |
| G | |
| g-high | |
| Giuseppe Pignieri | |
| Glass | |
| glissando | |
| Gongs | |
| Grenié | |
| Guitar | |
| H | |
| Hamiltonian description | |
| harmonic series | |
| harmonica | |
| harmonium | |
| Haydn | |
| Health | |
| hearing experiment | |
| Hearing loss | |
| Hearing protection | |
| High Performance Computing | |
| High Resolution Method | |
| high resolution methods | |
| high-speed imaging | |
| historic brass instruments | |
| Historic pianos | |
| human computer interaction | |
| Human phonation | |
| Humidity | |
| hybrid synthesis | |
| hybrid wind | |
| I | |
| idiophone | |
| impedance | |
| impedance measurements | |
| Implement efficient performance strategies | |
| implicit time discretization | |
| individual differences | |
| Individualized posture training | |
| informed source separation | |
| infrasound | |
| Inharmonicity | |
| Input acoustic impedance | |
| Input Impedance | |
| Input impedance measurement | |
| Instrument Design | |
| instrument maker | |
| instrument making | |
| instrument recognition | |
| Instrumental Control | |
| Interactive session | |
| interpersonal communication | |
| Intonation | |
| Inverse Modeling | |
| irregularities | |
| J | |
| John Wallis | |
| joint | |
| Joint action | |
| K | |
| keyboard controller | |
| Keyed trumpet | |
| Kompendium zur Akustik der Blasinstrumente | |
| L | |
| LBM | |
| linguistics | |
| lip motion | |
| lip vibration | |
| lipping down | |
| lipping up | |
| listening test | |
| loudness | |
| M | |
| manufacturing | |
| Many-Core | |
| Marin Mersenne | |
| maximum bow force | |
| measurement database | |
| measurement techniques | |
| Measurements | |
| Measurements and modeling | |
| micro-cap | |
| Microphone Array | |
| MIDI organ | |
| Minimum Energy Method | |
| modal analysis | |
| Modal approach | |
| Modern and period instruments | |
| Motion Capture | |
| motor control | |
| mouth pressure | |
| mouthpiece | |
| mouthpiece force | |
| mouthpiece pressure | |
| multi-pitch detection | |
| music | |
| music acoustic | |
| Music instrument interfaces | |
| music interaction | |
| Music performance | |
| music signal analysis | |
| music technology | |
| music tracking | |
| musical acoustics | |
| musical control | |
| musical Instrument | |
| musical instrument evaluation | |
| musical instruments | |
| musical instruments and iconography | |
| musical performance | |
| Musician control | |
| Musicians | |
| Mutes | |
| N | |
| Neuromechanics of performance | |
| Neuromechanics of performance posture | |
| Neuromechanics of posture | |
| Nicks | |
| NMF | |
| Non negative Matrix Factorization | |
| Nonlinear Acoustics | |
| Nonlinear damping | |
| Nonlinear dynamics | |
| Nonlinear spectral enrichment | |
| nonlinear strings | |
| Nonlinear wave propagation | |
| Numerical Methods | |
| numerical modelling | |
| numerical simulation | |
| numerical simulations | |
| O | |
| oboe | |
| optical methods | |
| Organ performance | |
| organ pipes | |
| Organ pipes interventions | |
| Organology | |
| Orthotropic plate | |
| overtones | |
| P | |
| perception | |
| perception of sound | |
| percussion | |
| performance | |
| Performance analysis | |
| Performance of music | |
| Period and modern brass players | |
| period instrument | |
| periodic and quasi-periodic regimes | |
| phase | |
| Phase-locked PIV | |
| Physical modeling | |
| Physical Modelling | |
| physics based synthesis | |
| Physics-based piano model | |
| pianistic touch | |
| Piano | |
| Piano acoustics | |
| piano hammer | |
| Piano making | |
| piano model | |
| piano modelling | |
| Piano perception | |
| Piano soundboard | |
| piano strings | |
| pipe organ | |
| Pitch | |
| Pitch Alteration | |
| pitch bending | |
| Playability | |
| Player actions | |
| Port-Hamiltonian Systems | |
| pressure measurement | |
| preventive conservation | |
| projection | |
| psychoacoustics | |
| pulse forming | |
| Q | |
| Questionnaire | |
| R | |
| radiated sound | |
| Radiation impedance | |
| real-time music understanding | |
| Real-time Synthesis | |
| Reconstructions | |
| reed instruments | |
| Reed model | |
| reed organ | |
| Resonance | |
| rhythm perception | |
| room acoustics | |
| Room acoustics and music performance | |
| Room enhancement | |
| roughness | |
| S | |
| saxophone | |
| saxophone mouthpiece geometry | |
| saxophone playability | |
| schediphone | |
| score following | |
| Semitone | |
| sensor | |
| Sensori-motor synchronization | |
| sensorimotor synchronization | |
| server | |
| short audio clips | |
| similarity perception | |
| simulation | |
| Sine Sweep Technique | |
| singing bowl | |
| single reed instruments | |
| single-reed | |
| skill | |
| slide | |
| slip-stick phenomena | |
| software simulation | |
| sound analysis | |
| sound objects | |
| sound pattern | |
| sound production | |
| Sound quality | |
| sound signal | |
| sound synthesis | |
| sounding rocks | |
| Sources for the keyed trumpet | |
| spatial filtering | |
| spatialization | |
| speckle interferometry | |
| spectral models | |
| spectrum | |
| Spectrum structure estimation | |
| Speed of Sound | |
| Stage acoustics | |
| Stereophotogrammetry | |
| stick-slip | |
| Stradivari | |
| String | |
| string instrument | |
| Structural modifications | |
| Structural Vibrations | |
| subjective judgement of sound | |
| survey | |
| sweeping flow | |
| Sympathetic | |
| Sympathetic resonance | |
| synchronization | |
| systematic musicology | |
| T | |
| tailpiece | |
| Tanpura | |
| Tapping paradigm | |
| technology | |
| Temperature | |
| Theodor Lotz | |
| timbre | |
| timbre discrimination | |
| timbre features | |
| Timbre in musical acoustics | |
| timbre perception | |
| timbre space | |
| Time-Domain Modelling | |
| Time-domain simulation | |
| timing | |
| Timing in music ensembles | |
| Tinnitus | |
| Tone-hole lattice | |
| transient | |
| transients | |
| Transposing | |
| traveling waves | |
| trombone | |
| Trombone bell | |
| Trumpet | |
| trumpet marine | |
| Trumpet Mute | |
| V | |
| valves | |
| vibrating Timoshenko beam | |
| Vibrating walls of wind instruments | |
| vibro-acoustics | |
| Vibroacoustics measurements | |
| Victor-Charles Mahillon | |
| Viennese trumpet literature | |
| violin | |
| Violin acoustics | |
| violin auralization | |
| violin radiation patterns | |
| violin sound trends | |
| violin tones | |
| violoncelle | |
| virtual binaural violin | |
| Vocal tract | |
| Von Kármán equations | |
| W | |
| wall vibrations | |
| waveguides | |
| waveline | |
| Weidinger | |
| Whole Tone | |
| Wind Instruments | |
| Wineglass | |
| Wolfgang Amadeus Mozart | |
| Woodwind instruments | |
| Woodwinds | |
| É | |
| Érard | |