Mr. Bungle thinks it through: finding coherence in California (1999)

The Tech-Processual Construction of Siouxsie and the Banshees’ Panoramic Peepshow

Metric Dissonance in Hip-Hop Music: An Exploration of Interpretive Multiplicity

Modular Form in Popular Music

Tonal Distortion in Radiohead

Harmony, Counterpoint, Partimento

L'apport du partimento dans l'analyse harmonique en France au 18e siècle

Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the beginning of the 19th century.

La fugue où on ne l'attend pas : transmission du style sévère à travers les Principes élémentaires de musique et les Solfèges du Conservatoire

Problems in Appropriating Seventeenth Century Repertoire into Present-Day Theory Class (Henry Purcell as a Case Study)

'You Could Compose a Missa "Surfin' USA"': Counterpoint teaching and the History of Its Justification

Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities

Time–Pitch Isomorphisms in /Die Walkuere/

Anton Bruckner’s Slow Movements: Dialogic Perspectives

Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvorak's Later Chamber Music

Reconsidering Strauss's 'Metamorphosen'

Integrating Tonal Transformations and Prolongations: A Case Study of Richard Strauss’s “September,” from Vier Letzte Lieder (1948)

Ten years of melodic analysis in ethnomusicology : methods & results

Considering anisochronous meters and polymeters in Afro-Brazilian music: analytic and didactic issues

"Pitch and rhythmical realization of traditional song music and their presentation in research interpretation"

A framework for the analysis of Jiuta and Sôkyoku music of the Kansai area

Analysing Chinese sacrificial hymn: Mutated theories and layered legacies in French modernity

Analyzing the Semiotic Contribution of Traditional Aesthetics to Contemporary Chinese Music

The piano sonatas of Schumann and Brahms: Approaching analysis through aesthetics

Correlations between Developing Variation and Genetic Processes in the Analysis of Brahms' Violin Sonata Op.78

Brahms's Non-Strophic Settings of Stanzaic Poetry

Brahms, Twilight, and the Muting of Leading-Tone Energies

The Art of Lamenting: Resurrection of the Past in Brahms's "Es steht ein Lind," WoO33, no. 41

Elgar's 'Introduction and Allegro': brief thoughts on musical in-between-ness

Tonal space in terms of practical and theoretical approaches in westernised choral idiom in Russia from 1670s to mid-18th century

[Titel] Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament [Untertitel] Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit.

Zacconi, Banchieri and the counterpoint species: reconstructing the Klanglichkeit of the contrapunto in compagnia

On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vassily Titov)

Der Akt des Komponierens als Temperierung – Zum Verhältnis von Kontrapunkt, Chromatik und Harmonik im Schaffen von Heinrich Schütz

Cultural and Political Overtones: Understanding multiple identity through performance-led analyses of Isang Yun’s Interludium A (1982)

Timbre and Variations: Exploring Sound in Vivier’s Zipangu (1980)

Alfred Schnittke's String Quartet No. 3 and the Uses of Quotation

Seeking Schubert in Aribert Reimann's _Mignon_ (1995)

Considérations sur Une méthode d’analyse musicale et de composition de Marina Scriabine (1953)

Analyse génétique à long terme des pratiques compositionnelles. Le cas d’Alberto Posadas (1967)

The Simpfonie according to Riepel

The Minor-Mode Sonata Rondo as Expressive Subgenre

Mozart’s “Great” C-Minor Mass and the New Formenlehre: An Exercise in Comparative Analysis

"Punctuation Form" and Expressive Contents in the First Main Period of Selected G minor Symphonies' First Movements of the Classical Era—A Neo-Kochian-Schenkerian Approach

Eisler’s Klavierstücke für Kinder as Kompositionslehre: Composition, Analysis, Pedagogy

Choose your own sonata form: Adventures in analysis

"Double Function" Sonata Forms in Franck's Late Chamber Music

Chopin's Ternary Preludes

Chopin’s Semitonal Modulations in Formal Designs

Form in Mendelssohn’s late chamber music: Thematic, textural and timbral saliency in the Quartet Op. 80 and Quintet Op. 87

La Barcarolle op. 60 de Chopin : esthétique du dernier style et métaphore de l’apothéose

Form, Syntax and the Problem of Late Style in Mendelssohn’s String Quartet Op. 80

Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies

Tonality and Prolongation in Roger Sessions' Second Symphony

"I Saw You and the World Went Away": Leonard Bernstein and Modulatory Practices in the Broadway Musical

To weave time: the late music of Morton Feldman through the example of Violin and String Quartet

Narrative and Metaphor in Elliott Carter’s String Quartet No. 1

The Role of the Medial Caesura in Schubert’s Over-Determined Transitions

Becoming Time: Cyclicity in Schubert’s Extended Secondary Theme

Formal Function Anomalies in Schubert's Late Sonata Forms and the Lyrical Impulse"

Pure Theory, Impure Analysis

L’herméneutique au regard de la tripartition de Jean Molino ; l’exemple de la Scène aux champs d’Hector Berlioz

analysis, hermeneutics, communication

Playing with Shadows: The Reinjection Loop as Historical Memory in Georg Friedrich Haas’s Live-elektronische Musik

Spectral Processes in Alvin Lucier’s Twonings

Collaborative Creation in Electroacoustic Music. Comparative analysis of three case studies.

Analysis of digital e-sketches: case study Marco Stroppa

The analysis of music for performers and real-time electronics: an interactive aural approach from the [ANONYMISED] project

Transformation analysis of the relations between acoustic instruments and electronics in mixed concert music

Music Analysis and Process

Classical Phenomenology and the Epistemological Clarification of Music Analysis

Musique, sémiologie musicale, musicologie : apports de l'heuristique musicale et de la philosophie de la complexité

Meta-Music and the Analytical Challenges of Jan W. Morthenson’s Music

An analytical study of repetition in recent Western art music: Bernhard Lang’s Differenz/Wiederholung 12 (Cellular Automata) for solo piano (2003).

Analysing early 17th century music with concepts of music theorica and musica poetica – The analytical implications of early triadic concepts of Baryphonus and Lippius

A New Model for Modal Analysis in Baroque Music

François Couperin's La Flore (Fifth Ordre): Motivic Replication, Approach to III, and Analytic Methodology

Harmony as Cultural Hybrid: Reflection on the First Nationwide Music Theory Conference in China (Wuhan, 1979)

Tonality: semantic aspect

Dynamic Grammar of Tonality: the real-time understanding of tonal music

Closing a Gap Between Theory and Praxis. Friedrich Kalkbrenner’s Treatise on Harmony for Pianists

The Role of Embodiment and Imagined, Supplemental Sound in the Analysis of Nineteenth-Century Piano Music

Il Capriccio VI di Niccolò Paganini: percorsi analitici attorno al problema performativo

Deep Music: The Global Art-Science Music After Six Millennia