TALK KEYWORD INDEX
This page contains an index consisting of author-provided keywords.
1 | |
17th century | |
18th century | |
19th century | |
3 | |
3D printing | |
A | |
accordion | |
Acoustic Holography | |
Acoustic modelling | |
Acoustic transducers | |
Acoustics influence on music performance | |
Acoustics of musical wind instruments | |
active listening | |
air flow | |
air wall coupling | |
altered auditory feedback | |
Altissimo Register | |
analogy | |
analysis | |
Analytical modeling | |
Anton Stadler | |
artificial | |
Artificial Mouth | |
Attack transients | |
audience participation | |
Audio recordings | |
audiovisual integration | |
auditory-motor integration | |
auralization | |
automatic music transcription | |
B | |
Bass violin | |
Basse de violon | |
Basset Clarinet | |
Bassoon | |
Beams | |
Beethoven | |
bias | |
biofeedback | |
Biomechanics of performance posture | |
Bore profile | |
Bore size | |
bow-string | |
bowing | |
bowing machine | |
bowing parameters | |
Brass | |
brass instrument | |
Brass instruments | |
brass music and instruments | |
brass wind instruments | |
brasswind instruments | |
Brazilian guitar | |
buzzing | |
C | |
Carbon dioxide | |
Carl Gottlob Schuster | |
cataloguing | |
causation | |
cello | |
Chime Bar | |
Circuit Analysis Program | |
Clarinet | |
classic guitar | |
classical guitar | |
Communication | |
comparism | |
Computational models | |
computational musicology | |
computer modelling | |
Concert Grand Piano | |
Concert hall acoustics | |
cone truncation length | |
Conical tubes | |
contact time | |
cordier | |
Cornet | |
corrosion | |
coupled modes | |
Coupling | |
cracked | |
czech instrument makers | |
D | |
Damping | |
dance | |
data | |
database system | |
Deafness | |
decay | |
description of sound | |
design toolkit | |
development of the chromatic trumpet | |
Digital Image Correlation | |
dimensionless | |
directional characteristics | |
distributed contact force | |
documentation | |
documentation of instruments | |
Doppler | |
double polarisations | |
Double Reed | |
double reed woodwind instruments | |
drums | |
Dynamic posture | |
E | |
Earplug | |
Effective motor control | |
Efficient performance posture | |
Efficient performance strategies | |
Electrical analogies | |
electro-acoustic | |
embouchure | |
empirical study | |
End correction of pipes | |
Energy | |
Energy analysis | |
energy conservation | |
energy preservation | |
ensemble performance | |
ESPRIT | |
experimental | |
expressive organ | |
expressivity | |
F | |
F.-A. Drechsel | |
FEM | |
finite differences | |
flexible piano shank | |
flow | |
fluctuation | |
Flue organ pipe | |
flute | |
Flute-like instruments | |
FPGA | |
Francis Robartes | |
free reed | |
Free reed instruments | |
friction drum | |
G | |
g-high | |
Giuseppe Pignieri | |
Glass | |
glissando | |
Gongs | |
Grenié | |
Guitar | |
H | |
Hamiltonian description | |
harmonic series | |
harmonica | |
harmonium | |
Haydn | |
Health | |
hearing experiment | |
Hearing loss | |
Hearing protection | |
High Performance Computing | |
High Resolution Method | |
high resolution methods | |
high-speed imaging | |
historic brass instruments | |
Historic pianos | |
human computer interaction | |
Human phonation | |
Humidity | |
hybrid synthesis | |
hybrid wind | |
I | |
idiophone | |
impedance | |
impedance measurements | |
Implement efficient performance strategies | |
implicit time discretization | |
individual differences | |
Individualized posture training | |
informed source separation | |
infrasound | |
Inharmonicity | |
Input acoustic impedance | |
Input Impedance | |
Input impedance measurement | |
Instrument Design | |
instrument maker | |
instrument making | |
instrument recognition | |
Instrumental Control | |
Interactive session | |
interpersonal communication | |
Intonation | |
Inverse Modeling | |
irregularities | |
J | |
John Wallis | |
joint | |
Joint action | |
K | |
keyboard controller | |
Keyed trumpet | |
Kompendium zur Akustik der Blasinstrumente | |
L | |
LBM | |
linguistics | |
lip motion | |
lip vibration | |
lipping down | |
lipping up | |
listening test | |
loudness | |
M | |
manufacturing | |
Many-Core | |
Marin Mersenne | |
maximum bow force | |
measurement database | |
measurement techniques | |
Measurements | |
Measurements and modeling | |
micro-cap | |
Microphone Array | |
MIDI organ | |
Minimum Energy Method | |
modal analysis | |
Modal approach | |
Modern and period instruments | |
Motion Capture | |
motor control | |
mouth pressure | |
mouthpiece | |
mouthpiece force | |
mouthpiece pressure | |
multi-pitch detection | |
music | |
music acoustic | |
Music instrument interfaces | |
music interaction | |
Music performance | |
music signal analysis | |
music technology | |
music tracking | |
musical acoustics | |
musical control | |
musical Instrument | |
musical instrument evaluation | |
musical instruments | |
musical instruments and iconography | |
musical performance | |
Musician control | |
Musicians | |
Mutes | |
N | |
Neuromechanics of performance | |
Neuromechanics of performance posture | |
Neuromechanics of posture | |
Nicks | |
NMF | |
Non negative Matrix Factorization | |
Nonlinear Acoustics | |
Nonlinear damping | |
Nonlinear dynamics | |
Nonlinear spectral enrichment | |
nonlinear strings | |
Nonlinear wave propagation | |
Numerical Methods | |
numerical modelling | |
numerical simulation | |
numerical simulations | |
O | |
oboe | |
optical methods | |
Organ performance | |
organ pipes | |
Organ pipes interventions | |
Organology | |
Orthotropic plate | |
overtones | |
P | |
perception | |
perception of sound | |
percussion | |
performance | |
Performance analysis | |
Performance of music | |
Period and modern brass players | |
period instrument | |
periodic and quasi-periodic regimes | |
phase | |
Phase-locked PIV | |
Physical modeling | |
Physical Modelling | |
physics based synthesis | |
Physics-based piano model | |
pianistic touch | |
Piano | |
Piano acoustics | |
piano hammer | |
Piano making | |
piano model | |
piano modelling | |
Piano perception | |
Piano soundboard | |
piano strings | |
pipe organ | |
Pitch | |
Pitch Alteration | |
pitch bending | |
Playability | |
Player actions | |
Port-Hamiltonian Systems | |
pressure measurement | |
preventive conservation | |
projection | |
psychoacoustics | |
pulse forming | |
Q | |
Questionnaire | |
R | |
radiated sound | |
Radiation impedance | |
real-time music understanding | |
Real-time Synthesis | |
Reconstructions | |
reed instruments | |
Reed model | |
reed organ | |
Resonance | |
rhythm perception | |
room acoustics | |
Room acoustics and music performance | |
Room enhancement | |
roughness | |
S | |
saxophone | |
saxophone mouthpiece geometry | |
saxophone playability | |
schediphone | |
score following | |
Semitone | |
sensor | |
Sensori-motor synchronization | |
sensorimotor synchronization | |
server | |
short audio clips | |
similarity perception | |
simulation | |
Sine Sweep Technique | |
singing bowl | |
single reed instruments | |
single-reed | |
skill | |
slide | |
slip-stick phenomena | |
software simulation | |
sound analysis | |
sound objects | |
sound pattern | |
sound production | |
Sound quality | |
sound signal | |
sound synthesis | |
sounding rocks | |
Sources for the keyed trumpet | |
spatial filtering | |
spatialization | |
speckle interferometry | |
spectral models | |
spectrum | |
Spectrum structure estimation | |
Speed of Sound | |
Stage acoustics | |
Stereophotogrammetry | |
stick-slip | |
Stradivari | |
String | |
string instrument | |
Structural modifications | |
Structural Vibrations | |
subjective judgement of sound | |
survey | |
sweeping flow | |
Sympathetic | |
Sympathetic resonance | |
synchronization | |
systematic musicology | |
T | |
tailpiece | |
Tanpura | |
Tapping paradigm | |
technology | |
Temperature | |
Theodor Lotz | |
timbre | |
timbre discrimination | |
timbre features | |
Timbre in musical acoustics | |
timbre perception | |
timbre space | |
Time-Domain Modelling | |
Time-domain simulation | |
timing | |
Timing in music ensembles | |
Tinnitus | |
Tone-hole lattice | |
transient | |
transients | |
Transposing | |
traveling waves | |
trombone | |
Trombone bell | |
Trumpet | |
trumpet marine | |
Trumpet Mute | |
V | |
valves | |
vibrating Timoshenko beam | |
Vibrating walls of wind instruments | |
vibro-acoustics | |
Vibroacoustics measurements | |
Victor-Charles Mahillon | |
Viennese trumpet literature | |
violin | |
Violin acoustics | |
violin auralization | |
violin radiation patterns | |
violin sound trends | |
violin tones | |
violoncelle | |
virtual binaural violin | |
Vocal tract | |
Von Kármán equations | |
W | |
wall vibrations | |
waveguides | |
waveline | |
Weidinger | |
Whole Tone | |
Wind Instruments | |
Wineglass | |
Wolfgang Amadeus Mozart | |
Woodwind instruments | |
Woodwinds | |
É | |
Érard |